The Goddess in Art
The Goddess in Art
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The Goddess in Art Vicki Noble Pt 1
Co-Creator of the Motherpeace Tarot Deck and writer of numerous books on the Goddess, Vicki Noble talks about the female body's special powers. The conversation also explores the metaphor of the Goddess' body as the sacred substance of the world.
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Відео

Voice of the Goddess: Marija Gimbutas
Переглядів 47 тис.9 років тому
A documentary about the world premiere of the Marija Gimbutas's book, Civilization of the Goddess. Produced and directed by Lollie Ragana for Santa Monica City TV. An ecstatic evening with a euphoric crowd as Marjia delivers what she considers the best talk she ever game. The documentary is supplemented by interviews with Starr Goode who produced the book event, and scholars and long time colle...
The Goddess In Art TV series: Goddess in Natural World
Переглядів 4,2 тис.9 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. Joan ...
The Goddess In Art TV series: Interview with Cheri Gaulke
Переглядів 1,8 тис.9 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. A con...
The Goddess In Art TV series: Interview with Miriam Robbins Dexter
Переглядів 1,1 тис.9 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. A con...
The Goddess In Art TV series: Interview with Ruth Ann Andersen
Переглядів 7959 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. Artis...
The Goddess In Art TV series: Interview with Christopher Castle
Переглядів 8219 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. A con...
The Goddess In Art TV series: Interview with Mayumi Oda
Переглядів 3 тис.9 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. A con...
The Goddess In Art TV series: Interview with Jean Edelstein
Переглядів 6319 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. Artis...
The Goddess In Art TV series: Interview with Janine Canan
Переглядів 5699 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. An in...
The Goddess In Art TV series: Interview with Savina Teubal
Переглядів 1,7 тис.9 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. An in...
The Goddess In Art TV series: Interview with Maureen Murdock
Переглядів 5 тис.9 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. Photo...
The Goddess In Art TV series: Interview with Barbara T. Smith
Переглядів 1,5 тис.9 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. Perfo...
The Goddess In Art TV series: Interview with Charles Sherman
Переглядів 7409 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. Paint...
The Goddess In Art TV series: Interview with Susan Gitlin Emmer
Переглядів 7279 років тому
The Goddess In Art is a cable TV series that began in 1986 and ran until 1991. Dedicated to the Return of the Goddess, the series explored the legacy of this oldest tradition in art as well as feminist spirituality in contemporary art. The moderator, Starr Goode, interviewed scholars to uncover Her suppressed history and artists who were inspired by a radical re-imagining of the feminine. Artis...
The Goddess In Art TV series: Interview with Hallie Iglehart Austen
Переглядів 1,5 тис.9 років тому
The Goddess In Art TV series: Interview with Hallie Iglehart Austen
The Goddess In Art TV series: The Triple Goddess
Переглядів 7 тис.9 років тому
The Goddess In Art TV series: The Triple Goddess
The Goddess In Art TV series: Interview with Elinor Gadon
Переглядів 1,4 тис.9 років тому
The Goddess In Art TV series: Interview with Elinor Gadon
The Goddess In Art TV series: Interview with Vicki Noble (Part 2)
Переглядів 2,7 тис.9 років тому
The Goddess In Art TV series: Interview with Vicki Noble (Part 2)
The Goddess In Art TV series: Interview with Vicki Noble (Part 1)
Переглядів 7 тис.9 років тому
The Goddess In Art TV series: Interview with Vicki Noble (Part 1)
The Goddess in Art TV Series: Interview with Starhawk
Переглядів 21 тис.9 років тому
The Goddess in Art TV Series: Interview with Starhawk
The Goddess in Art TV Series: Interview with Riane Eisler
Переглядів 6 тис.9 років тому
The Goddess in Art TV Series: Interview with Riane Eisler
The Goddess in Art TV Series: Interview with Marija Gimbutas (Part 2)
Переглядів 10 тис.9 років тому
The Goddess in Art TV Series: Interview with Marija Gimbutas (Part 2)
The Goddess in Art TV Series: Highlights
Переглядів 1,3 тис.9 років тому
The Goddess in Art TV Series: Highlights
The Goddess In Art TV series: Interview with Marija Gimbutas (Part 1)
Переглядів 15 тис.9 років тому
The Goddess In Art TV series: Interview with Marija Gimbutas (Part 1)

КОМЕНТАРІ

  • @BeePrietess
    @BeePrietess 2 дні тому

    So delighted to come upon this now in 2024!

