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Certamen Internacional de guitarra de Benicàssim
Приєднався 14 сер 2020
Certamen Internacional de guitarra "Francisco Tárrega" de Benicàssim
Відео
Certamen de guitarra "Francisco Tárrega" de Benicasim: ganadores de todas las ediciones (1967-2023)
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En este vídeo podrás conocer los ganadores de todas las ediciones del Certamen Internacional de guitarra "Francisco Tárrega" de Benicàssim desde el año 1967 que fue la primera edición del Festival Internacional de guitarra de Benicasim.
SETMANA TÀRREGA ALÍ ARANGO & JOSUÉ FONSECA
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SETMANA TÀRREGA ALÍ ARANGO & JOSUÉ FONSECA
LIII Certamen Internacional de Guitarra "Francisco Tárrega". Final (6-09-2019): Marko Topchii
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LIII Certamen Internacional de Guitarra "Francisco Tárrega". Final (6-09-2019): Marko Topchii
LIII Certamen Internacional de Guitarra "Francisco Tárrega". Final (6-09-2019): Elena Fomenko
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LIII Certamen Internacional de Guitarra "Francisco Tárrega". Final (6-09-2019): Elena Fomenko
LIII Certamen Internacional de Guitarra "Francisco Tárrega". Final (6-09-2019): Domenico Mottola
Переглядів 5264 роки тому
LIII Certamen Internacional de Guitarra "Francisco Tárrega". Final (6-09-2019): Domenico Mottola
LIII Certamen Internacional de Guitarra "Francisco Tárrega". Final (6-09-2019): Sanel Redzic
Переглядів 5774 роки тому
LIII Certamen Internacional de Guitarra "Francisco Tárrega". Final (6-09-2019): Sanel Redzic
Grande por siempre el maestro Tárrega ❤
Una pequeña joya esta obra .
Interesant ❤😊
What a nice collection of great young players!!!
Hay un error: El maestro Wolfgang Lendle era originario de Alemania, no de Amelania
Impresionante bravo organizacion❤😊
El ùltimo guitarrista tocó perfectamente El capricho árabe, que interpretación tan hermosa
They're all wonderful players. I'd rather such talents were celebrated rather than pitted against each other in "combat" so to speak but it's hard not to be drawn into "rooting for one's favourite" and so I shall say that. the depth and variety of sound, imagination and sheer musical wit of Vera Danilina creates an overall musical experience like no other. Having said that, Shilong Fan is an exceptionally exciting player as well. His Aquarelle is perhaps the best I've heard. Crisp, fiery and yet elegant.
Вера, браво 👏🏻❣️
Cristina Galietto (Italia) » 6:10 - Variaciones sobre el Carnaval de Venecia [Francisco Tárrega] ⋯ ↳ 6:10 - Grandes variaciones ⋯ ↳ 9:13 - Tema ⋯ ↳ 9:42 - Var.1 ⋯ ↳ 10:17 - Var.2 ⋯ ↳ 10:38 - Var.3 ⋯ ↳ 12:28 - Var.6 ⋯ ↳ 12:55 - Var.7 ⋯ ↳ 13:30 - Var.9 ⋯ ↳ 13:53 - Var.10 ⋯ ↳ 14:39 - Var.11 ⋯ ↳ 15:07 - Final » 16:56 - Capricho Árabe [Francisco Tárrega] » 23:30 - Op.85, Capricho Diabólico [M.Castelnuovo-Tedesco] Javier García (España) » 35:03 - Scene "El amor brujo" [Manuel de Falla] » 36:43 - Invocación y Danza [Joaquín Rodrigo] » 44:58 - Capricho Árabe [Francisco Tárrega] » 51:16 - Estudio de velocidad [Francisco Tárrega] » 53:03 - Sonata Nº17 K.570 [W.A Mozart] Ioanna Kazoglou (Grecia) » 1:18:07 - Estudio Nº27 [Dionisio Aguado] » 1:20:58 - María [Francisco Tárrega] » 1:22:26 - Marieta [Francisco Tárrega] » 1:25:18 - Capricho Árabe [Francisco Tárrega] » 1:31:09 - Sonata del Caminante, Nº2 [Leo Brouwer] Luka Lovrekovic (Croacia) » 1:48:34 - Capricho Árabe [Francisco Tárrega] » 1:54:37 - Isabel [Francisco Tárrega] » 1:57:04 - Sonata Giocosa [Joaquín Rodrigo] ⋯ ↳ 1:57:04 - I ⋯ ↳ 2:01:20 - II ⋯ ↳ 2:05:42 - III » 2:09:27 - Op.47, Sonata [Alberto Ginastera] ⋯ ↳ 2:09:27 - I Esordio ⋯ ↳ 2:12:39 - II Scherzo ⋯ ↳ 2:15:22 - III Canto ⋯ ↳ 2:19:03 - IV Finale
Que repertorio tan complejo el del segundo concursante
for those who want to watch the different portions of the livestream: 3:17 Filip Miskovic (Croatia) (Program) 4:31 Tárrega - El Columpio 7:11 Tárrega - El Capricho Árabe 13:45 Castelnuovo-Tedesco - Sonata "Omaggio a Boccherini" -- 31:57 Sohta Nakabayashi (Japan) (Program) 32:45 Werner Henze - Drei Tentos 39:50 Tárrega - Recuerdos de la Alhambra 44:50 Leo Brouwer - La Gran Sarabanda 50:54 Tárrega - Capricho Árabe 57:43 Antonio José - Sonata (III. Pavana Triste) 1:05:00 Antonio José - Sonata (IV. Final) -- 1:21:43 Ausiás Parejo (Spain) (Program) 1:22:53 Fernando Sor - Sonata Op. 22 (I. Allegro) 1:30:05 Tárrega - Capricho Árabe 1:36:19 Tárrega - Preludio N°2 1:38:42 Robert Gerhard - Fantasía 1:43:30 Joaquín Rodrigo - Sonata Giocosa (I. Allegro moderato) 1:47:20 Joaquín Rodrigo - Sonata Giocosa (II. Andante moderato) 1:51:54 Joaquín Rodrigo - Sonata Giocosa (III. Allegro) -- 1:55:44 Yuki Saito (Japan) (Program) 1:56:34 Tárrega - Capricho Árabe 2:03:17 Tárrega - Estudio Brillante de Alard 2:06:45 Fernando Sor - Fantasie and Variations Brillantes, Op. 30 2:20:03 Jacques Hétu - Suite pour guitare, Op. 41 (I. Prélude) 2:21:56 Jacques Hétu - Suite pour guitare, Op. 41 (III. Ballade) 2:25:13 Jacques Hétu - Suite pour guitare, Op. 41 (V. Final)
Wowwww sin mirar la guitarra el primer concursante, eso lo respeto
Those Tientos OMG
and the Gran Sarabanda WOW
y la Sonata de Sor O_O
Great guitarists, I feel there are very good musicians in this edition of the competition
Grandes todos los guitarristas que participaron!
