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John Miller
Приєднався 24 сер 2012
NYO perform Messiaen: Turangalila Symphony (FULL VERSION)
BBC Proms 2012
National Youth Orchestra of Great Britain
Conducted by Vasily Petrenko
Soloists: Cynthia Millar and Joanna MacGregor
National Youth Orchestra of Great Britain
Conducted by Vasily Petrenko
Soloists: Cynthia Millar and Joanna MacGregor
Переглядів: 109 948
Відео
NYO perform Nico Muhly's Gait - BBC Proms 2012
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Great music to be shared! BBC Proms 2012 National Youth Orchestra of Great Britain Vasily Petrenko leads the National Youth Orchestra of Great Britain in the London Premiere of Nico Muhly's Gait.
NYO perform Messiaen: Turangalila Symphony - 5th Movement
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NYO perform Messiaen: Turangalila Symphony - 5th Movement BBC Proms 2012 National Youth Orchestra of Great Britain Conducted by Vasily Petrenko Soloists: Cynthia Millar and Joanna MacGregor
NYO perform Anna Meredith's HandsFree - BBC Proms 2012
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BBC Proms 2012 from the Royal Albert Hall, London. The National Youth Orchestra of Great Britain perform Anna Meredith's HandsFree. Composer: Anna Meredith Choreographer: David Ogle
NYO perform Edgar Varese: Tuning Up - BBC Proms 2012
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Edgar Varese: Tuning Up BBC Proms 2012 National Youth Orchestra of Great Britain Leader: Roberto Ruisi Conductor: Vasily Petrenko
NYO perform Messiaen Turangalila Symphony - 10th Movement Final
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NYO perform Messiaen Turangalila Symphony - 10th Movement Final BBC Proms 2012 National Youth Orchestra of Great Britain Conducted by Vasily Petrenko Soloists: Cynthia Millar and Joanna MacGregor
If so moved. What's wrong with showing audience approval?
Maintenant nous savons pourquoi " Franck Zappa ", considérait Monsieur " Edgar Varese " comme le plus grand musicien compositeur du monde. Cette folie et ce soucis de composition, lui était destinée... Bravo à l'orchestre ! :-)
Hogwartz band killing it!
아 어떻게 이런 아이디어를 이렇게 끌고가지
👎Perform😂
Still think about this, and i keep wondering if Meredith intended people to think that it was the end half way through or if it was just not the best place to put a climactic moment. Also it must be considered that they’d just done the 70+ min Turagulila symphony, and the audience didn’t need any excuse to grab onto anything that sounded like an end, especially something they hadn’t heard before.
Im sure most of them HATED doing this. It's not music.
Music is usually defined as organised sound over an underlying pulse. It was a challenge to learn, but a really interesting piece which was workshopped over the course of a year and taught and learnt from memory during the summer residency. We never saw the score. Also exhausting to perform at end of a challenging programme including Varese, a new commission from Nico Muhly and Turangalila Symphony in its entirety. But, an amazing experience for all involved. (Principal trombone of NYO 2012)
Utter cringe.
This is such an amazing piece. I love the use of people and bodies to create the sound. Exciting, exhilirating, wonderful, made me cry. Thank you Anna
Love it!
Porqué hicieron todas esas payasadas? Desvirtúan el verdadero significado y contenido de esa obra! Es absolutamente innecesario y distrae de una escucha verdaderamente concentrada. Aunque ese concierto es de hace 11 años, es muy digno de un Tik Tok de hoy. En fin, vivimos unos tiempos en los cuales, inclusive en orquestas de nivel, se confunde arte con espectáculo. Dudo mucho que Varèse se hubiera sentido contento viendo eso.
Called hands free, but the first thing they do is clap, which needs two hands 😂 really cool piece. Would like to experience live
That is coordination a digital computer would be envious of. God damn, Anna is a goddess of rhythm.
Would kill to have my works performed by this many people, with this level of dedication. What an opportunity! One that most composers will sadly never have.
Check, check, 1,2, 1,2 check,check.
Bravo!
Dudamel's is better.
Turangalila is above Dudamel's pay grade. Try Paavo Järvi to hear how it should be done.
Has there even been a more satisfying F# major chord in musical history?
Extraordinaire 💚
Last note needed at least another 10s after that fantastic performance
When did you opinionated bastards conduct and play it ?
