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@@0z33y as in what the 48hp case sounded like by itself? I’m thinking about doing a 48hp case video soon. Actually my idea is a slow build vid so you get a sense of what buying decisions could influence the capabilities of your synth.

@@0z33y also! Thanks for watching. Glad you liked the sounds!

@@roundcornerless Thanks so so much! I love sharing in this way cause it shows my excitement for what’s possible with modular and not just an analytical process of filter sweeps etc. I also appreciate knowing a rough transition or two isn’t a big deal. I agree, better to show the possibilities. I definitely think with Neo Trinity I could show it in a 48hp case quite happily. Even better if I had a small fx unit haha. But yeah, some generative tiny case patching would be awesome. Definitely an idea for a future video!

@@roundcornerless also stoked you liked that third jam. So so fun!

@@turbotambourine I imagine it could take over the role and functions of the 0-Coast plus adding a ton of possibilities. Generative patching is something I def need to explore further, though I really enjoy turning the knobs and switches actively and play the modular like an instrument (kind of), the idea of letting the sound evolve and on it‘s own is appealing 🙂

@@roundcornerless partially yes, at least modulation wise though in a smaller range. I agree with that. Not sure if it would be fully generative but definitely more generative in nature that the range could easily be outside of a single level of modulation repeating. Add knob turning on top and yeah that’s fun!

@@asdfasdasdfasdfasdafas that’s cool. Glad you picked the one that worked better for you. That’s what it’s all about! I looked at Krait from when it was announced as I was following Dni Pro from the Dot which was very cool. For me, the Krait stopped a bit short for what I wanted in a knob recorder though before Neo Trinity was announced, it was probably high on the list. I really liked that it had a mini scope but didn’t like that you changed settings on it by cycling through Mod and only 3 outs and no ins. Neo Trinity UI feels solid to me and more performance focussed, little selector buttons, big buttons for recording below, big knob at the bottom and that ability to change lengths of automation independently in musical divisions or one by one is amazing!

@@asdfasdasdfasdfasdafas I guess that is to say I find it hard to label things as ultimately better. They might fit your thinking, workflow, budget, or case better for sure but the differences make it suit different people. Either way, having a knob recorder is a super powerful module in a case. I love that both the Krait and Neo Trinity don’t stop just at knob recording.

@@pablobarria296 thank you so much! Agreed Neo Trinity has been a lot of fun and I’m stoked I’ve been able to run with it!

@@swampflux Yo! Thank you!!! It’s all about the music that comes out of the other end for me! Fascinating how it all fits together and how ux can help, hinder or guide that experience.

@@devondaviau you read my mind. I wish there were a place where I could check out modular nearby. I think the closest to me is Cicada which is in Ottawa but I have yet to pat a visit but want to really bad. I’ve ordered everything online, shipped to me so it takes a bunch of research to make sure I know roughly what I’m buying. I’ve purchased from Moog Audio (Montreal), Nightlife Electronics (Vancouver) and as much as I can on Reverb. I also bought one from Perfect Circuit but the import fees were brutal. So so happy you like the vid and what’s coming out of the case! And I definitely relate to that feeling of maybe buying all the same as me would be good. I might suggest to use it as inspiration. Some modules might not be as easy to come by now for instance but when I was purchasing, they were. And now there are so many modules to choose from. I’d say if you can, go slow and identify functions and you might be able to compare price and function using things like modular grid if you don’t already. But of course, if you’re after monosynth sounds with drums and the workflow seems right, I really do swear by things I have in the case. If you watch enough of my vids it probably shows that it’s how they all work together that counts most.

@@devondaviau oh also, I’m considering doing a video that might start with no modules in the case and I’d add one module at a time from my modules so you can hear what kind of opportunities arise as you add. Sort of to simulate the buying process. Feel free to ask any questions. Happy to help and I likely won’t just say buy what I have.

