Відео

M. Praetorius (1571-1621): Lo, How a Rose E’er Blooming | Es ist ein Ros entsprungen (1609), Musae Sioniae, 6. Theil (No.53) Sources imslp.org/wiki/Es_ist_ein_Ros_entsprungen_(Anonymous) imslp.org/wiki/Special:ReverseLookup/29878

Antonio de Cabezón (1510-1566): Christe redemptor omnium [II] | Obras de música para tecla, arpa y vihuela (1578) Source: Biblioteca Nacional de España | www.bne.es/es/colecciones/partituras/partituras-compilaciones/obras-musica-para-tecla-arpa-vihuela La grabación está dedicada a Flordeliza

Robert White (1538-74) | mr whight: ut re mi fa soul la Christ Church Music Catalogue, Mus. 371, Manuscript. Keyboard book; copyists unidentified; English, 1560s. f. 9v [10] Sources library.chch.ox.ac.uk/music/page.php?set=Mus. 371 Ed. MB LXVI/17.

Antonio de Cabezón (1510-1566): Ave maris stella [VII] | Obras de música para tecla, arpa y vihuela (1578) Source: Biblioteca Nacional de España | www.bne.es/es/colecciones/partituras/partituras-compilaciones/obras-musica-para-tecla-arpa-vihuela

Manuel Rodrigues Coelho (c.1555-c.1635): Terceiro Kyrio do mesmo tom [do Oitavo Tom por G Sol Ré Ut] Flores De Musica Pera o Instrumento de Tecla & Harpa, Lisboa 1620. See also ua-cam.com/video/1OxElM3234k/v-deo.html

Ut-Re-Mi-Fa-So-La by Manuel Rodrigues Coelho (c.1555-c.1635) Ut-Re-Mi-Fa-So-La was not only a popular subject in early keyboard music. While this solfeggio theme was particularly present in polyphonic vocal music of the 16th century, it appears in keyboard music from the early 17th century onwards. Many composers gave their pieces a corresponding heading. Other composers composed casually, almo...

Dietrich Buxtehude (1637-1707): Suite in e, BuxWV 235, Ryge Tablature, DK-Kk Mu 6806.1399 [1712] Allemanda. 00:04 Courent 03:01 Saraband. 05:12 Gigue. 07:30 Source imslp.org/wiki/Special:ReverseLookup/92850

Bernardo Pasquini (1637-1710): Variazioni per il Paggio Todesco. [Tema e cinque variazioni] Autograph manuscript, Berlin, SBPK, ms. Landsberg 215. Variation 1 00:55 Variation 2 01:44 Variation 3 02:35 Variation 4 03:27 Variation 5 04:24

Johann Sebastian Bach: Sinfonia 10, BWV 796 (1723) from: 15 dreistimmigen „Sinfonien“ (BWV 787-801). My personal, daily Mont Everest. Source digital.staatsbibliothek-berlin.de/werkansicht?PPN=PPN816856265&PHYSID=PHYS_0050&DMDID=DMDLOG_0025

G. Frescobaldi: Corrente sesta (1627)

J. U. Steigleder: Vatter unser, Variation 23 (1627)

Jean-Baptiste Lully: Marche des trompettes de l’opéra Thésée (1675)

Deck the Halls | Nos Galan

F. W. Zachow: Nun komm der Heÿden Heÿland, Partita (1707)

Strasbourg 1607

Lully: Gavotte de Phaeton (1683)

J. S. Bach: Wer nur den lieben Gott läßt walten, BWV 690 & 691

W. Byrd (c.1540-1623): Coranto, FVB 241

Menuet fait par Mons. Böhm | Notenbüchlein für Anna Magdalena Bach (1725)

W. Byrd (c.1540-1623): A Gigg (F.V.B.)

Handel at coffee time

Menuet, BWV Anh. 116 | Notenbüchlein für Anna Magdalena Bach (1725)

Thomas Tallis (1575): In manus tuas | Intabulation

Lambert Chaumont: Allemande du 5e Ton (1695)

H. Scheidemann (1595-1663): „Komm, Heiliger Geist, Herre Gott“, 2 clavier pedaliter

J. Titelouze: Ad coenam agni providi, 2. verset (1623)

Allemande de Mr Le Bègue (ca. 1660)

Scheidt: Helft mir, Gotts Güte preisen | Lobt Gott, ihr Christen all zugleich (1650)

In dulci jubilo