Adam Schreiber Music
Adam Schreiber Music
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Beethoven's 15th Symphony? - Hear After: Ending and Credits - Music by Adam Schreiber
Hear After is a surreal short drama about a grieving daughter who discovers a way to re-connect with her recently deceased mother by listening to the music that her mother’s favorite composer, Beethoven, has written from heaven - his 15th symphony in fact. In the film, we learn that the main character’s mother loved the Pastorale (his 6th of 9) symphony but Beethoven has actually been writing many more symphonies up in heaven. Because much of the film is themed around Beethoven and his 6th symphony, I quoted it several times in my original score which was written for a small chamber ensemble to be played live to picture at the premiere of the film - along with a very prominent fixed-media track. The first half of the film’s score is largely devoid of any fixed media, compromising of a more subtle and smaller chamber-music score with the harp being featured as the main instrument. That all changes when our main character discovers that Beethoven has been writing additional symphonies “upstairs.” After this discovery, we build up to the climax of the film in which our main character, sitting inside her mom’s emptied-out refrigerator, uses a magical device given to her by a mysterious old German man to listen to Beethoven’s 15th symphony, which then triggers a wave of emotions as the music connects her directly to her mother in a way that she thought she would never be able to do again.
For the Beethoven’s 15th symphony segment of the score, I decided to pay homage to Beethoven by incorporating elements of his music such as drawn-out dominant chords with the timpani playing the tonic, extensive use of timpani, and even directly quoting passages from his 5th and 6th symphonies. But I also took many liberties that aren’t necessarily period accurate, such as using a blaring pipe organ (a much more late-romantic trend for symphonies), sweeping 1980s-sounding analog synth arpeggios to bolster the chords, and overall, more unstable/chromatic modulations and deceptive cadences than Beethoven ever used in his music. But who’s to say that if Beethoven kept writing more symphonies in heaven after he died in 1827 that he wouldn’t have started to incorporate more modern elements into his scores by the time he got to his 15th? Either way, the point of the music is not to sound exactly like a Beethoven symphony but rather to help elevate the drama of the scene, and since the scene without music is basically just a woman sitting in her refrigerator looking around with wide eyes in emotional stress, there is a lot of room for the music to take the main stage. In that moment, it truly is all about the music.
Hear After originally premiered on April 6th, 2024 at the IU Cinema in Bloomington, Indiana with the score performed live to picture. It was written as part of the DoubleExposure collaboration between Jacobs School of Music students and IU Film School students.
Hear After (2024) Short Film
Dir. by Rob Bola
Music Composed by Adam Schreiber
adammusicworld.com/
Переглядів: 110