  • @ENOC772
    @ENOC772 Місяць тому

    Before patriarchy there was justice, love and cooperation

  • @jolitaantanaviciene3002
    @jolitaantanaviciene3002 5 місяців тому

    Marija Gimbutas amazing women!🇱🇹💯🔥👍❤️

  • @jolitaantanaviciene3002
    @jolitaantanaviciene3002 5 місяців тому

    Thank you for this amazing video!! Because Marija Gimbutas is Lithuanian archeology. She is amazing 💯👍🔥🇱🇹

  • @devidaughter7782
    @devidaughter7782 5 місяців тому

    Starr, I hope that you will make a video of your own work - especially around the Irish Goddess, and all that you have been integrating over the years since this series was produced and aired.

  • @devidaughter7782
    @devidaughter7782 5 місяців тому

    "if we want to bring her into the world... we have to embody her" (21:37)

  • @devidaughter7782
    @devidaughter7782 5 місяців тому

    it was good to watch this again - so much wisdom, insight and inspiration! (confusing: I just realized there are two uploads of the same video, which explains why I thought I lost my comment/ was going crazy!) :)

  • @valeriedeladehesa.9701
    @valeriedeladehesa.9701 7 місяців тому

    fantástic😀

  • @mirandasmith5237
    @mirandasmith5237 7 місяців тому

    Blessed goddess. Sacred mother. Caregiver.

  • @vivianviridiana96
    @vivianviridiana96 7 місяців тому

    Praise the Great Goddess! 💜💜💜💖

  • @vivianviridiana96
    @vivianviridiana96 8 місяців тому

    This completely beautiful and powerful, thank you so much! Love to the Great Goddess!!! 💜💖💖💖💖💖💖💖💖💖💞💓

  • @virginiatrott9888
    @virginiatrott9888 8 місяців тому

    We need the feminine energy at this time.thanks for reshowing this

  • @RainbowStarBlue
    @RainbowStarBlue 11 місяців тому

    I went to UCLA as a transfer and I never knew there was this awesome Goddess event that happened there!!!🎉🫂

  • @user-tg4ww6ke8t
    @user-tg4ww6ke8t 11 місяців тому

    고대한국이 모계신앙의 열쇠입니다 너무 하고 싶은 말이 많습니다 김부터스는 많은 것을 밝혀냈지만 고대한국이 이 모계신앙의 원류라는 것을 모르는거 같습니다 여러분들이 생각할때 한국은 중국 옆의 작은 나라 혹은 현대에 크게 발전한 나라라고 생각할지도 모르겠습니다 하지만 한국은 아시아문명의 원류입니다 더 크게 세계문명의 원류입니다 그리고 모계신앙의 모계사회입니다 다만 한국은 500년 전에 새로운 왕조를 세우며 가부장주의인 유교를 국교로 지정했습니다 그 왕조에서 모계사회의 전통이 무너지고 여성억압과 극단적 가부장제가 시작됐습니다 동시에 나라의 국력이 약해지고 결국 근대에는 식민지가 되며 망했습니다 현재 한국도 여전히 가부장적인 사회입니다 그럼 한국이 근 50년간 어떻게 이렇게 큰 발전을 이루었을까요 여성의 일방적인 희생이 있었기에 가능했습니다 한국여성들은 강인합니다 하지만 나라의 경제가 안정권에 접어들면서 여성의 교육열도 동시에 높아졌고 여성들이 권리를 주장하자 가부장주의에 찌든 남성들의 불만이 극에 달하고 있습니다 최근 10년간 아주 심합니다 한국의 출산율이 세계에서 젤 낮은 수준인 이유입니다 한국여성들은 가부장제에 맞서서 출산을 멈추고 있습니다 여기까지가 한국의 현재모습입니다 이 얘기를 왜하냐면 여성권리가 추락하면 나라가 망한다는 것을 얘기하고 싶었습니다 고대 한국이 얼마나 빛나고 위대한 나라인지 세계는 잘 모릅니다 역사는 승자들의 기록이기때문이죠 하지만 확신합니다 모계사회였던 고대한국은 인류문명을 발전시키는데 엄청나게 기여한 위대한 문명입니다 하고싶은 말은 많지만 이 정도만 말하겠습니다 관심이 있는 분이라면 번역을 눌러 이 댓글을 봤을거라고 생각합니다 고대한국이 세계사에서 굉장히 중요한 모계사회라는 것을 아셔야 고대세계사의 퍼즐을 맞출 수가 있습니다

