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Vibration Cinema
United States
Приєднався 28 бер 2021
Welcome to Vibration Cinema, the alter-destiny of film. This channel seeks to challenge common sense notions of filmmaking, create new approaches to film culture & education, and celebrate Black and LGBT cinema.
Censorship As Market Regulation
Hollywood's oligarchic control of the US domestic film market allows it to control how we think about, see, engage with, and make movies. This episode explores various ways this control manifests; how the business decisions that maintain the oligarchy express themselves artistically.
~*RESOURCES*~
⧫ Reading Folder: tinyurl.com/54c35xn6
⧫ MPPDA Do's and Dont's (1927): tinyurl.com/3u9fwy98
⧫ MPAA's Production Code Documents: tinyurl.com/2pkesph8
⧫ Movie Czars & Profitable Prudishness: tinyurl.com/4ft5vh38
⧫ A Brief History of Film Censorship: tinyurl.com/3rzk88ec
⧫ How 2 Companies to Dominate the Movie Business: tinyurl.com/559t5m6c
⧫ Indies sue MPAA over screener ban: tinyurl.com/6jza82hw
⧫ Why So Many Sitcoms Look The Same: tinyurl.com/4w6ej2ps
~*TIMESTAMPS*~
00:00 - Into
00:55 - Self-Regulation
02:57 - Corporate Censorship
09:36 - Ways of Seeing
13:42 - Outro
#censorship #monopoly #film
~*RESOURCES*~
⧫ Reading Folder: tinyurl.com/54c35xn6
⧫ MPPDA Do's and Dont's (1927): tinyurl.com/3u9fwy98
⧫ MPAA's Production Code Documents: tinyurl.com/2pkesph8
⧫ Movie Czars & Profitable Prudishness: tinyurl.com/4ft5vh38
⧫ A Brief History of Film Censorship: tinyurl.com/3rzk88ec
⧫ How 2 Companies to Dominate the Movie Business: tinyurl.com/559t5m6c
⧫ Indies sue MPAA over screener ban: tinyurl.com/6jza82hw
⧫ Why So Many Sitcoms Look The Same: tinyurl.com/4w6ej2ps
~*TIMESTAMPS*~
00:00 - Into
00:55 - Self-Regulation
02:57 - Corporate Censorship
09:36 - Ways of Seeing
13:42 - Outro
#censorship #monopoly #film
Переглядів: 725
Відео
Decolonize the Camera! [Censored 😔]
Переглядів 3427 місяців тому
Today we challenge the orthodoxy of decolonizing the camera by shifting analysis away from how the colonizers use the apparatus to how indigenous people do. ~*DONATION LINKS*~ Congo 🇨🇩 ♦FreeDRCongo: linktr.ee/freedrcongo ♦Focus Congo: linktr.ee/focuscongo ♦Friends of Congo: www.gifttool.com/donations/Donate?ID=2017&AID=1926 Sudan 🇸🇩 ♦Sudan Relief Fund: sdnrlf.com/ ♦Khartoum Aid Kitchen: www.gof...
CINEMA INTIFADA: on Palestinian Film, Al-Aqsa Flood, & Propaganda
Переглядів 663Рік тому
Free Palestine 🇵🇸 ~*RESOURCES*~ Please look at the resources to find what you can do to help Palestine. Be wary of organizations asking for donations; a lot of them are scams. The one thing anyone can do is support BDS. If you are able, join a demonstration and pester your politicians. PalAction is a good organization to keep up with actions in your area. ⧫Boycott Divestment Sanction (BDS): bds...
Hollywood & Cultural Imperialism
Переглядів 1,2 тис.Рік тому
In this episode we are looking at how Hollywood uses the US State Department, so-called Free Trade, and monopoly tactics to control the global film market. Joining us for this episode is Aaron Hunt a Filipino-American film critic, programmer, and freelance theatrical distributor who will give us some insight into how Hollywood operated in the Philippines. Follow him on Twitter: @a_ehunt Insta: ...
