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Francy Wentker
Приєднався 4 кві 2012
Female Agency Through Costume: Jennifer's Body & Priscilla
Jennifer’s Body & Priscilla are two of the strongest examples of how costume designers are able to communicate female agency through costuming. Costume design studies are very limited in academia, despite its powerful storytelling capabilities. Using feminist film criticism, Lacanian psychoanalysis, and Foucault’s theories of power and knowledge, this analysis dives into the costumes that define the journeys of Priscilla and Jennifer.
*includes spoilers!*
Timestamps:
0:00: intro
2:45: Priscilla
17:06 Jennifer’s Body
33:50 closing thoughts
35:09 references
This video was for my capstone senior project at the University of Portland!
Thank you for watching!
References
art at midnight. (2023, October 19). the criminally underrated costume design of Jennifer’s Body. Www.youtube.com. ua-cam.com/video/4AIbcFV3MQw/v-deo.html
Bacon, J. (2023, November 9). Why the “Priscilla” Costume Designer Made Lingerie Timelines for the Movie’s Most Intimate Scenes. Cosmopolitan. www.cosmopolitan.com/entertainment/movies/a45780027/priscilla-movie-costume-designer-interview/
Bender, A. (2023, December 15). Clothes Tell the Story: Costume Designer Stacey Battat on Priscilla - Filmmaker Magazine. Filmmaker Magazine | Publication with a Focus on Independent Film, Offering Articles, Links, and Resources. filmmakermagazine.com/123957-interview-costume-designer-stacey-battat-priscilla/
Brennan, O. (2023, December 26). Priscilla’s costume designer on creating a plush, pastel-shaded fashion universe for Sofia Coppola’s latest movie. Wallpaper.com. www.wallpaper.com/fashion-beauty/sofia-coppola-priscilla-costume-designer-stacey-battat-interview
Bruzzi, S. (1997). Undressing cinema : Clothing and identity in the movies. Routledge.
Butler, J. (2006). Gender trouble : Feminism and the subversion of identity. Routledge.
Butler, J. (2022). Critically queer. (pp. 570-586). Edinburgh University Press. 10.1515/9780748672776-063
Copjec, J. (1994). Read my desire : Lacan against the historicists. MIT Press.
Coppola, S. (2023). Archive Sofia Coppola. MACK.
Coppola, S. (Director). (2023b, October 27). Priscilla. A24.
Craik, J. (1994). The face of fashion : Cultural studies in fashion. Routledge.
Doane, M. A. (1991). Femmes fatales : Feminism, film theory, psychoanalysis. Routledge.
ET Live. (2019, September 19). Jennifer’s Body Reunion: Megan Fox and Diablo Cody Get Candid About Hollywood (Exclusive) - UA-cam. Www.youtube.com. ua-cam.com/video/u2JLRtWlq0o/v-deo.html
Hughes, N. (2024, January 1). The Priscilla costume designer talks us through her favourite looks from Sofia Coppola’s stylish new film. Marie Claire UK. www.marieclaire.co.uk/fashion/priscilla-costume-designer-interview
Kollnitz, Andrea, and Marco Pecorari. Fashion, Performance, and Performativity. Bloomsbury Publishing, 2021.
Kusama, K. (Director). (2009, September 18). Jennifer’s Body. 20th Century Fox.
Lodi, M. (2022, February 8). 13 Fashion Details You Might Not Know About “Jennifer’s Body.” Nylon. www.nylon.com/fashion/jennifers-body-costume-designer-outfits-fashion
Marsh, S. (2021). Revisiting the gaze in films by two women directors. Journal of Spanish Cultural Studies, 22(2), 237-246. 10.1080/14636204.2021.1922820
McGowan, T. (2007). The real gaze : Film theory after lacan (1st ed.). State University of New York Press.
Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism : Introductory Readings. Eds. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999: 833-44.
Munich, A. (2011). Fashion in film. Indiana University Press.
Priscilla Beaulieu Presley, & Harmon, S. (1985). Elvis and Me. Easton Press.
Shepherd, H. (2024, March 7). Sofia Coppola’s costume designer on crafting Priscilla’s wardrobe. INDIE Magazine. indie-mag.com/2024/03/sofia-coppola-priscilla-costume/
Soo Hoo, F. (2023, November 10). Why the Fashion in “Priscilla” Speaks Louder Than Words. W Magazine. www.wmagazine.com/culture/priscilla-costume-designer-interview
Storey, J. (2001). Cultural theory and popular culture: An introduction (3rd ed.). London: Pearson.
Vogue. (2022). Priscilla Presley Breaks Down 15 Looks From 1960 to Now | Life in Looks | Vogue. In UA-cam. ua-cam.com/video/VKKe82ggaD4/v-deo.html
Williams, L. (2017). Blue is the warmest color: Or the after-life of 'visual pleasure and narrative cinema'. New Review of Film and Television Studies, 15(4), 465-470. 10.1080/17400309.2017.1376889
*includes spoilers!*
Timestamps:
0:00: intro
2:45: Priscilla
17:06 Jennifer’s Body
33:50 closing thoughts
35:09 references
This video was for my capstone senior project at the University of Portland!