  • @matthewmckever2312
    @matthewmckever2312 Рік тому

    Makes total sence that humanity would worship mother nature and the female is an obvious sign of that , birth, life and death . If we still worshipped nature rather than paternal deities the planet wouldn't be in the mess it is. We worshipped nature for many thousands of years longer than the 2000 years of male dominated beliefs .

  • @inaerwien4752
    @inaerwien4752 Рік тому

  • @dragonfox2.058
    @dragonfox2.058 Рік тому

    men have really screwed things up

    • @ksager123
      @ksager123 Рік тому

      How do you know things weren't bad before?

    • @dragonfox2.058
      @dragonfox2.058 Рік тому

      @@ksager123 at least they were sane

    • @ksager123
      @ksager123 Рік тому

      @@dragonfox2.058 how do you know?

    • @user-tg4ww6ke8t
      @user-tg4ww6ke8t 11 місяців тому

      @@ksager123 역사를 보면 여성권리가 높을 수록 문명이 큰 발전을 함. 예를 들어 유럽의 중세시대는 기독교의 여성탄압때문에 암흑기를 보냈지. 그 기간동안 아시아는 모계문명이었고 높은 수준의 문명을 발전시켰음. 유럽이 종교개혁, 지식혁명 등으로 여성의 권리가 높아지며 약진하던 시대가 근대이고 현대문명까지 이어짐. 이 시기에 아시아는 역시 여성억압을 교리로 하는 유교가 지배하면서 문명이 쇠퇴하게 됨. 현재도 마찬가지임. 현대는 부계사회임에도 불구하고 모든 선진국은 여성의 권리가 높음. 고대의 물질문명과 정신문명은 굉장히 높았음. 그건 니가 공부해라 어디까지 떠쳐먹여 줘야되냐

  • @wperkins225
    @wperkins225 Рік тому

    This is nothing but lies and witchcraft!! The world has never been at peace ever since Eve sinned in the garden of Eden! There was no female eutopia thousands of years ago, the artifacts archeology are finding are evidence of ancient goddess worship of the past! The only time this world will ever live in peace is when Christ comes back to set up his kingdom! As long as you are alive it's not too late to get out of this witchcraft and come to faith in Christ!!

  • @mayalev7577
    @mayalev7577 Рік тому

    Thank you starhawk

  • @iconiclust
    @iconiclust Рік тому

    This is nonsense and I would be shocked that people would buy it.. until I see that the buyers are emotional women. Her interpretation of history is ridiculous. It’s like a 5 year olds dream world. 👎

  • @ledacedar6253
    @ledacedar6253 Рік тому

    Chevron tells us she’s connected to water which is the Life giving principle and feeds the tree of life: grandmother of wisdom, the maiden & her infant fed by water grounded in All My Relations as First Nations say, referring to all living entities- water, growth, winds, 2& 4 legged, winged and creature’s.

  • @Sijuste0
    @Sijuste0 Рік тому

    What an embarrassment.

    • @mse5739
      @mse5739 Рік тому

      Chill bro.. You also came from a vagina no matter how embarrassing u are

  • @monicaanastasio3931
    @monicaanastasio3931 Рік тому

    Peccato che non conosco l'inglese.

  • @helenahvitfeldt3434
    @helenahvitfeldt3434 Рік тому

    2023 tack Hanna detta har jag letat efter

  • @monicaanastasio3931
    @monicaanastasio3931 Рік тому

    Google non potrebbe creare una grande biblioteca ,con traduzione di Tutte le lingue dove noi utenti possiamo accedere a tutti libri du tutte le biblioteche storiche e di letteratura di tutto il mondo,ovviamente su qualsiasi materia e scoperte e di tutti i grandi pensatori del mondo.Grazie.

