- 12
- 1 145 432
aradhana karhade
India
Приєднався 21 жов 2013
Aradhana Karhade is a music educator/performer from Hyderabad, who specializes in voice culture. She aims at making music lessons available for all. Her video tutorial series has received many positive reviews and continues to guide people in educating themselves in music.
Raag Kedaar Tutorial by Aradhana Karhade (WITH NOTATION)
Raag Kedaar | Raag Kedaar Lesson
About the Tutor:
Aradhana Karhade is a voice culture expert, an A-graded All India Radio artiste, and a music educator from Hyderabad, who aims to make music education accessible to all. Her UA-cam series of tutorials is based on that very premise - making music lessons available to all. She holds a firm belief - age doesn’t matter if you really want to achieve something. The same is true of music.
This is a video of Raga Kedar tutorial. Here are a few things you should know about Raag Kedar:
(Print the following description of the Raga, and the Bandish, and keep practicing. Come back to this video if you need help, and watch it again. For any further doubts, please feel free to drop a comment)
Thaat: Yaman Thaat
Jaati: Audhav - Sampoorna
Vaadi Swar: Ma
Samvaadi Swar: Sa
Bandish/Composition:
Taal: Teentaal. 16 beat cycle, which goes as follows:
Dha Dhin Dhin Dha | Dha Dhin Dhin Dha | Dha Thin Thin Ta | Ta Dhin Dhin Dha | Dha
We encourage you to Like, Comment, Share this video so it reaches more and more people, and that you subscribe to our channel so you don't miss out. :)
Raag Kedaar Notation:
Aroha: Sa Ma, Ma Pa, Pa Dha Ma* Pa Sa’
Avaroha: Sa’ Ni Dha Dha Pa, Ma* Pa Dha Ni* Dha Pa, Pa Ma* Dha Pa Ma, Ma-- Sa Re Sa,
Chalan:
1) Sa, Sa Re Sa, Sa, Sa Ma, Ma Re Sa-- Sa Re Sa---Sa Ma, Ma Pa, Pa , Pa Dha Dha Pa, Pa, Pa Dha ma* Pa Ma, Ma --Ma Pa Ma,Ma Sa Re Sa.
2)Sa ---Sa Ma, Ma Pa, Pa , Pa Dha Dha pa, Pa,Pa Dha Ma* Pa Sa’, Sa’ Ni Dha Dha Pa,Ma* Pa Dha Ni* Dha Pa, Pa Ma* Dha Pa Ma, Ma Ma Pa Ma, Ma Sa Re Sa.
Bandish - Drut Khayal( Teentaal)
Sthayi notation:
Ma Ma Pa _ Pa Dha Pa Ma Re Sa Sa Re Sa
Sa Sa ma Ma Pa Dha Pa Dha Ni Sa’ Dha Pa Ma* Pa Dha Pa Ma
Sthaayi Lyrics:
Bol Bol Mose Nand kuwarwa
Ras Bhari Batiya lage madhur tori
Antara Notation:
Pa Pa Pa Sa’ _ Sa’ Sa’ Sa’ Sa’ Sa’ Sa’ _Re’ Sa”
Ni Dha Ni Sa’ Sa”Re’ Sa’ Ni Dha Pa Pa Ma* Dha Pa Ma
Ma Ma Ma Pa _ Pa Ma* Pa Dha Ni Sa’ Dha Pa Pa Ma* Dha Pa Ma
Antara Lyrics:
Subhag haath tore bansi shaamsi
Brijwaasi nirkhat nayanbari
Nahi aghat jasu bhookh bhikhari
Sthayi ke Alaap:
1. Sa, Sa Re Sa, Sa --- ni dha dha pa, pa Sa, Sa--- Sa Re Sa.
2. Sa , Sa Ma, ma Re Sa-- Sa Re Sa Sa Ma, Ma-- Ma pa Ma, Ma Re Sa, Sa Sa Re Sa.
3. Sa -- Sa Ma, Ma Pa, Pa , Pa Dha Ma* Pa Ma, Ma Ma Pa Ma, Ma --- Sa Re Sa, Sa ni dha dha pa, pa Sa, Sa Sa Re Sa,
4. Sa Ma, Ma Pa, Pa, Pa Dha Dha Pa, Pa, Pa Dha Ma* Pa Ma, Sa Re Sa Ma Ma Pa Pa Dha Pa Ma, Ma Ma Pa Ma Sa Re Sa.
5. Sa Re ni Sa Ma, Ma Pa, Pa Sa Re Sa Ma Ma Pa, Pa, Pa Dha Dha Pa, Pa, Pa Dha Ma* Pa Sa’, Sa’ Ni Dha Dha Pa, Ma* Pa Dha Ni* Dha Pa, Pa Ma* Dha Pa Ma, Ma Ma Pa Ma, Ma Sa Re Sa.
Antare ke alaap:
1. Pa Dha Ma* Pa Sa’, Sa’ Ni Dha Dha Pa Pa Sa’, Sa’ Sa’ Re’ Sa’
2. Sa’ Sa’ Re’ Ni Sa’ Ni Dha Dha Pa, Pa Dha Ma* Pa Sa’ Ni Dha Pa,Pa Dha Dha Pa, Pa Dha Ma* Pa Ma, Ma-- Ma Pa Ma Sa Re Sa, Sa Ma-- Ma Pa -- Pa Dha Pa-- Pa Sa’, Sa’ Sa’ Re Sa’
Antare ki taane:
1. Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Ni Sa’ Re’ Re’ Sa’
2. Sa’ Re’ Sa’ Sa’ Dha Pa Pa Dha Ma* Pa Ni Sa’ Re’ Re’ Sa’
3. Ma’ Ma’ Re’ Sa’ Sa’ Re Sa’ Sa’ Dha Pa Pa Dha Ma* Pa Sa’
4. Ma’ Ma’ Re’ Sa’ Sa’ Re’ Sa’ Sa’ Dha Pa Pa Dha Ma* Pa Ma Ma Pa Pa Ma Ma Re Sa, Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Sa’...
Subhag subhag subag haath tore...
Sthayi ki taane:
1. Sa Sa Ma Ma Re Sa Sa Sa Ma Ma Pa Pa Ma Ma Re Sa
2. Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Ma Ma Pa Pa Ma Ma
3. Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Sa’ Sa’ Dha Pa Ma* Pa
4. Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Sa’ Re’ Sa’ Sa’ Dha Pa
5. Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Ni Sa’Re’ Re’ Sa’ Sa’ Ma’Ma’ Re’ Sa’ Sa’ Re’ Sa’ Sa’ Dha Pa_ Ma* Pa Dha Ni* Dha Pa Ma* Pa Ma* Pa Dha Pa Ma Ma Pa Pa Ma Ma Re Sa
Finally comes the TIHAAI, a ceremonial end to the bandish. Repeating the mukhda thrice to arrive at the sum, we finish the Bandish.
About the Tutor:
Aradhana Karhade is a voice culture expert, an A-graded All India Radio artiste, and a music educator from Hyderabad, who aims to make music education accessible to all. Her UA-cam series of tutorials is based on that very premise - making music lessons available to all. She holds a firm belief - age doesn’t matter if you really want to achieve something. The same is true of music.