Thank you for watching!
References
art at midnight. (2023, October 19). the criminally underrated costume design of Jennifer’s Body. Www.youtube.com. ua-cam.com/video/4AIbcFV3MQw/v-deo.html
Bacon, J. (2023, November 9). Why the “Priscilla” Costume Designer Made Lingerie Timelines for the Movie’s Most Intimate Scenes. Cosmopolitan. www.cosmopolitan.com/entertainment/movies/a45780027/priscilla-movie-costume-designer-interview/
Bender, A. (2023, December 15). Clothes Tell the Story: Costume Designer Stacey Battat on Priscilla - Filmmaker Magazine. Filmmaker Magazine | Publication with a Focus on Independent Film, Offering Articles, Links, and Resources. filmmakermagazine.com/123957-interview-costume-designer-stacey-battat-priscilla/
Brennan, O. (2023, December 26). Priscilla’s costume designer on creating a plush, pastel-shaded fashion universe for Sofia Coppola’s latest movie. Wallpaper.com. www.wallpaper.com/fashion-beauty/sofia-coppola-priscilla-costume-designer-stacey-battat-interview
Bruzzi, S. (1997). Undressing cinema : Clothing and identity in the movies. Routledge.
Butler, J. (2006). Gender trouble : Feminism and the subversion of identity. Routledge.
Butler, J. (2022). Critically queer. (pp. 570-586). Edinburgh University Press. 10.1515/9780748672776-063
Copjec, J. (1994). Read my desire : Lacan against the historicists. MIT Press.
Coppola, S. (2023). Archive Sofia Coppola. MACK.
Coppola, S. (Director). (2023b, October 27). Priscilla. A24.
Craik, J. (1994). The face of fashion : Cultural studies in fashion. Routledge.
Doane, M. A. (1991). Femmes fatales : Feminism, film theory, psychoanalysis. Routledge.
ET Live. (2019, September 19). Jennifer’s Body Reunion: Megan Fox and Diablo Cody Get Candid About Hollywood (Exclusive) - UA-cam. Www.youtube.com. ua-cam.com/video/u2JLRtWlq0o/v-deo.html
Hughes, N. (2024, January 1). The Priscilla costume designer talks us through her favourite looks from Sofia Coppola’s stylish new film. Marie Claire UK. www.marieclaire.co.uk/fashion/priscilla-costume-designer-interview
Kollnitz, Andrea, and Marco Pecorari. Fashion, Performance, and Performativity. Bloomsbury Publishing, 2021.
Kusama, K. (Director). (2009, September 18). Jennifer’s Body. 20th Century Fox.
Lodi, M. (2022, February 8). 13 Fashion Details You Might Not Know About “Jennifer’s Body.” Nylon. www.nylon.com/fashion/jennifers-body-costume-designer-outfits-fashion
Marsh, S. (2021). Revisiting the gaze in films by two women directors. Journal of Spanish Cultural Studies, 22(2), 237-246. 10.1080/14636204.2021.1922820
McGowan, T. (2007). The real gaze : Film theory after lacan (1st ed.). State University of New York Press.
Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism : Introductory Readings. Eds. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999: 833-44.
Munich, A. (2011). Fashion in film. Indiana University Press.
Priscilla Beaulieu Presley, & Harmon, S. (1985). Elvis and Me. Easton Press.
Shepherd, H. (2024, March 7). Sofia Coppola’s costume designer on crafting Priscilla’s wardrobe. INDIE Magazine. indie-mag.com/2024/03/sofia-coppola-priscilla-costume/
Soo Hoo, F. (2023, November 10). Why the Fashion in “Priscilla” Speaks Louder Than Words. W Magazine. www.wmagazine.com/culture/priscilla-costume-designer-interview
Storey, J. (2001). Cultural theory and popular culture: An introduction (3rd ed.). London: Pearson.
Vogue. (2022). Priscilla Presley Breaks Down 15 Looks From 1960 to Now | Life in Looks | Vogue. In UA-cam. ua-cam.com/video/VKKe82ggaD4/v-deo.html
Williams, L. (2017). Blue is the warmest color: Or the after-life of 'visual pleasure and narrative cinema'. New Review of Film and Television Studies, 15(4), 465-470. 10.1080/17400309.2017.1376889
Переглядів: 1 257
please make more of these queen
I love both movies and the work you did on them is just awesome ! It was really clear, interesting and well developed :)
💖 Pink heart for the algorithm
u r hawt
I haven’t watched the whole video yet but I loveeee this topic. I remember feeling bad that Priscilla’s most iconic look isn’t one that she picked for herself. But I loved her transformation in the movie. 🩵
Hell yeah dude this was awesome! Great work!
Such a good analysis and thank you for mentioning your sources!
this is so unbelievably my brand i’m subscribing