Friends of Kenwood
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Fashioning Sargent - James Finch
A Friends of Kenwood Sunday lecture given by Dr James Finch.
Sargent and Fashion at Tate Britain (22 Feb - 7 July 2024) organised in partnership with the Museum of Fine Arts, Boston, is the first exhibition to investigate the fascination with clothing and fashion which runs through the work of John Singer Sargent. By including a number of garments and accessories worn in Sargent’s paintings alongside the portraits in which they appear, the exhibition provides a new perspective on Sargent’s working process, and the distinctive painterly vision which made him the leading portraitist of his day. The lecture examines the key themes underpinning the exhibition and provides an insight into its preparation and evolution.
Dr James Finch is a curator and art historian specialising in British art of the 19th and 20th centuries. He is currently Assistant Curator, 19th Century British Art at Tate Britain where he has worked on several exhibitions and displays, including Turner’s Modern World and The Rossettis. Prior to joining Tate, James Finch was Curatorial Assistant at the Royal Academy of Arts, and undertook his doctorate as a partnership between the University of Kent and Tate. He has published widely on 19th and 20th century art.
Introduction music: Bal Masqué for Orchestra, Op. 22 by Amy Beach
Produced by Friends of Kenwood
www.friendsofkenwood.org.uk
@friendsofkenwood7574
Переглядів: 491

