Відео

@@thelads4057 That's exactly it. It will be easier to understand the forms for other pistols and revolvers. Then you can learn about gun attachments and make your own guns or you can tweak the shapes based on your own personal tastes. Once you can manipulate shapes you can make what you want. Only thing limiting you is your visual library. Also thanks for your comments, glad I could help out in a chill way. Keep up the concept art, remember to never stop and you'll eventually get where you want to be.

It's tough for sure. Definitely keep at it and send through your drawings if you want me to take a look and perhaps point you in the right direction

@@zefdraws Sure, I'll send some things your way at your email.

@@7janick7 wow thanks. Im encouraged by this. Glad to see that you're gaining a good 3D awareness!

@@valeriavazquez4995 Ah thanks so much these comments are super encouraging I hope to continue in this path!

@@IsaiahTheMessiah Hey thanks for your comments! I was kinda waiting for more drawings to be submitted but I still do plan on doing a youtube video critique so stay tuned for that.

@@DrawingSources-wm9zu I'm far from that but he's a massive inspiration to me so thanks for this!

@@kashe7285 ah I'm glad they're helping you!

@@patrickcasella thank you for watching. I'm glad it's helping you!

@@derainmusique8751 Hey thanks for your comment. When you say "how do you really learn it" are you referring to rotating boxes? If so I'd say that you can use a circle to help as a guide like I've shown in the video. That being said, this will not be enough to really give you an intuitive understanding. You must find cubes in real life and draw them in different angles to gain that intuition. Then you want to attempt to draw them again from imagination correcting your mistakes using the real life objects again. It takes a while and it is going to be a struggle because visualising rotating objects is hard so give yourself time to make lots of mistakes.

@@ness3963 Hi thanks for your comment! When I’m drawing in this intuitive way, vanishing points are not at the forefront of my mind but yes I do try to visualise a vanishing point somewhere and make sure all lines adhere to it even if it is off the page. What IS at the forefront of my mind is the relationship between other objects. In my first example I showed how I avoid the whole issue of vanishing points entirely by using the boxes on the scene to help visualise where others could be in that space. Now I think I know what you’re actually getting at which is the question of how I establish a grid without concrete vanishing points. It’s sort of a chicken and egg problem. As I said a grid is just many squares. If you can learn to intuitively draw cubes in perspective without a grid you can extrapolate.its up to you to decide how much convergence you add to the lines and depends on the type of camera you are imagining your world to be viewed from. There is no right or wrong answer. I kinda wrote in a scrambled kinda way so I hope that helps

​@@zefdraws Thank you so much for the detailed response! And you're exactly right! My confusion is really just on grid construction derived from a singular box. Take the box at the top right of 0:23 for example. I can see how you extrapolated 4 vanishing lines from that box, as those vanishing lines have the same exact slope as the edges of the box. My confusion comes with the additional vanishing lines in that drawing; particularly the 3 new lines going to the left VP and the 2 new going towards the top VP. Those lines will have a different slope / angle than the ones you derived directly from the edges of the box. So when you're determining how much to change the slope / angle of these new vanishing lines, do you derive the new angles by explicitly tracing a line to a VP inside of your head? Or do you have a more loose, general sense of where the VP is, rotating your vanishing lines by an arbitrary amount that's proportional to how far away you think the VP is, the size of the camera lens, etc. (This sounds a little more like what you described to me, as you said the VP's aren't really at the forefront of your mind).

@@ness3963 yes you are right. I have a very loose sense of where the vanishing point is. A lot of it is by feeling but it can be trained by drawing from life a lot so that your "guesses" line up well with reality.

@@Kaustubhdasdehlvi gotcha thanks

@@iivjoy I'm doing just great!

@@7janick7 glad you find them helpful!

@@altafhossain7793 no I draw quite slow. This is sped up

@@sakshamkumar7765 one can make a living by being an illustrator or animator, concept artist, character designer etc. But not everyone cares to work professionally. Many people just draw because they love it and love expressing themselves.

@@DrawingFromImagination I think I see what you mean. I think the box is the best to start as it can help orient every other shape. Usually people who struggle to draw other primitives struggle with simple boxes. Also boxes help you understand the concept of the x, y and z plane better than any other shape. That being said, yes it's good to move on to other forms.

copy from references a lot and then try to draw without them

@@Elijah-q4r It takes a very long time but it's a mixture of learning where the muscles insert as well as studying reference. I say studying because it's not about copying and regurgitating it's about studying to understand. I don't memorise images.

Dang good to know

@@fluxmind thanks for your encouraging words!

@@BELOV3D777 yes, the more you practice the less light lines you'll have to do and more you can just ghost it or even just get it without ghosting

Ah you're comment means a lot to me. When I was learning this stuff I found out tough for similar reasons. Glad I could help out and good luck with your art journey!

@zefdraws thanks<3 btw will u make video about drawing boxes from imagination like you? Because these videos are great but I wanted to understand how exactly you doing this🫠

@@qsteow_studios I wasn't sure since there are so many videos about how to draw boxes but if it will help some people then sure I can, why not.

@@zefdraws So many videos and none of them explain how to do it and how it works, maybe i'm stupid, but i'm having a hard time figuring out how to draw cubes that look 3d without grids, and the videos don't really explain that. I understand that we have to imagine vanishing points, but I don't understand how. And it's all confusing

@@zefdraws Maybe you have or know of some resources or can explain it yourself? Because for some reason I can't find the answer on the internet :(

​@@nadaart386 I plan to do a video on this at some point but essentially it boils down to 1: Drawing in pen basically all the time 2: committing to drawing lines once with no light strokes. 3: Pre visualising what you want your strokes to look like 4: practicing hundreds of straight lines/eclipses but not just lines, practicing drawing shapes precisely because drawing shapes requires more pre visualisation. 5: Drawing slowly. If you can't tell these videos are sped up a little bit. I tend to draw a little slower than average. 6: This is unconventional advice but learning to draw straight lines with my wrist and not just my arm has helped me with my line control. The common advice is to draw with your arm but I learn to draw with both. Btw it's a nice skill to develop but it's not essential. Some people are probably suited for this method of drawing while others are more suited for drawing rough and eventually finding the forms.