Image Viruses: AIDS Video Activism
Переглядів 1 тис.Рік тому
Activists at the beginning of the AIDS Crisis (which is still raging) used video as an organizational tool, to propagandize about safer sex practices, and to document the movement for historical and legal purposes. In this episode I look at the history of this work and ask what AIDS activists can teach us about decentralized, grassroots media. The AIDS videography can be found in the reading fo...
The State of Black Cinema
Переглядів 1 тис.Рік тому
Wherein I talk about how politics and culture over the past 40 or so years impacted why today's Black movies are like 🥴 and why the contemporary discourse over the cinematic image of Black people is rooted in reaction to whiteness, not centered on the traditions of Black visual pedagogy and practice. ~*LINKS*~ The Black Femme Supremacy Film Festival: bit.ly/3Jr5JuA Alfreda's Cinema: bit.ly/3lnI...
Stud Life | Movie Review
Переглядів 847Рік тому
Happy Valentine's Day! Today we're reviewing Campbell X's 2012 Lesbian classic Stud Life. Innit bruv n all that. ~*RESOURCES*~ Adrienne Skye Roberts interviews Lenn Keller: bit.ly/3JZb4ej ~*TIMESTAMPS*~ 00:00 - Intro 00:11 - Context 03:06 -Story 06:50 - Outro #blackcinema #lgbtfilm #moviereview
Cane River | Movie Review
Переглядів 386Рік тому
Happy Black History Month! We're celebrating Black Romance this year and to start we're reviewing Horace Jenkins 1982 Cane River, the only heterosexual movie! Be sure to check out No Evil Eye's satellite film school Film Futura '23. I'm teaching a course but all courses on offer are fire! I wish I could take 'em. Applications end in March: bit.ly/3HKlCex ~*TIMESTAMPS*~ 00:00 - Intro 00:14 - A N...
When Racist Movies Kinda Slap 😵💫
Переглядів 528Рік тому
Sometimes racism slaps idk 🤷🏾♂️ ~*TIMESTAMPS*~ 00:00 - Intro 00:12 - Bits of Racism 01:11 - Racism as a honeypot 04:27 - Good Racism 07:08 - Outro #videoessay #filmcriticism
Vibration Cinema's Top 10
Переглядів 5062 роки тому
Here it is, our top 10 films! A mix of favorites and greatest. ~*TIMESTAMPS*~ 00:00 - Intro 00:34 - Honorable Mentions 02:08 - Ten 03:05 - Nine 04:10 - Eight 05:23 - Seven 06:16 - Six 07:24 - Five 08:04 - Four 08:51 - Three 10:08 - Two 10:48 - One 12:05 - Outro [Yes I know it's not 2021, I found out just as I hit export on the srt 🙃; and yes I still can't pronounce Ted Lange properly 🤦🏾♂️] #to...
The Treachery of the Script or: How Visual Storytelling RUINS Cinema
Переглядів 8202 роки тому
In this episode I explore how the demands of visual storytelling hold the capabilities of cinema back. How it's maxims imagine it an impossibility to enjoy a movie simply for the pleasure of looking. It seems that when one watches a visual story, there can be no place for wonder, beauty, or much of anything outside of the text. Why? And how come the storytellers hate beautiful, indulgent images...
Eisenstein's Sons or: Post-Soviet Montage
Переглядів 3292 роки тому
In this episode we are talking about evolutions and permutations of classic Soveit-style montage. In particular we focus on Artavazd Peleshian's Montage-At-A-Distnace and John Akomfrah's notion of Affective Proximity. We break down Arthur Jafa's "Love Is The Message, The Message Is Death" and Solanas & Getino's "Hour of the Furnaces", two powerful montages that employ the principles we've discu...
A Black Gaze: Are Artists Changing How We See?
Переглядів 9322 роки тому
Tina Campt details how contemporary artists are changing how people engage with and respond to art in her 2021 book, "A Black Gaze: Artists Changing How We See. In this episode we consider that new relationship of looking. Unfortunately, we have some problems with how Tina lays out her argument here. This episode can get dense so feel free to hmu to clarify or discuss A Black Gaze! ~*FURTHER RE...
