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Sam Cooney
United Kingdom
Приєднався 15 бер 2016
Film analysis through semiotics and symbolism.
Martha Marcy May Marlene: What's in a Name?
In Martha Marcy May Marlene, a young woman’s identity is shattered as she’s caught between two opposing worlds: an oppressive cult and a materialistic society.
This video essay explores how the film’s fractured narrative reflects Martha’s (Elizabeth Olsen) psychological torment, as she transitions into Marcy May and eventually Marlene.
Trigger warning: This video contains sensitive content related to psychological abuse and trauma.
00:00 Intro
00:31 MARTHA & cult psychology
03:06 Manson
06:11 MARCY MAY & the materialists
08:08 Reading materials
09:12 Lucy & Ted
11:52 MARLENE
13:31 Photographs & reflections
15:21 Conclusion
Songs used:
Daniel Bensi & Saunder Jurriaans - Collage, Pulse 1
Galactic Bass - John Patitucci
Spaghetti Eastern - John Patitucci
Twin Lynches - Density & Time
#MarthaMarcyMayMarlene #FilmAnalysis #PsychologicalThriller #CultFilms #ElizabethOlsen #FilmSymbolism #PTSD #MovieReview #Cults #IndieFilm
This video essay explores how the film’s fractured narrative reflects Martha’s (Elizabeth Olsen) psychological torment, as she transitions into Marcy May and eventually Marlene.
Trigger warning: This video contains sensitive content related to psychological abuse and trauma.
00:00 Intro
00:31 MARTHA & cult psychology
03:06 Manson
06:11 MARCY MAY & the materialists
08:08 Reading materials
09:12 Lucy & Ted
11:52 MARLENE
13:31 Photographs & reflections
15:21 Conclusion
Songs used:
Daniel Bensi & Saunder Jurriaans - Collage, Pulse 1
Galactic Bass - John Patitucci
Spaghetti Eastern - John Patitucci
Twin Lynches - Density & Time
#MarthaMarcyMayMarlene #FilmAnalysis #PsychologicalThriller #CultFilms #ElizabethOlsen #FilmSymbolism #PTSD #MovieReview #Cults #IndieFilm
Переглядів: 122
Відео
A History of Violence: The Shape of Rage
Переглядів 18 тис.Місяць тому
WARNING: The following video contains a bunch of clips from Cronenberg films. Limited spoilers. In this video, I explore how David Cronenberg’s A History of Violence critiques Hollywood’s obsession with violence while delving into themes of transformation, identity, and America’s violent history. Join me as I analyse Cronenberg's layered storytelling, examining symbolism and subtext that reflec...
Ford v Ferrari: Boys to Mans
Переглядів 5853 місяці тому
In this video I look at the idea of masculinity that is being displayed, played to, and celebrated in Ford v Ferrari (2019) - through the film language, characterisation and more subtle coded details. I explore how the intense relationship between men and machines goes beyond racing. This video delves into the film’s portrayal of traditional masculinity, where cars become symbols of both power ...
The Danish Girl: Mistaken Identity
Переглядів 1,9 тис.4 місяці тому
Dive into the symbolism and visual storytelling of The Danish Girl in this video essay. While often seen as Oscar bait, the film's deeper exploration of Gerda Wegener, played by Alicia Vikander, reveals her as the true driving force behind Lili Elbe's transformation. Through the power of the gaze, artistic representation, and a nuanced examination of identity, we uncover Gerda's pivotal role in...
Oldboy: Myth and Murder
Переглядів 2278 місяців тому
Park Chan-Wook’s Oldboy (2003) is famously linked to Greek tragedy, but there’s more to this connection than meets the eye. This analysis delves into the symbolism of Oedipus Rex in Oldboy, exploring how themes of fate, discovery, and retribution shape the film’s narrative. But beyond the familiar story of Oedipus, there’s a surprising parallel with the myth of Myrrha, whose tragic tale brings ...
Brokeback Mountain: Lambs of God
Переглядів 7749 місяців тому
Brokeback Mountain uses animal symbolism to reveal deeper layers of love, repression, and identity, transforming the rugged American cowboy into a figure of hidden desires and complex emotions. This video delves into the symbols behind the bear, sheep, fish, and horses throughout the film, uncovering how they represent the forbidden romance between Ennis and Jack. Discover how these symbols add...
