- 4
- 26 746
Ayumi Nakagawa
Приєднався 28 чер 2009
Melancholy Pavan / Galiard : John Bull (1562-1628)
Virginal : Ayumi Nakagawa
Danse : Maya Kawatake Pinon
Vidéo : Martin Roux (Facio Productions)
Prise du son : Guilhem Angot
#earlymusic #johnbull #virginal #virginalmusic #virginaliste #ancientmusic #clavecin #musiqueancienne #claviersanciens#harpsichordist #harpsichordbaroquepieces #harpsichord #cembalo #renaissance #baroque #baroquemusic #baroquedanse #elisabethantheatre #pavan #gaillardia #gaillard #チェンバロ #ヴァージナル #ヴァージナリスト #ルネッサンス音楽 #バロック音楽 #古楽 #古楽器 #ハープシコード
Danse : Maya Kawatake Pinon
Vidéo : Martin Roux (Facio Productions)
Prise du son : Guilhem Angot
#earlymusic #johnbull #virginal #virginalmusic #virginaliste #ancientmusic #clavecin #musiqueancienne #claviersanciens#harpsichordist #harpsichordbaroquepieces #harpsichord #cembalo #renaissance #baroque #baroquemusic #baroquedanse #elisabethantheatre #pavan #gaillardia #gaillard #チェンバロ #ヴァージナル #ヴァージナリスト #ルネッサンス音楽 #バロック音楽 #古楽 #古楽器 #ハープシコード
Переглядів: 1 215
Відео
Muscadin / Giles Farnaby (1560-1640)
Переглядів 9523 роки тому
Virginal : Ayumi Nakagawa Prise du son : Guilhem Angot Vidéo : Bernard Martinez
Fantaisie J. C. de La Chapelle (c.1555 - c.1638) / Père de J. C. de Chambonnières
Переглядів 2,8 тис.4 роки тому
Clavecin : Ayumi Nakagawa Vidéo : Nicolas Simon Prise du son : Alice Le Moigne Harpsichordist, organist and composer, son of Thomas Champion Mithou. Jacques Champion de La Chapelle was first harpsichordist at the court of Marie de Médicis and Henri IV. His son Jacques Champion de Charbonnières (1601 - 1672) succeeded him as spinet and harpsichord at the court of Louis XIII then Louis XIV, he is...
Passacaille d'Armide de M. de Lully / Jean-Henri d'Anglebert (1629-1691)
Переглядів 22 тис.4 роки тому
Extrait de la tragédie en musique Armide (1686) de Jean-Baptiste Lully (1632-1687) transcrite pour le clavecin par Jean-Henri d’Anglebert (1629-1691). 数あるジャン・バティスト＝リュリ(1632-1687) の音楽悲劇の中のアルミード(1686)からの抜粋曲であり、ジャン・アンリ＝ダングルベール (1629-1691) がクラヴサンのために編曲。 Prise du son : Alice Le Moigne Vidéo : Nicolas Simon Clavecin : Ayumi Nakagawa
this is the kind of world i desire ❤
@@JJJJJVVVVVLLLLL Thank you sooooo much !🥰
ok this is real music and thank you 🙏🏼 so much for the bliss
@@JJJJJVVVVVLLLLL 🥰🥰🥰 I'm so touched ! Thank you !
Bravo ! Et merci.
@@francoisb1458 Merci à vous !!☺️
This is just awesome. Total mastery of the instrument and "feel" for the music.
@@gerardvila4685 Thank you so much, it's a real pleasure to read that ! 🥰
Vous êtes une merveilleuse musicienne totalement investie . . . et ça ce n’est pas rien ! Bravo.
@@etienneleuridan3547 Merci infiniment pour ce bel commentaire !☺️
Makes you appreciate what a genius the son was.
Thank you very much, I'm very honoured !!!
C’est très beau à regarder et les pièces de Bull sont remarquablement jouées. Merci!
Ça me touche énormément, merci beaucoup cher Pierre !!!!
Aaaaaaaaahhhyumi!!!!! How beautiful is thaaat!!!! I love it - such a strong statement of a 'piece in such severe style' - !! Your hands are absolutely mesmerizing - and the sound, ditto!! Thank you so much, dear girl!! 🥰
Your words bring tears of joy to my eyes !!!!! ❤️✨❤️✨❤️✨
Wonderful playing! awesome tactus, early fingering, articulations. Could you please tell us where we might find a score for this piece? I concentrate on keyboard music of this period and would love to learn this piece! Thank you!
Thank you for your very warm comments, they mean a lot to me ! I am preparing a critical edition of the pieces that can be attributed to La Chapelle. I will let you know as soon as it is ready to present !
Oh, that is THE way to play mid-Baroque French keyboard music! With none of the common pitfalls (faltering tactus, inaudible inégales, modern fingering, legato articulation): a true lecture and impressive performance by a great harpsichordist indeed. Compliments.
Thank you for your comment, it makes me very happy !😊
Piquant and superb.
Thank you !😊
Lovely-thanks.
Thank you too !!
Bravo!
Thank you !
初めて聴く曲。とても良い曲だ。
ありがとうございます！
Amazing art creation. Marvelous instrument as well. Could you tell me who is the builder? Thanks a lot.
Thank you so much !!!! It's an instrument by Jean-François Brun.
Thank you very much, Ayumi. Keep going.
Farnaby is such an exciting keyboard composer….awesome playing
Amazing.
Thank you so match !
🖤🖤🖤
mi spezza il cuore...meravigliosa 💓
Grazie mille ! Mi scalda il cuore 😊
Exquisite. Thank you.
