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Turkish Ud Lessons
Приєднався 26 тра 2020
Prolongation in Turkish Classical Music
This is the poster presentation I gave at the Society for Music Theory’s annual meeting, on Nov 8, 2024. I discuss the idea of prolongation of pitches in a scale as they progress towards a goal tone. I discuss makam Hüseyni in this video, but this concept applies to any makam. Please like and leave comments!
www.turkishudlessons.com
Modeling Musical Analysis (Oxford University Press): global.oup.com/academic/product/modeling-musical-analysis-9780197678480?cc=us&lang=en&
My SMT-V video on characteristic melodies: ua-cam.com/video/cO5tfWCl85I/v-deo.html
www.turkishudlessons.com
Modeling Musical Analysis (Oxford University Press): global.oup.com/academic/product/modeling-musical-analysis-9780197678480?cc=us&lang=en&
My SMT-V video on characteristic melodies: ua-cam.com/video/cO5tfWCl85I/v-deo.html
Переглядів: 29
Відео
Sessions with Alper - Uşşak Peşrevi
Переглядів 20314 днів тому
Adem Merter Birson (ud) and Alper Karaağaçlı (violin) perform the Uşşak Peşrevi by İbrahim Ağa (Zurnazen). Composer: İbrahim Ağa (Zurnazen) Makam: Uşşak Usûl: Nim Çember For more, please visit www.turkishudlessons.com Support me on Patreon: www.patreon.com/turkishudlessons
Turkish Music Theory, Ep. 3: Mode (Makam)
Переглядів 2,5 тис.Рік тому
This video explains the melodic process of creating a makam, or mode, in Turkish music.
Turkish Music Theory, Ep. 2: Pitch (Perde)
Переглядів 1,4 тис.Рік тому
This video presents the diatonic scale of Turkish music and explains its importance in the organization of the makam system.
Turkish Music Theory, Ep. 1: Tuning
Переглядів 3 тис.Рік тому
This video is about intonation in Turkish music. It compares Western equal temperament with Turkish microtonality and shows how to find microtones on the ud.
Turkish Metronome Nim Sofyân 100 BPM
Переглядів 2783 роки тому
The Turkish Metronome video series aims at providing a practice tool for performing compositions and exercises. The series introduces the topic of usûl (rhythmic cycle) and gives the traditional beat patterns for each cycle. For more, please visit www.turkishudlessons.com Please support me on Patreon: www.patreon.com/turkishudlessons Follow me on Facebook: Turkish-Ud-Lessons-106832...
Turkish Metronome Nim Sofyân 85 BPM
Переглядів 1353 роки тому
The Turkish Metronome video series aims at providing a practice tool for performing compositions and exercises. The series introduces the topic of usûl (rhythmic cycle) and gives the traditional beat patterns for each cycle. For more, please visit www.turkishudlessons.com Please support me on Patreon: www.patreon.com/turkishudlessons Follow me on Facebook: Turkish-Ud-Lessons-106832...
Turkish Metronome Nim Sofyân 90 BPM
Переглядів 1353 роки тому
The Turkish Metronome video series aims at providing a practice tool for performing compositions and exercises. The series introduces the topic of usûl (rhythmic cycle) and gives the traditional beat patterns for each cycle. For more, please visit www.turkishudlessons.com Please support me on Patreon: www.patreon.com/turkishudlessons Follow me on Facebook: Turkish-Ud-Lessons-106832...
Turkish Metronome Nim Sofyân 65 BPM
Переглядів 893 роки тому
The Turkish Metronome video series aims at providing a practice tool for performing compositions and exercises. The series introduces the topic of usûl (rhythmic cycle) and gives the traditional beat patterns for each cycle. For more, please visit www.turkishudlessons.com Please support me on Patreon: www.patreon.com/turkishudlessons Follow me on Facebook: Turkish-Ud-Lessons-106832...
Turkish Metronome Nim Sofyân 95 BPM
Переглядів 1173 роки тому
The Turkish Metronome video series aims at providing a practice tool for performing compositions and exercises. The series introduces the topic of usûl (rhythmic cycle) and gives the traditional beat patterns for each cycle. For more, please visit www.turkishudlessons.com Please support me on Patreon: www.patreon.com/turkishudlessons Follow me on Facebook: Turkish-Ud-Lessons-106832...
Turkish Metronome Nim Sofyân 105 BPM
Переглядів 1793 роки тому
The Turkish Metronome video series aims at providing a practice tool for performing compositions and exercises. The series introduces the topic of usûl (rhythmic cycle) and gives the traditional beat patterns for each cycle. For more, please visit www.turkishudlessons.com Please support me on Patreon: www.patreon.com/turkishudlessons Follow me on Facebook: Turkish-Ud-Lessons-106832...
