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Michaël Hudetz
Приєднався 17 чер 2011
Michaël is a professional tenor vocalist based in Chicago. He sings with some of the world's leading vocal ensembles, including the Grammy award-winning group The Crossing, and Bach Collegium Japan. He is an active concert soloist and chorister, specializing in Early Music, Oratorio, and New Music. Michaël Hudetz was a student of the Yale Institute of Sacred Music, where he sang in the renowned Yale Voxtet, a select group of eight singers specializing in early music. He received his Masters of Musical Arts in May of 2024. He received his M.M. in Voice/Opera from Northwestern University in 2022.
BWV 43 aria, "Ja tausendmal tausend begleiten den Wagen" (with recit).
Gott fähret auf mit Jauchzen, nos. 2 and 3.
Sacred cantata for Ascension
Johann Sebastian Bach, 1726
BWV 43
Michael Hudetz, tenor
Stephen Alltop, conducting the Northwestern Baroque Music Ensemble.
Sacred cantata for Ascension
Johann Sebastian Bach, 1726
BWV 43
Michael Hudetz, tenor
Stephen Alltop, conducting the Northwestern Baroque Music Ensemble.
Переглядів: 199
Відео
“Come again” and “Flow My Tears.” - John Dowland
Переглядів 3364 місяці тому
Michaël Hudetz (tenor) Dani Zanuttini-Frank (lute)
Laßt mich in der Einsamkeit
Переглядів 2305 місяців тому
Composer: Johann Krieger Michaël Hudetz, Tenor Grant Herreid, Lute Jeffrey Grossman, Harpsichord Sprague Hall
There, Let Hymen oft Appear
Переглядів 5035 місяців тому
From Handel's "L'allegro" conducted by Masaaki Suzuki in Woolsey Hall, with Juilliard 415 in 2023. Michaël Hudetz, Tenor. www.michaelhudetz.com
As Steals the Morn
Переглядів 19 тис.5 місяців тому
Visit my website for contact information and more! www.michaelhudetz.com Masaaki Suzuki Conducts Handel's L'allegro at Woolsey Hall. Juliet Papadopoulos, Soprano. Michaël Hudetz, Tenor
"I Heard a Voice From Heaven" Hymnus Paradisi (Herbert Howells).
Переглядів 1295 місяців тому
"I Heard a Voice from Heaven” from Howells' Hymnus Paradisi. David Hill conducts Yale Schola Cantorum in Woolsey Hall. 2024.
Come and Trip it
Переглядів 2755 місяців тому
“Come and Trip it” from Handel’s L’Allegro. Masaaki Suzuki conducts Yale Schola Cantorum in Woolsey Hall. 2023.
Let Me Wander Not Unseen
Переглядів 5485 місяців тому
From Handel's "L'allegro" conducted by Masaaki Suzuki in Woolsey Hall, with Juilliard 415 in 2023.
The Pirates of Penzance: Oh, Is There Not One Maiden Breast
Переглядів 2203 роки тому
Michaël Hudetz, tenor - Frederic The Gilbert & Sullivan Opera Company Chicago, IL, 2020 Note: This performance was from a rehearsal. The pandemic hit right before opening and the show was cancelled. Therefore, the orchestra is missing percussion, and the performance is not completely indicative of a final run. However, please enjoy anyways!
Beautiful. Just beautiful !
@@richardsimms251 thank you, Richard!
Superb, thank you for this masterpiece!
@@dellnie345 thank you for listening!
Binge-watching all the YT performances of this movement. This is my favourite, just ahead of Ainsley/Mannion, as the tenor is superb, owning the long rising phrase to perfection, (what unimproveable dotted rhythms!) and the swaying oboist mesmerises at the start.
Thank you for this kind compliment. I’m so glad you enjoyed it!
Nice performance. Singers are partially drowned by the orchestra. Not a perfect sound job.
Le Baroque cette douce harmonie qui nous parle d'un univers lointain et pourtant si proche......
