- 3
- 303 228
Klassik Fan 1962
Приєднався 26 лют 2014
Olga Scheps plays Frédéric Chopin, piano concerto nr 1
Live recording / Olga Scheps piano, Agnieszka Duczmal conductor, Amadeus Chamber Orchestra of Polish Radio: Frédéric Chopin piano concerto no 1 E minor, Op. 11
Переглядів: 3 343
Відео
Olga Scheps "Musicbox" op.32 by Anatoly Liadov
Переглядів 3,1 тис.10 років тому
Lovely peace written by the russian composer Anatoly Liadov, original title "The Musical Snuff Box" recorded by Olga Scheps, Russioan Album, Sony Classical 2010
Olga Scheps , Michael Glinka/Mili Balakirev "The Lark"
Переглядів 297 тис.10 років тому
touching live performance: Olga Scheps, moscow - born young pianist, lives in Germany and records exclusive for Sony classical
Fantastic in red. Fantastic on black and white....
Love...that's what comes out of her fingers.
Brilliant.
💐
Amazing play
❤❤❤❤❤❤❤😅😅😅😅😂😂😂😮😊😊😊😊😊😊😊😊😊😊😊😊😊
Cudowna suczka.
Kocham Olgę
Adoro essa menina .❤🌹🌹🌹
👏👏👏
Ein bezauberndes Stück, wundervoll gespielt 😊
Maravilhosa! Interpreta de forma magistral,
6:13, did someone's cellphone really go off?? 😒
Bezaubernde Zugabe! 🌺
Qué bueno el público, esperando, tomándose tiempo para aplaudir...
Ооочень затянуто)
OMG! Is not possible
Браво Bravo extremely beautiful
the start of htis song is beautiful
Too theatrical
I am reminded that beauty is still possible on this earth.
Un rappel qui démontre une très grande générosité de la part de cette dame.
Poetisch unueberholbar!
Thank you do much Olga!!
So much and more
BRAVO.Totally Transcendental..
Amazing
👍❤️❤️👍
I am in awe of your performance. It is filled with total beauty and grace.....thank you so so much
🤍🤍🤍🖤
Olga is a genius!
Portentosa!!
Olga, you are simply the best!
Very Well played, the way she played was different to other interpretations I have seen. I listened to her interpretation when I was preparing for a recording of this piece on my UA-cam channel. Amazing Pianist! Dawid
THE LARK A música The Lark, de Glinka, diz: invisível É o cantor em campo onde canta tão alto Acima de sua companheira, a sensível Cotovia sonora, vai entender num salto. O vento carregando a música, carrega A mensagem de quem por ela escolhe. Nas estradas do destino, a música rega Os jardins internos que o coração acolhe. Nos tempos da Covid - 19, o pensamento De quem ama corre na mesma frequência De onda está a amada, é o discernimento Sobre o que ocorre no mundo de vivos E de mortos, por onde em febril eloquência O amor está presente nos casais redivivos. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - THE LARK (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
I am amazed how much criticism against Olga? She is entitled to her own interpretation of the piece and I think she has done a fine job and her performance is outstanding. I wonder how many of these so called critics can even play the piano let alone at this level. Maybe these people are just stupid?
YES! Exactly!
Такие ,,критики" ангажированы. Слишком большая конкуренция.
Yes..Shut Up!..you don't have the right to even 'open your mouth'..if you don't have such musicality, genius talent & ability..BRAVO! BRAVO..BRAVO!!!
@Mazzel Tov I'm taking about the thumbs down. They seem to not be showing those numbers any longer.
@@marybenson7945 that's such a dumbass point of view lmaoo so i can't critique someone if i'm not better? if i'm at a restaurant and the chef brings me a burnt steak, when i complain about it, does he have the right to say "then do it better yourself"? you people are the idiots XD
Sounds very precise .
Почему у меня мурашки
Соляровое масло помогает, отвечаю.
@@ВасилийЯрославцев-ь7н да ты бывалый
@@alhimik00 учись, пока я жив.
@@ВасилийЯрославцев-ь7н да нуна
I've always wondered if these excessive body movements are spontaneous or just meant to show us how thin and penetrating the performer's mindset is, although I believe more restrained male performers have an equally fine soul without that ballet on the piano.
You don’t understand. You can enjoy the piece when your fully into it. You need to understand the piece to make the natural body movements. She didn’t do it purposely. They come out natural when you understand the piece,
i hate it when pianists start to become all spasticated trying to "swing" their bodies with the music. DONT. its not about you, its about the sound.
As if you could play this to even a fraction of the quality that this magnificent artist plays. Bitter freak.
@@ludwigaerna1102 this isn't even hard. Pretty sure I could play it at this level (without swining back and forth like a neglected child). I am currently practicing rachmaninoffs moment musicaux op 16. No. 4.
@@xxxxxPr0xxxxx OK but I didn't rlly ask did I? 😂
@@xxxxxPr0xxxxx you're probably that one kid who's "self taught" and acts like they're better than those who actually have standards when it comes to learning music.
@@ludwigaerna1102 my teacher was a russian Pianist who was himself thaught in the glinka conservatory. Nice try though lol, bet that always works Btw he also thinks the swining back and forth looks retarded and that it shouldn't be done. He was the one who told me. I don't even know why you're so hostile lol. The Interpretation is okay at best.
I hate this piece
amogus
Olga after hearing your amazing rendition of The Lark i love the piece even more. Wonderfully played with such precision and beautiful dynamics. Awesome performance.
youre in love with the piece.
Love to see her mature and grow with every prrfomance
A good performance of a beautiful and difficult piece! IMO, there is a bit of disconnect between Bass & Cleff and the sounds don't diffuse as they should especially in the faster second half. The best performance that I have heard is by Alexander Paley recorded on Brilliant Classic's set of 6 CD's of Complete Balakirev Piano works. Other virtuoso pianists perhaps take this piece lightly and don't spend as much effort on it as they might do on a Chopin or Tchaikovsky.
Божественно
Is nobody gonna talk about the security cam footage?
The part 3 and a half minutes again was played so slow it felt like me practicing trying not to screw up. Maybe I’m overly critical but I wasn’t a huge fan of this interpretation. It made the last transition feel like the apex of the piece when it’s supposed to conclude the apex of the piece.
Olga is the best pianista
Olga, je l'adore ! comme pianiste, comme femme et comme jeune maman...
Гениально!
Alexandria Ocasio Cortez????