Alan McGowan Art
Alan McGowan Art
  • 11
  • 58 473
Anatomy for Artists - Books Review
A review of a range of current and classic books on Anatomy for Artists, including works by Robert Beverley Hale, Valerie Winslow, Paul Richer, etc (see full list below).
For information on my upcoming online Drawing, Painting, and Anatomy courses courses go to my website at www.alanmcgowan.com
Books I review here - "Classic Human Anatomy" by Valerie Winslow ; "Gray's Anatomy" ; "Anatomy Lessons of the Great Masters" by Robert Beverley Hale ; "Anatomy for the Artist", by Jeno Barcsay ; "Artistic Anatomy" and "Female Morphology" by Paul Richer ; "Human Anatomy for Artists" by Eliot Goldfinger ; The Complete Guide to Anatomy for Artists and Illustrators" by Gottfried Bammes; "The Human Machine" by George Bridgeman ; "Figure Drawing Design and Invention" by Michael Hampton ; "Anatomy a Complete Guide for Artists" by Joseph Sheppard.
Переглядів: 9 534

Відео

Anatomy for Artists September 2023
Переглядів 531Рік тому
New Course - September 2023 "Anatomy Lessons of the Great Masters". Online Course with Alan McGowan. 2 hours per week, 10 weeks starting Tuesday January 10th 2023. More details at www.alanmcgowan.com/section876565.html
FLOW: A film about painting - trailer
Переглядів 2,4 тис.Рік тому
"Flow" is a short film based on a live painting performance - combining physical movement, music and painting. This performance features the model Topaz Pauls and the musicians Tim Vincent Smith and Matt Wright. Performed at the 2022 Edinburgh Fringe Festival “Flow” is immersive improvisation; an exploration of paint, space and sound. Artist Alan McGowan, model Topaz Pauls and musicians Tim Vin...
The Materiality of Paint
Переглядів 2,4 тис.3 роки тому
Looking at the materiality of paint and the value that it can have for oil painting. It builds on my previous video which concentrated on transparency and develops it also into the relationship with paint application, with opacity, and the use of white. Part of a series at www.patreon.com/alanmcgowan
Colour for Artists, Part 3 of 3. With Alan McGowan
Переглядів 2,6 тис.4 роки тому
Colour Worlds. Working with Three Dimensional colour space. Scottish artist Alan McGowan examines how colour works in painting, in light and pigment, and how artists can use this to understand colour mixing and the colour worlds they and other artists create in their pictures. Third part of three.
Colour for Artists, Part 2 of 3. With Alan McGowan
Переглядів 3,9 тис.4 роки тому
The Elements of Colour. Alan McGowan examines how colour works in painting, in light and pigment, and how artists can use this to understand colour mixing and the colour worlds they and other artists create in their pictures.
Colour for Artists, Part 1 of 3. With Alan McGowan
Переглядів 8 тис.4 роки тому
Scottish artist Alan McGowan examines how colour works in painting, in light and pigment, and how artists can use this to understand colour mixing and the colour worlds they and other artists create in their pictures.
Why Do We Make Art?
Переглядів 3 тис.4 роки тому
Do we make art for posterity, or other reasons? Edinburgh artist Alan McGowan explores the purposes of making art, looking at the work of British illustrator Ronald Searle and American author James Baldwin. Art Bunker - reflections from lock down Britain.
Nutcracker Painting for Scottish Ballet
Переглядів 1,5 тис.4 роки тому
Time-lapse painting of The Nutcracker Suite produced for Scottish Ballet 2020 season launch. Painting is 2 x 1.5 metres and painted in 1.5 hours. One of a series of three. Oil paint, oilbar and pastel on canvas.
Anatomy for Artists Workshops with Alan McGowan
Переглядів 11 тис.8 років тому
Next Workshop Online. "Anatomy Lessons of the Great Masters" 2 hours per week. 10 weeks, starting 19 September 2023. More Details at www.alanmcgowan.com/section876565.html

КОМЕНТАРІ

  • @AmantesdelDibujo
    @AmantesdelDibujo 9 днів тому

    WOW …¡¡ ❤❤❤ I want that Amazing collection of Books 📕

  • @FanPhys
    @FanPhys Місяць тому

    Great overview of some wonderful books - thank you! My first anatomy book was Sheppard's, which I bought (jings) almost 25 years ago, followed by Barcsay, which like you is where I learned the bulk of my anatomy knowledge. I also have numerous others, like Hampton's, and three of Hogarth's from his "dynamic" series (Figures, Anatomy, Hands). There are of course notable mentions when it comes to general figure drawing, eg. Loomis and Bridgman, but when it comes to pure anatomy I think Barcsay ought to be a staple, a good foundation which can be built upon with any of the others.

