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@@nickstanley86 you’re so welcome!👌 I just recently started looking into Branford‘s work and man, I’ve been really missing out so far!

@@danielsteigledermusic check out the album “Romare Bearden Revealed.” “Carolina Shout” with Harry Connick. Transcribe that! lol.

@@nickstanley86 thanks for the recommendation! I’ve got a flight coming up and these albums are on the list now🙂👌

@@BobDoherty thanks Bob!🙂🙏 I can’t remember exactly - most of the lines are “common language”, but I remember taking some time with the more tricky lines.☝️ Anyway, the process is fun, and besides an insight into the improver‘s brain, I’m also training my ear pretty well🤗

@@SzabacsiNandor thanks for reaching out, my friend! Heading over to your channel and checking out your transcriptions now!🙂 Have a good day!🙂✌️

Thanks man! Really appreciate you taking the time and leave some kind words🙂🙏 all the best for you, take care!

@@brycewalburn3926 Art Pepper is a fantastic player - there’s so much to learn and incorporate in your own playing in here😍👌 glad you’re enjoying the transcription!

Thank you Dennis!🙂🙏 appreciate your comment! In this video, I’m playing on the Syos Max Ionata artist model 7* and Syos 3.5 reeds🙂 All the best and see you around!✌️

@@danielsteigledermusic Thanks again.

Thanks for your kind words and for reaching out! D Blues (for Alto) works perfectly, if you're looking closely you'll find Charlie Parker himself using that occasionally (besides a whole lot of other stuff😉)

@@danielsteigledermusic Thank you!! Great playing as always

So bluesy indeed! I love these solos where you can tell that the player is not showing you everything that’s in his arsenal, but rather goes with the energy of the moment 😍🎷

@@danielsteigledermusic soul soul and soul

Thank you Roberto🙏 all credit goes to the master himself, Branford Marsalis🤗☝️

Thank you!🙂🙏

Thank you, Moritz!🙂 Hank Mobley is one of my favorites for sure☝️ thanks so much for always commenting and supporting, really appreciate you!🤗🙏

Right?! I was surprised how big the differences between the mouthpieces were. Currently playing the Ionata and the Philtone Eclipse back to back. What are you playing on?

You got it! Dig a little deeper here on UA-cam and you’ll find plenty of my own solos😉 but the purpose of this series is to transcribe great solos and study what the masters did - an essential part of jazz studies in my opinion. What’s your approach to improving your soloing? All the best🙂✌️

There’s no delay on the sax actually, my friend. Just tiniest bit of reverb😉

Got you! I’ve played those a couple of times already🙂👍 I will totally do some pop solo transcriptions soon, I promise😉

I do offer lessons for all levels, in person and online. Also, I’m currently working on an online course, hopefully to be released later this year - exciting!🤗🙌 If you’re interested in studying with me, please shoot me a message or check out my web shop at www.shop.danielsteigleder.de - I’ll see you around my friend!🙂🤙

😜🤙 thank you, appreciate your comment! I’m actually not reading it, I transcribed it and learned to play it by heart😉

Damn!! That’s equally amazing! I’ve been dreaming of that talent - and years have gone by and I still can’t figure it out.

Daniel - what have you done to get to this point? Scales, chords, ears?

@@neilripsch6624 man, I really appreciate your kind words, thank you!🤗🙏 of course lots of work went into my playing but there’s techniques and strategies to learning stuff quickly and I’ve put in some effort to find out what’s working best for me. And now I’m happy to share that knowledge and pass it on to others🤗

Thank you!🤗🙏 yes, it is! These old Kings are killer horns!😍

thank you, Sir! Really appreciate that!🙂 I just tried searching for your suggestion, but couldn't really find it - is it "Le Coiffeur" from the "Gettin' around" record thy did together?🤔

@@danielsteigledermusic yes. Sorry, I don't know how writte this french word hehehe yes, thanks a lot. 😂❤️ What a album, Dex have a so original sound and flow. This 2 meters guy with blue eyes was really amaaaaazing...

@@SaxLex1 thanks for the suggestion!🙂🙏 I’ll put it on my list and will get to it eventually later this year. Appreciate your support and have a wonderful weekend!🙂✌️

Yeah, that's amazing! Meeting the heroes is always so cool and encouraging! Hope it was a nice experience!

Thank you so much for your kind words, I really appreciate that!🥰🙏 I haven’t really considered Mark VI horns in the past and I’m so happy I finally tested a bunch and really found a perfect fit🤗 Hope you’re having a great day and I’ll make sure to check some more of your videos with the Mark VI alto🙂✌️

Thanks, man! Appreciate you stopping by to leave a comment!🙂 all the best to you✌️

Besten Dank dir, Harald!🙂🙏 das Mark VI ist klasse, und das HD behalte ich als Back-up😉 bin zur Zeit in Deutschland, genau - meld dich gerne🙂✌️ beste Grüße und nen schönen Abend!

