Відео

Ambient and indie based guitar played live with some random visuals.

All guitar, single track. Adineko for the warbly delay and then the Specular Tempus for a lot of reverb decay. Then just a light touch and get lost in listening to it. Not many people get how I can get lost in single notes even when there’s no effects, but I’ll just listen to the note decay and it is happy.

@HomeInMyShoes the Adineko that the one you, fardy and chris777 we're talking about today. I have a ad9 and a Tiesco delay. The seafoam green one. They're alot of fun.

@@mike-bt8bq I think we were talking about the RE-20 and original Space Echoes. That's my favourite delay overall. I've had the Teisco on my list forever as well as the Teisco fuzz, but there's always something else it seems. The Adineko is it's own swirly thing really. It's wonderful, but not something everyone loves. Pair it with the RE-20 with both very short on the delay side and I can get my favourite slapback sound. This video is a good sample of the swirly reverb it generates when you push it closer to oscillation. It also has a pre-amp for a gritty sound. I keep thinking I can maybe sell it, but then I'll sit and play and listen and it's not going anywhere. ua-cam.com/video/gzs1IPXHT6o/v-deo.html

Thanks. It was such a simple little thing, adding in that jazz chord an acquaintance suggested which just really ramped up a very introspective feel for me and I got a reasonable acoustic kind of sound out of it.

Thanks so much.

No sitar. Chase Bliss Reverse Mode C. I love it's sensitivity, I can get it to just about disappear and then when I dig in I'll the effect will grow and it's like throwing another layer onto it. Putting the Earthquaker in front of it with really low (or even no) gain gives another layer to that dig in sound and it sounds like I'm adding something without doing anything except play with the dynamics. This one: ua-cam.com/video/mzWUGNt43Gk/v-deo.html Here I am actually turning the pedal on and off though. It turns on for the first time around 0:58 and gives a wonderful metallic overlay.

Thanks. Just some brilliantly fun toys to play with. Filter really seems like something I was missing for some things.

Thanks. You don't want to know this, but Bitquest -> SL-2. Use the Hi/Lo Pass Filter algorithm and messing with the resonance will get it to self oscillate at which point you can use both the Attack/Duty controls on the SL-2 and the Lo and Hi pass filter controls on the Bitquest to shape the sequence coming out. Keep the mixes lower, turn the volume up on the pedals and then play against it.

@HomeInMyShoes Of course I wanted to know that!

The Treminator has become my favourite tremolo pedal. The secondary functions aren't as intuitive (read that as I should read the manual and spend ten minutes sorting it out), but it has the range of sounds I want on the primary functions well laid out.

This made me laugh. A lot. Thanks for that.

Miss you in the shop. Have you been evicted, or just busy? It's nice to see you around here at least.

@HomeInMyShoes Just busy. I really should get back in!! You're tunes are keeping me connected to the good stuff though!

The lunch was very real. And very delicious. The music is real. Played live,. Captured on cell phone recording. No other processing.

Thanks. More just slowing down from the pace rather than stopping.

@@HomeInMyShoes ok, that doesn't sound so drastic! You're a guitar player. is that right?

@@NepenthesSloth Technically, more a piano player than guitar. ua-cam.com/video/LoC0YubkvgM/v-deo.html . But I like the way both instruments change the way I approach the other and guitar is a little more immediate for me.

Thanks. Hope things are well on your side of the pond.

Aww that is very kind. It does encapsulate a lot of things I love despite being so simple. That slightly metallic rise in the sound and I like the swirly reverb the Adineko has when you back it off from the self-oscillation point just a bit.

@HomeInMyShoes That Adineko sounds so good, one for my list which as you know is long! I know what you mean about the almost self oscillating sound. I can get that from my Memory Boy; almost an organ or synth like quality.

Thanks. I grew up playing keyboards and have a definite love for arpeggiators and drum machines. Yeah, that Miami Vice era was definitely in the back of my brain when this came out.

Thanks. I think I will use the Mod Square with my usual pedals to see if I want more modulation in my life or not. And I will probably revisit these three pedals again after giving my brain some time to sit with it.

Thanks. RE-20 into the GFI Spatium algorithm is a wonderfully swirly background to listen to the fade on. I can see why you like the Procession so much.

It was so long ago that it is something I should spend some time receating. Because this is just a single take (no loops, no overdubs) my tips are to keep the level mid to low so that you get a lot of original guitar signal and the pedal acts more like a background beat box. It's in the SFX/Harmonics section and probably 7 or 8 on the variation (that is subject to be entirely wrong.) Attack is probably around 10ish and Duty is probably around 2ish. Those are my favourite controls because it really gives a wide range of options for almost every pattern you select.