    • @alanmcgowanart6321
      @alanmcgowanart6321 Місяць тому

      Good to hear you sticking up for Barcsay! I think I tend to be a bit down on him just because the design of the book I have is not great, but actually I've got a lot of affection for that book and I think his drawings are really good. They have had an influence on how I think about shading and making form as well as anatomy. Thanks for your comment.

  • @germanluna6518
    @germanluna6518 Місяць тому

    Great review. Thank you so much.

  • @betweenthepanels9145
    @betweenthepanels9145 2 місяці тому

    The Morpho book series is always quite good as is Anatomy for Sculptors by Uldis Zarins

  • @retromograph3893
    @retromograph3893 2 місяці тому

    Great review, thanks!

  • @brenturner9231
    @brenturner9231 4 місяці тому

    Hello, thank you for the video, just to add a bit of unnecessary information, "Paul Richer" is pronounced "Paul Rishé" (like in "cliché"). He was French.

    • @alanmcgowanart6321
      @alanmcgowanart6321 4 місяці тому

      Hi Bren. Thanks for that, that's good info. I guess I was never quite sure how to pronounce it properly! Cheers A

  • @ratman431
    @ratman431 4 місяці тому

    I found out the copy of the Barcsay book I have is a revised edition. Put out in 1995.The thing that I dislike about the Barcsay book is the drawings of the heads. Thanks for making the video. I learned a lot. I'll definitely have to read some of the books you suggested.

    • @alanmcgowanart6321
      @alanmcgowanart6321 4 місяці тому

      Yeh, my copy of the book is a bit older than that - from the late 80's. His anatomy drawing is really good I think but I agree, when he gets into faces and some of the figure drawings the stylisation is a bit much. Glad you liked the vid.

  • @ratman431
    @ratman431 4 місяці тому

    After watching your video. I looked at my copy of the bars cay book. You are correct the descriptive paragraphs are separate from the art. How the book works is each page has Roman numerals at the top. The paragraphs contain Roman numerals that corraspond with the Roman numerals on the pages on the illustration pages.

    • @alanmcgowanart6321
      @alanmcgowanart6321 4 місяці тому

      I think the fact that the text and images are separated from each other in the Barcsay book makes it more difficult to follow (unnecessarily so in my opinion) - it just adds another obstacle we don't really need. Even worse in my copy some of the labelling is actually incorrect! though mine is an old edition and it may well be that those inaccuracies have been amended in newer printings.

  • @camila8ym
    @camila8ym 5 місяців тому

    Super useful video! Thanks for sharing!

  • @Die.Trying
    @Die.Trying 7 місяців тому

    Thanks

  • @hanna5528
    @hanna5528 8 місяців тому

    Lovely video, thank you!

  • @Mario543212
    @Mario543212 8 місяців тому

    very good video. thank you!

  • @heartk4696
    @heartk4696 9 місяців тому

    Very helpful video, it really helps to understand which book better suits one's needs. Thank you for doing it.

  • @UlfricStromcloak
    @UlfricStromcloak 9 місяців тому

    I would say Michale Hampton's book s geared towards Concept artists. It playes well for anyone doing character design for entertainment industry. I have taken his class with CGMA. he also publishes his instruction on UA-cam from time to time. Great instructor imo.

    • @alanmcgowanart6321
      @alanmcgowanart6321 9 місяців тому

      I agree that Michael Hampton's book is really good for character design and creating figures from the imagination. Good I suppose for animators and game designers. Good artist.

  • @RyanParreno
    @RyanParreno 9 місяців тому

    Very helpful reviews of these books! I see not a lot of people have still checked out Roberto Osti's books, which AFAIK are the newest published on the topic. I'd love to learn what you think about them.

    • @alanmcgowanart6321
      @alanmcgowanart6321 9 місяців тому

      I didn't know of Osti's work before. I'll check them out. Cheers.

  • @gp3798
    @gp3798 10 місяців тому

    there are many manuals on artistic anatomy. I appreciated the review you gave. Classics such as The Human Figure by john Vanderpoel, the texts by Burne Hogarth and Michel Lauricella inspired by the Bridgman construction method were missing. in Italy I hear excellent reviews regarding the Lolli men's structure, it seems very rich in information and drawings on the anatomical structure even in movement. Also roberto osti books. Anyway it is difficult to indicate which is the best manual text, it depends on what you are looking for, on the time that each person wants to spend studying the subject, on the level of previous knowledge I agree that gray is actually for medical scholars. the netter is fascinating, for those who love illustration. among other things, he, a painter, decided to study medicine apparently encouraged by his family to earn a living. and thus he shared his passion for drawing and painting, frank netter becoming perhaps the most famous anatomical illustrator of the last century. However, in my opinion, artistic anatomy must be practiced and understood with the live subject, whether as a model or even by observing oneself. a book can never convey the 3D shape and the ability to observe and analyze a subject like in life drawing. There are also artistic anatomy apps in which it is possible to rotate the 3D model and break it down. observing, observing and practicing allows the mind to memorize the shape and you can gradually draw from memory and imagination. It is no coincidence that the great painters of the past also studied anatomy through cadavers, in the smallest details, just think of Leonardo's stupendous drawings. today technology has taken away our spirit of observation a bit, we are too bombarded by images; paradoxically this deprives us of imagination and fantasy .