Very good
Curious to click on the title expecting "un air de cour" by Mouliné, and to hear "Come again" by Dowland, "flow my tears", etc... small bug ;-)
You are so very right. The bug was me unfortunately 😅.
@@michaelhudetz I forgot to say the most important : your music is very nice !😁
@@jean-yvesPrax many thanks! :)
Beautiful ! Both voices are gorgeous. Although not known, the whole music of "L'Allegro, il Moderato and Penseroso" of Haendel is a masterpiece of beauty, love and tenderness.
@@jean-yvesPrax it truly is. It was such a treat to sing this.
👏👏👏👏💐🌺❤️
Beautiful❤
No h between bowels please. It seems that you guys are laughing.
Woah Great rendition ❤
@@_Hey.nuel0 thank you :)
Very good singing for both soprano and ténor. One of the best version l’ve heard. But the orchestra ? Modern celli, not a baroque bassoon ? I don’t understand….
I think the bassoon was a baroque instrument......as a modern bassoon would be pitched wrong....
@@daviddavenport9350 with so many clefs …isn’t very baroque. Almost early romantic….
bravoes!!!!!! just only a FEW FEW FEW under the UNARRIVABLE duet Forsythe/Cooley.....
I too, love that performance! It was wonderful to have Cooley in our audience.
@michaelhudetz that's very 'cool' 😂
😎
❤❤❤❤
Great voice Michaël!
Thank you :)
I agree completely! The long line in the sequence is nailed with zero nervousness. Not so keen on the iPad; a grating anachronism, or is that just me?
@@Ken_oh545 Peut-être en fabriquer qui comprennent deux volets ? comme naguère certains téléphones...😊
Excellent timing. Handel would like it❤
Good playing and smashing singing … BUT! Why use scores ? Surely when you’re given such an opportunity you should learn it, get your heads up and be heard rather than singing to a folder or an iPad.
I agree that the ideal performance is memorized. Due to the nature of this degree, we learn a lot of music in a short amount of time. At the time we were performing concerts weekly so sadly not enough time to memorize pieces. Hopefully in the future!
@@michaelhudetz Fully understand the context and even some (lazy superstars) use scores, BUT as a former agent and opera director, all I can say is that you lose an audience when not singing directly to them. Eyes up, even with a score. oh and by the way, memorised has a Z in America, not the UK. You don't know which prospective agents or employers are watching these videos, so factor that score holding into your agreement to sign away your rights to having Global viewing when you reflect that it wasn't optimal. Sometimes it's ok to say, "no". I repeat, smashing singing. All best with your career.
Singers use the 'folders' both to reflect their own voice back to them and then to redirect it towards the upper-space between them and their audience. Watch how they subtley move their 'folders' at certain times to carry their voice forwards. Remember, aincent musicians did not have the comfort of modern acoustics.
@@stephendahl3034 I don’t even know where to start in responding to your highly questionable response about using folders to reflect a voice. I was a producer at Decca records. Your statement is risible.
@jamesa0330 I can tell you’re a lonely person, you should try to channel your time in to more positive expression. You can always politely say you prefer when singers don’t use sheet music, and then just leave it at that.
i have never seen two musicians dance so much its distracting and looks stupid they should dance at home and allow the vocals to shine
It would have been better if the bassoon'ist was sitting down. I didn't find the oboist that distracting.
Superb
If you think they dance, check out the Jussen Brothers playing piano together. They really move about and can look comical despite being great players.
Siempre hay comentaristas que sueltan estupideces, un movimiento maravilloso de los músicos para una extraordinaria pieza del gran Händel. 😊
Stop complaining, it is beautiful playing & singing!
Heel mooi gezongen.
Dank u, oma ❤️
Very nice! Thank you for the Music!
Thank you for the kind words!
Magnificent!
Many thanks!
Mooi
Absolutely gorgeous!!
Thank you!
Beautiful, it's feeling likes living in a paradise.
Thank you! It's a beautifully written duet.