This is a video of Raga Kedar tutorial. Here are a few things you should know about Raag Kedar:
(Print the following description of the Raga, and the Bandish, and keep practicing. Come back to this video if you need help, and watch it again. For any further doubts, please feel free to drop a comment)
Thaat: Yaman Thaat
Jaati: Audhav - Sampoorna
Vaadi Swar: Ma
Samvaadi Swar: Sa
Bandish/Composition:
Taal: Teentaal. 16 beat cycle, which goes as follows:
Dha Dhin Dhin Dha | Dha Dhin Dhin Dha | Dha Thin Thin Ta | Ta Dhin Dhin Dha | Dha
We encourage you to Like, Comment, Share this video so it reaches more and more people, and that you subscribe to our channel so you don't miss out. :)
Raag Kedaar Notation:
Aroha: Sa Ma, Ma Pa, Pa Dha Ma* Pa Sa’
Avaroha: Sa’ Ni Dha Dha Pa, Ma* Pa Dha Ni* Dha Pa, Pa Ma* Dha Pa Ma, Ma-- Sa Re Sa,
Chalan:
1) Sa, Sa Re Sa, Sa, Sa Ma, Ma Re Sa-- Sa Re Sa---Sa Ma, Ma Pa, Pa , Pa Dha Dha Pa, Pa, Pa Dha ma* Pa Ma, Ma --Ma Pa Ma,Ma Sa Re Sa.
2)Sa ---Sa Ma, Ma Pa, Pa , Pa Dha Dha pa, Pa,Pa Dha Ma* Pa Sa’, Sa’ Ni Dha Dha Pa,Ma* Pa Dha Ni* Dha Pa, Pa Ma* Dha Pa Ma, Ma Ma Pa Ma, Ma Sa Re Sa.
Bandish - Drut Khayal( Teentaal)
Sthayi notation:
Ma Ma Pa _ Pa Dha Pa Ma Re Sa Sa Re Sa
Sa Sa ma Ma Pa Dha Pa Dha Ni Sa’ Dha Pa Ma* Pa Dha Pa Ma
Sthaayi Lyrics:
Bol Bol Mose Nand kuwarwa
Ras Bhari Batiya lage madhur tori
Antara Notation:
Pa Pa Pa Sa’ _ Sa’ Sa’ Sa’ Sa’ Sa’ Sa’ _Re’ Sa”
Ni Dha Ni Sa’ Sa”Re’ Sa’ Ni Dha Pa Pa Ma* Dha Pa Ma
Ma Ma Ma Pa _ Pa Ma* Pa Dha Ni Sa’ Dha Pa Pa Ma* Dha Pa Ma
Antara Lyrics:
Subhag haath tore bansi shaamsi
Brijwaasi nirkhat nayanbari
Nahi aghat jasu bhookh bhikhari
Sthayi ke Alaap:
1. Sa, Sa Re Sa, Sa --- ni dha dha pa, pa Sa, Sa--- Sa Re Sa.
2. Sa , Sa Ma, ma Re Sa-- Sa Re Sa Sa Ma, Ma-- Ma pa Ma, Ma Re Sa, Sa Sa Re Sa.
3. Sa -- Sa Ma, Ma Pa, Pa , Pa Dha Ma* Pa Ma, Ma Ma Pa Ma, Ma --- Sa Re Sa, Sa ni dha dha pa, pa Sa, Sa Sa Re Sa,
4. Sa Ma, Ma Pa, Pa, Pa Dha Dha Pa, Pa, Pa Dha Ma* Pa Ma, Sa Re Sa Ma Ma Pa Pa Dha Pa Ma, Ma Ma Pa Ma Sa Re Sa.
5. Sa Re ni Sa Ma, Ma Pa, Pa Sa Re Sa Ma Ma Pa, Pa, Pa Dha Dha Pa, Pa, Pa Dha Ma* Pa Sa’, Sa’ Ni Dha Dha Pa, Ma* Pa Dha Ni* Dha Pa, Pa Ma* Dha Pa Ma, Ma Ma Pa Ma, Ma Sa Re Sa.