Відео

Adam Schreiber - Upset Television -- Score Video
Переглядів 1442 місяці тому
Players: Philipp Stäudlin, saxophone. Dan VanHassel, electric guitar. Matt Sharrock, percussion. Keith Kirchoff, piano. 'Upset Television' was written as part of a collaboration between the East Carolina University New Music Initiative and the Hinge Quartet (formerly known as the Hinge Ensemble) hingequartet.com/ in 2021. As an undergrad student I had the opportunity to write for these super ta...
Medtner/Schreiber - Intermezzo from Piano Sonata op. 5 Arr for WIND BAND [Full Score Video]
Переглядів 672 місяці тому
The 2nd movement, titled 'Intermezzo' from pianist/composer Nikolai Medtner's 1st Piano Sonata op 5. in F minor Transcribed / Arranged for a small 15-player Wind Band Ensemble by Adam Schreiber in 2021. Parts and Full score available upon request from adammusicworld.com © 2024 AdamMusicWorld
Final Boss! - Malevolant Manifestor Music EXTENDED [OST]
Переглядів 863 місяці тому
Malevolent Manifestor OST - Track 2 this one is like Final Boss Vibes || Gameplay starts at 00:15 Track 2 from the Malevolent Manifestor ost by adammusicworld Game made for GBJAM 12 game jam on itch.io Play the game here: itch.io/jam/gbjam-12/rate/2990290 westealprefixes.itch.io/malevolent-manifestor I had a lot of fun making some tunes for a small indie game recently using only 8-bit style syn...
Action! - Malevolant Manifestor Music EXTENDED [OST]
Переглядів 523 місяці тому
Malevolent Manifestor OST - Track 1 Track 1 from the Malevolent Manifestor ost by adammusicworld Game made for GBJAM 12 game jam on itch.io Play the game here: itch.io/jam/gbjam-12/rate/2990290 westealprefixes.itch.io/malevolent-manifestor I had a lot of fun making some tunes for a small indie game recently using only 8-bit style synths and basic waveforms! Hear More Music: adammusicworld.com
Dude absolutely SHREDS EWI solo on Star Trek????
Переглядів 42611 місяців тому
dude absolutley shredding on an ewi (nu rad?) at quark's bar! incredible! Watch and listen as his beautiful music brings audience members to tears! jazz fusion open mic night on deep space nine in the 24th century original song: Circuit Kisser - Atomic Bliss ua-cam.com/video/War6TY3YBgE/v-deo.html&ab_channel=VariousArtists-Topic www.circuitkisser.com/ Soloist: Chase Baird #circuitkisser #ewi st...
Life of a Spanish Percussionist 🇪🇸🇪🇸🇪🇸 #wholesome
Переглядів 534Рік тому
spanish guys playing castanets together, captured on film
Hire me @adultswim
Переглядів 4222 роки тому
i scored the "music" for some logos this morning for a class assignment. you'll appreciate the 3rd one, especially if you remember the good ol days of youtube. all rights for the video go to whomever did the video blah blah blah etc etc
*ITF 2022 WINNER* 'Lunch Time' for Trombone 4tet - Original Composition by Adam Schreiber
Переглядів 7082 роки тому
Adam Schreiber - "Lunch time" (2021) performed by Adam Schreiber (trombones) www.Adamschreiber.com I wrote this piece last year and an earlier version of it was premiered on my senior undergraduate composition recital last April: ua-cam.com/video/TLh8F9sVn2A/v-deo.html I recorded this version in November 2021 after only playing trombone for about 10 months. I had to splice multiple takes togeth...
city escape
Переглядів 1943 роки тому
city escape
William SCHUMAN Symphony No. 3 - Slatkin - DSO Live
Переглядів 10 тис.3 роки тому
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm sorry but this is for educational purposes Detroit Symphony Orchestra Leonard Slatkin Conductor Live Broadcast from 2016 Bass Clarinet solo snare drum solo xylophone excerpt
BEAUTIFUL + EPIC Cello Moments in the Orchestra - Part 1
Переглядів 3 тис.3 роки тому
Here are some powerful moments where the cello section has the melody / soli in orchestral music. These are just a few of many (endless!) great examples and I hope to showcase more in the future so STAY TUNED and please remember to LIKE and Subscribe for more! Although some of these, the cello shares the melodic line or is in unison with the violas or another section, the essence of the video i...
Cat Plays Bartok on A Toilet???!!
Переглядів 7 тис.3 роки тому
wow hilarious tiktok mashup pls like and subscribe 4 more videos the second i saw that cat toilet video I immediately thought of bartok
SAMPLE PREVIEW: Bill Schuman Symphony no. 3 - Score Video Follow-Along
Переглядів 2693 роки тому
Full Video will be coming in the future performance by Leonard Slatkin and the Detroit Symphony sometime in like 2018 or maybe 2017 idk they took it off their website but i have the file on my hard drive.
The WORST Orchestra of ALL TIME *Cringe Warning* 🤮 😂
Переглядів 7 тис.3 роки тому
The WORST Orchestra of ALL TIME *Cringe Warning* 🤮 😂
Vaughan Williams Tuba Concerto II. Romanza for 4 CELLOS #Shorts
Переглядів 2393 роки тому
Vaughan Williams Tuba Concerto II. Romanza for 4 CELLOS #Shorts
Johannesburg Festival Overture - Walton (Full Orchestral Score Video)
Переглядів 2,3 тис.3 роки тому
Johannesburg Festival Overture - Walton (Full Orchestral Score Video)
Esa-Pekka Salonen - Knock, Breathe, Shine for Solo Cello (2010) - score + audio
Переглядів 4,7 тис.3 роки тому
Esa-Pekka Salonen - Knock, Breathe, Shine for Solo Cello (2010) - score audio
Adam Schreiber - Solo Cello Recital
Переглядів 3923 роки тому
Adam Schreiber - Solo Cello Recital
moszkowski op 3 type beat
Переглядів 2573 роки тому
moszkowski op 3 type beat
*EPIC* William Walton - Belshazzar's FEAST (full score + audio)
Переглядів 17 тис.3 роки тому
*EPIC* William Walton - Belshazzar's FEAST (full score audio)
Joseph Alessi plays Rouse - Trombone Concerto (1991) [w/ score]
Переглядів 8 тис.4 роки тому
Joseph Alessi plays Rouse - Trombone Concerto (1991) [w/ score]
Druckman - Other Voices for Brass Quintet (1976) [w/ score]
Переглядів 1,7 тис.4 роки тому
Druckman - Other Voices for Brass Quintet (1976) [w/ score]
Rebecca Clarke - Piano Trio (1921) [w/ score]
Переглядів 29 тис.4 роки тому
Rebecca Clarke - Piano Trio (1921) [w/ score]
Saariaho - Sept Papillons for Solo Cello (2000) [w/ score]
Переглядів 32 тис.4 роки тому
Saariaho - Sept Papillons for Solo Cello (2000) [w/ score]
Ben Johnston - String Quartet No. 6 (with Score)
Переглядів 12 тис.4 роки тому
Ben Johnston - String Quartet No. 6 (with Score)
Ernő Dohnányi - Piano Quintet No. 2 in E-Flat minor Op. 26 [score + audio]
Переглядів 24 тис.5 років тому
Ernő Dohnányi - Piano Quintet No. 2 in E-Flat minor Op. 26 [score audio]
Orchestrating A Piano Piece - a beginner's guide
Переглядів 4,1 тис.5 років тому
Orchestrating A Piano Piece - a beginner's guide
Adam Schreiber - le retour à la raison (live performance + score)
Переглядів 5095 років тому
Adam Schreiber - le retour à la raison (live performance score)