Turkish Metronome Nim Sofyân 60 BPM
Переглядів 1293 роки тому
The Turkish Metronome video series aims at providing a practice tool for performing compositions and exercises. The series introduces the topic of usûl (rhythmic cycle) and gives the traditional beat patterns for each cycle. For more, please visit www.turkishudlessons.com Please support me on Patreon: www.patreon.com/turkishudlessons Follow me on Facebook: Turkish-Ud-Lessons-106832...
Turkish Metronome Nim Sofyân 75 BPM
Переглядів 853 роки тому
The Turkish Metronome video series aims at providing a practice tool for performing compositions and exercises. The series introduces the topic of usûl (rhythmic cycle) and gives the traditional beat patterns for each cycle. For more, please visit www.turkishudlessons.com Please support me on Patreon: www.patreon.com/turkishudlessons Follow me on Facebook: Turkish-Ud-Lessons-106832...
Turkish Metronome Nim Sofyân 70 BPM
Переглядів 1433 роки тому
The Turkish Metronome video series aims at providing a practice tool for performing compositions and exercises. The series introduces the topic of usûl (rhythmic cycle) and gives the traditional beat patterns for each cycle. For more, please visit www.turkishudlessons.com Please support me on Patreon: www.patreon.com/turkishudlessons Follow me on Facebook: Turkish-Ud-Lessons-106832...
Meşk Recording: Şehnaz Peşrevi, Kemani Ali Ağa
Переглядів 2463 роки тому
Meşk Recording: Şehnaz Peşrevi, Kemani Ali Ağa
Meşk Recording: Sabâ Peşrevi, Tanbûrî Büyük Osman Bey
Переглядів 3173 роки тому
Meşk Recording: Sabâ Peşrevi, Tanbûrî Büyük Osman Bey
How to Change Strings on an Ud: A Step-By-Step Tutorial
Переглядів 6 тис.3 роки тому
How to Change Strings on an Ud: A Step-By-Step Tutorial
Meşk Recording: Acem Nakış Beste, Bir şeh ki tac dârân olmakda hâk i râhı
Переглядів 1553 роки тому
Meşk Recording: Acem Nakış Beste, Bir şeh ki tac dârân olmakda hâk i râhı
Meşk Recording: Nühüft Ağır Semâi, Mecbur i aşkı olduğumu her gören bilir
Переглядів 823 роки тому
Meşk Recording: Nühüft Ağır Semâi, Mecbur i aşkı olduğumu her gören bilir
Meşk Recording: Nevâ Yürük Semâi, Ey gonce-dehen ah-ı seheerden hazer eyle
Переглядів 1593 роки тому
Meşk Recording: Nevâ Yürük Semâi, Ey gonce-dehen ah-ı seheerden hazer eyle
Meşk Recording: Nevâ Yürük Semâi, Bir zaman idi hemaguşi hayâl olduğumuz
Переглядів 1083 роки тому
Meşk Recording: Nevâ Yürük Semâi, Bir zaman idi hemaguşi hayâl olduğumuz
Sessions with Alper: Acemaşiran Saz Semaisi, Mısırlı İbrahim Efendi
Переглядів 1,6 тис.3 роки тому
Sessions with Alper: Acemaşiran Saz Semaisi, Mısırlı İbrahim Efendi
can you please make a video for frets marking for beginners
Thank you so much
Sesten çevirme olduğu için birazcık kusurlu oldu pardon
Değerli saz sanatçı arkadaşlar büyük bir haz aldım Ben de amatör keman keman çalmaya çalışıyorum herhalde yerinden Çaldınız yerinden çaldınız da üstten 2 telde la si do yerlerini bana söyler misiniz lütfen Çok önemli benim için
Wonderful video
man this guy should teach a global music theory class!
It's brilliant and very informative! By the way, the lower natural B can be called Kaba Buselik which you kindly mentioned as it is used as an ornamentation.
great explanation!
It's a very nice and informative lesson. Thank you!
What's the name of the melody that you played at the end of the video?
Oh wow - this is a whole series! Thank you so much for making this info so easily understandable and available for all 🙏
Thanks so much for this! There is so little info in English out there on Turkish music theory and tonaltiy
I’m so glad you’re talking about Turkish and Araba Persia. Music they are all from original Assyrian Syriac Church music 🎼 that’s why Turkish Arab Persian music they been successful because they have a country.
Thank you for this video it’s really helpful I just wanna know why do Turkish music has its own pitch and tuning "ahenk and perde"system ? is there a specific reason ?
Very nice videos! We want more!
Yeah, I'm also wanting more, but grateful for the offerings that are given. There is very little easy clear explanation of the inner workings of Makam translated for the English speaker and with assisted comments for the western ear. I've attempted to get into Makam for over three years and only now after some persistence am starting to understand it. Videos like these help a lot. Very clear and concise, thank you!