  • @susanna5252
    @susanna5252 Рік тому

    These videos are such treasures to all of us on the earth. Thank you, Starr!

  • @lunzie01
    @lunzie01 Рік тому

    Don't forget her other book, The Fifth Sacred Thing. It is wonderful.

  • @Dykegeeek
    @Dykegeeek Рік тому

    Thank you she is a visionary

  • @Dykegeeek
    @Dykegeeek Рік тому

    Thank you for this precious upload .

  • @casteretpollux
    @casteretpollux Рік тому

    Bird goddess looks more like a ewe than a bird to me. Frog looks more like a woman in birthing position. Could this 'frog shrine' be a birthing chamber? There is too much speculation in this commentary. Wish there was a good online library of prehistoric art to browse so that this work could be continued .

  • @stever507
    @stever507 Рік тому

    Sounds like a bunch of mumbo jumbo

    • @mse5739
      @mse5739 Рік тому

      Well, i hope u say this after having spent decades with studying archeological sites just like this phd archeologist.

    • @mse5739
      @mse5739 Рік тому

      And not to mention the fact that her initia theory of IE invasion had already been proved by two individiual DNA findings separate of each other and from then on further evidence rise year by year. The archeological findings of the Neolitic Era in Central Europe with its hundreds of artifacts and female figurines and burial findings soeak for themselves. Although some tried to suppress fact based evidence with much less relevant findings or justifications, you will never find any professional studies denying Marija’s theories because archeology is based upon evidence - as other research does, and the evidence had already been found and have been continuously been found in the last decade. Many academic papers further confirm that power inbalance and hierarchy within sexes/social groups started with the invasion of indo-european steppe people who slowly but surely melt in and dominate the culture in CE. It is not surprising at all. First it was a more thousands years process so there was time to “mingle” in. Second, these steppe people were much more warrior like, gatherer their wealth from invading neighboring tribes and steaimg their possessions. My “proud” people of Hungarians also came from these kind of groups and a millennia BC they invaded the Great Plane in Central Europe, (coming from way further of the Ural Mountains)robbing and killing all the way until they could preserve the land which was scarcely occupied by other tribes who they defeated in battles. Hungarian history starts “there” although in this land where we are at now for 2K year there long had been others who we possibly mixed since our invasion. It is sad for me to know that I am from an invading and quite aggressive tribe though I hope those people originally lived here live on in current population. I was told in schools how glorious these invasions were and our student books called them “adventuring” 🤣🤣🤣. Well, I guess our adventures had not been so funny for the people we captured and killed on the way. But of course I was also taught that ancient Hungarians had to leave their original home next to Ural mountains due to brutal, aggressive attacks of barbarian tribes🤣🤣 “No” bias.. yes And “no” glorification of murder and power, …yes. Figthing back and killing if needed is sure something you have to do but it shows a culture’s deformation if these “values” are more respected than creative powers and respect to other living creatures. We have to quickly add here that in “my tribe” killing and adventuring and robbing others was NOT a 100% neccessary - it was more of a nomad, relatively exciting and easy way of lifestyle. So yeah

  • @denisasmakauskas6271
    @denisasmakauskas6271 Рік тому

    Sedi teroro irstvoj ir protėviu zeme vadina režimu ! !

  • @ima1sthumanonearth8
    @ima1sthumanonearth8 Рік тому

    how much tide do i have 2 give 2 the G⚓ddess

  • @llillypilly2
    @llillypilly2 Рік тому

    To me her findings seem the most logical way the nature ou human culture evolved.

  • @viaggettifelici3710
    @viaggettifelici3710 2 роки тому

    What's the title of the song in the intro?

    • @AtenRa
      @AtenRa Рік тому

      ua-cam.com/video/MchhOcLao_Q/v-deo.html Karu karu by Anna Homler

  • @tallgiraffelady
    @tallgiraffelady 2 роки тому

    So refreshing 🙂

  • @louisehewett4958
    @louisehewett4958 2 роки тому

    Fantastic, thank you for the opportunity to see these interviews.

