Відео

Ugetsu

情けない男だ、

この映画は怖すぎる。臆面もなく人間の本性をズカズカと暴く。数え上げればキリがないが、母の死を前に、長男が口笛を吹いて犬を呼び寄せるシーン、本当に怖い。こんなシーンをさりげなく挿入する小津監督の凄味に感嘆を禁じ得ない。

la mejor película que se ha hacho, una belleza...

５０年前、高校の文化祭で自主上映しました。

可哀想に… せっかく、東京に子供達に会いたくて来たのに… みんな、このように自分の生活が大事になるのかなぁ 冷たすぎる… でも、優しい方もいらして 少し、ほっとしたり… 何のために子育てし 遠く迄、会いに来たのか 今の時代では、理解出来ないでしょうね〜 懐かしい風景… 泣きたくなります みせていただき ありがとうございました

今年６８歳になります。この歳になってほんの少しだけですがこの物語の理解が進んだ様に思います。有難う御座いました。

The next day, everyone saw them off and they boarded the train home, but Tomi fell ill and got off the train in Osaka to stay at the house of her third son, Keizo (Shiro Osaka). Tomi and Shukichi, who have recovered, lament that their children weren't kind, but talk about how their lives were good. Shortly after the two returned to Onomichi, a telegram was received saying that her mother was in critical condition. After her Tomi's funeral, the three went home quickly, leaving her Noriko, and Kyoko was indignant, but Noriko protected her brother-in-law and quietly admonished her young Kyoko. On the day Noriko returns to Tokyo, Shukichi expresses her gratitude for Noriko's kindness, tells her to remarry quickly and be happy, and gives her a watch as a memento of her wife. Noriko raises her voice and cries. The next morning, alone in an empty room, Shukichi gazes out at the quiet sea of Onomichi.

Koichi and Shige pool their money to send their parents to Atami. However, the ryokan that Shige chose is a low-priced hotel, and the other guests are making noise until late at night, so the two of them can't sleep. The next day, the two decide to return to Onomichi, rounding up their plans and returning to Shige's house. However, Shige takes an annoyed attitude, saying that he would have liked him to come to Atami more slowly because he had a gathering of his colleagues tonight. While thinking about where to stay tonight, saying, "I'm finally running out of accommodation," Tomi decides to go to Noriko's cramped apartment. Noriko and Tomi talk intimately, and Tomi sheds tears at Noriko's kindness. On the other hand, Shukichi visits Hattori (Hisao Toake), who was close to him in Onomichi, but Hattori says he can't stay at his house, so let's drink outside, and he also calls out to Numata (Eijiro Higashino), who was also close in Onomichi. The three of us drink sake together. In the end, Shukichi gets very drunk, and when he and Numata return to Shige's house after midnight, they both fall asleep in the chairs in the beauty salon. Shige complains about her father to her husband.

After that, she moved to Shige's (Haruko Sugimura) house, which also runs a beauty salon in the downtown area, but both Shige and her husband (Nobuo Nakamura) are busy, and their parents are idle on the second floor without being able to go anywhere. Shige asks Noriko (Setsuko Hara), the wife of his second son who died in the war, to take care of her parents for a day. Noriko takes time off from her job to take them to Tokyo's tourist attractions, and spends the night in her tiny apartment doing all she can to entertain them.

Shukichi (Kasa Chishu) and his wife Tomi (Higashiyama Chieko), who live in Onomichi, ask their second daughter, Kyoko (Kagawa Kyoko), who is an elementary school teacher, to be away from home, and go to Tokyo. The two stay at the house of their eldest son Koichi (Satoshi Yamamura), who runs a small clinic in the downtown area, but when they were about to go sightseeing in Tokyo, they had an emergency and were unable to make the trip.

"Tokyo Story" was selected as the all-time best film in the history of the world because it captures the question of what time (that is, life, human beings, and the world) is through film, which is the art of time. 2nd place "Citizen Kane" and "2001: A Space Odyssey" make full use of the privilege of movies to cross the past, present and future, but in the end they end up being a mystery. Yasujirō Ozu preserves the chronological order of reality, and depicts that all time is lost, and whether it is happy or unhappy, it is purified by time. So great. As evidence of this, the scene changes to show the straight corridor of the elementary school, which has been cleansed and purified, shortly after being immersed in the final farewell conversation between Chishu Kasa and Setsuko Hara. Ozu's famous death shot (cut without humans) inserted between scenes (in other words, time).Then the song "Evening Bell" heard from the classroom is also a hymn composed by Foster. will pierce your chest. It is filled with the thoughts of Ozu as a temporary elementary school teacher who worked for only one year before entering the movie industry. By the way, the beautiful theme song by Kojun Saito was played during the flag lowering ceremony at the closing ceremony of the Tokyo Olympics. When I asked an expert, I was told that it was a very rare piece of music that fused the melodies of gagaku and hymns. I saw it for the first time 50 years ago, and it still rocks my soul.

