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SWC Music - Mr. McLeod
Приєднався 31 бер 2020
This channel if for the students of Mr. McLeod at Sir WInston Churchill Secondary School in Vancouver Canada, in his band and choir classes.
Included on this channel is...
1. Assignment Resources
2. Concert Recordings
3. General Music/Band info
Included on this channel is...
1. Assignment Resources
2. Concert Recordings
3. General Music/Band info
Відео
Episode 66 Music in America Jazz and beyond II
Переглядів 19Місяць тому
Episode 66 Music in America Jazz and beyond II
Episode 67 Music in America Jazz and beyond III
Переглядів 33Місяць тому
Episode 67 Music in America Jazz and beyond III
Episode 65 Music in America Jazz and beyond I
Переглядів 11Місяць тому
Episode 65 Music in America Jazz and beyond I
Episode 58 Early Modernism in Music II
Переглядів 35Місяць тому
Episode 58 Early Modernism in Music II
Episode 48 The Early Romantics Part 5
Переглядів 379 місяців тому
Episode 48 The Early Romantics Part 5
Episode 46 - The Early Romantics - Part 3
Переглядів 19Рік тому
Episode 46 - The Early Romantics - Part 3
Episode 44 - The Early Romantics - Part 1
Переглядів 36Рік тому
Episode 44 - The Early Romantics - Part 1
Episode 42 - Music after Beethoven Romanticism 1
Переглядів 21Рік тому
Episode 42 - Music after Beethoven Romanticism 1
Episode 43 - Music after Beethoven Romanticism 2
Переглядів 29Рік тому
Episode 43 - Music after Beethoven Romanticism 2
Estupendo
Good intro series. My only criticism would be that the styles are much more diverse than presented. In its pure form Jazz should be a style unique to every artist. Understanding that education often falls into encapsulation and dissection, the search for an individual voice in Jazz makes for difficult pigeon holes.
Thanks for covering this period, which was completely ignored in the Ken Burns series. One key element about fusion that was not discussed here was the integration of musical forms from other parts the world, as exemplified by John McLaughlin and Shakti. Eastern philosophy also started to influence some of the music, as it influenced the culture as well.
Thank you. Great series. I ran across this in my college course on History of Jazz in America when doing a UA-cam search for Bebop.
Fantastic introduction to jazz. BUT The Rockit clip is DAMN TOO FAST!! Compare with other sources available on the internet!
Love it, keep on going!!!!
you have a serious problem with the Voice volume. thuds and bumps are heard loudly but your voice is very low. (listening with a Focusrite 2i4 and a Pair of KRK Rokit 5)
As far as the decline of the big bands you forgot to mention that the content became more and more commercial and people were looking for something else. As far as dancing was concerned, that mantle was taken up by the small R and B “jump” bands and ultimately Rock and Roll.
There was plenty of individual improvisation in the swing era. Basie, Ellington…..
The swing era was about dancing irrespective of the number or instruments.
this is what I wanted the Ken Burns series to show.
A type of jazz that takes repeated listening for appreciation and understanding
First, Thx for the effort of making this series! Hi I ran into later videos of this series first. But I do want to point something, If possible for the future, could you please run your dialogue through mouth denoisser. It's so hard to listen to with the mouth spit every extra time you take. Please please. I want to be able to listen to this videos.
Great presentation! ❤
Nice video, very informative.
where do you get your sources from?
Hey mr McLeod your dedication to your passion and your amazing work hasn't just touched the lives of your students and people around you but it has travelled the world crossed borders all the way to Egypt where it has enriched the life of a young man such as myself and brought him joy to know a bit about the genre of music closest to his heart. In the depth of night, in the cold winter, you drew a smile on my face and sparked a little joy in my heart as I listen to you with fascination.
A really underrated Chanel. I love jazz. Bebop is my style.
Sailor was a mean scatter (also)
I don't know about all public secondary schools in the United States but my music class was a joke compared to this. I wish we would have learned all this. Thank you so much for making this available to everyone and not just your students. You are a hero.
Great educational video thanks for your contribution. Also the listening part are beautiful choises
jazz had a foundation in ragtime
please transcribe this or add captions.
The demise of the swing era came because Ella Fitzgerald had to die sometime, and so....
She was alive long after the decline of the swing era.
@@davidreidenberg9941 Thank you. I tried to go back to the full text of my comment, to check on the context, but could not open it.. Regardless, what you say is true. She went beyound big band background for her manifestation.
White man always on that slick stuff ..the Native American too ..jelly roll Morton use to hear em pass by he spoke about it
Who’s your favorite drummer? Elvin Jones And Tony Williams are my favorites. Art Blakey and Max Roach are early greats.
I think Jack DeJohnette is the most versatile and fluid drummer in jazz history. A great composer and pianist as well. When people talk about jazz drummers, they tend to completely overlook people who came into their own after about 1970.
