Відео

1:25:57

The French Baroque... so official and stately. I just... love it.

Bellissima. False history, that Salieri in "Falstaff" relied on "The Marriage of Figaro" Mozart. He relied André Grétr's - "L’Amant jaloux" , 1778.; Joseph Schuster - "Il Marito Indolente", 1782.; Giovanni Paisiello - "Barber of Seville" 1782. Sarti - "Fra i due litiganti il terzo gode" 1782. - These 4 operas are plagiarized by Mozart in "The Marriage of Figaro " 1786.! And most importantly, for the history of music and ideas: the complicated finale of the first act of Sarti's opera also served as a model for the finale of the last act of Mozart's The Marriage of Figaro. Unfortunately, there is no Sarti opera on the Internet. By the way, the duel in 1786. Salieri versus Mozart - let's remember - Who won? Emperor Joseph II, who liked to organize competitions between composers and operas, commissioned one-act comic operas on the same theme: "theatrical backstage" - by: Salieri and Mozart. Mozart to the German libretto by Stefani - "Der Schauspiel Director" KV 486, and Salieri to the Italian libretto by Casti - "Prima la musica e poi le parole". Both operas were presented to the public in Schönbrunn on February 7, 1786. Salieri's work won and proved the superiority of buffo opera(!)

❤

Laurence Zazzo aurait mieux fait de se calmer dans l'aria "Va tacito" au lieu de faire le "zazou" en inventant des vocalises d'une bêtise sans bornes. N'est pas Andreas Scholl qui veut.

Si ça n'est pas du pré-romantisme alors qu'est-ce? Déjà propice à éluder la période classique il construit un pont qui le relie aux grands romantiques. Quel visionnaire! Et comment ne pas comprendre l'admiration de Beethoven pour Haendel?

Pour un Canadien français, cet opéra est signifiant aussi parce qu'il nous rappelle à nous, vos cousins, que nous avons déjà été sous la même couronne. Vive le foyer lumineux de l'Amérique française qu'est le Québec! Et vive la France éternelle!

😊

❤🎉❤ Wonderful Lully

.... quelle merveille - j'écoute sur un nuage de beauté .... Campra dont j'ignorais l'existence jusqu'à ce jour est sublime....

13:36

2:35:02

Justinian in the portrait has almost the same name as the protagonist of this opera - any relation?

This music expresses the majesty

1:00:07 1:17:56

💐🙏👏🌺💪💪👏💐🌺💪💚

Lully, c'est sublime, il n'y a pas d'autres mots

Je n'ai rien vu de plus beau que ATYS de Lully et les Arts florissants. L'act III (Dormons que le repos et doux) et les Zéphyrs ont été des passages sublimes

❤❤❤❤❤❤❤❤❤

La France royale, la Fille aînée de l'Eglise se reflète dans la musique de Lully, un fervent catholique italien à la cour de Louis XIV

Sehr schön! 💐

Extraordinary. Excellently performed. How is it possible that these are not well-known arias? Why are they not performed? 2:47:11 "No, non si può soffrir" (Rodisette III, 10) 2:43:31 "Mir schmeichelt die Hoffnung, mich tröstet das Glücke" (Edronica III, 9) 26:34 "O ihr Sonnen, mehr als Sterne" (Edronica I, 5) 2:43:31 "Mir schmeichelt die Hoffnung, mich tröstet das Glücke" (Edronica III, 9) 1:54:18 ACT III 1:54:18 "Ach, Adon" (Coro III, 1) 1:57:33 "Weg Kummer, weg Sorgen!" (Cupido, Coro II, 1) 1:42:08 "Oh mio caro il mio cor" (Xantippe, Amitta II, 9) 2:09:03 "Voi, sfiorandovi ci mostrate" (Sokrates, Xenophon, Alcibiades, Pitho, Plato III, 3)

BELLISSIMA!!!!

They sure don't write 'em like THAT anymore (sadly). An absolutely stunning production. Kudos to everyone involved.

Magnificent and exciting opera.Magic music.Bravo!

What a delicious music!

To be part of this Opera performed in Innsbruck was a pleasure and honor❤ thank you Maestro Marcon

Wonderful, of course but always the same question : when in CD's...?

Magnifique. Merci

Questo video mi era sfuggito. Ieri sera sono rimasta folgorata quando ho letto il cast! tutti i cantanti hanno voci strepitose, ma io sottolineo l’interpretazione dei miei contro tenori preferiti sullo stesso palco! Valer Sabadus/ Anastasio, imperatore temperato e autorevole e Carlo Vistoli /Giustino, il migliore Giustino che abbia ascoltato. Kim/Amanzio sfoggia una gran voce e personalità. Non dimentico l’orchestra barocca e il direttore: magnifici.

One of the most stunning and evocative, expressive operas of its time. Rameau is criminally underrated.

I like French Baroque opera so much more than Italian now, which is reverse from how I felt growing up.