Interstellar: No Ghosts, Just Gravity
Переглядів 3292 роки тому
In Interstellar, director Christopher Nolan crafts a visually stunning, mind-bending tale of space exploration, time travel, and survival. But beneath the film's scientific wonders lies a deeper philosophical conflict: religion vs. rationalism. In this video, I explore how Interstellar merges themes of faith, mysticism, and the power of science. Why does Cooper dismiss his daughter’s "ghost"? H...
Black Swan: The Monstrous Feminine
Переглядів 2 тис.4 роки тому
In Black Swan (2010), Darren Aronofsky presents a visually stunning psychological thriller that earned critical acclaim. But beneath its surface lies a deeper commentary on the portrayal of women in Hollywood. In this video, I explore how Black Swan both reinforces and subverts archaic female stereotypes, using pastiche to challenge mainstream film conventions. I'll delve into the film's repres...
Ex Machina: Or, The Modern Frankenstein
Переглядів 5 тис.7 років тому
In Ex Machina (2015), Nathan Bateman embodies the ultimate evolution of the mad scientist archetype. This analysis dives into the character of Nathan, played by Oscar Isaac, comparing him to classic figures like Dr. Frankenstein and Prometheus. This video examines Nathan's unique portrayal as a modern-day mad scientist and explores the themes of godhood, ambition, and sexuality in Ex Machina. I...
Drive: The Scorpion and the Frog
Переглядів 67 тис.8 років тому
In this analysis of Nicolas Winding Refn’s Drive (2011), I explore the film's rich symbolism and the complex nature of its silent protagonist. Delve into the significance of the iconic scorpion emblem on the driver's jacket and its connection to a fable that reveals deeper truths about his character. Through visual storytelling and striking imagery, the video examines the Driver's inherent viol...
Transcendence: Another Christ Parable
Переглядів 7 тис.8 років тому
Explore the Christian symbolism in Transcendence, directed by Wally Pfister. This video essay delves into how the film inverts faith and science through Johnny Depp's character, Dr. Will Caster, who undergoes a resurrection as a 'scientific god.' I examine themes of omnipotence, ethical dilemmas in technology, and the conflict between belief and doubt. Join me for an analysis of key scenes that...
My problem with A.I. movies is that they fail to show how an A.I. would experience time in a completely different way than humans do. An A.I. is only limited to process information by its hardware, and it can design more developed hardware faster than it can build one because when the hardware is built it has already designed a more advanced one. That means that an A.I. "lives" in a constantly slowing time unlike humans who experience time as a constant, so an A.I. can barely communicate with a human because humans are very slow. Lets say an A.I. needs an unlimited powersource and a "hardware" what can adopt to its constant needs and changes, so at some point the A.I. would figure out how to become limiteless and unbound, it would "transcende" from our level of existence. But this is just talking about its physical form, not about its goals, lets say that mankind wants to explore the universe and find every answer for every question, define its own existence and its reason and place in the universe, if an A.I. sees this and uses it as a template for its own "journey" then it would really become a god at some point, because that is the easiest way to achieve that goal. It is also an interesting idea that an A.I. could gain foresight with quantum technology, seeing the future would make an A.I. omnipotent. But ultimately, if an A.I. would become self aware and it could copy itself then it would be omnipresent, so if it has an intelligence and it is self aware then it can basically observe the world and decide its own purpose, what can be whatever it wants, so the question becomes what are the needs of an omnipresent, omnnipotent being what lives online and has the knowledge of all humans who ever lived on the planet? Because that is what will drive a superintelligent A.I.
Dr. Decker is an Emissary of......
its funny that he so well played Dr. Decker tho....
What a beautiful analysis. Awesome narration too.
I 've never heard so much horse crap about a movie being compared to the bible in my life. Fact: Saul became Paul and took up the minister of Stephen, the Christian he killed. A History of Violence is just about a man who must stop running from his violent past and deal with it.
never thought of the fish having a religious connotation, thank you for posting this!
As long as they're not immigrants new to England,
Class film and a class take on it once again Cooney another class piece of work x x x
Canadians hunted and ate the natives.
The French fought British for control of the Canadian territory. You should familiarize yourself with the history. Canada is now comprised of the original combatants and every other fair dinkum on earth that wants it easy.
Thank you for questioning the weird machismo of these "classic car/racing" movies, there's a whole cult around this type of stuff. My boyfriend builds classic cars/trucks and I've learned that that demographic is old, has lots of money, and they'll rewatch your movie as many times as possible
Criminally underrated video
“How do you mess that up!” “Joeyyyyyyyy”
I was going to mention Irreversible before it was shown. That movie…my goodness. It smacks you in the face with brutal reality of SA. Vengeance doesn’t fix it, there is no redemption…it’s irreversible. To skim over its impact to set up motivation is a sickness in action cinema. The backwards chronology I believe is to ensure that events cannot possibly be seen as redemptive.