In the Life: Remixing Black Gay History
Переглядів 1,1 тис.2 роки тому
Happy Black Pride, everyone! In this episode, I talk about how the Holy Trinity of Black Gay filmmakers (Marlon Riggs, Isaac Julien, and Cheryl Dunye) challenge racist and homophobic histories by using the archive creatively and sometimes inventing the past where there are gaps in knowledge. As of 28 June 2022 MOMA is still streaming Looking for Langston for free here: www.moma.org/magazine/art...
Gays in Film: The Politics of Aesthetics
Переглядів 3,9 тис.2 роки тому
This is an introductory video to our third channel series Gays In Film. In this video I wanted to look at how the move to liberal integration politics also adversely affected queer cinematic form. As well as look at how modern Hollywood, the aversion to anything steamy, and our war culture has choked out a staple queer aesthetic: the erotic. Watch Hunted by Yami here: vimeo.com/704682201 ~RESOU...
Cinematic Space or: 180 degrees of deez nuts
Переглядів 5402 роки тому
Cinematic Space or: 180 degrees of deez nuts
Bradford Young: The Crown Prince of Darkness
Переглядів 2,7 тис.2 роки тому
Bradford Young: The Crown Prince of Darkness
Real Eyes Realize the Reel Lies of Realism
Переглядів 4183 роки тому
Real Eyes Realize the Reel Lies of Realism
Movie Notes of a Geechee Girl: A Julie Dash Retrospective
Переглядів 4913 роки тому
Movie Notes of a Geechee Girl: A Julie Dash Retrospective
Party.Culture.Politics. Lover's Rock and Got 'Till It's Gone
Переглядів 2173 роки тому
Party.Culture.Politics. Lover's Rock and Got 'Till It's Gone
Hard and Directional Light in Sparkle (1976)
Переглядів 6443 роки тому
Hard and Directional Light in Sparkle (1976)
sound effects interrupt you. do not do that 8:24 specifically sound effects. not stan memes
Subbed, love thissss ❤❤❤
thank you 🙏🏾
Another banger! lol @ the comment about speaking very fast. It reminds me of Montre's class, but unlike discussions with her, I can just scroll back and listen to a sentence again. Great work
I mean try putting Montré on 0.5x 😵💫
I'm going to echo this. Buy a half-decent microphone (Rode are good). Audio is more important than visuals.
The microphone is perfectly fine as evidenced by the clear, warm tone of the audio. There is a strong signal with very little noise. The problem here is delivery; not the recording apparatus. Maybe Vbration Cinema is just nervous, the poor guy. It's daunting recording yourself and editing it. But I do agree with the other commentor's view on the speed. There weren't pauses which would cue the start of new sections so there is a lack of structure. The colourless, rapidfire delivery left me feeling intellectually breathless. I had no time to digest.
i have a decent mic, i’m just in a new setting where everything echoes. so i do have to deal with that. Thanks for the feedback
i try to add interstitial bumpers between each section as a breather but i was was drawing blanks for this episode. Will keep that in mind in the future, thank you!
@@vibration_cinema the room sound really isn’t that bad. Honestly. Throw up some acoustic foam in some key areas, if you want. But it’s not so bad as to need it.
Great video, great ideas, but your voice/audio is hard to understand. You speak very fast, I had to make sure I didn't have the video on 2x speed.
Appreciate the feedback but i ate too much sugar as a kid so this is more or less my natural cadence. i can speak slowly for like a sentence max
🖤 !!!!!!!!!
I really missed you and your reads 😂
A whole lot of words with very little actually being said…
one of my many talents!
Apparently 😂.. congratulations
Love this! Thank you
just discovered your essays the other day - really appreciate the passion and always the focus on actual radical politics thank youuuuuuuu
thank you!!! 🙏🏾
"I love some of the Wintour covers, what the fuck does she know about colonisation" SCREAM. You're so right.
Rich and witty and crystal clear as always - thank you for this piece!
