Відео

Salut ! I arrived June - smack bang in the middle of the concrete jungle.

@@gooders7366 🔥 I born in Feb like bob lol there's a day between us, obviously he born before I , also ♒ and we in the age of Aquarius 🔥 .all Wats in the dark is coming to life in the world 🌍 .for sure

Peter Tosh.

Peter Tosh

Some more details: 1. The synth at the beginning of "Stir it Up" is an ARP Odyssey, not a Minimoog. That particular sound cannot be produced by the synth shown. 2. The synth sound has this "woaaaah" swell at the beginning of each note played. The first few notes, he's shown twisting the filter knob for that effect. The next few notes, same effect, no knob-twisting. 3. At 1:05-1:09 the instruments briefly drift out of time with each other, exactly like on the studio recording. 4. At around 1:12, the hand in the background plays the downbeat on the clavinet, while the actual clavinet track heard does not (it is the exact phrasing on the record, in fact). 5. The solo from 2:40 onwards is a Hohner Clavinet keyboard (the keyboard facing right with the wooden top). The solo is EXACTLY the phrasing (down to the exact wah-wah movement) of the album version. Peter Tosh is faking it on the guitar (either that, or we're simply not hearing anywhere what he's actually playing - unlikely, given how small the room is and how his amp sound must bleed all over the vocal and drum mics), and the keyboard player is sitting at the Fender Rhodes piano - a different instrument, facing front. 6. At 3:36, he's back at the Clavinet, but what he's miming does not at all match up with the solo heard. In fact, he's caught by surprise by one part. 7. "Concrete Jungle" has the exact same set-up, the exact same microphones, but somehow, a completely different bass sound. 8. 6:50 We're looking at a Clavinet solo. As you can clearly see at 5:35 (it's the black keyboard behind Bob in the shot), it IS NOT PLUGGED IN AT ALL (the silver socket is the audio output). We're also hearing the bubbly off-beat Hammond organ on the recording - which he somehow isn't playing (It's below the Clavinet). 9. 7:05 The Clavinet that we're hearing play the solo ISN'T ACTUALLY PLUGGED IN (the silver socket is the audio output).

Just enjoy the times they were together and did their brilliance. Don't keep hanging on the things that could've been

@@rootsriders Every story has 3 sides: yours, mine, and the truth. Let's portray a side that isn't in almost every Marley or Wailers documentary where Whiteworst justifies his banality.

@tenaciousRas The solo is not a guitar. It's a Hohner Clavinet D6 keyboard, and it's not "exactly like" the studio version, it IS the studio version. The band is miming to a remixed edit of the album cut. The vocals are the only thing that's live. I've finally got around to creating a direct comparison, here: ua-cam.com/video/iH9_MGJZEeY/v-deo.html

Well said.

Only the vocals are Live: ua-cam.com/video/iH9_MGJZEeY/v-deo.html

@YellowOnline 'exaggerated statements or claims not meant to be taken literally' definition of hyperbole. No YellowOnLine that's your opinion but I do mean it literally and I those are my opinions

almost as if it's lip-synced. oh wait.. it is lip-synced

It's lipsynched

I made 1 video of two clips I found on the web. Did not change anything else, besides the information at the beginning. I added that.

@@ronaldvanlieshout736 I hear you men...but the original clips show that it is The wailers not BOb & The wailers

Not forget Peter Tosh. He was basically offering his whole life and career to his political and spiritual fight especially for the herb.

@@arktos7270 exactly the all time great ,the black prophet they try to erase from the reggae universe. What a true rebel ,the malcolm X of reggae

You obviously never heard of the force of nature which was Peter Tosh whose first international hit single was LEGALIZE IT. He was the one who was reguarly brutally beaten by the Jamaican police, sometimes almost to the point of death for smoking and publicizing the benefits of weed, or Herb as he often referred to it. He was the one who took out a full page advertisement in one of Jamaica's most prostegious daily newspapers to publicize the lyrics of legalize it, after the Jamaican radio stations banned this song. There are so many other examples that I could provide, but it would take up a lot of space.