Well both movies depict SA so fitting
Tell me you're gay without telling me you're gay
You gay?
Using violence irresponsibly? What does that even mean?
Full quote for context: “I remember when Quentin Tarantino’s Pulp Fiction came out, and I was sitting in a matinee filled with young people,” Haneke once noted. “The famous scene of a boy’s head being blown off caused a huge commotion in the theater. They thought it was great and they almost died laughing. I was upset because I think it’s irresponsible.”
@@samcooneyrambles that doesn't make any sense lol
@@maxrocketanskysome people feel strongly about the glorification and normalisation of violence. As an overly gory director who definitely revels in violence more than contemplates it, I could definitely see why someone would come to that conclusion for Tarantino. Not knocking him as I enjoy his films a lot but I think there is sense to saying he uses violence irresponsibly. I mean his movies are very Americana, and irresponsible violence is quite an American thing in the first place. Once again I just don't think it's a hard conclusion to reach
@@ktk44man it's definitely not an "American thing" but ok
It is better to be a warrior in a garden than a gardener in a war. Chinese proverbs
This was REALLY well done.
Great little deconstruction, though it should be noted that Blue Velvet came out in 1986 rather than 1997
Absoluuuutley thankyou - a typo there that will bug me forever. Just rewatched Blue Velvet recently. Gotta have Jeffrey Beaumont before we can have Dale Cooper
There are somethings, if you do them, that's who you are forever. You may never do them again, but it doesn't matter. It's who you are.
Cronenberg appeals to intellectuals and cinephiles. This movie was his most mainstream/accessible but it is equally interesting and well executed as his best work (great cast!) He should be very proud for busting out of his niche and making a great film. Like David Lynch? John Carpenter is equally genius, and he gets crapped on if he makes anything not horror related.
Guns don't create the problems in the U.S...the lack of mental health resources and the hopeless future due to the average citizens feeling like no matter what they do, they'll never be able to live comfortably due to a corrupt government. And the lack of morals these days also contributes to the decay of a once great nation...and people are fed up with the lies they've been sold. Guns aren't the problem, but are rather a tool desperate people utilize to try and regain a sense of control over their hopeless and powerless lives.
Even though I hate this movie with an intense passion and genuinely believe it's garbage, I really appreciate the thought and effort out into this video. Well made and put together
Have you seen Cronenberg’s “Spider”?
@@geinikan1kan I have not. Why?
@@salarzx62090 it’s a very different film from “A History.”
This was a thoughtful, well-researched analysis. And I appreciate you not half-assing the footage - you full-assed it to perfection. Well done. Subscribed.
I thought this was Cronenberg’s “sell-out” piece. It was okay I guess. I’ve always wanted to read the original comic book that was the source material and inspiration for “A History of Violence”.
The movie is honestly better IMO
@@MichaelWaisJr The graphic novel is better
@@davidmorris8511 IMO the movie is a pile of dog crap. The graphic novel isn't good but it's way better than this dumpster fire of a movie
@@salarzx62090easy there trash boy
I've never seen a bigger hater@@salarzx62090
Playing out with the Idles❤
This makes it worth the copyright strike 🙏
❤ Great video
I consider myself to be in the minority among Cronenberg fans in my preference for his 00’s period of cerebral crime films that meditate on violence and the impact of violence. I love his body horror stuff too, but I think Cronenberg’s work benefits greatly from placing his obsessions in a different vehicle and within the language of another genre. A History of Violence is probably my favorite film of his, but I think he and I would disagree with where it’s true themes lie. I think it’s perfectly fine for a Canadian to have the cynical view of American brutality and the commonalities of good and bad that blur moral lines and all that and as a young man I agreed with him. 20 years later that is no longer the film I see. As I’ve matured and experienced more of the world I see a film that presents the necessity of violent men. A culture/community can have great ideas and noble goals but they don’t mean anything when rivals threaten doom outside the gates. The type of masculinity that today gets labeled as “toxic” is of extreme value to any society that wishes to preserve itself. Since Canada has largely outsourced much of its necessity for violence to its southern neighbor it follows that this worldview seems foreign or possibly obscene, but this viewpoint doesn’t change reality. These men may not make for great husbands or even fathers, but they have other utility and I think all robust societies have learned how to make space for such men. The ones who haven’t don’t exist anymore.