I think that is a cool idea for a vid. It would be useful to hear your rationale for buying the modules you did as well as seeing the capabilities that each adds as you go. Should be educational and inspirational. I like videos that give a bit of a walk through of a module’s capabilities while integrating them with a patch and jam instead of just bleep bloops and minutiae.

@@devondaviau very fair! I’ve thought about doing a, here’s all my modular, kinda video just talking about buying decisions before. It also just makes good discussion cause it’s hard to cover off so much information in one video but if that would be helpful, I can do that as a precursor.

@@devondaviau and yeah, I have the “build up a case and hear the impact” video in the qeue now.

@@ML-ss4yo so fair! I didn’t mention it in the video but for some, this will be their Pam’s. The button combinations kinda make it like a faster open face module. I think the superpower is the layers and speed for instance a clocked or freerunning lfo with rate automation. I almost bought Pam’s and especially Pam’s Pro so many times but didn’t like having to change options via encoder. I love that there are great options for how each person wants to patch and make stuff. I think Pam’s Pro has the best Euclidian in the biz with the ability to visualize what’s happening with the nap functions too. That stuff is sweet!

@@ML-ss4yo oh and thanks for watching. So happy the style has been resonating well so many.

@@wgdmodular1252 thanks so much! All the bits came together really nicely! I must say it was an interesting challenge learning Fusion. So different than my main workflow with After Effects!

@@wgdmodular1252 oh and thanks! I’m excited to jump into the next vid. Just gotta let it percolate a bit.

@@Deedeo25 yeah! Summer time was slow going. I had everything filmed but both learning resolve and squeezing in editing here and there made it take forever! I love stepping it up to see if I can bring my ideas to life. Tricky to combine all the parts but the puzzle of it all is so satisfying once it comes together. Honestly, steal away and if anything is unclear or if you’re following cables and want to know where stuff is going feel free to leave a time stamp and I can help ya! I am honestly surprised how flexible a 4u case can be. With the right combination you have a lot of room to move around in a patch. I also loved the drums on patch 3. I wanted something super punchy to remind me of myself playing them probably. Can’t wait to use those samples and explore how fun the patterns can get. Thanks so much for watching! The next upload shouldn’t be as long but still developing what the vid will be.

@@turbotambourine It was worth the wait, gave me time to rewatch some of your older videos and continue learning. I’ve got the same Palette case as you but taking my time filling it for now. Really like the way you incorporate rhythm into your music so a lot of stuff you use is on my list.

@@Deedeo25 awesome! Yeah, the breadcrumbs of my journey are definitely in the vids. That’s awesome that you’re thinking of adding in some of the same modules. Let me know if you ever have questions about them or even other options. No module is really perfect but there’s definitely strengths and weaknesses to every module. So far the smaller modules are really treating me well. Can’t wait to continue to mix it up rhythm wise. Getting a kick out of how musical simple things like switches are. Also, I think the slow journey is the best! It gives you so much more opportunity to learn modular, patching and the modules themselves. Do you have a module or two in mind for next purchase? I finally just bought another 1u module.

@@Lime_Tree_Audio thanks so much! I’m honestly just having a blast with this stuff! Glad you’re getting a kick out it!

@@patrikveltrusky oh, I highly suggest! I think I could go smaller even utilizing Neo Trinity and be quite entertained! Time to revisit that travel vid!

@@jaggerneill1404 same! Like I say in many of my vids. I’m on a budget haha. Even for 1u I can’t just buy modules to fill the space. I have a good sense of at least one or two though and I have two tiny ones I’m adding into the case soon. They won’t be in the next video but following ones for sure! What would you suggest there haha. I’m thinking a befaco 1u out would give me the hpo function plus balanced case outs if I ever need them. Then I could get my Switchblade back on. Oh and an After Later Audio flip (mutable branches) for some more probability based fun. Figure that would be an absolute treat for rhythm stuff.

@@justinhuffman2430 thanks so much! It’s fun to share what’s going on in the jam. Feel like it helps to give ideas to others for patching! And stoked you liked the tone throughout. This was a fun one.

