Drew Flieder
Drew Flieder
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Bright Pearl
Composed 2021-2024, for large ensemble and electronics.
00:00 I. Introduction
02:53 II. Harmony
09:27 III. Stasis
17:50 IV. Transformation
28:01 V. Disharmony
35:42 VI. Dissipation
Переглядів: 28

Відео

Teloi
Переглядів 537 годин тому
Composed in 2023, for open instrumentation and electronics. 00:00 No. 1 01:42 No. 2 03:17 No. 3 05:28 No. 4 06:44 No. 5 08:00 No. 6 09:25: No. 7 10:56: No. 8 12:28 No. 9 13:41 No. 10
Attractors
Переглядів 18412 годин тому
00:00 System 1 00:36 System 6 02:36 System 13 05:20 System 5 06:05 System 11 11:37 System 8 13:49 System 3 15:24 System 4 17:11 System 7 18:32 System 12 23:15 System 2 24:11 System 10 26:42 System 9 Composed in 2020/2021. Cover Art: Jared Tarbell, commons.wikimedia.org/wiki/File:Henon.Phase.Deep,_Gallery_of_Computation_(416817).jpg, CC-BY-2.0 license
Drew Flieder: Piano Piece No. 5
Переглядів 5914 годин тому
Composed in 2017. I-Hsiang Chao, piano.
Drew Flieder: Apollo
Переглядів 9816 годин тому
Composed in 2020.
Drew Flieder: Samsara
Переглядів 10721 годину тому
Composed in 2019.
Drew Flieder: Cycling Through Cycles
Переглядів 74Рік тому
Premiered by I-Hsiang Chao (piano) and Nick Morandi (bass clarinet) at Hatch Hall, Eastman School of Music, May 6, 2019. Program Notes This composition employs a 'cycling through' approach in its structure, operating on two distinct levels. Firstly, it operates at the harmonic level, where harmonies undergo iterative transformations until they return to their initial presentation. Secondly, it ...

КОМЕНТАРІ

  • @LuckyTucker678
    @LuckyTucker678 2 дні тому

    Whooooa!

  • @machida5114
    @machida5114 2 дні тому

    sodelicious.................................

  • @machida5114
    @machida5114 2 дні тому

    sodelicious.................................

  • @1John4.11
    @1John4.11 3 дні тому

    The momentum this piece has is incredible...there's a kind of relentless sustain or focus, while at the same time new gestures are constantly arising. The vocals are also amazing.

  • @machida5114
    @machida5114 4 дні тому

    sodelicious................................

  • @machida5114
    @machida5114 4 дні тому

    sodelicious................................

  • @machida5114
    @machida5114 4 дні тому

    sodelicious.................................

  • @machida5114
    @machida5114 4 дні тому

    sodelicious.................................

  • @machida5114
    @machida5114 4 дні тому

    sodelicious................................

  • @KazuhiraMiller46
    @KazuhiraMiller46 4 дні тому

    Definitely interesting

  • @1John4.11
    @1John4.11 6 днів тому

    I'm curious how you approached the idea of register in this piece--the way it's used here is very striking. Beautiful performance by I-Hsiang Chao as well.

    • @DrewFlieder
      @DrewFlieder 5 днів тому

      Thank you for your thoughtful comment. The idea of register is indeed a central element in this piece, unfolding through two distinct 'streams' of development. Each stream evolves independently, following its own trajectory for various musical parameters, including register. For each main section, the registral development within each stream follows its own logic-at times unfolding through a series of juxtaposed registral ranges, and at other times through continuous processes of expansion or contraction. A particularly clear example of this approach occurs from 9:23 to the end, where both streams begin in the high register and gradually expand to encompass the full range of the piano.

  • @louisj2256
    @louisj2256 8 днів тому

    Masterful