Hello again🙂✌️ I’m playing the same setup again, it’s the Phil-Tone Intrepid 8* and SYOS 3.5 reeds👍 I set up my microphone differently to match Branford‘s sound better, maybe that’s why you’re hearing a difference?🤔 All the best, see you around!🙂✌️

@@danielsteigledermusic I don't hear you in that video cause sound extremely perfect XD no, I hear you, but is super nice. Thanks a lot bro for your setup, I really appreciate it. Only a curiosity, do you tried the syos of Lorenzo Ferrero? Sounds amazing too. Thanks

@@SaxLex1 awww thanks mate!🤗🙏 you’re so welcome, I’m happy to answer all the questions!👍 I have tried his signature tenor mpc and it did not really work for me for some reason. But Lorenzo is a great guy and I really dig his style and learning resources!🙂👍

@@danielsteigledermusic thanks a lot Daniel. Yes. You and Lorenzo are so nice people. Keep doing that good music, this mk6 is a dream come true❤️☺️.

@@SaxLex1 it is! Thank you so much, man! Hope to see you around!🤗🤙

Lieben Dank dir, Peter! Freut mich, dass es dir gefällt!🙂🎷

Danke für dein liebes Feedback, Oli!😍 Ich freu mich drauf, endlich wieder mit dir die Bühne zu teilen! Beste Grüße und bis bald!🎷🎸

Danke für das Feedback! Freut mich, dass Ihnen der Sound gefällt!🙂🙏 Das Mark VI ist Baujahr 1969, mit Mundstücken teste ich gerade noch etwas, im Video ist es das „Intrepid“ von Phil-Tone, 8-8* Öffnung und SYOS 3,5 Blatt🙂👍 Mal schauen, ob es dabei bleibt, ein SYOS Mundstück (Max Ionata Modell) ist auch noch in der Verlosung😉 Beste Grüße und schönen Sonnabend!✌️

Thank you! Really appreciate your kind words!🙂 always trying my best to not only match the right notes, but also sound and style in these transcriptions!

Thanks mate! Can't wait to get to know the horn better in the coming days and weeks🤩🙌

Thank you, Moritz! I really appreciate your support!🤗🙏 happy you like my music!

Besten Dank für deine Kommentare und den Zuspruch!🙂🙏 das ermuntert ungemein, die nächsten Transkriptionen anzugehen!🥰🙏

Danke dir, Moritz!🙏 Joel Frahm hat hier mal wieder mega abgeliefert 😍👏

A broken grassi 😂❤ but in a few days a Martín Indiana repaired, do you prefer that mk6 than your king?😮😂

@@SaxLex1 Bet you can't wait to get your Martin back!😉 I have not played the Super20 and the Mark VI back to back yet - they feel pretty similar, but this Mark VI is an eye-opening experience🤩

Yes bro, is one the best saxes or the best hehe

Danke dir, mein Lieber! Freut mich, dass es dir gefällt!🙂🙏

Thank you for always listening! I appreciate your support, Ulrich!🙂🙏

Awww thanks man!😂🙏 really appreciate you again being the first to comment!🤙 have a great week my friend!✌️

Incredible playing and a true old school swing and bebop master!🤗🎷 I wish I had found him a little sooner to take a lesson with him - maybe next life!

Thank you Samuel!🙏 Max Ionata is such a killer player😍🙌🔥

Lieben Dank dir! Freut mich, dass es dir gefällt! Und wie immer: das Lob gebührt natürlich Phil Woods😉🎷🐐

Thank you so much, my friend! 🤗🙏 really excited for our upcoming shows later this month!🙂🤙

De nada, amigo!🙂✌️ enjoy playing along and have a wonderful weekend!🤙

Thanks a lot!🙂🙏

You’re so welcome! Hope you get some value out of it! Enjoy playing!🙂✌️

Thank you!🙏 that’s hard to say, it definitely utilizes the whole range on the tenor up to high F, but I’d say just download it and give it a try🙂✌️

You'll need to transpose the entire chart up a fourth to play along in the standard key.

@@sfpratt1954 actually, not required☝️ my download link includes charts for Bb and C instruments also🙂👌

I totally understand what you’re saying! Music goes way deep and has the ability to touch one’s soul - and to me, Cannonball is the absolute 🎷🐐 of beautiful melodies that connect with the audience 😍

Isn’t it a killer solo?👏 can’t get over how tasty he’s playing😍😍

@@danielsteigledermusic Joel is so good!

@@SaxophoneDanLive it's not until very recently that I started looking into his playing a little more. Can't wait to do some mire digging!

Thank you!🙂 Cannonball is my absolute hero, what a great player🙌