Відео

Angelica Kauffman at the Royal Academy: 'Miss Angel' comes to London - Annette Wickham
Переглядів 8284 місяці тому
A Friends of Kenwood Sunday lecture given by Annette Wickham. The Swiss artist Angelica Kauffman achieved international fame as one of the most celebrated painters of the 18th century. Described by a contemporary as ‘perhaps the most cultivated woman in Europe’, Kauffman not only painted some of the most influential figures of her day - from queens and countesses to actors and socialites - she ...
'A Paradise of Pollen and Paint': The Story of Benton End - Chrstopher Woodward
Переглядів 5945 місяців тому
A Friends of Kenwood Sunday lecture given by Christopher Woodward. Benton End is a Tudor manor house and walled garden on the outskirts of Hadleigh, Suffolk, which from 1940 until the 1970s was the East Anglian School of Painting and Drawing, founded by the artists Cedric Morris and Arthur Lett-Haines (known as ‘Lett’). 17-year-old Lucian Freud was the first pupil, and a teenage Maggi Hambling ...
Curating Colour: Colour Revolution, Victorian Art, Fashion and Design - Charlotte Ribeyrol
Переглядів 7856 місяців тому
A Friends of Kenwood Sunday lecture given by Professor Charlotte Ribeyrol. Britain’s industrial supremacy is often perceived through a black-and-white filter as the funereal age of coal pollution and bleak, working-class slums reflected in the dark, supposedly ‘gothic’, tones we see in films, TV series, and video games set in that period. Yet, the industrial revolution also totally transformed ...
The Last of England: Ford Madox Brown & Colonialism - Patricia Hardy
Переглядів 1546 місяців тому
A Friends of Kenwood Sunday lecture given by Dr Pat Hardy. Ford Madox Brown’s masterpiece about Victorian emigration is probably his most celebrated work. With the compelling gaze of the emigrant couple, modelled on the artist himself and his wife Emma, the work is usually interpreted as a melancholic parting from their homeland. But not necessarily so: the everyday subject of emigration from B...
Inspiring People at the National Portrait Gallery - Alison Smith
Переглядів 3128 місяців тому
A Friends of Kenwood Sunday lecture given by Chief Curator of the NPG, Alison Smith. The National Portrait Gallery was founded in 1856, the first gallery anywhere to be dedicated to portraits. It moved to its current site in 1896, an elegant purpose-built gallery adjoining London's National Gallery. Since then, the collection has expanded enormously as have its public activities. In spring 2020...
The Artist as Collector: Sir Joshua Reynolds and his Collection of Art - Dr Donato Esposito
Переглядів 70610 місяців тому
A Friends of Kenwood Sunday lecture given by Dr Donato Esposito on Sir Joshua Reynolds as an art collector. Eighteenth-century London provided a lively and competitive atmosphere in which Sir Joshua Reynolds, founding President of the Royal Academy of Arts, distinguished himself as a foremost collector. Reynolds promoted the keen study of past art through his annual lectures (Discourses). His a...
GWEN JOHN: ART AND LIFE IN LONDON AND PARIS - ALICIA FOSTER
Переглядів 3,3 тис.Рік тому
A Friends of Kenwood Sunday lecture given by writer and curator Alicia Foster on Gwen John’s life and work in two centres of the art world: London in the 1890s and Paris in the first decades of the twentieth century. Though Gwen John is often thought of as a recluse, overshadowed by her more famous brother, Augustus, the exhibition at Pallant House Gallery in Chichester places her back into the...
Hammershøi and the Life of Interiors - Dr Kathy McLauchlan
Переглядів 3,6 тис.Рік тому
A Friends of Kenwood Sunday lecture given by Dr Kathy McLauchlan on Danish artist Vilhelm Hammershøi (1864-1916). Hammershøi's subject is the domestic interior - occasionally inhabited by a single figure, more often empty. He shows us the spaces that contained, shaped and reflected his perceptions and feelings. His paintings combine abstract beauty with an emotional resonance. They make us refl...
Sunday Lecture: Projecting Personality: Mrs Carl Meyer & John Singer Sargent 1896 - Dr Tessa Murdoch
Переглядів 390Рік тому
Through the lens of Sargent’s great portrait of Adèle Meyer and her two children, Elsie and Frank, Tessa Murdoch will share new research on her great-grandmother, drawing on recently rediscovered photograph albums and thirty years of family correspondence. Adèle Meyer’s passionate engagement with social justice and philanthropy and delight in theatre and music both as performer and spectator pr...
Joshua Reynolds at 300: 1723-2023 - Martin Postle
Переглядів 1,6 тис.Рік тому
Martin Postle’s talk considers the reputation of Reynolds as it developed during his lifetime, and in the period following his death, from 1792 to the present day. 2023 has special importance for Kenwood with its significant collection of Reynolds’ work. How did Reynolds use the self-portrait to fashion his public-facing role as an artist and writer? Why was he an arbiter of taste, and how did ...
Sargent and Spain - Richard Ormond
Переглядів 3,6 тис.Рік тому
Richard Ormond gives a lecture on ‘Sargent and Spain’, subject of the exhibition at the National Gallery of Art, Washington DC, from 2 October 2022 - 2 January 2023. John Singer Sargent’s love of things Spanish ran deep and was nurtured over the course of six lengthy visits to the country between 1879 and 1912. His passion for Spain embraced the exotic qualities of Spanish life and culture, its...
Let Justice Be Done Though The Heavens Fall: Somerset v Stewart - Dr Dominique Bouchard
Переглядів 1,1 тис.2 роки тому
250 years ago, on 22 June 1772, William Murray, Baron (later Earl of) Mansfield and Lord Chief Justice of the Court of King’s Bench, ruled in the case of Somerset v Stewart that it was unlawful for Charles Stewart to transport James Somerset, an African he had purchased in Virginia, forcibly out of England. When the verdict was announced, it sent political and legal shockwaves through Britain a...
Kenwood House Seeing the Iveagh Bequest in a New Light
Переглядів 2872 роки тому
The East and West Wings of Kenwood House, London contain paintings of international renown by Rembrandt, Vermeer, Frans Hals, Ferdinand Bol, Joshua Reynolds, Thomas Gainsborough, George Romney and others. These paintings were left to the nation by Edward Cecil Guinness, 1st Lord Iveagh. In the first months of 2022, the Friends of Kenwood funded a lighting upgrade of these rooms at Kenwood House...
The Courtauld Gallery Refurbished - Professor Deborah Swallow
Переглядів 4192 роки тому
The Courtauld Gallery reopened in November 2021 following the most significant modernisation project in its history, providing a transformed home for one of the UK’s greatest art collections. Visitors now can see masterpieces from The Courtauld’s collection ranging from the Middle Ages to the 20th century, completely redisplayed and reinterpreted across elegantly refurbished galleries, revealin...
'An Allegory of Painting: a Contemporary View of Angelica Kauffman' - Sarah Pickstone
Переглядів 3662 роки тому
'An Allegory of Painting: a Contemporary View of Angelica Kauffman' - Sarah Pickstone
The Business of Portraiture in Georgian Britain - Angela Cox
Переглядів 2 тис.2 роки тому
The Business of Portraiture in Georgian Britain - Angela Cox
‘Where did Dido get those Clothes?’ - Lawrence Scott
Переглядів 6922 роки тому
‘Where did Dido get those Clothes?’ - Lawrence Scott
Raphael - Matthias Wivel
Переглядів 2,7 тис.2 роки тому
Raphael - Matthias Wivel
The Past to the Future: Izabela Czartoryska as a Collector - Dr Jerzy Kierkuć-Bieliński
Переглядів 3862 роки тому
The Past to the Future: Izabela Czartoryska as a Collector - Dr Jerzy Kierkuć-Bieliński
Frans Hals: The Male Portrait - Dr Lelia Packer
Переглядів 2,4 тис.2 роки тому
Frans Hals: The Male Portrait - Dr Lelia Packer
Work and Play in 18th Century Childhood
Переглядів 5613 роки тому
Work and Play in 18th Century Childhood
Pt 2: The 'Female' Side of Kenwood House
Переглядів 4103 роки тому
Pt 2: The 'Female' Side of Kenwood House
The Allure of the Grand Tour: Sir Godfrey Webster by Louis Gauffier
Переглядів 4523 роки тому
The Allure of the Grand Tour: Sir Godfrey Webster by Louis Gauffier
Pt 1: The Female Side of Kenwood House
Переглядів 1,2 тис.3 роки тому
Pt 1: The Female Side of Kenwood House
James Stuart by van Dyck
Переглядів 8293 роки тому
James Stuart by van Dyck
Henrietta of Lorraine by van Dyck
Переглядів 6743 роки тому
Henrietta of Lorraine by van Dyck
Lord Iveagh & the art market
Переглядів 4743 роки тому
Lord Iveagh & the art market
The Self-portraiture of Joshua Reynolds
Переглядів 1,8 тис.3 роки тому
The Self-portraiture of Joshua Reynolds
The Brummell Children
Переглядів 2883 роки тому
The Brummell Children

