Відео

Vanity, composed by May Klug May Klug - voice and electronics Max Wanderman - Accordion Maja Radovalnija - Guitar Peter Morrow - Video Mark Ruark - Lights

Live synthesizer score for Ezra David Mattes's memoir comic A Terrified Child Played by Jeremy Strong Part 1. Performed with the author at Falsies: a showcase of compositions by May Klug, August 2024 at the Southern Theater in Minneapolis. This show was part of the Southern Theater's Performance Partnership Program 2024-25 season. May Klug - synthesizer, composer Ezra David Mattes - reader, com...

The final stop on the Channels tour, at Hart Bar in Brooklyn, NY on 11/4/24. "Channels" is a free improvised duo or trio for video artist using Max/MSP/Jitter, and musician/s playing synthesizer, and optionally other instruments or voice. Video is processed through a Max/MSP/Jitter patch. Stereo audio signal is routed into the patch, each channel effecting different variables of the video proce...

Synthesizer - May Klug Video - Paul Franceschi Duo improvisation for TV Party at Mirror Lab, Minneapolis. A night of queer video art and live electronic music curated and hosted by May Klug.

Part of my set at experimental music showcase Enter the Void, November 2023. Free improvised

Closeup shot on my facial expressions during my performance of my piece Aria on 5/14/22

Performed at Mirror Lab in Minneapolis as a part of a solo voice and electronics show titled May Worm's Singing Recital Text is the english translation of Care Selve by George Frideric Handel

A preview of my new composition Vanity, performed at the Southern Theater in Minneapolis on 11.16.2023. This piece is a part of a feature length performance titled Falsies, which will debut August 30th and 31st, 2024, as a part of the Southern Theater's Performance Partnership Program. This performance features improvisers Max Wanderman on accordion, Maja Radovnalija on guitar, and myself on va...

This is a technical demonstration of my invented instrument, the feedback eyeball. This feedback setup, installed on this vintage vanity mirror, is the basis of my composition Vanity. This video is not a musical performance or a composition but a demonstration of how the instrument works.

This is a composition for Casio CZ101, using a patch created through a glitch in the synthesizer's internal memory bank. The harmonic progression is based on Maurice Ravel's Pavane pour une infante défunte.

A reupload of my piece OPHANIM for the MIDI controlled pipe organ at Memorial Chapel in Middletown, CT. This piece was written for the 2019 Organ Romp at Wesleyan. A Max/MSP patch controls the notes and the shutters in front of the organ boxes, which are lit from inside.

A short preview of my work in progress piece Vanity, featuring Max Wanderman on accordion and Maja Radovnalija on guitar. My feedback eyeball soundsystem is placed on the desk of an antique vanity mirror. By opening and closing the drawers of the vanity, placing objects on the desk, and adjusting the position of my body, I can effect the pitch and volume of the feedback, and create intervals, b...

potionmaking ritual using flower essences, recorded mid-May 2020 in Minneapolis, Minnesota

Solo performance of Alvin Lucier's The Queen of the South at Wesleyan University on March 1st, 2019. Performed with granular materials on two paper screens, vibrated from underneath by speakers connected to a feedback circuit (speaker and feedback eyeball) played by me. Screens are filmed and projected behind the setup. Part of my senior thesis recital. Sorry that the projection is hard to see;...

May Klug - "Come and visit with me"

OPHANIM

Tea Set and Feedback Eyeball

The Queen of the South (Alvin Lucier) Soil Test

Dreamboat Live at Dead Media Minneapolis 7/28/18