Відео

Also wondering the same thing!

25, 32 and 50!

@@felixsimardt Thank you!

If i recall we used the 25, 32 and 50 mm :)

Unfortunately yes…filtration helps a lot but it’s not quite Alexa like

@@felixsimardt matters not - good work is good work.

Uhhh cooks s4i MINIS are very sharp dude. They START at 2.8 and are s35

@@John-e4p1x well I wouldn’t say they are especially sharp when comparing to Zeiss or Leica glass. People usually like them for that softer "Cooke look".

Thanks a lot! Well it’s a combination of many things but I’d say the look comes mosty from using harsh lights with no modifiers. The uncoated Cooke glass combined with a Hollywood Black Magic 1/4 filter also helped a lot to create that sparkly effect. Not to mention the color work in post which brings it all to life :)

@@felixsimardt Thanks for the information! Is the Black Magic filter like a Promist filter, in that it helps diffuse light? Also how were you able to control the intensity of the highlights when using harsh light?

@@DynamicPhil84yeah it’s pretty much like a pro-mist with less blooming and cleaner blacks. As for controling highlights it’s just about keeping the lighting ratios the same throughout the different setups. Bouncing light for fill and lowering the exposure helps to keep it even and not too harsh.