    • @alanmcgowanart6321
      @alanmcgowanart6321 9 місяців тому

      I think the apps and books etc can help a lot, but must also be paired with working from real life observation to really understand the subject properly. We need a bit of both I think.

  • @casperwilliams6393
    @casperwilliams6393 10 місяців тому

    Thank you so much sir.

  • @mesolithicman164
    @mesolithicman164 11 місяців тому

    Lionel Hampton? Jazz icon and human anatomy expert. News to me.

  • @jennyfarrell5979
    @jennyfarrell5979 Рік тому

    Absolutely fascinating and very thought provoking. Thank you so much.

  • @richardbaeyens1313
    @richardbaeyens1313 Рік тому

    Thanks for the sharing. A good book too, is from Roberto Osti The anatomy Humain. ☕👋

    • @alanmcgowanart6321
      @alanmcgowanart6321 Рік тому

      Thanks for the tip. I'll have a look out for it. Cheers, Alan

  • @williampaquet6573
    @williampaquet6573 Рік тому

    I'm a figurative sculptor for over thirty years and have not seen that Goldfinger book but am going to get a copy so thanks for sharing that. I own many anatomy books and honestly the most insightful books I ever procured were from George Bridgman; his understanding of mechanics, form, balance and composition were essential in my growth as a young artist. Thanks for this video and the adult no nonsense presentation. Cheers.

    • @alanmcgowanart6321
      @alanmcgowanart6321 Рік тому

      Yes I can imagine Bridgeman being especially good for a sculptor. He's very good on function and mechanics isn't he.

  • @Enhancedlies
    @Enhancedlies Рік тому

    A list of the books in the description would be super helpful!

  • @immanuelgodson7156
    @immanuelgodson7156 Рік тому

    Middleclass

  • @marcianoschmitz3541
    @marcianoschmitz3541 Рік тому

    Fantástico trabalho, abordagem e dinâmica ótima!

  • @oscarpetersenicardi5862
    @oscarpetersenicardi5862 Рік тому

    Muy buena tu pintura ,muy expresiva y gestual se nota que eres un buen dibujante

  • @daveemerson
    @daveemerson Рік тому

    Great series on color Alan. Very well done. Thanks for putting this together and sharing.

  • @h9rmonies
    @h9rmonies Рік тому

    Thank you Mr. Mcgowen I feel like I can really understand what emotions colors can carry and how important are to the context of the painting. Thank you so much.

  • @daveemerson
    @daveemerson Рік тому

    Well done Alan. I have several of the books you reviewed - including Richer and Goldfinger and I find myself getting overwhelmed with information. I don't have the Winslow book but I will pick it up soon. Thank you!

    • @alanmcgowanart6321
      @alanmcgowanart6321 Рік тому

      Hi Dave. Glad you found it useful. The Winslow should be less overwhelming and I think the whole feel of it is a little bit warmer, a bit less dry. Let me know your thoughts if you get it. Cheers.

    • @daveemerson
      @daveemerson Рік тому

      Hey Alan. I did pick up the Winslow book. I love it, very dynamic book. Drawings are fantastic, information is laid out very well. Of all of my anatomy books, this is my favorite and most useful. Probably the only anatomy book an artist would need. Thanks for recommending it.@@alanmcgowanart6321

  • @jeffreyroberts7438
    @jeffreyroberts7438 Рік тому

    Brilliant! The whole thing, music, demonstration everything !

  • @gilvanjunior1599
    @gilvanjunior1599 Рік тому

    Bonjour ! Ça nous ressemble Lucian Freud! Je suis brésilien...

  • @michaelwoehl8822
    @michaelwoehl8822 Рік тому

    Have been asking myself this question all my life, still haven't figured it out other than the fact that I do it, haven't made a dime, but so far have kept my soul.

  • @MrLjw1001
    @MrLjw1001 Рік тому

    Very nice talk. Thank you

  • @josewilsondemacedo6176
    @josewilsondemacedo6176 Рік тому

    Thank You from Brazil!