КОМЕНТАРІ

  • @Sujkhgfrwqqnvf
    @Sujkhgfrwqqnvf 3 дні тому

    16:34

  • @Sujkhgfrwqqnvf
    @Sujkhgfrwqqnvf 3 дні тому

    17:10

  • @Sujkhgfrwqqnvf
    @Sujkhgfrwqqnvf 3 дні тому

    3:00

  • @tomcunningham5150
    @tomcunningham5150 4 дні тому

    Babylon fell and will fall again. Great job. Sang this a few years ago. Such a privilege.

  • @TheTenorChannel
    @TheTenorChannel 11 днів тому

    Etude in goosebumps major is this piece's second name

  • @hugor1338
    @hugor1338 Місяць тому

    Many thanks, Wonderful and illuminating presentation and discussion of this piece, which I first heard years ago.

  • @juandanielgarciamercado
    @juandanielgarciamercado Місяць тому

    Just discovered her, and gotta say I’m just amazed by her music, definitely will study her to get inspired!

  • @beecolor
    @beecolor Місяць тому

    The master of Cziffra 😀

  • @gavinfrody9976
    @gavinfrody9976 Місяць тому

    So fun to see the Brahms sextet sneak in there. Really interesting piece, I will have to give this a few listens!

  • @peterlim5730
    @peterlim5730 Місяць тому

    thank you. Very rich and delectable !