@@lewisdavis780 I highly suggest! Ray has done a ton more work from this prototype. The final production release looks amazing and seems so much more responsive and super solid on the UI. Honestly, it’s on my list too, a couple things ahead of it mind you considering I do have the prototype but I def want that black panel. So sweet looking!

@@tafonyreynolds I very much agree! Pizza is great to have some chill or gnarly sounds just a knob turn or a slider away. I ended up ordering one right after it was announced. Have never been disappointed by it!

@@turbotambourine crazy! i could not get a sound i liked with mine! yet yours sounds so good

@@tafonyreynolds that’s too bad! Wonder what the deal was? I do find that what works best for the tones depends on what octave range you’re in. Because the octave oscillator impacts the main oscillator, it makes a big difference what octave and waveshape that’s set to. I feel like I most often mix at least 2 outputs from Pizza together as one by itself can sound thin or especially buzzy. Feel like a pretty simple lowpass filter with Pizza would be great for a but of top end control as well. I was surprised at how nice the octave oscillator sounded as a saw wave into C4rbn filter. That buzziness gives a really nice bit for reverb to make some magic. I bet my jams come off as if I know the exact setting right off the bat but really it’s a lot of experimentation to get it in the right zone. Most things in the jam are like that and then I’ll go off script so to speak as I jam. Sometimes that added brashiness of Pizza is perfect in those moments.

@@tafonyreynolds to that effect I wonder if anyone would watch if I did some livestream patching and chatting.

@@turbotambourine i definitely would!

@@rayderrich fully agree! I love having a patch sorted out and then go to play it and it morphs into something completely new. Glad you liked the jams! More where that come from! Happy patching!

Nope, its not ALL about those happy accidents! :)

@@sinkronizeagreed! Those make me smile every time!

@@Piotr_Szarkiewicz thanks so much!!

@@soymarcus Thanks so much! And that’s amazing! Welcome to the journey haha. The first module I bought was a Mimeophon actually. I wanted some effects and was drawn to that one after watching some videos. After that, I think I got a 3xmia for mixing attenuation and inverting and then an HPO so I could enjoy that stereo delay and smearing from the Mimeophon. The headphone or output module will likely be high on the list as it’s really limiting to patch pack through the crossfader of O-Coast. Is there anything you feel most interested in exploring for modules? I took the what’s missing approach and that helped me a lot.

@@soymarcus there’s a bunch more vids too with a larger case that may have interesting modules that might work for ya.

@@turbotambourine thanks for your response. I have seen a lot of videos and the same module you saw, mimeophon haha, and yes, it`is important the stereo output. Synths for me are kind of a hobby, I still don`t have a clear way of what I want, but one FX first maybe can help me to explore. Your video shows one of the possibilities to start. I also took the "what’s missing" approach, but it`s difficult to choose the first. XD

@@soymarcus oh I agree, especially because of the expense! My current series shows sort of where I’ve ended up, basically making a modular groovebox tuned to whatever I’m thinking to explore. To be honest, I didn’t quite figure out that I wanted that right from the beginning. Originally, I was just trying to break any dependency on a computer or phone. But yeah, that’s only one way at it. That’s so funny that Mineophon is something you’re thinking about. It’s a great effect and very playable and fun to patch. Feel free to ask any questions you may have as you try to sort stuff out.

​@@turbotambourine thanks a lot, and have a good patch day

@@krazywabbit love that! I remember getting the same advice! I kinda want to do another video trying to cram enough in just the 48hp case for some fun. Without it feeling like a pico system. You gotta make modular what you want to make of it! Happy patching!

@@devondaviau amazing! You’re so welcome! I hope you have so much fun getting stuff going! Yeah, that 1u out is great! I’m thinking I need a 1u out or maybe that Befaco 1u out to get another 2hp free in the 3u. Funny how that can seem like lots when it’s full. I have a switch I like to keep in there but am 2hp short. Feel free to reach out along your journey and I’ll keep some videos and ideas coming. In a bit of a slow down due to summer but have a pretty fun one in the works!

