Відео

Nice done. I myself use cubase and next to it ableton. Such a shame cubase gets overlooked alot.

Nice and very instructive video, but there is a confusion about how was made the "gated reverb" effect heard on Phil Collins "In The Air Tonight". This particular effect was the combination of the natural reverberation of the London Townhouse's studio 2 stone-laden room and the SSL 4000 B Console's heavily compressed talkback mic input (noise-gated afterwards). It was first discovered in 1979, by Hugh Padgham, when he accidentally left open the talkback mic as Phil Collins fiddle around behind his drums during a recording session for Peter Gabriel's "Intruder" song. Because the talkback mic signal was unable to be directly recorded on the SSL console, Padgham rewired the board in order to record his intriguing discovery. The exact same procedure was then used a year later to record the drums for "In The Air Tonight", but this time with the addition of a noise-gate. The AMS RMX16 "Non Lin 2" preset is only a (fairly good) reproduction, but not a 100% copycat, of this particular effect, which remains impossible to reproduce without that special room, its specific treatment... and the SSL's talkback mic input.

Uuuh, think I recognize this session 😁

Thanks🔥🎵🎵

Hi.Good vid.Do you use Ableton at all?

This beat reminds me of the Aquatic Ambience level in Donkey Kong Country. Nice video!🙂

Love this

I guess checking reference songs is another way to remind yourself of where you want to be heading.

Thank you for making this video it is very helpful. Keep up the good work.

Really good video, I liked the vca comp on the full mix and I liked the Fet comps on the bass. Good work.

nice

thx a lot for the video !!! great content

Love the rum ham tee

its funny how you increase/decrease the saturation on Softube's plugin, and the knob doesn't move at all 😄 I suppose it was some kind of a bug in the plugin UI 😏

I clicked like but the number didn't go up, wtf

Love that tip on monoing the vocal reverb send, thank you for that. Great video.

I needed this video. I can *never* get my reverbs to sound right. Valhalla gets me a lot closer, but some of these tips, which seem so obvious once you suggest them, are things I’ve never done. And you’re getting the sound that I’ve always wanted. Keep making videos like this!

Great stuff mate.

I think you might need to automate that de-esser, as the level of ess in the vocal was quite variable. If you crush all the esses, you end up with "mithing" rather than "missing".

If ever I use the plugin at all, whatever value I'm okay with for the mid knob I can tolerate a maximum of half that amount on the high knob, if even used at all. I literally HATE the high knob (so seeing you consistently turn that one up first is absolutely doing me in as I'm watching!) as to my ears not a lot of _musicality_ lives up there… but every now and again 'it works'. I need to _feel it_ rather than hear/detect it, though.

learned so much, thank you for the video !

Fantastic. Best one of these on yt.

This is really great. Excellent pacing of the video, creative use of effects.

Very cool sound design Thanks for this

What’s the preset for the arturia oberheim? It’s lovel. Fantastic job btw

It's better to work with a separated low end to not loose it with the LFO. (based on my own mistakes)

A good mix comes down to 90% experience and know-how, and about 10% the specific plugins a person uses. Well...add to that good, well recorded singers and musicians. Because honestly, that's the most important part lol. My voice mixed well on record still sounds worse than someone with a great voice but badly mixed 😅

The reason why the EQs sound different is bcs the Q-3 labels 0.7 as 1 whereas the TDR doesn't. I prefer the system of the Q-3, but it is a wider band by about 1/3 relative to the TDR Nova. This is my understanding, anyway; I may be wrong or not have explained this well. Also, The TDR Slick EQ is an eq that does a colourful sound. It's a great Maag alternative. It's air band goes up to 40k like the maag.

its been my experience that are some categories of free plugins that give you the same results as the paid. like EQ, limiters, clippers, stereo enhancers,and even a few compressors. however, where there are no comparisons are the paid plugins like saturation, most compressors, reverb and delay, pitch shifting and autotune.

Haha thanks! I know what you mean... One of the key skills for any mix engineer/producer is being able to listen to the same 4 second loop for hours without going insane 😂

I don't know about you but I am very ready to leave it all behind in a city! Great video, thanks for this

love this one! but how do you deal with the swing difference between the hihat pattern and the drum loops? any solution?

Masterful! Thanks again for an awesome collab, man. 👾

LOVE how this one turned out! Thanks for another awesome collab, man. 🖤

Great tips! For the last example I believe you just forgot to reset the pan back to center for Bass copy used for the subs?

There is a bit of an issue with this process. The browser plugin has volume controls, and then you are normalizing. Unless both are using the same exact algorithm and the same values, you are not going to get perfect results. (not overly sure you would even then) You have essentially run the audio through two digital gains.

earned a sub pal great content !

it adds weird artifacts and changes the perceived pressure on my tracks. So glad you made this video. Thank you. I got stuck in mixing hell because of these platforms.

Kinda clickbait. Ofc the browser streaming is compressed. But the files are not compressed when uploading to dropbox.

I like the end result -- it sounds like you are going for a goth vibe there :)

Thanks again for letting me topline this one! So cool to learn more about the production side of it.

how does the autopanning transport to mono?

Nice mate, lovely project too 🙏🙏

great stuff mate, thank you for your time and effort on this!

Thank-you for sharing!

She sounds auto-tuned. Can't you just compress the lot on the master bus?

What if you send them .RAR file? Oh wait, do you mean just don't play them on their players on the website? You're not saying that just compress the file and change it are you? So you can't even send one that way???

Their web frontend would be using something like ffmpeg to transcode it for stream previews in the browser. It does not make sense to push the entire wave file through as a stream. The actual issue is if the cloud storage provider is compressing the uploaded files and then when downloaded if there is any loss then you should not use those services for audio production where any quality loss is not allowed. Same goes for graphics files and any kind of graphic design works.

what about onedrive?