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Dr Laurence Shafe
United Kingdom
Приєднався 8 гру 2011
#art #arthistory #history
My aim is to cover the history of Western art from cave painting to Jeff Koons and to provide detailed explanatory notes with background information and references.
I took a degree in art history and a masters at the Courtauld in nineteenth-century French and British art before completing a doctorate at the University of Bristol. I am now a guide at the Tate and my aim with these talks is to entertain and educate while guiding you round the history of Western art. I discuss the background to each artwork including the artist's biography and the artistic, cultural and political influences.
Each person will bring their own feelings and knowledge to their appreciation of a work of art and I hope I can add to that knowledge in order to increase your appreciation to show you how much fun art history can be.
Laurence
My aim is to cover the history of Western art from cave painting to Jeff Koons and to provide detailed explanatory notes with background information and references.
I took a degree in art history and a masters at the Courtauld in nineteenth-century French and British art before completing a doctorate at the University of Bristol. I am now a guide at the Tate and my aim with these talks is to entertain and educate while guiding you round the history of Western art. I discuss the background to each artwork including the artist's biography and the artistic, cultural and political influences.
Each person will bring their own feelings and knowledge to their appreciation of a work of art and I hope I can add to that knowledge in order to increase your appreciation to show you how much fun art history can be.
Laurence
61-07 Tracey Emin
#arthistory #art #traceyemin
My notes on the talk: www.shafe.co.uk/wp-content/uploads/61-07-Tracey-Emin.pdf
A podcast produced by Google NotebookLM based on my notes: www.shafe.co.uk/wp-content/uploads/61-07-Tracey-Emin.mp3
Tracey Emin is a prominent British artist known for her confessional and autobiographical artworks. The talk covers the following aspects of her life and career:
Early Life and Education (1963-1989): I provide details about Emin's upbringing in Margate, Kent, and the significant events that shaped her artistic voice, including childhood abuse and experiences of loss. I also mention her educational background, highlighting her studies at Medway College of Design, Maidstone College of Art, and the Royal College of Art.
Career Beginnings and the Young British Artists (YBAs) (1990s): The talk explores Emin's emergence as an artist in the 1990s, coinciding with the rise of the Young British Artists (YBAs) movement. I mention her first solo show, "My Major Retrospective," and her association with the movement, even though her recognition came slightly later than the initial group.
Exploration of the Soul (1994): I describe Emin's autobiographical book, "Exploration of the Soul," which she used during a performance art tour in the United States. This book served as a deep dive into her personal experiences and is considered a significant piece in her artistic journey.
Tracey Emin's Important Works: The biography delves into some of Emin's most notable artworks, including:
Everyone I Have Ever Slept With 1963-1995 (1995): This tent installation, featuring the names of everyone Emin had ever slept with, established her reputation as a confessional artist and sparked discussions about intimacy and vulnerability.
My Bed (1998): This unmade bed installation, showcasing a period of emotional turmoil in Emin's life, is considered one of her most famous works and exemplifies her use of personal objects in her art.
Why I Never Became a Dancer (1995): This video piece is a powerful example of Emin confronting her traumatic experiences through art, specifically focusing on a childhood sexual assault.
The Last Thing I Said to You is Don't Leave Me Here I and II (2000): These photographic pieces capture Emin's vulnerability within a beach hut, reflecting themes of isolation and memory.
Feeling Pregnant II (1999-2002): This mixed-media work explores motherhood, pregnancy, and personal identity through children's shoes and accompanying text.
I Got It All (2000): This piece, described as a celebration of financial success, has been interpreted as a commentary on the art market.
Automatic Orgasm (Come Unto Me) (2001): This embroidered blanket artwork explores sexuality and spirituality, showcasing Emin's ability to address personal themes.
Later Career and Recognition (2000s-2020s): She has continued to create art and receive recognition over the years. She was appointed Dame Commander of the Order of the British Empire (DBE) for her services to the arts.