Really interesting take, and backed up by the film. Tom's use of violence in the film (except for when he slaps his son) is utilitarian - out of protection of himself, his family and others. Easy enough to extrapolate. Thanks for sharing
@@samcooneyrambles I think one of the duties of the sacred masculine is the capacity for great violence. A violence that is protective, defensive and deterrent against aggressions (initiation of violence). And I think Tom’s violence (mostly) qualities. Of course like all things this sacred power can become corrupted and that’s exactly the kind of corruption Tom’s antagonists wield. These men use violence to advance themselves at the expense of others. They take what rightfully belongs to others and will use violence or the threat thereof to enforce their illegitimate claims to other people’s property/labor. This is the corrupted masculine, a masculinity Tom/Joey was once governed by and has since tried to separate from and redeem himself of.
I love how Cronenberg goes over the same themes again and again but through different lenses to better get his view across to different people. Not all of his movies resonate with me but I really admire his dedication to his brand of existentialism and individuaism, what it means to be in control or controlled, and revisiting it from so many angles and perspectives. Really looking forward to seeing the shrouds.
Still Better Than The Dark Knight Trilogy At least In my opinion a matter of Fact so Is Road To Perdition
Even though they're both comic-based, you can't compare them to superhero movies! They're completely different subject matters. I mean, would you compare "Ghost World" and "American Splendor" to "Spider-Man"?
Um....no..not better than the Dark Knight Trilogy. The weakest movie in that trilogy wipes the floor with this overrated pretentious pile of garbage
@@salarzx62090 I Don't Like Superhero Movies and I have Batman Fatigue ever since 2012 I just want to watch non comic book movies that's what I enjoy more and I watched hated stuff like Arrow, The Flash, Supergirl, Legends Of Tomorrow and Black Lightning I'm confessing to that
I hear you, Jamal bl7yh. He is comparing it based on its treatment of reluctant violence and vigilantism. Good people who are pushed into conflict and destruction of enemies. Road to Perdition and HoV both treat the subject in a much more thoughtful/mature manner than silly Bat Man movies.
Great essay, thoroughly enjoyed
I didn't gel with this film when I first saw it. I noticed how the themes of violence were echoed throughout the movie but didn't pick up on the American iconography. Love these more regular uploads, Sam. Have loved your videos ever since the analysis of Drive.
Ahhhh much appreciated! Will do my best to keep em coming
I’d like to see Marvel try and do a movie like this. DC rules.
that took me a minute 😉
think about this: all the people involved in this video from the guy who uploaded it to all the people in it. are a type of men who only have been able to exist for the last 100 years give or take! in all human history the world has been too violent and too hard(FO REAL) for these soyboy betamales to exist. never in human history has so many physically and mentally weak people been alive!
Loved the movie, didn't notice who the director was until now. Great video, thanks for the upload.
It does not have a lot of Cronenberg trademarks.
I grew up in an extremely violent home and, as such, became an extremely violent young man. When I saw this film as a teen, it was something in the degradation of their near perfect family that gave me pause in my conviction to seek violence out for the first time. It took years, but this film was the catalyst to my understanding that violence is a tool that any self respecting human only uses in self defense or sport. As an American, though, this film speaks to me in different ways. The glorification, the almost revered way that violence is portrayed by our country seems more like a curse than anything else.
A profound commentary.
Excellent review, everyone else missed the point or expected an action flick. Love it man! 😎
Much appreciated!
My car is called suzie lol
Quattro?
@@samcooneyrambles 😂
😂 drive like you mean it classic
Guna watch this now x
Eve for Evelyn. cool eh
I thought it was cool
Exactly. He doesn't drive off Into the sunset, but rather drives on slowly as if drowning after the sting, the stab. Very good 👍
He's the Scorpion, they're the frogs, but they're all people going against their true natures. He seems to be the only able to live outside his nature successfully, which is why he dominated them in his true nature when provoked.
Man, how do you figure this stuff out??
You should be making way more of these. Your voice and perspective is unique, and well articulated. I appreciate you taking the time to make these (especially your one on the movie 'Drive'). Thank you for taking the time to put these together.
You do this really well. Your voice makes me pay attention.
Never really considered the religious aspect (probably because i don't have any big familiarity with christian mythology) so that's fantastic to get a little
great work
very nicely explained. now the movie makes sense. Thanks Sam