Відео

Hello, yes image is abit enlarged, but not much. The positive is 18x18cm approximately and final image is 25x25cm. I think you can print it on every inkjet printer which is capable of printing in 600 dpi. this is enough.

@ Thank you very much for the reply, your work is amazing!

Stay tuned... I am preparing series of step by step videos, where will be desribed everything.

Yes, you are right. The correct word is exposure :) Thanks for letting me know.

Hello Michael, I am going to share, step by step video workshop (paid) in near future, where I reveal all the steps and possible difficulties of the process. So stay tuned :)

Hello, I understand your point of view, but I am afraid "alternative photography" is such an established term, that it will be difficult to change it

Yes, sensitizing gelatin is missing!

I must say I was suprised with the quality... Of course, the camera print is better, on the other hand, it's quite difficult to make a prints outside... I beleive you would spot the difference, but many people dont.

No, it isn't. It s a separate technique based on sensitizing gelatin with chromium salt. The gold is used as a background.

Hi, it's a contact printing process. You print positive image (because its direct positive process) on transparent sheet (Picrorico for example) put your positive over sensitized board (or paper) and copy the image by exposing it to UV light. As a sensitizer is used digromate salt or diazo.

@@resinotype Ah yes I totally get it - thanks - this is a must try - have a good one

Thanks a lot. I am glad you like it. It is nothing special. It's an ordinary thermal insulation sold in our country under the name: XPS Austrotherm

@@resinotype thank you so much for your reply I really appreciate it. Continued success with your photography/art it really really is absolutely amazing 👌🍻

There will be another videos describing process in detail. Stay tuned!

Thank you very much

😁😁😁 After couple of years, you get some practise and then it's not so difficult as it looks.

It's not similar neither of them. Because the positive is used instead of negative. Principle is different: in Resinotype, soaked gelatin absorbs the pigment in dark places dependig on how was hardened or not during the exposition process

@@resinotype Thank you, so you use water based pigments then? Where is the use of resin in this technique?

@@SD_Alias No, no. Pigment is in form of powder. Resin was used in the past to make the pigment powder to adhere more to gelatin. I use the pigment from laser printers - I guess it contain resin already. Other option is to use natural pigments such us Indigo powder. It work well. See my other videos for more information: photoheger.com/video

@@resinotype Thanks! I will have a look…

Hi, It's quite a complicated process for beginners, but check out videos on my UA-cam channel, there are more details there. www.youtube.com/@resinotype/videos

Hello Floyz, Resinotype is old photographic process based on sensitizing narmal gelatin (not photo gelatin) with dichromate salts. After sensitizing, gelatin is photo sensitive to UV light. I create the image the way I print positivie (yes, it is not mistake, it has to be positive) sheet and by contact printing I expose the image under UV light. Dichromate is washed out then and final step is applying pigment. For more info please reffer to my website: www.photoheger.com, or Alternative photography website: www.alternativephotography.com/?s=resinotype Bonjour Floyz, Le résinotype est un vieux procédé photographique basé sur la gélatine narmique sensibilisante (et non la gélatine photo) avec des sels dichromateux. Après sensibilisation, la gélatine est photosensible aux rayons UV. Je crée l'image de la façon dont j'imprime positivie (oui, ce n'est pas une erreur, il faut que ce soit positif) feuille et en imprimant j'expose l'image sous lumière UV. Le dichromate est ensuite éliminé par lavage et la dernière étape consiste à appliquer du pigment. Pour plus d'infos s'il vous plaît reffer sur mon site: photoheger.com, ou site Alternative photographie: www.alternativephotography.com/?s=resinotype

Cool :)

Hello Theresa. First layer is a glue for gluing metal leaves. I use Mixtion.

Hello I found your question today. What's a shame! I soak dichomate quite long, 3-4 hours with a room temperature (20-24 degrees of celsius) Gelatin for applying pigment must be soaked with water but not a wet on its surface.

Hello Barrie. No I don't mix pigment with resin, It is not necessary. Pigment adhere to gelatine even without it .

I'll add subtitles later :) Sorry.

@@resinotype Hi David, it wasn’t a criticism, it’s such a beautiful piece of Art and process. Many of my printer friends tend to keep some processes and techniques close to their chests... This would be fascinating to explore further with some details. Great video, thanks !

Hi Mateusz, It's called Mixtion

Hola Gladys. Puede configurar subtítulos en español (en la parte inferior del reproductor de video): Configuración / Subtítulos / Traducción automática

Hello, I think you can combine it but you need large negative. I am printing my own negatives (in fact positives) on inkjet printer

Thank you very much Grant.

Dear Gergo, I was inspired here: www.alternativephotography.com/the-resinotype-process/ but I slightly modify it. Feel free to ask.

It would be great if you’d explain your process to those watching your videos! 🙏🏾

Hello James, I am sorry for late reply, but for some reason I did not recieve UA-cam notification... Anyway. Stay tuned next video is coming soon with better description. Regarding gold - it is not real gold it's imitaion of gold used for reparing old furniture. Sorry for confusing :)

Hello Jack, No, I am painting 3% dichromate solution on top of dried gelatin

@@resinotype votre travail est magnifique , vous fabriquer le dichromate où puis en trouver ?

Stig, I paint dichromate over the dried gelatin, not mixing it together. Gelatin thus dries faster

Hello Antonio, I am sorry for late reply but I did not received notification. I am printing on positive - this technique requires positive. I usually use Indigo and black pigment

Hi Antonio, I found that indigo based on the video itself....look at: shop.kremerpigments.com/us/shop/dyes-vegetable-color-paints/natural-organic-dyes-vegetable-color-paints/36000-indigo-genuine.html and for a black like: shop.kremerpigments.com/us/shop/pigments/11324-rhodonite-black.html I will also try to use a powder (black) which is used as an ink in a copy machines.... regards jirka

I use Osram Vitalux 300W E27 UV from distance approximately 0,5m

Hello Roger, I use ULTRA VITALUX 300W 230V E27 Osram (primarily used for horses :)))

The process is still evolving so may be in the future :)

Hello Rafal, yes, as a matrix is used classic gelatin. I also experimented with gum arabic, but process is quite different and I prefer gelatin. Pigment, after drying the gelatin, is fixed in the gelatin body, so no worry. In addition you can fix it for sure by some dim acrylic spray

@@resinotype Thank you for your answer. It's really amazing technique. I have a few natural pigments which I use in gum bichromate process. Do you think they would be alright? And I have to prepare a diapositive of course. I usually use saturated ammonium dichromate solution. Will it be suitable? Or should I use potassium dichromate? I am sorry to ask so many questions, but I am very excited about this technique. Although I can see that it is time consuming.

@@MrAlterNus Yes It is very time consuming technique :) Anyway, I use Potasium dichromate 3% solution. Pigments mustn't be soluble in water, but you have to try which works and which not. No problem, fell free to ask.

@@resinotype Yes, I understand. The same rules for pigments apply to the gum bichromate technique. Can I write to your email address if I have further questions? By the way potassium dichromate 3% solution has very low sensitivity. It's really hard to believe that is enough.

@@MrAlterNus Sure, email is fine for me. I use 3% , its enough.

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