  • @beatakowalczykowska8689
    @beatakowalczykowska8689 Рік тому

    Thank you - great info

  • @wizard_training
    @wizard_training Рік тому

    Glad I found this. Thanks for sharing

  • @JacquelynSmith_perfect45degree
    @JacquelynSmith_perfect45degree 2 роки тому

    Quite to the point actually as it is possible to support your perspective through so many artisans work over a very long period of time. Thank you for taking the time to share your perspective. This is also what it’s all about.

  • @willtheo
    @willtheo 2 роки тому

    Thanks for sharing! This view you describe reminds me of Heideggers key concerns : who we are , what is our true state of being , the difference between mere being and BEING. Care being the main expression of Being . Art as the vehicle to express BEing. And how art can unveil or uncover what he describes as our authentic being - as distinct from the inauthentic ways we exist.

  • @bobmiller7502
    @bobmiller7502 2 роки тому

    describing art with words,is like hunting with a slightly outdated banana, a tad floppy/smelly, poop

    • @alanmcgowanart6321
      @alanmcgowanart6321 2 роки тому

      I think it's something of a paradox. It is in a way an impossible task to talk about/ describe art adequately. But the alternative which is to not be allowed to say anything at all is no great answer. I think therefore we try to negotiate between articulating what we mean (and especially the exploration of visual imagery, music, art etc) and accepting that the description will always in some way fall short of achieving its goal. It's a Sisyphean task.

  • @jainejackson8897
    @jainejackson8897 2 роки тому

    Just found you and these.....fantastic, thank you for sharing

  • @alansmith4623
    @alansmith4623 2 роки тому

    I too really enjoyed this Alan. As a photographer I am interested in why we make pictures for their own sake and what it is that drives artists to create. What did that early human experience and why did he /she make a picture of their hand on the cave wall ?

  • @candytwinsodell4947
    @candytwinsodell4947 3 роки тому

    Is there a video

  • @leeyi6824
    @leeyi6824 3 роки тому

    Love your work Alan!

  • @13amontalvao
    @13amontalvao 3 роки тому

    Thank you

  • @kiritsi100
    @kiritsi100 3 роки тому

    Hi Alan. Really great explanation of color on all 3 of these videos. I've been painting for many years but seem to steer away from desaturated colors. Very influenced by abstract expressionism. I just recently started using more grays and trying to make my color more specific in the main areas I want to emphasize. Very hard for me to do though. Would you say Van Gogh used much gray or desaturated colors? Would love to see you break down one of his paintings. Thanks again!

    • @alanmcgowanart6321
      @alanmcgowanart6321 3 роки тому

      Hi Andy. Glad you enjoyed the videos. I wouldn't say I'm an expert on Van Goch, though I like his work and think he would make a very interesting case study in terms of colour. As I say I'm not an expert on his development but it seems to fall broadly into two distinct phases. In his early work he is working largely with an earth palette, so quite desaturated, leaning towards the warm side of the spectrum, desaturated yellows and oranges (basically browns, umbers and ochres) Working in a classic tradition and influenced by painters like Millet and Courbet. Paintings like the potato eaters etc. At some point he comes under a more "modern" influence of more saturated colours. Influenced I guess by divisionism, by Seurat etc and this is seen also in the pointilist style brushwork that comes into his work, and this is his more famous more "mature" style. In fact in the Van Goch museum in Amsterdam (the last time I was there) they basically divided his work into the early earth palette works and later more colourful paintings. Gaugins approach to colour would also have been an influence and I think that is slightly different to Seurat. Suerat is basically using saturated colours to achieve a cleaner, brighter "optical mixing" which will tend towards (his theory of) visual experience. So it in a sense slightly more "correct", more effective visually. In Gaugin's case the use of colour is more for symbolic purposes ("use your best yellow, etc), though still tending towards the use of more saturated colours. So Gaugin and Seurat would both have had an influence on Van Goch's later more saturated use of colour. I think in Van Goch's later painting there is use of desaturated colour in conjunction with the more saturated colour - it is often effective to use a combination of both so they can work together (as harmonies, complementaries etc). In doing this he uses cool desaturated colours (greys, pale greens and blues, ) as much as warm (so not leaning on that early "brown" palette). If I were to look into this this more I would be tempted to investigate if the colour palettes of some of the northern European French/Flemish painters like Bastien Lepage had at some point an influence on his work. Though it would be subtle. In the end I think his colour use, which is definately pretty saturated in his mature works, is mostly used for expressive purposes, reaching inside himself as much as out to the visible world.

    • @kiritsi100
      @kiritsi100 3 роки тому

      @@alanmcgowanart6321 Thanks so much for your insight and thoughts. They make a lot of sense. Really appreciate it! Look forward to seeing you possibly break down some of his later work in one of your videos. Don’t think that’s ever been done. Thanks again!