Відео

Nice explanation of formants. Also, the *vibratto* is very obvious in spectrogram. Like... that +-30ct of +- 40 ct of deflection form average frequency is wild! Humans love imperfection. (UPDATE: typos corrected)

Academia Nazionale di Belcanto Italiano - Astrea Amaduzzi/Mattia Peli.

Thank you and you presented something to demystify a difficult concept for me. I find theoretical sessions like this is truely beneficial in the long run. Greatly appreciated 👍

When I was an alto, we had chest voice and head voice. I think this is the same as full voice and some kind of falsetto! The lontano sounds better than straight falsetto. I hated the alto parts because they were frequently lurking around that E-F4 where the break is. That is why I feel more comfortable singing tenor.

Utile! Grazie 😊

Thanks a lot, do you have the audio file of this? I’m gonna try to do it every day. I sung the low C and I was happy about it.

Muy interesante, muchas gracias por tus enseñanzas. 🙏🏽🤓

How do you feel about "placing" the voice in the sternum as a technique for keeping the larynx low?

Hey, I inspired THIS video! I need my creative inspiration credit😳🎤😎

... excellent ... !!!

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Thank you!

For additional help, try his Falsetto Exercises! I do this one every day, but the other one once in a while as it is very hard.

ブルブルはどうしたらできますか？

Glad to bump with your channel. Can you teach me how to sing like Josh Groban? like a combination of pop and classical I think? where he sounds different yet able to reach high notes 😅

Big difference in hitting a hi notes and actually singing in high registers!!! I know cuz I been at it for years!! Nice try

HELLO, WHICH SOFTWARE IS THAT YOU'RE USING?

Love these! I have trouble with the notes from f+ to high c (falsetto I guess) as I was an alto for about 10 years. Trying to get more of the chest into them.

ua-cam.com/video/kCX1PA_x8SA/v-deo.htmlsi=WPsJ3xQIy0K0rowX

Do you cover contemporary singing?. Your voice box is very low in this singing.

Thanks a lot.. very good content

Wonderful video. Thanks! :)

Mister, Mister, my latest thing is to drink 32oz. of water in the morning before I brush my teeth. I’ve been doing this for about a month now…

Hi! Question about studying with a Soprano teacher as a Baritone who struggles matching pitch. My teacher is great, but I wonder if it would be more beneficial to study with a teacher with a lower voice type in my situation as she can only demonstrate so much vocally for me, and I struggle with pitch and deciphering what octave/part of my voice I should be singing in can be a challenge. She does try to describe it to me the best she can/plays the notes down the octave, but I am still not sure if I should be singing low, middle, high in my range etc. Further, I notice sometimes in some of your other videos that it sounds like you play the treble clef version of the note on a staff (example G4) on the piano and demonstrate it as more of like a falsetto note for male voice, and then sometimes you play the same treble staff note on the piano, but sing instead an octave lower in a fuller voice. Do you play them interchangably when teaching baritone voices? How do I interpret what octave I am singing in when looking at sheet music when it is written in treble clef? Is it an octave lower? Would it be at the bottom, middle, or falsetto part of my range? Just asking because I can hear the difference, but I can't translate it to my voice when singing, and though my teacher is doing what she can, I want to make sure there is no confusion on my end because of the difference in voice type etc. Any insight would be super helpful, thank you!

¡Excelente video!. Muchas gracias maestro, es vital mantener una perfecta hidratación, tanto para la salud de nuestros pliegues vocales, como de todos nuestros órganos. Saludos desde México 🇲🇽

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These are great exercises. Great lesson. I learned a lot. Thanks!

Thanks man 🤟

You quoted Richard Miller. But you do the opposite to what he says. At 50: 21 in the link of Miller in a Masterclass, he starts to talk about support and then shows what you say to do but tells the lady she shouldn't do. AT 50:55 he starts by saying, "Don't pull in at all". Then demonstrates not to do what you say. Appoggiare means to "lean" more than "support". There is a lean that occurs when the sound is activated with the Diaphragm while singing. It causes an open free gesture. Not a collapsed gesture that goes with the expulsive action of the abdominal or expiratory muscles. The Abdominals should not activate while singing. The lean is on the Diaphragm not the larynx or voice. You quoted Miller in the beginning of your video, but you did not understand what he said. There is a feeling when you hold the breath (not with the larynx) and maintain that hold. This is the "equilibrium". This feeling is what you sing on. This hold feeling. As you sing the Diaphragm is engaged and you feel a lean. Which sounds weird because the Diaphragm is a muscle of inspiration only. But this is what happens when we sing and support correctly. ua-cam.com/video/nLRwCT0e8A0/v-deo.html

Damn this was demoralizing. My falsettos been getting better but yours is beyond with so much strength. I admire the amount of dedication you took to get there.

Awesome

i love what u do sir

Amazing technique. Peraltro la pronuncia dell'Italiano è stata pressoché perfetta. Bravissimo

Most enjoyable. Thanks.

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very very helpful, great explanation!!, Thanks a lot

Hi teacher, Could you show your words on the screen and it will be better to help us to learn lessons. I would appreciate.

Outstanding! im working on the nasal reso of my high notes with teacher at this time. im on 8 months musical threatre trg at this time. im a barotenor i think not sure. but falsetto comes easy at this point. im working at the breaking point now just before the flip occurs its tricky chest to head and higher. thanks love your vocals and videos info. peace

Cheers Joshua! What a nice video. Already subscribed! I really like singing in my falsetto but never really saw a specific exercise for it. Will be returning to this every other day. Thanks

I've never heard the term "voce di lontano". I think what you're referring to is "mezza voce".

Never seen this explained so simply. Rushing to studio...

Lontano is thought of as mixed voice, voix mixte in vocal training and it is an absolute must for professional opera singers to understand. Resonance is also an even bigger factor. A helden tenor, baritone or bass (with a much larger larynx and vocal fold mass, and sinus cavity, etc) can sing with more mix than a singer with a lyric operatic voice and achieve more volume (exponential volume in decimals - they can be twice as loud in decimals based on physical build alone than a lighter voice pushing out full voice and the lighter voice will have little chance of ringing volume over any Wagnerian). Generally, opera tenors and baritones understand that full voice causes more fatigue if it is full and pushed for more volume to create more decimals than the voice is naturally 'built' for and singing for hours. Many Broadway and Metropolitan opera tenor singers have not had long careers trying to use full cord mass to be louder. Understanding voix mixte and resonance is the key to professional singing.

Excellent video. Wonderful explanation of the mechanics of falsetto, and a new term for me "Voce di Lontano". Absolutely great to get new information. I look forward to seeing more of your channel. Thank You!

The way you broke down falsetto mechanics is fantastic! Visualizing how vocal cords move makes it so much easier to understand.

From a skill/development level, may I ask which male Classic Rock vocalists you respect? Which 60s era male vocalists? Appreciated.

You is VERY smart…

This video is pure gold! Leterally the only one i've come along so far that's good in explaining the difference between falsetto and the other types of head voices. Everyone who is wondering what "mixed voice" is should have a look at this before even trying so to clarify what falsetto is and how it works!! outstanding teacher!

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Good point !