His playing overflows with love for humanity and the guitar
Excelente interpretación 😊
Precioso ❤
Bravo ! 축하합니다 ~
Bravo~~ 👏 👏 👏
Normal level...nothing special
It's a pity that you can't feel that interpretation because your level is not enough.
@@Hyunjuu955 normal level not bad but no high for a competition like this
@@Hyunjuu955 not virtuous
Gostaria de aprender violão de verdade para tocar as músicas de Tárrega. Sou fã dele. A única que consigo tocar - e mal - é Lágrima, porque amo essa música.💖💖
molto brava, complimenti!
Great performance by Vera Danilina!
🥺😴
In general perfomances not high level sorry
me gustan los guitarristas que tienen groove, porque es vida. mil gracias
Qué fusión tiene este hombre con su guitarra, un toque espectacular, gran calidad artística. Lástima el hiss desafortunadamente molesto de esta grabación, una pena. En todo caso, excelente!!
The sound of Mr. Redzic is very beautiful. Congratulations.
Obrigado por colocar os nomes das peças e dos concorrentes.
Maravillosos grandes guitarristas y música especial.
Great concert, great program! Bravo, maestro! Hope to get a new CD soon!
1) I prefer Topchii's version of Tansman's Passacaille of 2010-2011. The work sounds better with a faster tempo (I just cannot get used to it played at the tempo Topchii plays it now). And Topchii is perfectly capable of playing the work with ease at a faster tempo; so, the current rendition is only the way it is now because of a wrong artistic decision. 2) I prefer the Toccatta of Rodrigo at a slower tempo. I heard many versions of the work, and while Topchii plays it superfast with ease and clarity, the work does not stand out in its melodic lines fully at a such a tempo. A slower version would allow for interplay between the different melodic lines. 3) Topchii's sound is simply not good. I just listened to a Desiderio interview where he stressed Segovia's principal teaching: sound. Topchii's sound is too thin and too dark, it lacks brightness and thickness. Mixed with all this there is a lack of dynamic contrast. The lacking dimensions I mention here were not there in the Topchii of 2010-2014, and at that time precisely Topchii's sound and dynamic contrasts were his major strengths -just listen to his Mussorgski, Castelnuovo-Tedesco and Tansman of that eyars-. With time, Topchii has regressed in the mentioned fields.
Wrong artistic decision? It's very funny to read this. A performer of such a level as Topchiy can afford different interpretations, and this will be a different interpretation, but not wrong, as you put it. This applies to sound, tempo, any solutions that he offers the listener, and other expressive means. That's what's interesting, not hearing the same thing for decades and constantly referring to the respected Segovia. You write as an irritated, dissatisfied restaurant visitor. Judging by the faces of people listening to the concert, unlike you, they are satisfied with this evening).
@@hkireeva9453 You write like someone that cannot bear criticism and just hails people of prestige. I wrote a criticism of Topchii's current sound and artistic decisions, precisely emphasizing that I like his earlier take on that things. To be sincere, I think the people that listened to this concert gave poor applause, and do not deserve to be there. Topchii deserved much better and louder applause. That does not mean that I think his choice of sound and tempo has not regressed with time. I recommend his Tansman of 2010-2011 that it is still here on youtube, as well as his Mussorgski of that years too. Kind regards, MSM
Excelente concierto!!!
Excellent 👌
Me quedo absolutamente embobada escuchando a este chico, desde la primera que disfruté la magia que emanan sus dedos. Grande Ausiás!!!
Deion Cho's brouwer sonata is absolutely sophiscated.
Ausiàs eres un gran guitarrista
Amazing
Guitar God
Bravo! It was a great pleasure!
Wuaoooo
Hermoso, hermosooo concierto……Bravooo!!!
Mero arte
... there speaks so much love from these two guitars. Thank you for this great concert👌
Uncontroversial first Marko Topchii !!!
Like número 100 ❤️💅🏼
BEAUTIFUL TREMOLO,,,,,,, BRAVO CARLO