@@udokareads8630 Thanks for watching! Glad you enjoyed
Where could we watch the uncensored version?
Linking to that version would be a tos violation. Hey by the way, follow us on X...
Such a cool and flavorful list! I know I’m late to this video (I discovered your channel today from your new video!!) but I wanted to share my favs. I am interested in filmmaking and (anxiously) am starting to do film stuff! Before my 10 favs, here are some honorable mentions: a) Crazy Thunder Road - Sogo Ishii - I am a sucker for first films and student films (I’ve noticed) and this film is no exception. It has some really fun creative sequences and beautiful colors. It also plays with themes of punk vs fascist life. Ishii was having too much fun here. b) Buffalo 66’ - Vincent Gallo - Gallo is a fascist piece of shit, but I somehow find myself loving the admittedly his first film. Something about the way it makes you feel sorry for an absolutely unlikable man child, the dim hazy browns and yellow color design, the surreal musical moments, and so much more just really gets me. Gallo deserves all the hate he gets, but it makes me sad that this film might be in restoration hell for his political antics. c) Possession - Andrzej Żuławski - Yet another problematic abusive guy, this has some of the best acting I’ve ever seen. It’s so extreme it’s believable, you almost forget it’s acting. The themes and philosophy of it is really corny on paper but the delivery makes you forget analyzing it and just stay along for the insane camera work and horror sequences. My man list, in no exact order: 1) Gummo - Harmony Korine - His director debute. Best depiction of white trash I’ve seen. Ending is sudden and euphoric. 2) 2001 - Kubrick - Baby. Big baby. 3) Tongues Untied - Marlon Riggs - I watched this after skimming bell hooks’ essay *Is Paris Burning?* It feels a tad weird (albeit with hesitation) as a white queer person to love a film that’s very much not directed towards my exact experience, but Riggs’ presentation and openness seeps into me so deeply. Its style and approach is intoxicating start to finish, the hypnotic sound design and the montage effects are absolutely godly. I cry at the ending every time. (I REALLY need to see Looking for Langston, even tho I’m still new to the aids era of filmmaking I absolutely believed you when you said it’s some of the best of the last 30+ years) 4) Jeanne Dielman - Chantal Akerman - The most absorbing slow cinema, in my opinion. I also love Rublev (so glad to see it on your list!), but something about Akerman’s ability to depict womanhood, isolation, and anxiety here is so intense. It’s one thing to write an essay about the burden of doing chores, it’s another to show someone peeling a potato for 5 minutes with no cut. It’s that for 200 minutes and so much more! 5) Black Girl - Osumane Sembène - one of the most water tight 60 minute films ever and so important for colonialist unravelings and Senegal’s (and Africa’s) future. Some of the most memorable scenes and one of my favorite soundtracks ever. 6) Punch-Drunk Love - PTA - I also love There Will Be Blood! But for me, it’s the Adam Sandler type cast anxiety romcom. I think this, unintentionally, is the best depiction of neurodivergent embodiment and love on screen. So it hits me hard there. Some dialogue quips are a bit much, but the way the colors and soundtrack mix with Barry’s feelings hits so fucking hard for me. I could watch it every day. 7) Tetsuo the Iron Man - Shinya Tsukamoto - The best body horror film, maybe the best horror film. It’s also shockly queer, it’s not even subtext it’s just text. Soundtrack slaps, the editing is SO fun and inspiring, and the visuals are so particular and mesmerizing. 8) Yi Yi - Edward Yang - My favorite slice of life film, though it’s so much more than that. I always get emotional seeing Yang Yang’s speech, but also all the little complex and layered moments family members have with others. It’s so beautiful and earnest. 9) Je Tu Is Elle - Chantal Akerman - Her again! This one creeped up on me. I’m sorta picky about putting several films by one director so highly and in close proximity. But this one made me feel seen. Queer loneliness, through a lesbian gaze, in the highest order. Knowing Akerman’s departure from the world made this infinitely harder to digest. Might become my absolute favorite, I love her so deeply. 10) Beau Travail - Claire Denis - Everything about this film, it’s postcolonial setting, juxtaposition of masc and fem bodies in certain spaces, sensual movements, quiet reflection, alluring cinematography, multiple sources, so much about it is everything I want. I didn’t even fully dig it at first. But then the ending happens, and I wondered what it was for. It completely changed the way I thought about film forever, and for the better. Thanks for sharing! Hope you enjoy the list :)
Thanks for taking the time to share your thoughts!Really appreciate it! Don't feel bad about being late. I try to make my videos evergreen. For example, I have an episode on AIDS Video Activism if you'd like to hear more about filmmaking at the beginning of the AIDS epidemic. But you have a solid list! A nice mix of classics and trash (affectionate). I've been afraid to watch possession precisely bc i've heard the acting is so good 😵💫 You reminded me that I need to rewatch PDL and Tetsuo. I'll have to check out Crazy Thunder Road, it sounds like something i'd enjoy. If you like student films you should look into the LA Rebellion. Also some of Gan Bi's student work is on youtube ("Tiger" & "The Poet and the Singer"). Looking for Langston is on vimeo fyi Thanks again!