Awesome videos! 😀❤
Thank you so much for taking the time to put this series together!
super
super
PDF olarak nota mevcut mu
BRO I SWEAR I've been going crazy over my tuning ever since I started learning oud because even if I tune each string to absolute perfection with the electronic tuner when I play the semitones are not at the same height in all the strings. I can't believe none of the other UA-cam channels mentioned this, it seems this is the case for any non-tempered instrument so it's not something unique to turkish/ottoman music. Wish I had found this channel before and thank god I bought a turkish oud on sale a few weeks ago because that's how I came across this channel, my first oud is arabic.
Thank you
Great explanation Professor!
Thank you for putting this together! As an American jazz pianist, this was especially helpful 👍
Why exactly do you want to learn Turkish Music Theory? Just wondering.
I'm working on a totally new, microtonal turkish/american jazz fusion sound. I recently got some software that allows me to play microtones on my digital grand piano, and I'm experimenting with turkish scales laid over traditionally american jazz chord progressions. Your tutorials help me sound a bit more "legit" when writing melody lines for kanun and duduk, and it also helps me build piano chords that pair well under those melodies. @alidenizoguz6228
Though actually the "büyük / küçük mücenneb" intervals better translate to "greater / smaller neutral steps". Historically that's what they are. Yalçın Tura complains about the fact that Maqam Rast is performed too much like a major scale or the Systematist's Ushshaq scale (which is called Çargah in the Arel-Ezgi theory, not at all related to maqam Uşşak), causing it to lose its identity. He argues that the third in Rast is supposed to be flatter than a single comma flat (that is, the 5/4 natural third at 386 cents or about 17 Holdrian commas), but not as flat as the Arabic quartertone. The dügah-segah interval ought to be a wide neutral interval (11/10 or about 165-170 cents is the largest size he deems acceptable) rather than a minor tone (10/9, 182 cents.) for it to be a sequence of T-K-S rather than T-T-B intervals.
The intonation of the Segâh note is a matter of longstanding debate in makam music. The Rast of the modern AEU theory is actually identical to the Systematists' Rast, for all intents and purposes. It's no accident: AEU is based on Rauf Yekta's 24-tone model, which is in turn based on the Systematist school. 17 Holdrian commas is extremely close to the schismatic 8192/6561 third (Pythagorean diminished fourth), which the Systematists used for Rast. Whether historical practice ever conformed to this model is still an open question. However, Turkish academic performances are nowadays certainly very close. The sonic identity of the Turkish Rast has changed to such an extent that many Turkish musicians or classical music aficionados from "elite society" cannot hide their disdain for certain performers because of how flat their third in Rast is. They feel that this aesthetic belongs to the Arabs and the low brow arabesk genre.
The greater undecimal neutral second at 11/10 is very well approximated by the 10 moria interval of the 72 EDO subset used on Turkish kanuns. I believe that it is often used for the interval between Dügâh and Segâh in Rast. Personally, I am almost always drawn to this interval when playing Rast on the oud, except in pieces with a strongly implied major harmony or many suspended cadences on Segâh, wherein I tend to gravitate upwards to 10/9.
Hi! how much cent is one pythagorian comma?
excellent.
Criminally underrated
This is great Adem! :)
bravo! Not only it is relatively difficult to find info on yt about turkish music theory, but yours is besides remarkable! Thank you so much and all the encouragement to keep going!
There’s this company called ethnic musical who I want to buy my very first our from I found an out that costs 300 pounds uk around 400 usd could you do a review on that?
Thank you for this wonderful video. It was very helpful :)
Really great, much thanks. Maybe you can make a video for the commas in Turkish music.
Thank you! I did have this video: ua-cam.com/video/0qJAVsAtmFc/v-deo.htmlsi=ul-5J_N89S9i47jZ Let me know if it answers your questions or if you would like something different.
Seni canı gönülden tebrik ederim ademim❤
Isn't it possible to tune just by tuner like a guitar? Is Oud any different?
You can tune by tuner. Many people do. The issue is that tuners are chromatic, which means that fourths and fifths are not pure. It is better to tune the fourths of the oud strings using pure Pythagorean fourths.
@@turkishudlessons7553 And how to do it? Do you have a video on how to tune the oud by ear?
ua-cam.com/video/IONdNUwANps/v-deo.html
Hello... İ am wondering too... İ think cause he is following the order of the pegs, not the order of strings....
That is correct! I am following the order of the tuning pegs so the strings do not cross in the peg box.
@@turkishudlessons7553 Thanks 🙏 Ud get the perfect tune:)
Thank you so much for sharing this. This is really very helpful. But why did you start with the second "Re" string and go to the Second "La" string and then come back to the First "Re" String? Is there a reason for that?
Thank you! I did that because I am following the order of the tuning pegs, not the strings. This is so the strings do not get tangled in the peg box.
Super.. Can I come visit you in Turkey to learn oud from you? I visit Turkey every 2 month and stay 10 days to 2 weeks.. Maybe you share contact information and we can talk?
harika
👏 👏 👏👍👍👍👍
👏👏👏👏👏👏🧿
Harika bir icra. İki udun uyumu muhteşem. Ellerinize sağlık. Devamını dileriz.