@@devondaviau also, thanks for watching! Love when stuff I put out there is at all helpful!

Heyo! Noise Tools has been amazing! From my scouring modular grid, it wasn’t the most useful by hp. I actually had set to buy 3 separate modules to achieve clock, noise, sample and hold, and slew. It would have had the ability to cv slew as well and possibly act as an lfo of varying shapes but Noise Tools came up used and was basically a third of the price of buying the other 3. In terms of use it has been essentially and was a key piece in removing the tether from 0-Coast which I was clocking from before. I like using it as I don’t have any reference number in terms of bpm. I do wish I could modulate the speed of it to introduce swing but it isn’t absolutely essential. I was way more excited to not have to reduce the function of some modules by having them serve as clock for the case. Modular is kinda like that. It’s hard to set a whole case out perfect. Often as you patch and play you’ll find gaps or things you use way more or want to explore more than what you have set to be in the case. I’d say in most cases that should pull toward utilities but it all depends on you and what you’re making. I’m excited to see where you land. So much fun stuff when it comes to percussion sequencing. Check out Four Bricks Rook if you haven’t yet. It’s an interesting approach to chopping up parts of drum beats allowing you to extend or take a part of a drum beat to repeat.

Thanks! This was a fun one for sure! It’s fun to be able to go back and listen to different jams. As you’re more limited, the sonic palette can get quite interesting! Like if you don’t have samples but need drum stuff and try and patch a way to make it work in the patch.

That’s amazing! Very fun that the list kinda lines up like that. Thanks so much for watching so glad it’s helpful! I say everyone’s exact modules should vary as to what you’re interested in. Atlantix has a lot going for it and really, if you break normalizations from time to time you stand to learn a lot. If Atlantix has your vibe and it fits with budget and space, go for it for sure. I’m kinda betting that the 1u choices I make won’t be the same as others may make. Excited to figure more of that out though it changes a bit each orientation I present in these videos. Thanks so much for the sub! Lots of ideas to come, some similar builds to this and likely one or two quite different for kicks.

@@turbotambourine your percussion game is very solid - nice job there. I haven’t really gotten my mind around what’s required to make a drum experience that rivals a specialized drum machine.. another conundrum 🙂. how you’ve woven synth and percussion is really well done, however - had to watch a couple times just to keep up! looking forward to unpacking your other videos over the weekend! 🍻

@@crtzmo thanks so much! This is a continual fun sort of challenge for sure! Drum stuff often takes up a lot of space and when space is limited, you have to get creative or at the very least choose very wisely in building out the case. I found it really helpful to think about it from a need’s perspective. Bare minimum, a kick, snare and hats needs to get sequenced so really that’s only 3 sequences. Then you can pick and choose what fits best for that patch. Steppy would be more like that drum machine sequencing experience and Knight’s Gallop would be Euclidian. You could even take clock for the hats if you needed. Once you have some sequencing, you kinda have to figure out what works. There’s more things that can be helpful to add to the case like a Bernoulli gate like After Later Audio Flip (Branches clone). This could add some more playable probability or to go back and forth between open and closed hats. Anyway, my approach at this point may seem layered and complex but really, start one sequence at a time and learn what you have to work with and make the best of it. Going slow helps to iron out parts that work and don’t and it can be tricky to sort out modular needs based on rhythmic feelings etc (tricky for me as I’m just more used to playing drums vs sequencing them). Let me know if you have any questions! Happy to help!

Amazing! 0-Control seems like a lot of fun! I’d love to collect one at some point! I love the focussed setups! They really pull a lot out of each module!

