- 84
- 13 841
Shakespeare for Actors
Приєднався 12 гру 2013
Відео
Richard III, Lady Anne Monologue
Переглядів 2892 роки тому
Sarah Spring as Lady Anne, Richard III www.sarahspringactor.com
Much Ado About Nothing, Beatrice Soliloquy
Переглядів 352 роки тому
Sarah Spring as Beatrice, Much Ado About Nothing
Much Ado About Nothing, 4.1
Переглядів 182 роки тому
Sarah Spring as Beatrice, Much Ado About Nothing 4.1 www.sarahspringactor.com
Better Angels (Live at Don't Tell Mama)
Переглядів 213 роки тому
Better Angels by Sarah Spring Live at Don't Tell Mama Produced by The Drama Company NYC September 12, 2021
In the Next Room (or The Vibrator Play) Monologue
Переглядів 5053 роки тому
In the Next Room (or The Vibrator Play) by Sarah Ruhl
Sonya Alone (from Natasha, Pierre, & the Great Comet of 1812)
Переглядів 173 роки тому
Sonya Alone (from Natasha, Pierre, & the Great Comet of 1812)
Charles E. Gerber “Shakespeare Sandwich”
Переглядів 594 роки тому
Charles E. Gerber “Shakespeare Sandwich”
Sonnet 145: “Those lips that love’s own hand did make”
Переглядів 5114 роки тому
Sonnet 145: “Those lips that love’s own hand did make”
Sonnet 152: “In loving thee, thou know’st I am forsworn”
Переглядів 1364 роки тому
Sonnet 152: “In loving thee, thou know’st I am forsworn”
Sonnet 147: “My love is as a fever, longing still”
Переглядів 3994 роки тому
Sonnet 147: “My love is as a fever, longing still”
Sonnet 144: “Two loves I have of comfort and despair”
Переглядів 9884 роки тому
Sonnet 144: “Two loves I have of comfort and despair”
Sonnet 143: “Lo, as a careful housewife runs to catch”
Переглядів 2084 роки тому
Sonnet 143: “Lo, as a careful housewife runs to catch”
Sonnet 141: “In faith, I do not love thee with mine eyes”
Переглядів 1864 роки тому
Sonnet 141: “In faith, I do not love thee with mine eyes”
As a Ben Lee who has never been the famous Ben Lee, here's a deep cut: ua-cam.com/video/enhQYHxoNMY/v-deo.htmlsi=gxZ_FHKnicrjAA78 Overall I find this video incredibly charming and I feel like I can get a better sense of things that the sonnet stirs up by watching your expressive eyes 👏👏
HI! I need your help with that sonnet... Could you tell me its stressed and unstressed syllables? Because my professor said that there´s a sound change from line 3 but I cannot make it out :( Thanks
basically, I need these marks: X / X / X/ and so on
@@LucianaRossi-xr9or Hey there, happy to help! This is how I would scan this sonnet: x / x / x / x / x / 1 Beshrew that heart that makes my heart to groan x / x / x / x / x / 2 For that deep wound it gives my friend and me! x / x / x / x / x / 3 Is’t not enough to torture me alone, x / x / x / x / x / 4 But slave to slavery my sweet’st friend must be? x / x / x / x / x / x 5 Me from myself thy cruel eye hath taken, x / x / x / x / x / 6 And my next self thou harder hast engrossed: x / x / x / x / x / x 7 Of him, myself, and thee, I am forsaken; x / x / x / x / x / 8 A torment thrice threefold thus to be crossed. / x x / x / x / x / 9 Prison my heart in thy steel bosom’s ward, x / x / x / x / x / 10 But then my friend’s heart let my poor heart bail; x / x / x / x / x / 11 Who’er keeps me, let my heart be his guard; x / x / x / x / x / 12 Thou canst not then use rigour in my gaol: x / x / x / x / x / 13 And yet thou wilt; for I, being pent in thee, x / x / x / x / x / 14 Perforce am thine, and all that is in me. Significant anomalies: Line 4: "slavery" is elided to two syllables Line 5: "cruel" is pronounced as two syllables, and there's an extra unstressed beat at the end of the line (aka a feminine ending) Line 7: feminine ending Line 9: starts with a trochee "prison" Line 13: "being" is elided to one syllable Hope that helps!
Just realized the formatting might be off if you're viewing it on your phone--it should be correct if you view it on a laptop. If you're having trouble viewing it, you can message me at damesarahspring@gmail.com and I'll email it to you!
Should have had a threesome imo
“nothing” ==> “an O thing”
Very nice explanation.
take me
A wonderfully expressive reading. I'm astonished that this video doesn't have thousands of views. It's great craic that this cracks you up. I look forward to discovering your other readings. Thank you for sharing.
Thanks so much! I appreciate it, glad you enjoyed it. More videos coming soon, if there’s anything in particular you’d like to see, let me know!