Sontuosa opera cantata da voci sontuose! Merita di essere riascoltata più volte! 😍

Ravishing masterpiece, first of its kind. And yet this is the man who in 1733 declared of Rameau, This man will eclipse us all!

💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙

💛🍒🌹🕯✒📃📚🇻🇦✝️🇻🇦🌻⛑🕊🔎🦔🎶🇲🇬🇲🇬💒🇲🇬🐣🔎🐣💡🇦🇲💒🇦🇲🎨🌼💐🕊🧭🌻🇻🇦✒📃📚🌹🕯😇❤😊💮🇦🇲🌿🌸🎨🌼🕊🏵🍒📚💛🇻🇦💛✝️🕯😇🌹🍒🏵⛑🌻🙋‍♂️

❤💡🍒😊🌼🪢✒📃🎶🌹🎶⛑🌿🏵🇻🇦✝️🇻🇦🌿🌸🏵💛🍋🪢🍒💡💮🇦🇲💒🇦🇲🌸🪢🌼🍋💛🍒🇲🇬⛑🇲🇬🌸🌼🍋🌿🏵💡💛✒📃📚🧭🌿🏵✝️🍒✒📃🌹💒🎶🌸🪢🍋⛑🌿🙋‍♂️

DIEU🌹⛑🌹 ACCUEILLEZ DÉSORMAIS DANS VOTRE PARADIS✒📃🎶🧭,L'ÂME IMMENSÉMENT CATHOLIQUE de Monsieur de LULLY💛🍋⛑🌹💮🇻🇦✝️🇻🇦🌿🏵🌸🪢🌼🍒💡📚🙋‍♂️ !!!

DIEU🌿🇻🇦✝️🇻🇦🌿 ACCUEILLEZ DÉSORMAIS DANS VOTRE PARADIS🌺📚🧭,L'ÂME IMMENSÉMENT🇻🇦💒🇻🇦 CATHOLIQUE de Monsieur de LULLY💛🍋🎶💡🍒🪢🇻🇦✝️🇻🇦🌿🌼💮💒😇💒✒📃🎶🧭📚🙋‍♂️ !!!

❤🪢🌸📚🕯🧭🎶🇦🇲💒🇦🇲🕊💛🌿🎶🇻🇦✝️🇻🇦🪢🍒🌼🎶🍋💡🌿🕯🇻🇦✝️🇻🇦✒📃📚🌺🏵🇦🇲⛑🇦🇲🍒🪢💛🎭💮💐🎶💡🕯🧭🌹🇲🇬✝️🇲🇬🌻🥰🕊🇦🇲💒🇦🇲🦁💮💛🐈‍⬛😇🔎🏵🙋‍♂️

💛🍋😊❤🇻🇦✝️🇻🇦🌸🌷🌼🌻🌿🤗🌹🏵🌺✝️🇻🇦💐🥰🍒🍋🌼🌻🕊💛🌿💮💐🌸🇲🇬⛑🇲🇬✒📃📚🧭🌍🍒🎨🪢🧸🎭🌼🍋🌸🎶💡🕯🪅🇦🇲⛑🇦🇲🍒🌸🌼🍋🌿🏵🌺✒📃📚🙋‍♂️

That moment when you discover an Armide you haven’t listened to before :)

Man im so glad Hercules wasnt a castrato.

2:24:40

Hércules es una gran ópera . El inglés es un idioma muy fino y bonito. Saludos.

Bravissimi ! The three best "Armides" are: Handel, Jommelli and Sarti. A special feature of the libretto is that the dramatic development does not result from intrigues, as in Metastasio's texts, but from the inner conflicts of the protagonists. The power of Armida, who is initially far superior, gradually decays. Jommelli's music follows this dramatic development precisely and is unique in this respect compared to other contemporary operas. The composer did not limit himself to formal elements, but also interpreted the text in a picturesque way, motivically and harmonically. At the premiere on May 30, 1770 at the Teatro San Carlo in Naples, a first-class cast - Anna Lucia De Amicis (Armida), Giuseppe Aprile (Rinaldo), Apollonia Marchetti (Erminia), Arcangelo Cortoni (Tancredi), Pietro Santi (Rambaldo), Gerlando Speciali (Dano) and Tommaso Galeazzi (Ubaldo) sang.

I recognize most of these characters from the Handel opera, but who is “Rodisbe”? Handel’s version had no such character

Quest’esecuzione è mirabile: voci espressive, nitide e potenti rendono concreti i protagonisti. La Freiburger Barockorchester ricama gli affetti in modo meraviglioso! Giulio Cesare viva! 🎶🎶🎵🎵😊

How could Lully compose such beautiful music to this story full of dramatical weakness? Sorry to quinault, this plot is confusing.... but thanks to him for all those moments that Lully inspired to this wonderful music , making Amadis one of his best operas. Amadis is a miracle....

❤magnifique !