Відео

Die Verzierungen sind in der Partitur angegeben. Es handelt sich um verschiedene Arten von Verzierungen, deren Ausführung am Anfang des Clavierbüchlein für Wilhelm Friedemann Bach erklärt wird.

Thank you! Yes, it’s strangely quite unknown, but brilliant.

There is a version by Glenn Gould that is even slower than mine.

Vielen Dank! Ich freue mich, dass es dir gefällt.

Manchmal braucht man die Tiefe, um etwas Stabilität zu verleihen. Danke

在哪里可以买到这种琴？

这是一架Neupert品牌的羽管键琴。我会把销售这架琴的公司链接发给您。谢谢！www.jc-neupert.de/de/instrumente/gespielte-instrumente/gespielte-instrumente-cembali-einmanualig/gespielte-instrumente/historische-instrumente/cembali-einmanualig-1/neupert-cembalo-telemann-detail

¡Gracias!

¡Gracias!

Thank you!

The one I like the most. ua-cam.com/video/nKIP8gsAM_Q/v-deo.html

Thanks for the comment! I find it a bit slow too, but when I have to play the same E-flat with the left hand and then the right, plus an ornament, my instrument doesn’t respond well at a faster speed. 1:32 With two manuals, I could probably play it a bit quicker. It’s really a matter of practical limitations too. But, I don’t strictly follow Czerny’s tempo markings, since he added them almost a hundred years after Bach wrote the pieces. I use them as a reference, of course, but I have reasons to believe that even by Czerny’s time, they were already playing it faster than they would have in 1723. I prefer, of course, Czerny’s tempo over what's done today in most cases, but I imagine Bach conceived it slower than Czerny or Beethoven played it. I recommend this video of mine. Thanks again! ua-cam.com/video/JmRcTcWFtUQ/v-deo.html

@@LangLangsam Eggs-actly! Schweitzer also said that Bach is better slower, while giving preposterous metronome speeds (which to me points to whole beat). And I also think that: they already played Bach way too fast at the XIXth. The same that has happened from the XIXth to today. The mechanical action of moving the fingers will naturally try to move faster in repeating itself through time. The polyphony is better slow! And some source by JG Walther also says that when no Italian indication is given, we must assume an adagio. It’s a common sense, aesthetic perception thing: to write all those details and still playing it faster? Don’t think so. So interesting to note that the harpsichord won’t respond well when too fast. I totally understand “where you are coming from”. And not because someone wrote something, but just because simply it all sounds naturally better (which explains also Bach’s lack of obligation to write a tempo word. And why music existed without an exacting measurement of time during centuries)

@@LangLangsam also explains why you have this many subscribers in less than a year. And yes, two-manual tools are necessary to revive. This one is a good example. Congratulations!

Thanks! I'm glad you prefer the music played slower than usual. Still, Lang Lang has way more subscribers than me, and he plays super fast! 🙂

@@LangLangsam There is something counter-productive and counter-intuitive, and, most importantly, fun-killing, in composing for many voices only to play them too fast! Any number like yours in classical is a success to me! People like this, but all the conventions make it difficult to admit it to ourselves.

Thank you for the comment! When you hear it slower than usual, you can really focus on the musical ideas and pick up on the details instead of just noticing the speed of the performer's fingers. I'm glad you like it!

Thank you! I'll keep doing it. Regards!

Thank you! It's a Neupert harpsichord, Telemann model.

Muchas gracias. No, es un clavecín, también conocido como clavicémbalo. Muy bonito.

Thank you! Yes, it's an excellent instrument.

🎹

It is a quote from his book The Music of the Nineteenth Century and Its Culture. The System of Musical Instruction. I read it in the review that Franz Liszt wrote about the book. Therefore, I don't actually know on which page of A. B. Marx's book it can be found.

Спасибо. Я рад.

Gracias!

Hallo, was du dir wünschst, kann ich leider nicht mehr umsetzen. Aber alle Interessierten haben jetzt den Link, um die Version mit Blechbläsern anzuhören. Es gefällt mir so. Danke!