@@damesarahspring Well that is a delightful request. Thank you. I still have plenty to discover of what is already on offer, but on the spur of the moment, I would be interested to hear your take on sonnet 59, sonnet 148 and Phoebe's "Think not I love him" monologue from As You Like It Act III scene 5.
@@shakespeareetc.6928 I’ll see what I can do 😊
🥰
Amazing!
Great insights❤
I love this dialogue - possibly my favourite bit in all of Shakespeare - thank you so much for this!
Excellent description of a fasinating sonnet. Thank you!
I could rarely find a good video on this! Thank you so much!
You're welcome!!
Thank you!!! I have to recite this sonnet as well as a monologue memorized by next Monday. You helped me so much
You're welcome, I'm so glad!!
why every redhead looks so beautiful? u r amazing lady, good luck with ur career and everything
🚪🏃♂️💨
thanks bro
Found your yt today. Already in love with you
Спасибо, мне надо выучить санет к школе. Жаль вас мало кто смотрит
👍🏻👍🏻👍🏻👍🏻
This takes talent, intellect, HARD WORK and courage.
Thank you for breaking down the sonnet ❤️
the most complete analysis without digression
Interesting
ur the reason im going to pass english ty for this
So happy to help!
You are beautiful dear Thank you 😊
Adorable explanation. Thank u .
Sarah
Hi sarah
Tnks u so much ❤️
Thank you for sharing this!
You are old but beautiful
accurate explanation.
I’m memorizing this for an assignment and I found it hard to interpret the way it should sound in the way of expression. I’m so glad I found this to help me out! ☺️
I’m so glad! ❤️
Thank u mam the sonnet is explained beautifully it's helping me lot
❤❤❤
Thank you. I needed This beautiful explanation. And I was laughing a lot when ya said " For this bitch over here" lol. It's kinda typical.
Haha you’re welcome!
Thanks a lot! ❤
Thank u so much
Really appreciate your work
Thank you !
Sayonara 2020! 🎈🎹 🎈
Brilliant.
Very well commented! Quarantine has one way or another enriched us all, who have survived these hard times!
The beginning of a worthy endeavor. I really enjoy the lesson and history. Nicely done.
Distinctive, incisive, clear, and PERSONAL! BRAVA!
I do not entirely agree with condemning Shakespeare as a human being because of this sonnet. :) 1. it is literature: when a protagonist makes a disparaging hate speech, it is still the speech of the protagonist, not the author. 2. unlike the voicemail, which only the recipient hears, here the speaking character is exposed to the judgment of the reading public. 3 It is not at all clear from the text that the protagonist really "morally" condemns the promiscuity of the "Dark Lady". (The whole environment of the other sonnets basically says again and again: the beloved may do anything, and the lover will never condemn the beloved for it). 4. the protagonist humiliates himself by only wanting to "participate", in front of the "Dark Lady", who has a very dominant position overall. I compare this here once again with Heinrich Heine. His hate poems about his lover, who just married someone else, are highly unfair - and therefore so moving.
One question: Can the "fair youth" and the "dark lady" be rather fictional characters? Even if Shakespeare calls himself by his name "will"? I think that would fit into the tradition of Petrarch, whose Laura was also fictional in a way. I say this because Heinrich Heine also made himself the protagonist of his love poems (the "Dichter" who wrote "die kleinen Lieder"), but this girl who ended up marrying this "Gimpel" („bullfinch“ which means "this conceited philistine") and who is the subject of many of his poems was fictional. I see Shakespeare and Heine as two original variations on Petrarch. What do you think?
Christian Ebbertz it’s possible! In the videos for sonnets 111 and 122 I talk about it a bit more, but the more I dig into the sonnets, the more convinced I become that they are autobiographical. Perhaps aspects of the Fair Youth and the Dark Lady are fictionalized, certainly, but they feel too raw and detailed to me to simply be an exercise in fiction.
@@damesarahspring Yes, the autobiographical background of 111 is obvious. Maybe we could put it this way: The experiences he writes about are autobiographical, not necessarily the characters.
Thank you for this! So interesting: I thougth I knew this sonnet very well and have to find tons of P*** and V*** more than I thought! May I add one thought to the question if Shakespeare was gay (in my best english): What was a better place for an artist being gay than the theater where you are allowed to wear women's clothes, where you can speak to a man how it is only allowed to a woman (even it's only written in the script) and where you can flee from your marriage. Are you going to present Sonnet 129? I think this must be the feeling of somebody who can't have "legal" sexuality. Like a drug addict he stagger through illegality.
Excellent point! And yes, I will be getting to Sonnet 129 very soon!
Thank you for this! I can't resist to recommend to you the wonderful presentation of this sonnet by the SonnetProjctNYC: ua-cam.com/video/fgH2iHSvK1o/v-deo.html (most of the SonnetProject are less convincing, but this...). It's one of my favourit sonnets too (if it is possible to have less than favourit 60 ones).