Goodness! Thank you so so much! I’m happy to keep making em! So many more ideas! Take care!

oh wait, youre a trans man, huh? sorry about that <3 respect

Not sure a synth video deems it necessary you know bits about my personal life but nah I’m straight. Is this meant to be an insult? I’m quite possibly autistic. Cheers goes out to the 2SLGBTQIA community celebrating pride month!

Thanks so much! Love that you’re into the videos and format! If you ever dive into eurorack, I hope it’s a really fun journey! Let me know if you ever have questions. If I know the answer or have any experience, I’m happy to share! Thanks for watching!

Also I'm amazed in front of the Triple Steeple. It's very powerful just like most of their modules.

Very much agree! Such a good balance! It makes their modules so compelling to use. Thanks so much for watching! Glad you’re digging the vids!

@@raktNewsletter Absolutely! It’s much more than just a stacked 3x envelopes and I love that!

My pleasure! These were really great modules to explore and yeah, like I said, we’re only at the beginning in terms of music I’ll be making with them. Super stoked about them!

Thank you again for sending them!

Thanks so much! Yeah! Double feature seemed like the best way to tackle this one as they played off each other so well and also they went into the case at the same time!

Woah! Thank you so very much! I love making stuff like this and the heart of any of the videos are the patches. I love putting together a compelling patch with whatever I might have on hand and as I learn and craft, I love sharing it! I hope I can continue to push it with good patches and stay creative and lively on the video side too. I think I’m slowly getting better at scripting and having more clarity or easier edits and have chilled out a touch on the many extra shots but only for a bit. I’m looking forward to the next full one coming up and I just uploaded one yesterday with a jam video in about a week. Honestly it’s a joy for me learning video stuff and to be able to share these many thoughts about modular and my experience that go on in my head. Thanks so much for watching and the kind words!

Thanks so much! The music I typically listen to has lots of changes in variation and beat so I wanted whatever I created in modular to have similar elements of flexibility and playability. I continue to be excited about gaining more playability in variation and control in the case. That and learning how to play patches for wider dynamics. So glad you’re liking what I’m putting out! Thanks for watching!

Thanks so much! So happy you enjoyed it! I tried to cover everything! More exploration in fm and pm will bring about more useful results and there more modes in use for Triple Steeple in the upcoming jams video. It may have a brief overview of each patch but I’ll try to keep in pretty simple so I can jump into work on my next video! Thanks so much for watching!

Thank you for the detailed answer. I am very excited about the next videos with this quality, I will be very happy to watch them here and give them a thumbs up. I'm particularly interested in the Shakmat Triple Steeple, as many people always talk about the Quadrax, but I think the Shakmat Triple Steeple is the cooler of the two ;-)

@@mit136speichenumdiewelt well, you can look forward to many videos with the Triple Steeple patched up as that’ll be my envelope module going forward. There’s some excellent additional patch ideas in the manual too! Brilliant how it works!

I already can't wait for that. You explain it really well . Rarely seen it like this in this context.

Thanks! So glad you enjoyed the walkthroughs! I think those are the hardest parts of these videos to do. I always want to make sure they are as smooth and clear as it can be. Wish I had had a lowpass gate in the case for the first demo though as the unfiltered saw for that long probably got a bit grating on the ears. Thanks for the sub.

Thanks so much! Yes the list can get rather long eh? Both of those are great modules! Good luck with the work! It took me a while to save for the Bard and even then, it was some funds as a birthday gift that made it happen. One of my faves for sure!

I agree! Very much digging the Shakmat stuff in my case!

Thank you so much! So glad you like em! I’m finding this size really fun and capable. So good to hear of so many others that are Shakmat fans! Dual Dagger looks sweet! So smart how the patching works on that. I remember watching a video on it and was so impressed at the depth! Anything coming out soon from them you’re looking forward to? They just keep creating!

@@turbotambourine yeah I really like Dual Dagger, such a smooth stereo filter with clever inputs, it has the same knobs that Triple Steeple so it´s very playable. definitely a keeper. I´m looking forward to Ballista Blast, because seems to be really versatile, can´t wait to get one.

