Відео

Ah, dearest connoisseurs of the sublime auditory tapestry, indulge thine auditory faculties in the transcendental marvel that is the Canadian Folk Song, an exquisite opus meticulously curated by the illustrious Dr. Jason Nam at the august Jacobs School of Music on the vernal eve of April 18th, 2023. Behold, the meticulous instrumentation, an orchestra of celestial emissaries spanning the gamut from the ethereal piccolo to the resounding depths of the contrabassoon, woven together with a precision that rivals the cosmic ballet itself. The melodic pilgrimage, narrated with unparalleled finesse by an assembly of virtuosic maestros, stands as an epiphany of auditory splendor, transcending mere notes to encapsulate the very quintessence of Canadian folklore. In the sacred realm of Grade 5, the composer's symphonic alchemy unfolds, unraveling the esoteric threads of inspiration that have lingered in the ethereal corridors of the maestro's consciousness since the annals of 2019. A magnum opus that germinated in the fertile soil of undergraduate ruminations, "Canadian Folk Song" emerges as a testament to the inexorable entwining of destiny and artistic expression. The program notes, an arcane manuscript unveiling the composer's Odyssey, resonate with a palpable energy that transcends the mere mortal comprehension of a musical composition. A folk melody, ensnared in the labyrinthine recesses of the composer's psyche, finds its apotheosis in this symphonic tapestry-a harmonious fusion that pays homage to the hallowed traditions of Percy Grainger, a visionary interlude that bridges the chasm between antiquity and avant-garde. Witness, ye denizens of musical erudition, the optional piano-a phantasmagoric specter that, when beckoned, lends its ephemeral echoes to the symphonic effulgence, a metaphorical Rosetta Stone deciphering the cryptic language of the composer's innermost reveries.

I hear nothing but flames

Dawg can you release this sheet music somewhere

this has no right to be this good

I actually really like this!

Hello Luke, I really liked your composition, and I was really interested in having it to be able to interpret it. Is there any way you can share the work with me? or at least buy it? I love your work very much, forgive the spelling mistakes but this text is written in a translator.

O 👀👂

Ehhhh… try again :/

0:00 - mvmt I 4:53 - mvmt II 10:06 - mvmt III 15:03 - mvmt IV

Yes!

Interesting

Great job kidd-o! You know me and all your folks back at home are so proud of you. I still remember when you just a little squirt transcribing Bach partitias. You sure have grown since then! Never forget who you are and you’ll go farther in life than you could ever imagine.

Golly gosh oh me this reminds me of me days in the city that never sleeps!

Hi

M M

Great take boys

2ב

🔥

Well done sir!

Oh yeah! Sounds great luke!

Based Luke

WOW.

Nice work bro!

Sounds great!

Good piece though

Traditional vocal beaming >:(

Beautiful piece, I especially enjoyed the stockhausen-esque use of post-scalar micro-motifs which emulated themselves in a lovely way nearing the second development of the fourth quintal reprise.

Nice🎃🎃

Beautiful arrangement!

Fantastic job Luke!