不朽の名作

天地創造

🤗🤗🤗🤗😘😘

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Обожнюю Японські історичні фільми,істетику...Вельми потужна традиційна культура. Захоплююсь тим, як ви с повагою і любов'ю ставитеся до неї! 🇺🇦 👍🇯🇵

「東京物語」が世界の映画史のオールタイム・ベストに選ばれたのは時間(つまり人生や人間、世界)とは何かという問題を時間の芸術である映画によって撮りきったから。2位の「市民ケーン」や「2001年宇宙の旅」は映画の特権を駆使して過去、現在、未来を行き交うが結局、謎に終わる。小津安二郎は現実の時系列を守りながら全ての時間は喪失されるものであって、それは幸福であれ不幸であれ時間によって浄化されることを描き出す。だから偉大。その証拠に最期の笠智衆と原節子の別れの会話の感動に浸る間もなくカットが切り替わり履き清められた真っすぐに伸びる小学校の廊下が映し出される。シーンとシーンの間(つまり時間)に挿入される小津の有名なデスショット(人間のいないカット)そこに教室から聴こえてくる唱歌「夕べの鐘」はフォスター作曲の讃美歌でもある事は欧米人の胸にも突き刺さるだろう。映画界に入る前に小津が一年だけ務めた小学校の臨時教員の想いが込められている。ちなみに美しく斎藤高順による主題曲は東京オリンピックの閉会式の国旗降ろしに流れていましたね。専門家に聞くと雅楽と讃美歌の旋律が融合されたとても珍しい音楽だと言われた。私は50年前に初めて鑑賞したが今も魂を揺さぶってやまない映画だ。

男を焼き尽くす京マチ子の幽霊も良いが、全てを包容する田中絹代の母親の亡霊が凄い！外国人がまいったのはそとためだろう。若い世代は「近松物語」や「山椒太夫」の戦後の溝口健二の時代劇の凄みを観るのも良いが、戦前の「祇園の姉妹」や「浪速エレジー」の10代の山田五十鈴のリアルな台詞回しは今どきの女優より新しいのに驚くだろう。

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人生の成功者の勝ち組と人生の失敗者の負け組がいたとしたら、 自分を負け組と思っている人にとっては面白くない映画なのかもしれませんね。

始めて雨月物語を見ます🌸

原節子さんの笑顔がまぶしく、不意に泣いた顔が美しい。

古代、中世、近代といろいろな物語、軍記がある。学校で「題名」は教わるが、中身までは・・。こういった映像で見られるのは大変重要だと思う。

UA-camなんかでちまちま見るのではなく、きちんとした画面で見たくなりますね。

tragic

「七人の侍」と並んで世界的に有名な映画ですね。 京マチ子さんの妖怪が素晴らしい。 この映画のテーマは今も不変じゃないですかね。 こういう映画をリメイクすればいい。 今の日本映画にはこの映画をうまくリメイクする技術は ないでしょうが。。

今は亡き人々、おとぎ話ですね。

子どもに対して凄い上から目線。 何だよお母さん『チェッ！』と吐き捨て。 なんでこんな押さえつけるのだろ。

わが生涯のベストワン、人間の本性をさりげなくしかし深く描いた映画を見たことがない、究極の人間ドラマだから世界が認めたんだろうな

昔の女優さん、綺麗ですね。最高ですね。

懐かしいですね。ありがとうございます

昔の方は礼節がありますね。ありがとうございます

私にとっての日本映画の最高傑作の１０本の映画の一つです。誇りに思います。

世界の巨匠、小津安二朗監督の映画、素晴らしいですよね🎵

こういった、風情ある、映画🎦は、今は、見られなく、なりましたよね🎵

こうゆう映画はもういまは製作できないだろうなあ何かさびしい

激ヤバ！🔥🔥🔥