КОМЕНТАРІ

  • @artichocru9393
    @artichocru9393 9 днів тому

    Merci Madame

  • @Satu-zs7gm
    @Satu-zs7gm 16 днів тому

    Another fun fact was that Lord Mansfield's great niece Lady Elizabeth, her eldest daughter later married Charles Hope, whose sister Mary Hope actually married the brother of this 'Miss Murray' father Lady Elizabeth's grandson later married daughter of 2nd Marquess of Anglesey, who was first cousin with this 'Miss Murray' since her mother was sister to 1st Marquess of Anglesey

  • @katebradley7864
    @katebradley7864 Місяць тому

    I'm very sorry to bother you and it's rare I comment on these things but on studying vermeer I discovered that he painted a sepia under drawing first , all of his paintings have been studied. He starts with sepia under drawing then fills it with paint. It is impossible to simply paint straight away like this as if by magic. I enjoyed your talk and learnt a lot. Thankyou

  • @emilyaustralis
    @emilyaustralis Місяць тому

    Thank you for this video .. I am related to Dorothea , she is written in my family tree papers from my grandfathers side , his mother Edith Bonnie rose through the Bland family . Francis bland and Grace Phillips daughter of Rev Phillips . Then through marriage to FRANCIS CRUMPE we have issue Nathaniel crumpe Bland who took Dorothea’s fathers name .

  • @maryjones5710
    @maryjones5710 2 місяці тому

    The study of a woman and the painting of Rubens wife and son, is a remarkable likeness, they really do seem like the same woman. One of Reynolds pupils may well have painted Reynolds wife.

  • @ytubeanon
    @ytubeanon 2 місяці тому

    after seeing Tim's Vermeer and hearing about devices the artist may have used I still have the same thought, those devices require still objects, so how did he paint real people given they'd move around

  • @randyklinger7649
    @randyklinger7649 2 місяці тому

    2 paintings featuring a man: Astronomer & Geographer.

  • @mercelloveras7453
    @mercelloveras7453 2 місяці тому

    Thanks a lot for this interesting lecture which is a great complement to my next visit to the exhibition and helps to understand better the Sargent´s masterpieces.

  • @Davidbirdman101
    @Davidbirdman101 2 місяці тому

    Wow, some people seem to want to find something wrong with almost everything. How on earth does anyone see something sexual in that painting of two children playing with a kitten? I think the critic is the one with the problem.

  • @user-ec5vx3uf6r
    @user-ec5vx3uf6r 3 місяці тому

    After 20 minutes of your lecture is so boring I need two espresso! Next time get to point pleaseeeee zzzzzzzzzzzz

  • @janeannheffernan1037
    @janeannheffernan1037 3 місяці тому

    Thank you for such a wonderful insight into a woman of so many talents.

  • @mercedespena1230
    @mercedespena1230 3 місяці тому

    No tuvo suerte,tres hombres la quisieron,ninguno de ellos penso en asegurarle una vida decente.

  • @barbarabarry3799
    @barbarabarry3799 4 місяці тому

    Informative about these wonderful, mysterious paintings. Kenwood House is certainly (and deservedly) fortunate to have one.