This video was excellent. Thank you for your work!
See, I saw that thumbnail and mistook it for another interesting film Bobby was in called hi mom!
I love what you said about not “being stuck on the colonial origins of the camera” I’m currently a grad film student at Howard and we talk about AJ’s assertion that pointing a camera at a Black person, even if another Black person is behind the camera, creates a certain response bc psychological the subject recognizes it as a tool of white supremacy. I feel that it’s our job as image-makers interested in decolonizing to change that
HU! what’s up fam? the next episode is about decolonising the camera so we’re definitely on the same wavelength
I saw it on PBS back in 1981 and went mad for the music and the story. The direction and cinematography were excellent. The final shot was just mystical! I have been playing for 67 years and haven't crossed the bridge yet but Passing Through was all about that very thing. Just beautiful. And the insight into the criminal element in the recording industry was spot on.
great work !!!!
For the West when people are trying to fight an illegal occupation and kills 1200 innocent people, it is “appalling” and is terrorism, but when the state kills almost 20000 mostly innocent civilians in response, that’s “their right to defend themselves”. This is clearly how little the West values Palestinian lives compared to Israelis. The West is putting his racism in evidence without even noticing it. Narrowing down the whole conflict to October the 7th is very short-sighted.
I love you palestine 🇵🇸🇵🇸🇵🇸
thank you!!!
🇵🇸🇵🇸🇵🇸
Thank you for making this and for providing resources!!!
Sincere thanks for talking about this. Free Palestine until it's backwards.
My BS meter goes off a lot here, especially when she was talking about lawsons work. Agency without control ? How ? where? The post modern mind is obsessed power , power relationships, it’s all about where one exists in relation to power structures. When you listen to a lot of these folks they frame everything they say within an idea about how power works in society . This is only one way of looking at the world and actually very limiting,
What you said about class is spot on, People are more willing to engage with ideas around race (although diffit) but are then blind to the ubiquity of classism and their own complicity in perpetuating a politics of class that continues to otherwise and look down on “lower classes”
These videos are absolutely turning it for me with this film class I'm taking right now. Thank you my friend. Thank you so much.
wait! what film class 👀👀
I took the 11:06 mark to imply that enslaved Africans and the newly colonized Filipino are stand in for each others and will be useful in the same ways visually and materially.
Visually, probably so, Edison was very careless 😬. But, materially i think some footnotes would need to be added. Of course at the end of the day it’s about capitalist exploitation but the colonization of the Philippines had a lot to do with the Spanish-American war and creating a US foothold in the pacific rather than hyper-exploiting a (forcefully imported) domestic work force that the state implemented genocidal policies against.
I’m not sure if you’ve already made the Memoria video yet but I would pay to see it for sure.