  • @andreamoscatelli4266
    @andreamoscatelli4266 Місяць тому

    The piano part is not easy at all and this quintet is so Brahms-coded, gorgeous in every single way. All its movements really stand out and the whole quintet is astonishing :)

  • @djysmallman2183
    @djysmallman2183 Місяць тому

    Rostropovich actually requested a second concerto from William, and then said he would play both, but Walton thought that too excessive.

  • @AlkanLove
    @AlkanLove Місяць тому

    シューマンのロシア風と言ったところでしょうか

  • @winstonelston5743
    @winstonelston5743 2 місяці тому

    This is one of my three favorite quartets, along with the Borodin no. 1 in A-major and the Shostakovich no. 8 in c minor. Dohnanyi and Dvorak wrote some fine examples of the genre also.

  • @rossanopinelli5150
    @rossanopinelli5150 2 місяці тому

    Great piece!

  • @steveegallo3384
    @steveegallo3384 2 місяці тому

    Excellent innovation......BRAVI TUTTI from Acapulco!

  • @davidfitzgerald2681
    @davidfitzgerald2681 2 місяці тому

    Thanks for uploading this Adam. I just heard the second movement on BBC Radio 3 and wondered if I’d be able to find it, and here it is thanks to you! Must check out more of her stuff. Where best to start? 🙏

  • @johnkraus7841
    @johnkraus7841 3 місяці тому

    Thank you for posting this arrangement!! 🙏

  • @joechrismanmusic
    @joechrismanmusic 3 місяці тому

    cool pitch bends!

  • @obamadoescare9351
    @obamadoescare9351 3 місяці тому

    nice!

  • @davidcagle229
    @davidcagle229 3 місяці тому

    They played the absolute crap out of that. Fantastic piece. And so ignored.

  • @ell1e7913
    @ell1e7913 4 місяці тому

    2:48 8:34 15:55 17:04

  • @a-ramenartist9734
    @a-ramenartist9734 4 місяці тому

    That opening wow, I can tell Im going to enjoy this

  • @omniphore4913
    @omniphore4913 4 місяці тому

    Thorougly enoyed

  • @sedefcankocak9523
    @sedefcankocak9523 4 місяці тому

    What an interesting piece!

  • @brucebennett5338
    @brucebennett5338 5 місяців тому

    fantastic!

  • @MrJimPea
    @MrJimPea 5 місяців тому

    Ahhh, Korngold! I can see him sitting at the piano playing little riffs, no one daring to approach too closely, the quill coming out, a few jots and genius is played forward.

  • @scopilio13
    @scopilio13 5 місяців тому

    ua-cam.com/video/XpxqPFp6YZw/v-deo.htmlsi=lK-3CQUwp3JL2hwY

  • @coasterdragon155
    @coasterdragon155 5 місяців тому

    spectacular spectacular spectacular!!!

  • @Twentythousandlps
    @Twentythousandlps 5 місяців тому

    Nice to have a good video of this, since the Other Leonard never filmed his well-known interpretation.

  • @averagemusicenjoyer
    @averagemusicenjoyer 5 місяців тому

    I love the 2nd movement, I don't know how or why, it's just so good omg

  • @rainaliao9498
    @rainaliao9498 6 місяців тому

    24:00

  • @davidecretarola2401
    @davidecretarola2401 6 місяців тому

    That fucking G Lydian bar at 0:24 is so freakin’ genius… gets me every single time… why isn’t he famous as other well-known composers? Truly would deserve to be... and holy shit... that 2nd subject... folds my stomach every single time

  • @muammererboy4889
    @muammererboy4889 6 місяців тому

    Amazing performance. Great indeed.

  • @The_Pink_Man
    @The_Pink_Man 6 місяців тому

    Amazing!

  • @aramkhachaturian8043
    @aramkhachaturian8043 6 місяців тому

    the beginning intro looks like a math textbook

  • @violincoversalli8709
    @violincoversalli8709 7 місяців тому

    Do you have sheet music for the clavier? Thank you in advance!

