Відео

Nice job but I prefer the 1943 version in Berlin, which is understandable given the circumstances.

Fantastique expérience musicale : écoute à fond avec un bon casque HIFI pour la meilleure des transes furtwangleriennes possible ! Félicitations et merci.

👍🙏

This is the best version of this piece I have ever heard. The crescendo at the end of the first movement in particular gives me goosebumps! But I wonder if it is technically possible to edit out these tons of coughs during the performance... They are beyond annoying and really get in the way.

great recomendation on volume adjusting! thank you.

OMG The Best Ever

The Best

❤

Toscanini also impressive too!

Herzlichen Dank.! Mein Vater hat in seinem orchester in Oslo als solobassit gespielt und Nickisch stellte ihm ein wunderbares Zeugnis aus...... ❤

Danke, ich war dabei ❤❤❤ ein unvergessliches Erlebnis obwohl ich eher Rock Hard Rock Metal Fannin , aberit Klassik groß geworden😂 und glaube 400 DM pro Person Anno 1986 war schon ne Hausnummer also 1200 DM für 3Personen glaub damals für einige Monats Verdienst. 😂Bin ja nur mit weil ich damals versprochen habe zu dem Horowitz mitzugehen wenn meine Oldies ( 1929/1932 BJ ) auch mit zu dem ACDC Konzert in der Rudi Sedlmeyer Halle gehen Februar 1986😂😂 OK, die waren vorher schon 3x bei AcDc mit mir 🤣🤣🤣 Aber ich musste auch Immer mit zu Klassik Konzerten 😂r

semplicemente fantastica, unica con il suo inizio molto drammatico e ricco di pathos. Immenso Furtwangler!!

As a kid my introduction to this marvel of grandeur and late Brahms tranquility was the Richter/Leinsdorf recording, which Richter disliked. Would that moody Titan have been happier with the originally chosen conductor, the Chicago Symphony’s own Fritz Reiner? Perhaps. But Slava still wouldn’t have been Fischer, a musician with not a tenth of Richter’s technique but overflowing with innigkeit and humanity. As you can hear, Furtwangler adored him. If you haven’t yet heard Fischer’s Well-Tempered Clavier or Schubert Impromptus you haven’t lived. Thanks for sharing this vivid transfer.

What a performance! So captivating, diverting and exciting. But it frightens me that it was recorded in Berlin during the Nazi-regime... who knows what monsters were in the audience attending after a long day's work of killing innocent people?

This is a much underrated work by Beethoven. Its artistic value is comparable to No. 3, 5, 6, 7, and 9

Thank you for going to the trouble of conserving and maintaining this masterpiece

Is this recording transferred to CD? Could you tell the reference, please? Thank you.

42:07

Magnífico, hermosa interpretación la la4ta de l V B. Que mejor que con Furtwangler conductor.

Best version of the Third that I have heard in my sixty years of listening.

Leitura simplesmente impressionante e arrebatadora, nela de fato sente - se todo o drama e grandeza incontrastada, a força revulsiva de Beethoven, a encarnar o espírito do seu tempo, órgão máximo dele,

Cello: Arthur Troester

Wonderful transfer. Many thanks. Fischer & WF seem to be simpatico. For example, both find some accelerandos in this piece, to very good effect, that one doesn't typically hear. (Btw, both were born in 1886.)

Sin dudas el mejor pianista de todos los tiempos. Es ya inmortal. Un verdadero genio de la interpretación, inigualable.

The guy who couldn't stop coughing has made history.

Beautiful music , beautifully orchestrated , lovingly performed...while the funking Nazis torched Europe...

This was the most fascinating concert of my life. A huge gesture of forgiving. There was so much love in that concert hall and lots of people cried throughout the concert. At the end my shirt was completely wet. Unforgettable.

9:42, ripresa 12:50, Takt 536 15:11, batt. 631 15:40, trombe aggiunte?

sorry maestro, ur first mvmt is too slow it aint brahms

Wilhelm Furtwaengler, A real mestro of mestros!

PURA PERFECCIÓN SUBLIME

Esto es historia de la música, amigos mios. ¡Qué grandeza!

¡Qué maravilla de obertura! Una interpretación de las grandes. Como la grandiosa de la "Eroica" que dirigiría Furtwangler en ese mismo concierto.

lovely!

What piece he is conducting in video???

@33:14 The bassoon solo. There is a wonderful story of a London orchestra at about the same time of this recording and the bassoonist who was struggling to get spare parts for his treasured instrument; parts being so difficult to find during the war. The bassoon was stuffed with cotton wool, rags and string to try to keep it from squeaking, wailing and moaning. During rehearsals for Beethoven's fourth, and this part at 33:14 the bassoonist was having a tremendous difficult time with the solo, and asked to try again and again and again, with lots of dreadful sounds emanating from the bassoon. During a break, a violinist played the solo on his instrument showing off, at which the bassoonist stopped trying to repair his instrument, put it down and marched over to the violinist, picked up the violin and bow, and played the solo perfectly. He handed back the violin and bow telling the astounded violinist. "Now you go and play it on that bloody thing". I just love that story. I think of it every time I hear the fourth movement and think of Beethoven and his bassoon jokes as written in his music.

Thanks.

Interesting to hear the vastly different approaches shown by conductor and pianist. Fischer sometimes engages in accentuations which disrupt the musical line, breaking it into smaller units, while Furtwängler consistently thinks in long lines, but allows for the details contained therein to be clearly heard..obviously this is a war-time performance, and a certain overbearing quality can be heard in a few places..

The Mazurkas were so strikingly intimate that you could hear a pin drop.

Only for the opposite way to Conducte ..for Hitler..we must to be thanks..HUMAN AND BIG MAN...GEBELS said you conducte in the onomastic birtday OR I OR WE KILL YOU...GRANDE..GRANDE

For me the Eroica is easily Beethoven's very best symphony!

25'33 à 35'30❤❤❤❤❤❤❤❤❤❤❤

It was the "One"...all learn from him..Karaja..Giulini...all..

Great posting, thank you! I am trying to find the recording of the 60th anniversary and having trouble finding the correct one. Anyone can help?

What do you think about performance by Szell/Serkin ?

I just wish someone at the Berlin Radio station would smuggle out the original digital master so we wouldn't have to live with this off-the-air FM radio recording.

It’s over 70 years old but cuts like a razor compared to contemporary versions.

The best!

I cannot imagine anything more sublime than the Kreisleriana. I felt like it was Horowitz's farewell to life.

genio Furtwangler dirigiendo al virtuoso Fischer sherin krederdt