@@pablobarria296 yeah! The knobs on the Shakmat stuff are some of my fave. Very smooth and sturdy. Ballista Blast looks awesome! Can’t wait to see a full run down of it on their channel as it nears release. From the demo’s I heard, it seems to have a ton of range.

@@turbotambourine that unison super saw and fm sounds amazing. I hope you could get one for a review, that would be so cool!

@@pablobarria296 that would definitely be a lot of fun! We’ll see!

Nice! They did so many things right with the Bard! Love that! I haven’t messed with the Mod Medusa as of yet but can only imagine it to be wonderful! What is something about it that you find you use a lot? Feel like I’m going to have to take another look at that manual!

@@turbotambourine rhythmic, euclidian modulation. very performable since you can easily change the shapes with knobs and you can't really go wrong!

@@bluenautilus I love that! Definitely something I’ve come to appreciate in patches, just setting things up for playability. I seem to like twisting knobs to positions more than timing button presses.

@@turbotambourineSecond this comment, I've really enjoyed Mod Medusa, it has way more capability than I've been able to realize, but it is musically cool to have the ability to form modulations/lfos that can vary in shape or other parameters but are rooted in a clock so even as they move they maintain that anchor with the form of the music

@@aquarelasof love that! It’s more powerful than you first think and I think this approach is a really wonderful one. It feels like you’re still able to embrace that variability of modular while maintaining intension. Thanks for letting me know about this! I’ll need to be on the hunt for one. I have a couple things on the list. Haha a couple…

Thanks so much! I agree! Their modules make big difference when it comes to making music. I’ll continue to keep my eyes open for releases from them. I’m gonna need a b-case though at this rate. I’d be stoked to set something up and get into Bard a bit more deep!

@@turbotambourine Time for a 7u case!

@@jeejeeBlaps 😂 the groovebox might grow. Of course at that point I’d have to do some side-by-side size comparisons!

@@jeejeeBlaps to a regular groovebox that is.

Thanks so much! It’s really cool! Didn’t think I’d be so stoked on the extra modes on it. Just having the 3 envelopes is great! What’s your fave thing about it?

@@turbotambourine So much power in such a small HP. I also love the fact that attack and release scale together.. 😊

@@Probbie agreed! Yeah the attack and decay scaling together is so nice! It keeps the intension pretty well intact.

Of course! It’s a travel eurorack setup. To be honest, I get motion sick on flights but say if I didn’t there are many other portables if I absolutely needed something while on the flight. The main purpose of this was to patch with my buddy and I don’t have another way of making music. I’ve been considering a hardware tracker for noodling but modular is definitely my go to.

Thanks so much! Agreed! I feel like with the right modules it’s easy to just get into it and get lost in creating.

Thanks! Love that! If you ever want any input on modular synth stuff if that’s the path you choose, feel free to message me with any questions. I can only answer from my perspective but sometimes it’s helpful to have person instead of a whole forum etc haha.

Nope! Zero relation! I’m in Canada but am Jamaican Chinese. Ricky’s awesome though! That’d be cool. I actually wonder who’s older haha.

So fair! I feel like that would be cool info for Shakmat to include. A friend of mine got this info from them. Table 1: from CO to D#0 2: E0 to C1 3 : C#1 to A1 4: A#1 to F2 5: F#2 to D3 6: D#3 to B3 7: C4 to G4 To clarify, those note ranges can be represented in volts as well if you follow the 1v/oct scale. Also, make sure that if you’re using those values that you have the harmony knob set to full counter clockwise as I believe it will act as an offset. I what the logic was of breaking it down in this way and not just having 8 octaves. If it were broken in 8 octaves you’d be able to feed your pre quantized values into harmony and thus be able to create non-octave repeating scales, so ones that take modes into account. Want me to follow up with Shakmat more about this? You’re the second person who’s mentioned it. Also, do you already have one or are looking at one?