I have not but watch this space in the new year 😉
Great list. Constantly changing but right now mine list is: Elena, The Beaches of Agnes, The Wind Journeys, Secret Sunshine, Somewhere, Hale County, Divine Intervention, Gentlemen Prefer Blondes, The Clock (2010), Millennium Actress
need me a rewatch of divine intervention and millennium actresss!
oh wow
great to hear from the two of you on this. And the cut transitions were extra inspired!
A new video 🙌🏾
They showed everybody up close except my mother
Moving and important
Vital work.
So prescient and vital during our ongoing COVID times. I'm looking through Saalfield's videography and it seems (at least from my initial one over) that women directors had important roles to play in AIDS video media, something I don't see highlighted in mainstream women film scholarship. Thank you for putting this together!
Yes! Women were very prolific in the era. Women were founding members of AIDS Video Activist groups like Testing the Limits, DIVA, House of Color, Lesbian Activists Producing Innovative Television, and WAVE! It never occurred to me until you mentioned it but yeah i don’t recall AIDS video ever being mentioned along with women’s filmmaking despite them being the artistic children of Barbara Hammer
@@vibration_cinema thank you for that context! i guess it's part and parcel of how white/global north/cishet/seronegative image-makers are prioritized in general. my unnuanced thoughts, but i think popular culture and memory acts as if lgbtqia+ and seropositive people simply died out in the 80s-90s, rather than being a part of ongoing contemporary activism and cultural production. the wikipedia page for (hollywood) women's cinema completely skips over the 90s (except for Julie Dash' 1991 Daughters of the Dust). theres also something to be said about the transition from film to video during the 80s-2000s(?) and the latter not being taken as seriously.
oooohhhhhhhhhhhh thank you for the brilliant connections you make in this video!
❤❤❤
it's really finding a diamond in the rough to see a yt video with strong analysis based in history, knowledge, context, and *logics* that are actually explained. great vid
Immediately subscribed. Super well thought out and edited video essay, incredibly high quality, thoughtful commentary, I absolutely loved it
thank you!
So we’re officially named “Varbs?” 😂🎉 I LIVE!!! Also, are you gonna review Swarm?
I wish i couldn’t take credit but i got an anonymous message from someone calling themselves a Varb 🤣 i told them im definitely stealing that! As for Swarm I haven’t had the time to even watch it yet so probably not 😔
This channel is fantastic! Love what you're doing here. I'm going to be spending some time with this channel and spreading the word.
Not *thee* Jordan Schonig 😭😭 I very much appreciate your kind words
Is that Aj Paul Robeson lecture available anywhere?
Unfortunately, no. I only have permission to share certain clips 😔
@@vibration_cinema Ah no worries at all. Thank you for the response and the incredible channel 🙏🏿
I'm really happy that channels like you serve what in my opinion is the purpose of film critics: the cultivation of film history and making sure that people KNOW about the films and the history and development of film both artistically and technically I think too many people never get to experience most of film because they never ever hear about it in the first place
Thank you, thank you! I feel the same way. good critics incorporate some educational component to their work.
This was great! The wedding of neoliberalism and cinema to tell a story ultimately about how only those who collude with capital have to do it as a necessary evil but not taking the time to connect to a larger history was so insightful.
Yes. I think that’s a great summary of the episode!
if they told a good story no one would care if the actors are black. But you can't do that! You got to insert political crap into it. We just want good storytelling. Don't want your propaganda shoved down our throats. Just tell a good story. It is just that simple. But no one can do that anymore.
Your channel is such a gem, so informative and always leave with some form of knowledge after watching your videos ✨
Thank you so much! 🙏🏾
Really appreciate the words about oblique meaning/feeling, using the setting, etc. I feel a visceral reaction inside me when people complain about how Solo was too dark, esp from ppl who later make/reblog ugly gifs "correcting" the coloring.
I also think it’s ppl watching on uncalibrated screens. in theaters Solo was fine. When i watched it at home 🥴
Another good British queer film is B.D. Woman! (I think Women Make Movies) has it still. it's like part documentary. Part love story.
I was looking for BD Woman! I thought women make movies only did institutional screenings 😩
I absolutely love this movie and the filmmaker is so cool too.