  • @sallycarlsson3710
    @sallycarlsson3710 5 місяців тому

    This lecture and presentation of Benton End is a very pleasant end to my evening. Grateful thanks, Friends of Kenwood and Mr. Woodward.

  • @Recordings-ov4hv
    @Recordings-ov4hv 5 місяців тому

    I loved your video! Many thanks! And bless them all 💕

  • @brannonmcclure6970
    @brannonmcclure6970 5 місяців тому

    Great presentation. It’s so hard to find good scholarly documented material; even on art! Anyway… This presentation is phenomenal.🧑‍🎨♾️👨‍🎓

  • @womenwotreads
    @womenwotreads 6 місяців тому

    This was so interesting. I've always loved his paintings .He was very talented . I feel really sad for him with his mental health problems

  • @mercelloveras7453
    @mercelloveras7453 7 місяців тому

    Thanks a lot for making us to know this very hidden aspect of the great Sir. Joshua Reynolds wich enlarge him. Very interesting lecture.

  • @eddieharris6004
    @eddieharris6004 7 місяців тому

    Interesting....audio quality might be improved?

  • @rosmondkinseymilner3118
    @rosmondkinseymilner3118 8 місяців тому

    I have onlt just found this very informative talk - a year after the event. Angela Cox really does give the lowdown on the whole business of portraiture in the Georgian period with many detailed facts that underpin the whole creative process at the time. These Friends of Kenwood You Tube videos are a treasure trove

  • @kathleenscullion8348
    @kathleenscullion8348 8 місяців тому

    Wonderful presentation . I am deep in research about John Quinn. Just began learning more about Gwen John. Thank you for your thoughtful and inspiring lecture.

  • @jessejiyeolmun4642
    @jessejiyeolmun4642 8 місяців тому

    Just saw the Interior in the Osaka Museum, thanks to the Tate, and it was wonderful to grasp some of the background of hammershoi. Thank you for the lecture.

  • @couvduck60
    @couvduck60 9 місяців тому

    Really enjoyed the bio and the art. Loved her confidence.

  • @cindyoverall8139
    @cindyoverall8139 10 місяців тому

    A big secret of Vermeer’s was the fact that he did not paint several. And those several are the amateur ones, like the Guitar Player. That was executed in a paint by number style as are the others. His daughter, Maria was the likely artist. Now here is the proof… Vermeer, of course painted TGWTPE which is obviously, Maria. He painted his other daughter, Elizabeth called Portrait of A Young Lady. Note.. her age. Someone else painted Elizabeth at that age too. The dark haired girl in front of a spinet. That painting is cringingly bad. Certainly not by the master. This information is now coming to light after the exhibition at the Rijks Museum.

  • @aliceh9186
    @aliceh9186 10 місяців тому

    Women were dispensible tool for men's pleasures. We've come a long way.

  • @phillipstroll7385
    @phillipstroll7385 10 місяців тому

    Of course the Flemish used optics to trace. It wasn't and isn't a secret. Painters were thought of as no different than we think of day laborers today. They were just unskilled labor. They weren't painting secrets, allegory or anything else. They painted what they could capture by the optical devices and what the buyer wanted. Nothing more. Painters today are thought of as artists. Although most of them trace and pretend tracing is acceptable, they wouldn't dare admit it to a buyer. Not in a hundred years. They absolutely hide their projectors, cameras, light boxes, dark rooms, etc when company comes. If tracing were acceptable they wouldn't feel the need to lie about it or hide it from the buyers.

  • @sb5421
    @sb5421 10 місяців тому

    Great talk, Matthias. Your passion is clear!

  • @user-uf8vt6tf6q
    @user-uf8vt6tf6q 10 місяців тому

  • @user-uf8vt6tf6q
    @user-uf8vt6tf6q 10 місяців тому

    Nara sumber energi utama dada

  • @janemontague703
    @janemontague703 11 місяців тому

    Great speaker. Fascinating talk. Beautiful artwork. Thank you

  • @officiallymrp
    @officiallymrp 11 місяців тому

    Madame , one of Madame's husbands isn't the portrayed, the portrayed is the Count Dukes of Olivares by Velazquez and ... isn't "Mr Howard" Thomas Howard, the 14th earl of Arrundel?

  • @michaeljohnangel6359
    @michaeljohnangel6359 Рік тому

    An excellent lecture- perfect for the general public. Brava!!!!! Dr Kilgarreff has also presented these great portaits beautifully against a royal-blue background. Luscious!