Feel free to DM me on insta if that’s an easier place to have back and forth and figure this out for ya!

​@@turbotambourine ​ Thanks for the response. I've had a BQ for a while with expander, and I love it. What I'm trying to accomplish (using BQ or something else) is this: I want to use CV (gate/trigger/offset) to automatically transpose my melodic sequence musically in key. For example, let's say I've got a melodic CV sequence going in the key of "C" I want to use a gate/CV signal to automatically transpose the sequence up a 4th to "F" for 16 bars, then another gate/CV signal to automatically transpose it up again to "G" for 8 bars, then a final signal to automatically transpose back down to the original "C." I don't want to turn knobs manually, I want to program it to happen automatically (or perhaps randomly). I could perhaps use some adders, transposers and a sequential switch, but it gets complicated pretty fast. I thought BQ might be a better solution. Here's my idea: If I put my "C" quantization on Harmony 1, my "F" quantization of it on Harmony 2, and my "G" quantization of it on Harmony 3, then all I need is a single CV signal into the Harm input to move it along from harmony to harmony, essentially "transposing" the sequence. Less modules and less patching. Just so I have this straight: If I want the Harm input to jump from harmony 1 to 2, I need to feed it a pitch CV note that is somewhere between E0 to C1? What about just a standard CV offset value in volts? Can it just be a single note that bumps it up, or does that note have to sustain as long as I want the harmony? I emailed Shakmat, but they're probably at SuperBooth this week.

@@JayHughes-zv5qr I have another way at it but let me know if it doesn’t work musically for you. My knowledge in terms of theory is rather limited. By you mentioning you’d like to transpose your sequence up to the 4th, to me that would be just applying offset cv to that initial cv sequence in the time divisions you are hoping for. Is that what you’d like to do? You can use the transpose in on the quantizer and have that effect any or all of the channels and you can choose to do that via octave, pre-quantizer, or post-quantizer. Are you familiar with that setting and the menu? So you’d need 2 or 3 things to make that happen: 1) a cv sequencer that you can put in those voltages to offset the voltage up or down. 2) that sequencer needs to be running slower than the clock. That could be within the module (varigate has a div function) or with a clock divider. You just want to send that transposing sequence into the transpose in on the Bard. Then to activate the transposition, select the channel in question and press Edit to go into the Edit Menu. Then on the keyboard section bottom right quadrant you’ll see 3 options. The middle one is pre-quantizer. Press that one. Now any voltage above would transposing that whole cv sequence up. Now you just need to set up the cv values on that transpose sequence and you’re in business. You can make the length of that however long and epic as you want or it could be just the 3 transposition.

@@JayHughes-zv5qr If you want to utilize the minimal amount of modules though and you have the facilities to send just a gate pattern for transposition, you could use another channel of the Bard Quartet in arp mode. Set it to 0 octaves on the Edit Menu and 0 octaves on the Apr Menu, key in the notes that correspond with your transposition and then you can just send that channel a trigger to advance to the next note and then you want to send the out of that arp channel to the transpose TRSP in. Then have the channel receiving CV set up the same as my previous reply. Does this make some sense? Or does it work for your use? I love using it for transposing sequences or changing simple sequences over time. I was considering getting something like Ana 2 so I can also bring the upper limit of notes down or up while leaving the sequence in tact. I’m sure there might be a less involved module to do that also, still learning though. Might do a dive at some point to sleuth something out.

Thanks so much! I love that! That’s my hope for the videos. As much as modular can be about getting together that perfect system, I love how lost in music you can get with fewer modules than you think. That’s where a lot of fun is as relationships are almost guaranteed. And so glad the effort of the video stuff shows well. I really have liked learning more about that side to tell more cohesive “stories” etc too. Working on the next video and hoping it’s up in time for superbooth but we’ll see.

Thank you!!! Such a fun one! I love just discovering little melodies! Thanks for watching!

Just curious about what your question might be. Happy to answer though.