  • @felixvelasquez3447
    @felixvelasquez3447 2 роки тому

    I Worship Hecate and I'm a Wiccan. 🧙‍♀

  • @maura46791
    @maura46791 2 роки тому

    Beautiful art and a healing, very meaningful interview. Bless YOU goddesses!

  • @fluentpiffle
    @fluentpiffle 2 роки тому

    The importance of the 'mystical' aspect Humanity carries within it, and so has access to, is not 'god' in its many guises, but the intrinsic aspect of infinitude.. 'God' has been our excuse for irresponsibility, leading to false 'authoritarianism', but the real 'enlightenment' occurs when we see how necessary infinitude is.. So 'god' has just been a vehicle, a carrier of genuine understanding, not the truth itself.. spaceandmotion

  • @chitraganapathy7376
    @chitraganapathy7376 2 роки тому

    In the state of Tamil Nadu, India where I live, we have a mother goddess by name Maari amma, amma means mother in Tamil. I was stunned by the name connect. Also, we represent the very ancient Dravidian civilization, where worship of the Goddess continues strongly

    • @user-tg4ww6ke8t
      @user-tg4ww6ke8t 11 місяців тому

      타밀어와 한국어는 상당한 유사성을 가졌어. 풍습도 비슷한 것이 많다고 알고 있음. 그리고 고대한국도 모계사회였어 지금은 500년전에 공식적으로 침입한 유교사상으로 인해 오히려 가부장제가 굉장히 심한 나라임. 하지만 모계신앙 흔적은 유적물과 언어에 많이 남아있어.

  • @blessedglasgow7548
    @blessedglasgow7548 2 роки тому

    🌸

  • @kareeseboone6011
    @kareeseboone6011 2 роки тому

    It seems the sound had been muted?

  • @fatalmystic
    @fatalmystic 2 роки тому

    Thank you so much for sharing this whole series! I am stunned. Amazed. Inspired! <3

  • @lupetofaceit2257
    @lupetofaceit2257 2 роки тому

    Sure are needing PART 2 that connects the BRILLIANt Dark Goddess with how to unite for CARE and caring economies in the middle of the u.s. of amazon's economic brutal war of no money for free health care DURING a pandemic. AND yet this vicious careless ONLY HE AND HER who are rich and white get to sleep at night. AND THEN THERE IS $$$$$$ billions suddenly in 2022 for military weapons like make the WAR INDUSTRY rich. ???Lockheed martin stealth bombs etc...BUT NOT A FULL EMPLOYMENT PACKAGE for the humans for the people who make the Tax money ? Maybe it's time DARK GODDESS FOR EN MASSE TAX strikes? What say you Yemeya? The Peruvian Dark Goddess? G U I D E !

  • @mpress469
    @mpress469 2 роки тому

    Spiritualy speaking (gender aside), matriarchal wisdom can begin with a fundamental understanding of the cyclical nature of reality (God). Represented by the snake in many creation myths, the living cycle has a trinity of a beginning (head), a middle and end (tail). As above so below, the sexes were created in the image of God's cyclical nature where Mother is the head and opening to all beginnings and Father holds the tail to all endings (through which the sowing of seeds allow for the next great matriarchal rebirth).The joining of the two (symbolized by the Ouroborus or the marriage ring) is the sacred union needed in assuring the creation and continuation of new life cycles. To speak of the present day God as "Our Father" is simply an admission to our collective positioning within the bigger cycle. As all mothers have direct experience with the creator quality of birthing, so is the direct experience of rebirthing the divinity within (baptism) belong to that which is spiritualy matriarchal. (John 3, verse 3-8). Sekhmet statues (ancient Egyptian) carry most of their weight in symbolic memory of what was a mother culture dedicated to the direct experience of baptism. As the leg shaped hairlocks extend from maternal breasts to the womb of rebirth, the lioness's head proportions are such that they highlight the bust of a second animal figure. The Lioness's ears as eyes and eyes as nose (nostrils) brings to life the figure of a reptile. 'Neath the halo headress of the solar egg, the lioness's egg fertilization process being internal (Set) and the reptile's egg fertilization process being external (Setting), such being key components to the safety of entering the trans-egoic or "born again" state. The life threatening fear associated with the predatory nature of a lion and/or crocodile encounter are reflective of the intense ego death experience associated with the transpersonal awakening process. In spiritualy matriarchal times, illumination could be seen as wearing the false beard (ancient Egyptian funerary ego death mask) as the high state of cyclical self knowing; high cyclical awareness of both our upper matriarchal half and our lower (later) patriarchal half (compared with a mini lower body replica, an "as above so below" tail end beard extension); in full recognition of her civilizational Underworld; her inevitable cyclical destiny. The male pharaoh wears his beard tapered in reverse, indicating a pointing upwards towards the patriarchal head, divine representative of God's tail end cycle. To carry the Ankh was perhaps to symbolically carry that upper and lower understanding. As the upper matriarchal womb symbolised the fertile birthing of civilization, below, the now Christian cross is carried to place emphasis on the lower (later) "End Times" Father principle of the great cycle. Ganesha, the elephant headed Hindu diety, displays a cyclical head to trunk symbolism and points to the Mother head of his matriarchal elephant society. A whole temple was dedicated to the ancient Egyptian goddess Hathor, who is the matriarchal "Uterus" personified. ua-cam.com/video/J0m0zJSEFK0/v-deo.html In the name of the Father, the Son and the holy ghosted... ? ... inevitability.