Thank you very much, that means a lot to me !!
Superb! Lully and Nakagawa are equally magnificent!
Oh, thank you so much for your comment ! ☺️
What a marvellous performance! You nailed all those quite hard embellishments that D'Anglebert added to his harpsichord arrangement for Lully's passacaille from "Armide".
Thank you so much ! It's a real pleasure 🥰
Vous jouez très très très bien!!!
Je vous remercie beaucoup !!! ✨😊
J'ai énormément apprécié votre interprétation, le clavecin sonne merveilleusement (est-ce une copie d'original ??) La prise de son est excellente ! Merci, merci !!!
Oh je vous remercie beaucoup beaucoup !!! 😊
Probably the most beautful piece of French baroque, and so masterly interpreted.
Thank you very much, I appreciate it !
That to me would be Marin Marais' Badinage or La Rêveuse.
@@cioccolateriaveneziana Indeed, compared to these, it is difficult to decide which one really is the most beautiful.
Your inchrustation of playing on the clavecin - very well, we admire. Bravo.
Thank you so much !!!!
@@ayuminakagawa Dear madam harpsichordist, Ayumi Nakagawa, your hairstyle is charming, reminiscent of a baroque wig.
Thanks again ! Indeed, someone has already told me the same thing !😊
@@ayuminakagawa The best coincidence is that the baroque music you perform captivates our hearts, you perform very beautifully according to the golden ratio, my warmest wishes to you! With gratitude. Best regards to You!
Thank you ! It’s so lovely ❤
Such a beautiful interpretation, it is alive! So vibrant, so lively
Thank you so much ❤
Congratulations on maintaining the dance tempo!
Thank you !!! ✨
Уважаемые знатоки классики, какое отношение к Passacaille Lully имеет Anglebert? Не редко это произведение по разным авторством преподносится. Dear connoisseurs of classics, what does Englebert have to do with Passacaille Lully? Often this work is presented by different authorship.
anglebert made the version for harpsicord
Времена были темные и непонятные... историки не могут сойтись во мнении, что было 100 лет назад, а тут...
Çok güzel çalıyorsun
Thank you !😊
I am a big admirer of your work. You should post more videos! All the best!!!
Thanks for your message! Yes I will try to post more videos!😊
Wonderful
Thank you !!!!
Five wonderful minutes 🌟 Thanks for the upload !
Thank you so much !!
@@ayuminakagawa My pleasure 🇮🇹
Beautiful
Thank you !!
Grand merci !
An energetic and "playful" sound. Lovely video!
Thank you !!!!
Wow, thank you. We do no ever for an instant forget all the peasants' lives who supported this insufferable imperial French aristocracy, for which 20,000,000 people slaved each year for 200 years in order to entitle 20,000 so-called egregiously entitled 'nobles' so that they could enjoy the fruit of their luck and birth entitlements. This is all baked into this magnificent music. We wish it were not so: but the building and maintenance of the Palace of Versailles bankrupted the French kingdom for two hundred years after which Bonaparte was left to try to pick up the pieces. This music is magnificent but as with many things in life, comes with a cost. Listen to the golden sparkling faery tones but think of the slaves in Antigua and South American who died to make this music possible. That's why you are and I am here: to love it and also bear heavy witness because we are conscious not unconscious beings.
Proletarians of all countries, unite!
Or perhaps let's keep our heart topics for ourselves and let's not imagine that what WE consider of utmost importance will be equally important for OTHERS. Art and ideological art that prescribes what to feel/think are a contradiction.
Try the decaf.
I don't think human suffering is needed for someone to sit down at their house and write a suite for harpsichord.
C'est superbe, magnifiquement interprété. Lully aurait il pu imaginer un jour être interprété par une aussi délicate japonaise ? Il y a du Jean Rondeau en vous Madame, bravo et merci.
Merci beaucoup !✨
非常に美しいです。アルミードのパッサカリアは多くのバージョンを聴いてきましたが、この演奏ほど気迫のこもったものはないように思います。作品の持つ繊細さと脆さ、ロマンティックな部分をとても丁寧に表現されていると思います。たまたまオススメに出てきたのですが、本当に素晴らしい演奏だと思います。ありがとうございました。
素敵なコメントどうもありがとうございます。嬉しいです！
D'où provient la musique (bibliothèque, collection particulière) ? La partition est-elle disponible ?
Lovely. I wish it were longer.
Thank you ! ☺️
Dazzling ! Magnificent ! What more can I say.
❤️
Lovely. I've translated and published several Opera Librettos by Quinault for which Lully wrote the music including Armida. There are only a few modern performances of Lully's Operas and that will probably continue until his work is better known. Lovely short performances of his music like yours will help remedy that situation, I'm sure. I really liked it.
❤️🙏
Шедевр, ще й з автентичним інструментом, дякую! Masterpiece, with authentic instrument, thank you!
❤️💕💕
Wonderful music! Whoever felt the urge to end the era of baroque music?
Thank you 🙏
Mais pourriez vous me dire quelles ont été vos difficultés a apprendre ce morceau, qu'est ce qui vous a pousser a lapprendre? J'ai lhabitude de l'ecouter en orchestre donc cette version revisitée est très interessantes
La difficulté et l’évidence sont les ornements, et qui sont déjà écrit très précisément. La maîtrise les ornements avec le « bon goût » qui m’a poussé à travailler. Cette transcription de d’Anglebert est très connue parmi les clavecinistes, je ne pouvais pas l’ignorer :)
Amazing !!!
Brava. Magnífica