Відео

Thank you for your nice comments (also on other videos)! I do not completely understand this comment. If I can help, or clarify myself, please let me know!

@@hub-hildenbrand yeah sure. I just wrote that i was going to point out that 53 tet and a pure JI pythagorean 53 note tuning are note the same but then you clarified it. The point is that for practicality poupouse using 53 tet as framework is fair enought, so much more fair then 12 tet. Just the way you were explaining it was triggering the tuning theory nerd in me🤣. I say it cause i tried some extended pythagorean tunings and indeed they are unequal, tonality have nuances and a perfect transoposition is possible only to certain tonalities . Commas approach to a size but they are not equal. The more the iteration the more they become small and similiar. That said , I kindly thank you for your lessons and I'm happy to have discovered your work

@@millennial_bug thank you for your clarification. It would be interesting to hear your music. There is so much to say about intonations.... In the end, everybody finds their own approach. I think studying 53 ET is a great basis and a strong connection between cultures...

Hey, thank you for reaching out to me. I'm happy you're interested in my sound. If you are interested you are welcome to have an online lesson with me, and I can tell you all the details... right now I do not really have the time for making a new video on that topic or writing everything here in the chat, which is not the place anyway for that kind of informations... cu Hub

Thank you for your interest! There are no plans for a physical book at the moment, but who knows what the future has in store. All the best

Thank you, let me know if you have questions....

hey, just checked your channel. Did the same :-)

Thank you! Yes, I added the 'p' in the description, definitely wrong. Other than that you find many spellings of the names of the Ragas, like Sree, Sri, Shree....... Thanks for your feedback!

Thank you for your feedback. Yes, understand. The main focus on this channel is to improvise and think about music from a broader perspective. Here it is more about: what concepts can I use from different cultures to make a more "complete" statement when you improvise. In a way it is already processed material, ready to incorporate into your playing. Deeply understanding raga music is not the focus here, but exciting, too......

I am sorry for that. Did you try PayPal? Do you have a screen shot which you can send to my email?

Thank you very much that you broke your silence :-)

Sure, go for it!

Thank you for your nice comment, and... good question! I use Thomastik-Infeld Strings, Jazz Bebob Series, round wound .013, but (!) I change the g-string, which is wound .021 to a plain steel string .020 . This is my set, I am using the last 20 years :-)

www.thomann.de/intl/mx/thomastik_bb113.htm?sid=6d9f8bacb0e465f045cbe99f226aaf51&shp=eyJjb3VudHJ5IjoibXgiLCJjdXJyZW5jeSI6MTAyLCJsYW5ndWFnZSI6OH0%3D&reload=1&gclid=Cj0KCQiAgP6PBhDmARIsAPWMq6nhY8mdVXH79EDckAiiWKEBKCqXqrps5cqvvaYZfuveugkJIUqUchkaAslsEALw_wcB

Great. Thank you for the comment

I am happy that I could help.... :-)

happy christmas :-)

@@GuitarAcademia Thank you! Happy christmas!! :D

12 years ago ;-) ua-cam.com/video/JE2a_vSyFMM/v-deo.html

@@GuitarAcademia Awesome!! Thank you very much!! :)

Dear Javier, thank you 🙏. Happy that I could help you! And, yes, I also teach online. Just let me know via email. For contact informations check out my website www.hubhildenbrand.com All the best

@@GuitarAcademia Thank you very much! I just sent you an E-mail :D

Thank you so much for your beautiful words! I am also doing online lessons, if you need one, let me know.... I wish you a lot of enjoyment with your journey

Dear Nicogetz, thank you for your feedback! I really appreciate it. I feel that there are not so many people out there who really understand what I am doing on the guitar :-) I am happy that you found your way here and that I can help you on your journey. Check out: ua-cam.com/play/PLAcdlfGRBU1DZuI6MG_wi-r6g-JxIuxDY.html This playlist provides you with the basics of turkish maqam (theory etc.) to give you a better foundation to really understand the more advanced excursions into the lessons on maqams in practice (like this one). Make sure to check out lessons A0003 - A0010 All the best to you and Armenia (I am thinking about coming to Armenia in 2023)

@@GuitarAcademia Dear Hub, Thank you for your reply-- honestly, it doesn't surprise me that there aren't a ton of folks who fully understand what you're doing. Although I've only had the oud for a few months, I'm very pleased with the progress I've made in that time, but even among my musician friends, i see the eyes gloss over when i mention talk about playing notes slightly higher when ascending than descending. Finding someone who even has your level of knowledge and can explain it in English, along with demonstrations-- this has been a real challenge, and i consider a true gold mine, especially as someone who has always relied on my good ear, and never got very good at reading music. But i also understand the subleties of turkish maqam interpretation traditionally aren't fully written out either, but have been passed on aurally/orally, though they're have been more recent attempts to devise a system to accurately encode the subtleties of these performance, with new symbols for half flat, quarter flat, half sharp and quarter sharp, etc. But if course there are regional, cultural, and individual variations on all this as well, and fixing everything to one "correct" interpretation loses some of that diversity and neglects the history that's produced this variety of colors across the region... Sami Abu Shumays has a good UA-cam series on ARABIC interpretation of maqam, which I've found very useful and from which I've tried to extrapolate somewhat, but i will certainly be spending several hours reviewing your material here, and thank you for what you're putting out. While there aren't THAT many of us, perhaps, i know I'm not the ONLY person thirsting for this material in a digestable form, and your work will prove an invaluable resource. I look forward to talking more with you, sir.. Inshallah. (Oh, and i would love to travel to Armenia myself one day...my family came to America during the genocide, but i hope to visit what remains of the motherland some day. My father's side of the family is primarily German--as the name Hildebrand and your accent suggests, no?) How and where did you get into Turkish maqams?

@@nicogetz thank you for your words. Yes, Berlin (Germany) :-) Note about the 53-ET. I think it's the most complete and musical tonal system. Please check out the videos... All systems have limitations of course and theory can never fully explain practice, but this division is extremly musical. It has the strongest construction of all the tonal systems (stacked pure perfect 5ths) and in practice it divides the whole step into about 9 microtones, which is a pretty fine division. If you know this system all the other possible intonations are very much in reach. Check it out, bro! :-) It's really worth it... All the best

Dear friend, thank you for your feedback! I am very happy that I could help you. All the best to you and Kurdistan 🙏

Dear Andrej, thanks for asking... No, not yet. I try to put the notes on one string and rather horizontally change the positions. I separate the two techniques into two stocks: 1. very fast tremolo movement and 2. slower tempo with constant alternate picking while changing strings. Here the slant of the pick is also important. Always strike so that the plectrum leaves the level of the strings after striking. Downstroke: The tip of the pick should point downwards. Upstroke: The tip of the pick points upwards. I hope this helps. Would definitely be material for another lesson here.

Dear Andrej, to prevent neighboring strings from resonating, I tend to use fingers of the left hand sometimes. Within a fast tremolo, the right hand should act as freely as possible, i.e. have no contact with strings, bridge, guitar body, etc.

Thank you!!!

standard tuning but low E dropped to D

still remember, when you picked me up from the airport :-)

@@GuitarAcademia 😊😊