Antare ke alaap:
1. Pa Dha Ma* Pa Sa’, Sa’ Ni Dha Dha Pa Pa Sa’, Sa’ Sa’ Re’ Sa’
2. Sa’ Sa’ Re’ Ni Sa’ Ni Dha Dha Pa, Pa Dha Ma* Pa Sa’ Ni Dha Pa,Pa Dha Dha Pa, Pa Dha Ma* Pa Ma, Ma-- Ma Pa Ma Sa Re Sa, Sa Ma-- Ma Pa -- Pa Dha Pa-- Pa Sa’, Sa’ Sa’ Re Sa’
Antare ki taane:
1. Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Ni Sa’ Re’ Re’ Sa’
2. Sa’ Re’ Sa’ Sa’ Dha Pa Pa Dha Ma* Pa Ni Sa’ Re’ Re’ Sa’
3. Ma’ Ma’ Re’ Sa’ Sa’ Re Sa’ Sa’ Dha Pa Pa Dha Ma* Pa Sa’
4. Ma’ Ma’ Re’ Sa’ Sa’ Re’ Sa’ Sa’ Dha Pa Pa Dha Ma* Pa Ma Ma Pa Pa Ma Ma Re Sa, Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Sa’...
Subhag subhag subag haath tore...
Sthayi ki taane:
1. Sa Sa Ma Ma Re Sa Sa Sa Ma Ma Pa Pa Ma Ma Re Sa
2. Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Ma Ma Pa Pa Ma Ma
3. Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Sa’ Sa’ Dha Pa Ma* Pa
4. Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Sa’ Re’ Sa’ Sa’ Dha Pa
5. Sa Sa Ma Ma Pa Pa Dha Dha Ma* Pa Ni Sa’Re’ Re’ Sa’ Sa’ Ma’Ma’ Re’ Sa’ Sa’ Re’ Sa’ Sa’ Dha Pa_ Ma* Pa Dha Ni* Dha Pa Ma* Pa Ma* Pa Dha Pa Ma Ma Pa Pa Ma Ma Re Sa
Finally comes the TIHAAI, a ceremonial end to the bandish. Repeating the mukhda thrice to arrive at the sum, we finish the Bandish.
Переглядів: 5 303
Відео
Raag Bihaag Lesson by Aradhana Karhade (WITH NOTATION!)
Переглядів 17 тис.6 років тому
Aradhana Karhade is a voice culture expert and music educator from Hyderabad. She also happens to be an A-graded artiste of All India Radio, who aims to make music education accessible to all. Her UA-cam series of tutorials is based on that very premise - making music lessons available to all. She holds a firm belief - age doesn’t matter if you really want to achieve something. The same is true...
Raag Yeman Tutorial by Aradhana Karhade (WITH NOTATION)
Переглядів 71 тис.6 років тому
In this video of Aradhana ji’s tutorials, she ventures a little further with Raga Yaman. Here are a few things you should know: Thaat: Yeman Thaat Jaati: Sampoorna Jaati Vaadi Swar: Gandhaar (Ga) Samvaadi Swar: Nishaad (Ni) Bandish/Composition: Piya Ki Najariya Jaadu Bhari… Taal: Teentaal. 16 beat cycle, which goes as follows: Dha Dhin Dhin Dha | Dha Dhin Dhin Dha | Dha Thin Thin Ta | Ta Dhin D...
Raag Tilak Kamod Tutorial by Aradhana Karhade (With NOTATION)
Переглядів 40 тис.6 років тому
Raag Tilakkamod Lesson | Tutorial | Lesson for Beginners. Here’s a brief description of Tilak Kamod Raga: Jaati: This raag is set to Audhav-Sampurna Jaati. Thaat: Thaat Khamaaj. ATTENTION: People of Hyderabad, you’re in for a treat! Due to a lot of requests, Aradhana Ji has decided to take in a batch of students (ages 10 ) for vocal training. This batch will get to learn physically from Aradhan...
Raag Desh Tutorial by Aradhana Karhade - Part II
Переглядів 21 тис.7 років тому
This is the second part of the 'Basics of Des' tutorial series. Part Two is all about the bandish of the raga, i.e. Sthaayi, Antara, and Alaap, and Taans. Like | Comment | Subscribe | Share | About the teacher: Aradhana Karhade is a voice culture expert and music educator from Hyderabad, who aims to make music education accessible to all. Her UA-cam series of tutorials is based on that very pre...