Thank you! I don't use any special temperament. I tune the instrument about three times a week and just try to make it sound the way I like.

Thank you! I'm glad you enjoyed the performance. I strive to play at a tempo that allows for a full understanding of the musical content, and knowing that this was reflected in the performance brings me great satisfaction. Thanks again for your comment!

Thank you! I am glad you liked it

Vielen Dank! Ja, das habe ich noch vor, ebenso wie 'Die Kunst der Fuge' und viele weitere Werke.

@@LangLangsam Sehr schön! P.S.: Bist du schon gewollt, eine Aufnahme von meinem kleinen Musikstück zu machen? Wenn du mit irgendwas unzufrieden bist, bitte sagen! Dann werde ich die Paritur überarbeiten oder dir eine andere Version bzw. ein anderes Musikstück schicken. Ich habe Geduld und möchte keinen Druck machen. Einen schönen Abend wünsche ich!

Ja, wir machen es. Ich schicke später eine E-Mail.

Thank you for your comment! I'm glad you liked the performance.

Vielen Dank!

Thank you!

Hallo, nein, ich habe keine E-Mail bekommen. Wann hast du sie geschickt? langlangsampianopiano@gmail.com ist die Adresse. Danke!

@@LangLangsam ich habe sie um 21 Uhr verschickt. Möglicherweise ist sie im Spam-Ordner gelandet? Ich schicke sie noch mal. Die Adresse stimmt überein und Google erkennt das G-mail-Konto. Bitte dann antworten über G-mail, wenn sie angekommen ist, damit ich weiß, ob meine Partitur fehlerhaft ist und überarbeitet werden muss usw.

Okay. So machen wir es. Ich gebe Bescheid, sobald ich etwas erhalten habe.

😊

Thank you very much. I’m glad to hear that. I also hope to encourage people to play music every day. These great composers wrote and edited these pieces for amateurs and students to play at home. It's simply music.

Gracias!

Thank you!

Thank you!

Thank you!

Yes ❤️!

Thank you! I’m glad you like it. I don’t use any specific temperament; I tune the instrument to sound the way I like it. And pretty much every day, I have to retune it. Regards!

Thank you!

Thank you!

Рад, что тебе понравилось! Есть также музыка для клавесина, написанная в XX и XXI веках. Можешь послушать и посмотреть, понравится ли она тебе.

Thank you!

I'm glad to hear that. I experience the same way.

Gracias!

It’s the lute stop of a Neupert harpsichord, Telemann model.

Thank you! I'll try the book suggestion, although I feel like I'm sitting too high. Sometimes I have to hunch over to get my head closer to the instrument. Thanks for the feedback. I invite you to listen to my new video today. Best regards!

コメントしてくださり嬉しいです。ありがとうございます！

シャコンヌは、下からしつこく、上の人たちに進むべき道を教える形です。

南米のチャコーナを元にした変奏曲形式 だと聞いてます。バッハの友人のリューティニストの曲からヒントを得て作曲した物と考えてます。シルヴィスヴァイス シャコンヌ(イ短調）。

スペインに起源があると思いますが、私は専門家ではありません。とはいえ、たとえばバッハのシャコンヌは、元のシャコンヌとはあまり関係がないですね。情報ありがとうございます！もし翻訳が間違っていたらごめんなさい。私は日本語が話せません！ : )

@@LangLangsam 様へ、Thank You.Sir.

What aspect of my performance makes you think it needs more practice?

@@LangLangsam your expression

If you had mentioned the tempo, I would have had something to say, but to this, I’m not sure how to respond. Except maybe that, yes, you can always practice to give the impression that you've practiced a lot. And, of course, you can always practice more too.

@@LangLangsam exactly that's how it is

Hi, I invite you to watch my video today. As mentioned there, I've been wanting to explain this for a while, and now seemed like the perfect time. Thanks for your comment! (The background music is from the same recording as yesterday.)

Thank you!