  • @sukk2511
    @sukk2511 7 місяців тому

    Very interesting - but why does UA-cam give me this when my search was for Clarke's 'Poem' for string quartet??

  • @ZewenShifu
    @ZewenShifu 7 місяців тому

    based Rautavaara

  • @SCRIABINIST
    @SCRIABINIST 7 місяців тому

    A bit impressionistic and Debussy like with the writing and harmonies but very original!

  • @johnmarraffa5079
    @johnmarraffa5079 7 місяців тому

    William Walton at his most metal! Loved seeing the full orchestral score alongside the video of this performance. Great job!

  • @NothingFunnyAboutTheseCarpets
    @NothingFunnyAboutTheseCarpets 7 місяців тому

    Wow man! This is amazingly written!! You just own harmony and formal/narrative-structural balance

  • @NothingFunnyAboutTheseCarpets
    @NothingFunnyAboutTheseCarpets 7 місяців тому

    This must be one of the most EXTRA pieces I ever heard. It’s sad that it probably will never be performed in my country. It’s not that sad that I can just travel to Britain. But seriously, what the hell qas this allelluia?? I never heard something like it before! Its not really like the endings of mahlers 2nd and 8th, it has this incredible drive and energy and you fell like you’re on a vortex of joy and exultation, moving at an uncontrollable speed towards heaven

  • @NothingFunnyAboutTheseCarpets
    @NothingFunnyAboutTheseCarpets 7 місяців тому

    Praise Ye the God of BRAAASS!!! He didn’t wast an opportunity

  • @dr.kenmahood4917
    @dr.kenmahood4917 8 місяців тому

    I've been at 3 performances of this work since 1960. This is one of the best BUT once again the last finale is too fast---why must you rush which overlooks some brass accents which are conducted way too rapidly. Oh well, must wait for the next to see if finally someone gets this correct.

  • @dr.kenmahood4917
    @dr.kenmahood4917 8 місяців тому

    This is the best performance I've heard since Eugene Ormandy's with Philadelphia Orchestra back about 1962. Many conductors tend to direct this work way too fast, but this rendition is on target. This work came out in 1938 and cause a stir since it is more like "Choral Drama" set to orchestra...magnificent. Walton also wrote the coronation march for Queen Elizebeth.

  • @appogiatura
    @appogiatura 8 місяців тому

    Wow!

  • @Warp75
    @Warp75 8 місяців тому

    Wow William Walton was great.

  • @stephenmccarthy3072
    @stephenmccarthy3072 8 місяців тому

    Only just learnt the news, and came straight here - to one of his iconic live recordings, in my opinion. R.I.P. Sir Andrew Davis (2nd February, 1944- 20th April, 2024).

  • @qfcbv
    @qfcbv 8 місяців тому

    I don't understand most of 20th century music. It seems like these composers have their fair share of nice and beautiful works, but I simply don't get how this is considered good at all. Sure, it may check out on terms of music theory, but listenability and a sense of "coherence" is important, at least for me personally, in music. Yes, there are some parts of this concerto I really like, like the second movement, but overall, without several listens, it's hard for me to comprehend this piece. Random I think is the best word to describe this piece, and many other pieces including Debussy cello sonata. Avant-garde doesn't resonate with me.

    • @AdamMusicWorld
      @AdamMusicWorld 8 місяців тому

      ok

    • @petemarkey626
      @petemarkey626 7 місяців тому

      Strange, for myself this piece oozes coherence. it's an exploration of voice and character, one not restricted only to the most melodic and sweet but based on the real persona of cello and player. 'This is the way i speak and sound and how the orchestra may best support my voice.' it becomes almost like a duet: cello and orchestra finding an understanding of each other, finally coming in to full appreciation by the end of the second movement; two conversations that lead to the third movement, and it all comes together where the voice of the cello with its full character is perfectly supported by the orchestra. something that could not have been achieved without the initial exploration and sharing. This was the commission; to show to the world what was then a highly individual cellist and cello voice.