  • @crypticbarbiegirl
    @crypticbarbiegirl Рік тому

    Thanks for this video o love Emma ❤ so much

  • @johnbarrymore5827
    @johnbarrymore5827 Рік тому

    Thank You

  • @michaeljohnangel6359
    @michaeljohnangel6359 Рік тому

    Another excellent video, Ms Cox. Thanks!! It's interesting (provocative?) that the view of the head is identical in all three portraits-could he have used the same drawing as reference? Granted, though, the alignment of the features in the Kenwood portrait is different from the othet two.

  • @michaeljohnangel6359
    @michaeljohnangel6359 Рік тому

    An excellent lecture, Ms Cox. Thank you! It's too bad that the audio wasn't better. As a successful portrait painter, I'm particularly glad that the practicalities of painting are talked about here. People talk about the "superiority" of being at the level of a "professional painter" without realising that "professional" means you're painting for money!

  • @bluedot6933
    @bluedot6933 Рік тому

    If he used a camera then why did he use a pin to draw perspective lines?

  • @danlupan670
    @danlupan670 Рік тому

    It is not sexual, racial, religious or national belonging that makes a human being a great artist or an incurable imbecile, dear friend... And you know it well. Bailly Alice was an artist because she possessed the natural assets common to all painters on this planet and not because she was a woman.

  • @rathertiredofthemess2841
    @rathertiredofthemess2841 Рік тому

    I’m sure she was no more ambitious than the men who used her.

  • @sharonkaczorowski8690
    @sharonkaczorowski8690 Рік тому

    Last comment…to me the bad pulls Dido back, restrains her.

  • @sharonkaczorowski8690
    @sharonkaczorowski8690 Рік тому

    I prefer the term pseudo-scientific race studies.

  • @sharonkaczorowski8690
    @sharonkaczorowski8690 Рік тому

    It is interesting she was not able to marry until her Lord died…raised my eyebrows.

  • @sharonkaczorowski8690
    @sharonkaczorowski8690 Рік тому

    Thank you…finally a video which doesn’t require me to write a long educational post about the reality of slavery and Dido’s position. I’m 71 and have spent most of my life studying the human need to look down upon and abuse other human beings as a means to assert superiority, as well as satisfy human greed…the three are interrelated. I’ve also studied the condition of “bastard” children in these same societies. People can be opposed to slavery and still look down upon people of African descent. I agree that the context of these paintings should exist next to them. I once had a similar argument with the curator of Native American objects…one was a woman’s dress filled with bullet holes surrounded by blood stains, certainly from a massacre. I returned the next day to find the dress taken down and the curator nowhere to be found. I felt both very angry and grief stricken. My grandmother was Chickasaw…her presence in my life along with vicious violent acts I saw as a child under Jim Crow informed my life’s studies. If we do not learn and describe the context of history, we are doomed.

  • @parismetro2012
    @parismetro2012 Рік тому

    I don't believe that Vermeer uses a camera obscura to trace outlines. His tiled floors would have been particularly easy to do with a projection device but these were constructed with a chalked thread and a vanishing point (visible in some of his pieces) He may well have studied projected images of sitters and studied the depth of field effect and specular highlights produced by lenses, incorporating them later into his work.

  • @traceylatifi9304
    @traceylatifi9304 Рік тому

    There have been recent letters stating Frances was warm and loving.

  • @traceylatifi9304
    @traceylatifi9304 Рік тому

    What about Lady Nelson?

  • @janedoe5229
    @janedoe5229 Рік тому

    I never noticed until watching this talk, what a BEAUTIFUL job he did on the blank, painted walls. So many subtle variations of the light going across it.

  • @ejo1945eo
    @ejo1945eo Рік тому

    One thing about virtuosos, whether painters, composers, or writers, is that they bring a freshness to their work that can last for centuries!!! Ed Olsen

  • @johnbarrymore5827
    @johnbarrymore5827 Рік тому

    First

  • @davidbenyahuda5190
    @davidbenyahuda5190 Рік тому

    Perhaps some of us are unaware that so-called white people are literally pretending to be Black people Europe, Brittain, Ireland, And Scandanavia and Russia and Scotland and the rest of the world was ruled by Israelites is up until around 1750. Google black European royalty. White people have no history and heritage. Why would white people be named Stuart, Moore, Blake, Blackman, Morrison, Jacobson, Isaacson, and Mohr, Brown, etc. White people are sick. They act as if Black people forgot who we are and what was stolen. 👊🏿🕎🏹⚔️🌽