Im a 50 year old from a rough estate in Newcastle and until I came across a video abaout the junkyard orchestra from Paraguay Ive never listened to classical, Maybe Air on a 'G' string from the Hamlet advert. Well I'm completely hooked , Im not ashamed to say i've been in tears of every emotion and couldn't give a fk x
Why do I feel like shouting 'Trinidad' at the end?
26:43-27:15 playing on keyboard with ribbon? Uncomfortable. That place can be played whole on keyboard. There is no need to play "love theme" on ruban - just here.
She is an autodidact, she does many mistakes like that. It has no consequence here but sometimes she is out of tune because of that
@@cecilelartigau-ondesmarten9621 ??? She studied ondes Martenot with Jeanne Loriod. What are talking about?
@@kazimierzijadwiga définitely not : she only met Jeanne Loriod.... If you observe her left hand technic, you can see she presses the expressive touch with her finger only. The real technic (from Ginette Martenot and Jeanne Loriod then Valérie Hartmann) is playing with the whole arm... That is the first thing we learn, from the very first lesson and during the following months and years. Playiing by rolling the forearm is the most important aspect of ondes technic
she is a good autodidacte playing by ear. This is not a criticism, it's a fact, an observation (I attended several of her concerts)
@@cecilelartigau-ondesmarten9621 Well I don't know. I only can tell that I don't like her vibrato - almost semitone.
yall look so bored lol
Happy feet has entered the chat😂😂
Petrenko is technically in point but is generally lacking in terms of passion or emotion. Most of his recordings are bland.
A very special diversion from some of the recorded versions I have - at 24:45 - very special. My favorite symphony by far... worth the listen if you invest the time.
Amazing.
From Zappa link
what a dramatic tuning session lol
Is that Jessie Pinkman conducting?
Ce morceau aurait du s'appeler Illusion ! ou 5 minutes sans collier ! J'avais cru à une mutinerie ! quand avec bravoure le premier violon monta sur le pupitre du "chef" Et puis aussitôt je me suis dis, pourquoi le premier violon ? Il doit se prendre pour un chef qui passe de 1er violon à chef ! Toujours la hiérarchie ? C'est pourquoi Illusion serait plus approprié après les 7:38 minutes tout rentrera dans l'ordre !
메시앙, <튀랑갈릴라 교향곡> 중 10악장
It's as mad as a box of frogs but I love it!!
Awesome !!! 🌈😎🌈
close your eyes and it is quite fantastic
An excellent performance but that final chord should have been much much longer.
Contrariwise, it seems my ears are still ringing from a Chung / Seoul P.O. / Seoul Arts Center late-2000s performance.^^ Chung (it should be transliterated as Jung, but that is an argument for another time...) held the last chord seemingly forever---> apparently the universe is roughly in Bb, 57 octaves below middle C, but for a while it seemed to be in F#, the key of that final chord.
you have to be very good to make looking bad so easy.
00:25 -1st mvt Introduction 06:53 -2nd mvt Chant d’amour (First Love Song) 15:11 -3rd mvt First Turangalîla 21:00 -4th mvt Chant d’amour 2 (Second Love Song) 32:00 -5th mvt Joie du Sang des Étoiles (Joy of the Blood of the Stars) 39:00 -6th mvt Jardin du Sommeil d’amour (Garden of Love’s Sleep) 50:20 -7th mvt Second Turangalîla 54:50 -8th mvt Développement d’amour (Development of Love) 01:05:50 -9th mvt Third Turangalîla 01:11:00 -10th mvt Finale
1:00
dont just play the music, play with the music
And I always say “play in the music.” I’m a former dancer.
So where is the holophoner and the Robot Devil?
And where’s Katey Sagal?
Variations On The Note A 😜
Video starts at 0:23.
Two words to describe this piece: Charles Ives
The British school is simply amazing. These kids leave me speechless every time I hear them play.
Excellent performance by these (very) young musicians but the orchestra is much too numerous. The result is therefore much too thick.
Actually, considering what an acoustic soup the RAH is (reference Sir Thomas Beecham's saw about a young composer's world premiere in the hall getting its first two performances at once), the sound is to my ears remarkably clear. After all, if any piece benefits from excess, this one is it...
My favourite work of art
Insprational and superb. This is what football crowds should be up to. Anna, please can you do something at Sunderland AFC? A residency at SAFC would be ace!!