@@jeanclarke9106 Of course I have heard of Peter Tosh !!! Peter was a band member of Bob Marley's group The Wailers. Bob was the one that encouraged Peter and everyone around him to push to legalize weed. The reason Marley is the king of pushing for it is because instead of promoting crime and anti establishment (which weed smokers were known for), Marley pushed for morality in his songs and unity. That is what got people to think differently about weed smokers. Yes, there were others around pushing for weed use. However, Marley was performing his weed and Rasta style since the early 60s. That led to even white Americans starting to take it in the 60s psychedelic movement and the "be free" hippy movement. Even the Beatles started using weed because of Marley and Paul McCartney of the Beatles even got arrested in Japan for being caught with weed. Nobody had the international platform that Marley achieved and still is standing on decades after his death when it came to openly weed smokers. So, now that you know the truth Jean, you may want to look further into saying I was wrong. Your welcome.

Proof or it’s not true

​@@RustyShacklferd1996 Okay. I'm not going to give a full sound technicians' rundown, which involves things like reverbs used on the vocals and the organ, but: 1. The synth at the beginning of "Stir it Up" is an ARP Odyssey, not a Minimoog. That particular sound cannot be produced by the synth shown. 2. The synth sound has this "woaaaah" swell at the beginning of each note played. The first few notes, he's shown twisting the filter knob for that effect. The next few notes, same effect, no knob-twisting. 3. At 1:05-1:09 the instruments briefly drift out of time with each other, exactly like on the studio recording. 4. At around 1:12, the hand in the background plays the downbeat on the clavinet, while the actual clavinet track heard does not (it is the exact phrasing on the record, in fact). 5. The solo from 2:40 onwards is a Hohner Clavinet keyboard (the keyboard facing right with the wooden top). The solo is EXACTLY the phrasing (down to the exact wah-wah movement) of the album version. Peter Tosh is faking it on the guitar (either that, or we're simply not hearing anywhere what he's actually playing - unlikely, given how small the room is and how his amp sound must bleed all over the vocal and drum mics), and the keyboard player is sitting at the Fender Rhodes piano - a different instrument, facing front. 6. At 3:36, he's back at the Clavinet, but what he's miming does not at all match up with the solo heard. In fact, he's caught by surprise by one part. 7. "Concrete Jungle" has the exact same set-up, the exact same microphones, but somehow, a completely different bass sound. 8. 6:50 We're looking at a Clavinet solo. So far, so good. But we're also hearing the bubbly off-beat Hammond organ on the recording - which he somehow isn't playing (It's below the Clavinet). 9. 7:05 The Clavinet that we're hearing play the solo ISN'T ACTUALLY PLUGGED IN (the silver socket is the audio output). I'll stop there.

@@RustyShacklferd1996 I love love love BMW, and there is a depth and divine inspiration to his performances that is rare anywhere in music (or elsewhere, for that matter). But this appearance is NOT a live performance. In fact, it is well known that the Wailers' first tour of the Babylon was anything but pleasant. They hated much of it and were pretty unhappy (no doubt their experience infused the concerts they gave and made shows like the on released on "Live at the Lyceaum" all the more furious and flammable). I have no doubt that publicity stunts like this stupid playback show contributed to the negative experience.

I mean no disrespect to anyone here.... Bob Marley and the Wailers music gives eternal life and joy - but I am glad someone else has said its not a 'live performance' - and I agree it isn't - the reverb for a start is clearly from a studio not live... and the lead guitar parts on concrete jungle, if I remember where played in the studio by some American session musician - cant remember his name - and you can hear those parts in this performance - not really a reggae style, and the solo and Moog parts in Stir it up aren't possible live.... like I say - I mean no disrespect - I LOVE the wailers and they were peerless musicians and live performances - this simply isn't it though

@@placidcasual9872 Guitar was Wayne Perkins from the Muscle Shoals; John Rabbit Bundrick (of Free) did the organs and clavinet.

Exactly.

This is Whistle Test, a whole different animal to TOTPs. It was screened late for grown ups and featured great artists and superb production techniques. I loved watching it, but hated the over commercialised TOTPs. Just listen on headphones if you don't believe me.

Ik denk dat het deze vrije trap geweest moet zijn. Steaua speelde in 1989 in de 1/8e finale van de Europacup tegen PSV: ua-cam.com/video/FN_T-Lbm3A4/v-deo.html

@@finsv.1920 Dit was Europa Cup toch? Die vrije trap was een bij een vriendschappelijke wedstrijd

...and my ALL TIME favourite reggae tune....

(It's "spot on" because they're miming to the actual album cuts)

@@analogikahamburg pretty sure the vocal tracks are live.

@@djendick yep, just the vocals, though. FINALLY got around to actually creating a direct comparison: ua-cam.com/video/iH9_MGJZEeY/v-deo.html

😊

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