Відео

That sounds like there's no other tone in the universe.....

Totally! The way resonating and gliding delays build up with the help of reverb makes it so dense, creating such a unique texture, like it completely fills the space in its own way. Thanks for sharing

Answer is in the video.

Thank you stranger! It's all ashes around here... and the only leaves come from music. Had not music in my life I'd not be around. It's a merciless wasted land, tough as stone, cold as ice. Music forever. That's salvation!

Thanks! Not sure if the Orville can do this.

Gotcha. I really enjoy your video😊

@@acid7188 Thank YOU!🙏

Have a good 2025!. My Best regalos.

Thank YOU, Sir!

I have no idea about what you describe. Lexicon released a second OS version for the G2 and the unit works great.

@@italoop7850 Can the original ones be upgraded?

@@CaptainAhab-im3kd Yes. Try Ebay. www.ebay.it/itm/276469775902?chn=ps&norover=1&mkevt=1&mkrid=724-128315-5854-1&mkcid=2&mkscid=101&itemid=276469775902&targetid=2302781041415&device=c&mktype=pla&googleloc=9204916&poi=&campaignid=21278170735&mkgroupid=160806971983&rlsatarget=pla-2302781041415&abcId=9414772&merchantid=118422559&gad_source=1&gclid=CjwKCAiAxea5BhBeEiwAh4t5KzvCTwLnQ3qTiK0bkn0edq5pugjMvp8Fj1F-6jkO3gOkpBVTKJZIcRoCrSIQAvD_BwE

The best group, the best guitarist❤

Amazing mixes then!

Jim, the intro track is not demoing the verbs. It's a combination of two presets, a factory one, "Hexentanz", created by evil genius Scott Gilfix and "Galaxy Border" I wrote for the Orville. All of these are on the later H units too. Here's the original video with this powerful combo: ua-cam.com/video/sCaP1UYz5Xc/v-deo.htmlsi=d--IpOkUV4FLF6yZ ENJOY!

@@italoop7850 you are the man. Thanks so much Italo. I've been meaning to do a video on higher-end outboard processing in 2024 (especially for synths & pop production)... once I get situated and get your patches loaded, I'll be sure to highlight those on my channel and link to your work ;-)

@@JimDaneker THANK YOU, Sir!

I'm not sure I'd go that way. A mixer outputs a whole mix and the PCM80 isn't exactly a device I would use on a whole mix. Works fine on a single channel/track. But if you can choose what that S/Pdif will send out.... The whole point here is a bit different though, trying to prove how the analog input section of these FX devices can be VERY important in creating the sound character of what you hear. I wouldn't bypass the PCM analog input stage, unless you really hate it (and I don't!) and want to have the most pristine, clean, cold as an ice cream up the dark hole characterless signal.

@@italoop7850 Sure, my mixer allows me to route an AUX Bus to the S/PDIF though... ;-)

You can do whatever you want with the 300 or any FX processor.

@@italoop7850 I’ve been trying to use mine tracking in but it has a little delay, I guess cause it’s fully wet? idk how to adjust the dry signal. Or how I would set it up as an effect pre before my amplifier

I have a similar feeling. Thanks for posting!

Different things.... not what this video is about!

@@italoop7850 yes you are right, sorry i was just sharing my 2cents :-) ... imo , the Pcm80 just sounds better weither it's the preamp on board (or the 24bit of the 81 that made it less good) , i don't know.... my point is the delay in that preset "Prime Blue" has that modulating 3dness (or it feels like it does) and has that magic Lexicon

@@smartti1970 Yeah. That PRIME BLUE is the greeting preset on the 80/81. The first one hears when powering on the unit for the first time... and it does it job with its strong signature sound AND the Soft Knob leading to different balance of chorus/delay/reverb. It really shows off the PCM. Now, back to the 42. As you notice the difference in conversion between the 80 and the 81, imagine the 42 with 12 bit converters. That's light years back in time, with all sorts of imperfections, compared to current tech. And the way those old delays worked, with analog filters, analog LFOs whose sample rate was shifted to get pitch modulation and time compression/expansion, analog feedback and what not... That stuff is simply no longer available on DSP based machines. They just can't get that sound. It's like a 50s car and a currente e-car. They won't ever drive and feel the same.

The H8000 sounds much nicer! Warmer, fuller, less digital....

Old converters (Korg) and sample rate modulation DO actually create that reverb_like space. Hard to replicate for DSP based machines !

Same here with SDD-3000 rack… wish I’d bought more of them … 😏

Belli... MA il PCM42 è un'altro universo!

Il PCM81 ci va molto vicino.... ma anche Eclipse non scherza. Ascolta bene, con cuffie serie.

In h8000 ed eclipse sento la durezza che mi ha fatto vendere Orville. Ho avuto anche h3000 e, secondo me, ha una morbideza che gli Eventide successivi non hanno

To my ears the best 1 eventide h8000 fw 2 eclipse 3 pcm 81 4 pcm 42

Parallel Auxes on an analog line mixer. Never as an insert!

One day.....

Thanks Paul!

Then you just like unprocessed dry sounds. Not a reverb problem.

Nope! Not easy to find one around.... but keep the faith! One day!!!

My libraries. Check www.italodeangelis.com

Thank you, Sir!

E allora andiamo.....!

A couple of Lexicon PCM42s on the guitar.

Always thanks, Robert!

Ciao. Puoi usare qualsiasi controllore MIDI perchè è uno standard. Ma devi stare attento a cosa vuoi controllare e come... verificando che il controllore sia in grado di fare tutto ciò che vuoi.

Thanks Robert! Miles is God... and Herbie isn't bad at all...! Trying to play music with a connection inside myself, life, things and people. That's the hard part that makes sounds true. Joy, pain, sorrow.... be able to express those. Must be an age thing....

Hey Billy!!!! Hope you're well!!!

Thank you very very much. Tubes are just what truth is...voltage modulated by a human, touching the strings with many different physical energy degrees coming from how he perceives and feels the musical expression in that moment. And that produces so many shades and colors with the most pleasant harmonic content. From the heart of the player to the ear of the listener the amount of flow of human things is what happens. Maybe I am going too deep in this, maybe not but I'm sure those who have dwelled on a string with different touches do know what I mean. Going back to respectful silence....