Raag Desh Tutorial by Aradhana Karhade - Part I
Переглядів 46 тис.7 років тому
Raag Desh Tutorial | Raag Des Lesson by Aradhana Karhade - Part I This is the first part of ‘Basics of Raag Des’. Part I consists of ALL basics of the Raag - Aaroh, Avroh and the notation to the Sthaayi and Antara. Part II of the video includes the Sthaayi, Antara, Sthaayi ke alaap, Antare ke alaap and Sthaayi ke Taane. Introduction to Raag Des - Both, komal and shhudh nishaad are used. Komal G...
Raag Khamaj Tutorial by Aradhana Karhade
Переглядів 68 тис.7 років тому
Raag Khamaaj is one of those beautiful ragas that entices everyone around. The raga has both, shuddh and komal Nishaads. Komal nishad has been indicated with an asterisk ("*"), wherever applicable. In this tutorial, Aradhana Ji breaks down Raag Khamaaj to make it simpler for everyone to understand and learn. This is our contribution to making music lessons available for all.
Raag Kaafi Tutorial (WITH NOTATION!)
Переглядів 174 тис.8 років тому
Raag Kaafi | Raag Kafi for Beginners - A Tutorial by Aradhana Karhade. This tutorial for has been created keeping in mind the requirements of beginners - please watch the complete thing - you will benefit from this. Raag Kaafi Notation: NOTE - Please understand all symbols used before attempting to read the notation. (i) The use of an asterisk (*) indicates the usage of a Komal Swar. (ii) The u...
Raag Baageshree Tutorial (WITH COMPLETE NOTATION!)
Переглядів 177 тис.9 років тому
|Raag Bageshri Lesson for Beginners| Kindly Like | Share | Comment | Subscribe | Raga Bageshri is an enticing raga that a lot of students want to learn. Here's Aradhana ji's free online tutorial of Rag Bageshree. Here's the notation of Raga Bageshree: NOTE - Please understand all symbols used before attempting to read the notation. (i) The use of an asterisk (*) indicates the usage of a Komal S...
Rag Durga Lesson by Aradhana Karhade (WITH NOTATION!)
Переглядів 261 тис.9 років тому
Raag Durga - Raag Durga Tutorial for Beginners Here's the complete Raag Durga Lesson: Rag Durga is classified as an "Audhav Jaati Raag", because it has only 5 swaras. Here's the full notation of Rag Durga: Aaroh: Sa Re Ma Pa Dha Sa' Avroh: Sa' Dha Pa Ma Re Sa Pakad: Sa, Re Ma Pa Dha Ma Pa Dha Ma Re, Dha Dha Sa Chalan: 1) Sa, Re Dha Dha Sa, Sa - Sa Re Sa, Sa , Sa Re Ma , Ma Re, Re Pa, Pa, Re Ma ...
Raag Bhimpalasi Lesson by Aradhana Karhade (WITH NOTATION!)
Переглядів 254 тис.11 років тому
Raag Bhimpalasi Lesson | Raag Bhimpalasi Tutorial by Aradhana Karhade: For Beginners, a Hindustani music lesson in Raag Bhimpalasi by Aradhana Karhade. This lesson has been catered for beginner learners of music. Here, the tutor illustrates the "how to" part of Raag Bhimpalasi's "Ja Ja Re Apane Mandirava" bandish. Set in Teentaal, this bandish is one of the most melodious songs. Here's Raag Bhi...
Gifted teacher and artist.
Kharade sir kaa aarthi gaana unki awaaz kaa sunnekaa hai
Badia
❤❤❤
2:08- Different Komal Gandhar of Bhimpalas. (For my own self)
Thank you ma'am. Namaste.