You say that because you don’t understand how to play free. I do and I know the difference. Between those who know how to play free and those who don’t know how to play free jazz
I play bass
The reason it's called "Free Jazz", is because it's not worth anything.....
Well to me like bebop came out of the swing era and like the best soloists was in the band with the form jam sessions and that's how Bebop for me
Oh yeah, definitely agree that you know jazz music. He came of interest of listening to the dancing but that was always there as well
Hard Bop & Avant-garde Jazz genre are my favorites
This is incredibly comprehensive and essential for what I’ve been desperately needed to progress
You are going to talk about Bebpp and Jazz and NOT play ANY music????
You clearly didn’t watch the video 🤦🏽♂️ 10:51 20:32 32:35
I came here for a quick answer but stayed for the lesson. Thanks!
Good video. Necessarily broad strokes of course , very interesting . However , I'm not sure about some of your socio-political stuff and comments about addiction though .Re the latter , it does nobody any good to blame anything in particular - no matter who it is .
Very excellent education . I’m learning a lot
I think the decline of swing was America and a large part of Europe dealing with and embracing chaos. Big band swing was structured, all about order. There were surprises, but audiences knew what to expect beginning to end. The war shook everyone of all races, and they eventually caught up to the uneasy feeling the poor and oppressed had for centuries. Music that told you that everything made sense felt like a lie. People still wanted to enjoy beauty, but they wanted it broken.
Bruh, it seems like a poor justification for the practice. Really? 2:24
Brilliant! Thank you.
19:35 such an important point to make. Thank you
Great Video! You're passionate and its conagious. More people should see this!!
Rhythm secrtion? Is that where something secretes rhythm? 10:40
Great Stuff! Thanks
Man your videos are awesome! Why did you stop
Sorry. I put these together for my High School studetns, and I found that they didn't retain much by watching them online. I have a series of Music history videos that I am still producing. But I will take your comments into account. thanks
Great video. In regards to dance I think we tend to dance more to the rhythm section, with the soloist being the embellishment. Barry Harris said that Parker would play to packed dance halls and man can you dance to his performances. Personally I think its unfortunate that people tend to take it far too seriously 😅
If you think African Americans came up with everything in jazz and developed it, read "the lost chords" by a jazz historian who argues that this wasn't entirely the case, white musicians made huge contributions to jazz throughout its process, including very early on during Dixieland jazz era. Even during the Bebop era there were numerous collaborations between white and black musicians and in fact, black musicians would often latch themselves to white musicians in order to be able to have more opportunities to perform in places they otherwise couldn't. The lost chords book argues that contributions by white musicians to jazz are consistently overlooked and aren't given nearly enough credit.
I’d add that jazz got a lot of classical influences. Barry Harris is on record saying bebop is the continuation of classical… (forgot the exact words). So yeah, you’re right m8
How fragile do you have to be to watch a video about jazz, which is undeniably MOSTLY an African-American invention and be like "well ackshually...". And to the guy who said jazz has classical influence...no shit. Europeans enslaved Africans, stripped them of their cultures and traditions and imparted Western European musical traditions and harmony. So all music in America is essentially going to have Western European influence, there wasn't much choice in that regard.
@@stefanodomeniWORD!!!
Most black jazz musicians don't harbor racial prejudices against white players. But people who write books and articles about jazz (especially white/Jewish authors) exhibit bias against white jazz musicians and ignore or belittle their accomplishments.
@@brothercaleb No, neither one of you is right. You just are in a concerted effort to give credit to black people for nothing. It bothers you to hear black people getting their due credit for what they create... and it makes you feel uncomfortable and inadequate. You subscribe to the Eurocentric ideology--that means that either you created it or you somehow have something to do with. You love to shoehorn yourselves--even when you don't fit--in just about everything that has to do with black. It eats up inside when you hear that it was black who created this or that. This phenomenon it's not just relegated to Jazz--this is with everything else that has to do whit blacks. A few years ego, in the sub-Saharan region (Africa) archeologist unearthed par of a city with all kinds of cultural artefacts made out of iron, copper, gold and other non-metal material. The city demonstrates--according to the archeologists--a pretty advance people. But when the archeologists were asked what did they thought about the people whose that culture belong to, without hesitation he replied..."Probably they were [white people] that came to live there (sub-Sahara Africa) for a short period of time and then left." Now, he doesn't have proof that is true, so why then those people could have not been Africans? What is even more ridiculous is that those artefacts and paints have all but black features. There's no extreme that you would not go to take credit for what somebody else created. Then you cited what I presume is the title of a book ("the lost chords") by some supposed "jazz historian" whose name you don't even provide...and most likely is a white man rewriting black history. Nothing new about this. What is interesting is that you don't do this kind of stuff with no other people--just with blacks.
Instructive
Very good
Thank you for this, I really enjoyed your presentation style. Very easy to follow. I'll be checking out more of your videos.