  • @FX-bi2nr
    @FX-bi2nr 2 роки тому

    Her book is a fantasy, not a fact. Her book is not the work of a scientist, there is so much bias and unnecessary emotions in it that it interferes with the narrative. The very statement that the world is built on the union of men and women, but in the ancient religion there is no male deity or he is an appendage of the female is simply disgusting and contradicts any logic. She criticizes Christianity for the lack of a female deity and accuses him of many sins. But what is it like to live in a world where the creation of humanity and life and death, the CREATION OF EVERYTHING, is a female symbol? What kind of partnership is she talking about. In the patriarchy, there has always been a partnership in families, she apparently does not even understand the meaning of the term she uses. There has always been a partnership. People would not be able to survive if they did not practice partnership. What she calls domination is based on social classes, which of course could have existed at that time, but they were not so developed for a lot of reasons. The statement that life comes from a woman is just ridiculous. Ignorance of basic biology and reproduction functions. And if the ancestors denied the creative power of men, then religion is built on ignorance because the feminine does not exist without the masculine, as well as on the turnover. Life is created in the UNION OF TWO. And not a woman creates it. Regarding equality in ancient society, she contradicts herself many times in her book. He claims that women probably have more power in religion and in the life of society, but this does not in any way mean a lower position for men. Religion itself, as we know, gives power. religion is a revering woman, gives greater reverence and respect for women. In matrilineal societies, the rights to children and land have always been in the hands of a woman (the head of the clan and family). Discrimination against men existed. + there are certain data from a number of authors who demonstrate human sacrifice in the cult of Goddesses of that period. Especially men. In general, the message of the partnership itself is very good, but her book is extremely bad demagoguery. Ignoring many facts that contradict her conclusions is touching. One way or another, even if it was like that. I have to thank my ancestors for destroying such an unbalanced and bad cult with exceptional FEMALE WORSHIP. EVEN IN THE PATRIARCHY, women have ALWAYS been revered as a mother. But in the societies of the past, according to Eisler's description, there was not even fatherhood. That world was quite cruel, and the fact that there were no wars is hardly connected with the cult of the goddess. There were wars in societies headed by women, in matrilineal societies, etc. It's just that during the Paleolithic and Neolithic there were very few people on the planet (less than a million-5 million, etc.). If we take historical events, then at that time there were already hundreds of millions and millards of people. Wars were not avoided.

  • @rawsunfire2630
    @rawsunfire2630 2 роки тому

    it is crazy how people who are dedicated to the belief that god and religion in itself is patriarchal and try to debunk marija’s “theories” when marija has *on multiple occasions* proven all of her FACTS to be FACTS and the Goddess is evident all around humanity i.e. nature, artifacts, etymology, men having parts such as nipples and extended clitorises, etc., plus it very evident that patriarchal religion despises and is jealous of women as it is a suppression for women all around the world to hone their greatness unknowingly.

  • @kellykelleher7321
    @kellykelleher7321 2 роки тому

  • @kellykelleher7321
    @kellykelleher7321 2 роки тому

    Magnificent 🥰