Відео

No way that neck is the same 25.5 inch size as Trey's.

You just solved a huge ‘problem’ for me. Thank you!!

What year/make is the deluxe reverb? The extra knobs are a bit confusing, so I can't tell if that's gain or anything else over the sun

this is a candy flipping rig?

everything is a lie

Hey Tyler, do you prefer the Vintage 30 or that Celestion blue in your DR?

Best guitar tone ever... My opinion... Thank you for this really...

Just your microphone layout alone is unreal.

Do you like the natural one better or the darker wood one? Sort of like "what lambo do you like to drive the best?"

My first show was '99... so please recreate the Chula show :)

Man, that Leslie sounds so great. There are digital pedals now that do a great job of modeling that sound. But there’s just nothing like the real thing.

What do you mean "play us out"?!?

Anyone know if he got rid of his once pedal for “Heavy Things”?

Ahhhh the digitec 2s how he did the intro to “Light”!?!?!? Prove me wrong!!! 😂😂😂

How about a video on Trey's musical education? He's so advanced in theory it would be more interesting to people where he got his education in music from. His guitar isn't that groundbreaking it's just a hollow body with split coils for strat and Les Paul tones.

I prefer cable straight to amp.

Are you wearing his underwear also? Lmao

I enjoyed this video, but I’d like to make some corrections if you don’t mind. Here’s the actual order of effects back then. - Crybaby Wah > Ibanez TS-9 > Ibanez TS-9 > Ross Compressor > Ernie Ball Volume pedal > CAE 4x4 audio switcher (more on that later). The Ross was indeed always on, and the Tube Screamers were in front of it. Because of this order, the Tube Screamers only affect how much dirt he’s getting. They have no effect on his overall Volume (in photos from that era you can see that the volume knob is maxed on Both Tube Screamers). Because of that order, he puts the Ernie Ball Volume after the compressor as a master volume and he used the volume knob on his guitar to control how dirty the Tube Screamers were. Now I’ll get to the Rack. From the Volume pedal, the pedal goes into a CAE 4x4. The 4x4 has 4 audio loops and 4 control switch outputs. The rest of the chain is kind of odd, but I’ll try to describe why that is. There’s an interview where he explains it. -Loop 1 Input Jack > Loop 1 Send Jack: (labeled dig/crap) Digitech Whammy II > CAE Super Tremolo (the tremolo was controlled by an external foot switch next to the expression pedal for its speed because the 4x4 only has 4 loops) > Boomerang Phrase Sampler > Loop 2 with Ibanez DM200 in it > loop 3 with Alexis Micro Verb set to Reverse > back to the return jack of loop 1. From there the signal went to loop 4 containing a CAE Black Cat Vibe. He explained that the reason he put 2 of the other loops inside of loop 1 was because he wanted to be able to turn off everything inside it with one switch on his CAE RS-10 midi controller. This served 2 practical functions; he could have loops going on the DM2000 and Boomerang while his Whammy was on, and with one switch he could turn it all off. Those old units are finicky too, so loop 1 could be turned off if any of that gear had issues. And the Black Cat Vibe was after all of that because he wanted access to his Vibe even when all the digital stuff was bypassed. The switches on his RS-10 controlled the “dig/crap” loop, the Ibanez DM2000 bypass, hold and modulation functions, Micro Verb Bypass, and Black Cat Vibe bypass. The main reason for this setup was that he wanted all of his rack gear to fit in a single 8-space rack. Before this period everything, even the Tube Screamers and Compressor, was rack-mounted and everything had its own loop and corresponding switch on his RS-10 (except for the compressor and volume pedal because they were always in the chain and didn’t need loops to bypass them). This was possible because he used several 4x4 audio controllers and his RS-10 had an expander on it which gave him 6 more things he could control. He also had more gear to control. He had a rack-mounted CAE Preamp, a Peavey Valverb, and he used all 3 Microverbs. The 16 foot switches in that rig controlled 1: preamp channel 1 2: preamp channel 2 3: preamp channel 3 4: TS #1 5: TS #2 6: Digitech Whammy II 7: Ibanez DM2000 bypass 8: Ibanez DM2000 Hold 9: Ibanez DM2000 Modulation 10: Alesis Microverb (vast) 11: Alesis Microverb (full) 12: Alesis Microverb (reverse) 13: Peavey Valverb Spring Reverb 14: CAE Super Tremolo Bypass 15: CAE Super Tremolo “Chop” 16: CAE Black Cat Vibe I hope you found this informative and possibly useful. I’ve been down this path in my past and owned almost every piece of gear listed. I ended up selling most of it because the huge racks were not practical for the gigs i was playing, and I have my own sound and style that doesn’t require most of what Trey used. I love your dedication and I’m a bit jealous because I’ve still never played a Languedoc, let alone OWN one! Be well, and keep having fun!

I always come back to this for reference. Nice work! Curious what speaker you have in the DR. Thanks

Old way...."1997". Ha. It's true though. I'm old!

Bad ass. Great job man

Trustifari mon.. boyoyoy!

Never wear shorts while playing gentlemen. Cover those legs.

This is the rig for sure 🎉!

Excellent playing ! This is such a cool project.

Not sure if anybody mentioned this yet, but he mentioned in a video with Goose that for Divided Sky he would use the lead channel of the Mark amp (not sure if he mentions particular era though)

Nice build up around 2:00 👍🏻

YASSS

As a fan of Phish and Trey for 30 plus years and a guitar player and gear enthusiast this was so incredible. Have loved your instagram and pumped for more here.

...yawn. f@&k&#g fans

if i was rich, id prob do this as well lmao

I just got one! Can’t wait to give it a whirl.

so sick! is your studio a church?

Great job man ! When you had that epic sustain going was that one or two tube screamers on ?

For those of us who can't get our hands on the real deal, this video is priceless. It's nice to have some insight into the finer points of the rig 💥

I know some one has a Ross Compressor laying around that work’s original in box

Best Rig Ever 98,98,00 Hands down

Hey bro are those tube screamers modded in any way? Looking to get my second tube screamer not sure what the best one to get would be.

I thought trey had two twin reverb re issues in 97 in the line up but moded to the max ?

Dude love this channel! First time I ever saw phish was starlake 99. That 99-2000 era will always be my favorite. Keep up the good work bro !

How wide are the necks on those Languedocs? Is it similar to a standard strat width or is it wider? I have also heard the fretboard radius on them is pretty flat, is that true?

Incredible. I love that this rig is named after the the year of the first time I ever listened to Phish. Took me a couple of years and a couple of tries to get into them. I fell in love with them after watching Bittersweet Motel! What a DVD that was. Trey's guitar just snarled in Roses Are Free. I was hooked!! Then as I was looking to go to some shows locally, the band just announced what was to be the first HIATUS! I was crushed! Anyway, here we are 25 years later and they are still killing it. What a sound though, huh? Trey's 97 rig!!! This kicks ass. Thank you.

No tone.

Get your own sound from your own rig be original

Someone needs to get a link to Trey. He’d love this so much.

Trey would love this so much. Someone needs to get to him with a link.

What settings are you using on the DM2000 for delay time and feedback? Haven’t been able to find any actual numbers for this online

Thanks so much for sharing! Is the wah always on?

That baritone is insane