You really need depth and resonance in your voice
बहुत बढ़िया
सुन्दर
👍👍
Sweet voice
Didi i have completed praveshika purn long back now i want to prepare for madhyama want to join your classes
🙏🚩 jaiho badia
Wahh Apratim 👌🏻khup chan
Fantastic
Nice explanation and demonstration. Thank you
Which nishad is anyaswaram and in which fraces it occurs
Good
Vey thorough tutorial! Is the Chalan of a raag same as Swar Vistar?
In which scale mam
Excellent mam🎉 I have already by hearted your video on Rag boop❤ Mam can you please tell me रागा साठी कोणती पट्टी वापरली आहे... यमन
Mam, pls upload your videos on other popular ragas. U R a great teacher for us. Nd U R doing a noble work.Pls don,t stop.
Raag Baageshree Tutorial (WITH COMPLETE NOTATION!) - see Title
Nmskar
❤❤
Subscribed to your channel from UK thank you 🙏
I will come for your class today ma'am Ejo
Thank you very much guruji 🙏 i use this for Riyaz ...khub khub dhanyawad 🙏
Very good,, Raag Bhimplasi is sung nd explained very nicely, Mata Swarswti may bless u,
❤🌹🙏🏻
You’re awesome 🙏
Ma'am bahot din ho gaye hai raago ke video nhi aye video daliye please
Nice practice session. Can you post similar videos for Multani and Malkauns raag?
बहुत अच्छा !❤
You are Voice is very nice 👍
I like this raag.Very excellent 👌
धन्यवाद ताई
Excellent 👌👌👌👌🌹🌹🌹🌹
Excellent 👌👌👌❤❤❤
राग भीमपलासी को काफी थाट से उत्पन्न माना गया। इसमें गंधार और निषाद कोमल तथा शेष स्वर शुद्ध प्रयोग किये जाते है। आरोह में रे - ध स्वर वर्ज है और अवरोह में सातो स्वर प्रयोग किये जाते है, इसलिए इसकी जाती औडव - सम्पूर्ण। वादी स्वर मध्यम और सम्वादी स्वर षडज है। दिन के तीसरे प्रहर गया बजाया जाता है। आरोह - नि सा ग म, प नि सां। अवरोह - सां नि ध प म ग रे सा। पकड़ = नि सा म,प म ग म, ग रे सा। राग भीमपलासी - तीनताल ( मध्यलय) स्थायी ग ¯ रे सा | रे नि सा ¯ | सा ¯ म म | म ¯ नि प | जा S रे S | अ प ने S | मं S दि र | वा S जा S | ० ३ x २ ग ग रे सा | रे नि सा ¯ | सा ¯ म म | म ¯ ग म | जा S रे S | अ प ने S | मं S दि र | वा S सु न | ० ३ x २ प नि सा ग | रे ¯ सां ¯ | रे नि सा प | ग ¯ प ¯ | पा S वे S | गी S सा S | सा न न दि | या S जा S | ० ३ x २ अंतरा प प प म | प ¯ ग म | प प नि नि | सां सां सां ¯ | सु न हु स | दा S रं ग | तु म को चा | ह त है S | ० ३ x २ नि नि सां गं | रे रे सां ¯ | नि नि सां सां | प म नि प | क्या S तु म | ह म को S | छ ग न दि | या S जा S | ० ३ x
*मंजुळ कंठ आणि मोहक रूप हा मिलाफ खूप दुर्मिळ! पंचाईत अशी होते की ऐकत राहू की पाहात राहू हेच उमगत नाही!!* 😌
Mmm
🙏🙏🙏
Bandish ki 1st maatra mandirva shabd pe aaye to iska prabhaav aur hi hai.. , Bandish ja ja re start from 7th matra.
Most nice
🙏🙏💐💐
🙏🙏
Ok.
Very good tutorial
Mam kiya ham ismain Zhinzoti Bageshri Bhimpalasi wagera ki chinte de sakte hain incase agar ham ise piyor shakal main nahi ga rahe