My notes on the talk: www.shafe.co.uk/wp-content/uploads/61-07-Tracey-Emin.pdf
A podcast produced by Google NotebookLM based on my notes: www.shafe.co.uk/wp-content/uploads/61-07-Tracey-Emin.mp3
Tracey Emin is a prominent British artist known for her confessional and autobiographical artworks. The talk covers the following aspects of her life and career:
Early Life and Education (1963-1989): I provide details about Emin's upbringing in Margate, Kent, and the significant events that shaped her artistic voice, including childhood abuse and experiences of loss. I also mention her educational background, highlighting her studies at Medway College of Design, Maidstone College of Art, and the Royal College of Art.
Career Beginnings and the Young British Artists (YBAs) (1990s): The talk explores Emin's emergence as an artist in the 1990s, coinciding with the rise of the Young British Artists (YBAs) movement. I mention her first solo show, "My Major Retrospective," and her association with the movement, even though her recognition came slightly later than the initial group.
Exploration of the Soul (1994): I describe Emin's autobiographical book, "Exploration of the Soul," which she used during a performance art tour in the United States. This book served as a deep dive into her personal experiences and is considered a significant piece in her artistic journey.
Tracey Emin's Important Works: The biography delves into some of Emin's most notable artworks, including:
Everyone I Have Ever Slept With 1963-1995 (1995): This tent installation, featuring the names of everyone Emin had ever slept with, established her reputation as a confessional artist and sparked discussions about intimacy and vulnerability.
My Bed (1998): This unmade bed installation, showcasing a period of emotional turmoil in Emin's life, is considered one of her most famous works and exemplifies her use of personal objects in her art.
Why I Never Became a Dancer (1995): This video piece is a powerful example of Emin confronting her traumatic experiences through art, specifically focusing on a childhood sexual assault.
The Last Thing I Said to You is Don't Leave Me Here I and II (2000): These photographic pieces capture Emin's vulnerability within a beach hut, reflecting themes of isolation and memory.
Feeling Pregnant II (1999-2002): This mixed-media work explores motherhood, pregnancy, and personal identity through children's shoes and accompanying text.
I Got It All (2000): This piece, described as a celebration of financial success, has been interpreted as a commentary on the art market.
Automatic Orgasm (Come Unto Me) (2001): This embroidered blanket artwork explores sexuality and spirituality, showcasing Emin's ability to address personal themes.
Later Career and Recognition (2000s-2020s): She has continued to create art and receive recognition over the years. She was appointed Dame Commander of the Order of the British Empire (DBE) for her services to the arts.
Переглядів: 179
Відео
12-01 Early British Art
Переглядів 362День тому
Series 12 Episode 01 Early British Art: Frequently Asked Questions My lecture notes: www.shafe.co.uk/wp-content/uploads/12-01-Early-British-Art.pdf An amusing podcast created by Google Notebook LM from my 12-01 Early British Art notes: www.shafe.co.uk/wp-content/uploads/12-01-Early-British-Art.mp3 What are the earliest signs of human presence and artistic expression in Britain? Coastal erosion ...
61-03 Francis Bacon
Переглядів 51814 днів тому
My lecture notes www.shafe.co.uk/wp-content/uploads/61-03-Francis-Bacon.pdf A podcast produced by Google NotebookLM www.shafe.co.uk/wp-content/uploads/61-03-Francis-Bacon.mp3 Francis Bacon: A Life in Paint This talk explores the life and work of the Irish-born British painter, Francis Bacon (1909-1992), known for his bold, emotionally charged imagery and his unique approach to figurative painti...
61-04 Lucian Freud
Переглядів 14121 день тому
Lucian Freud: A Life in Portraits This talk reviews the life and work of Lucian Freud (1922-2011), one of the most celebrated British figurative painters of the 20th century. Based on the provided source, it highlights key themes and ideas emerging from his art and personal life, illustrated by selected works. Freud's Life and Relationships: A Tapestry of Complexity Lucian Freud led a life as c...
00-01 200 Views of Western Art
Переглядів 555Місяць тому
#art #arthistory #history #free My notes are here: www.shafe.co.uk/wp-content/uploads/00-01-200-Views-of-Western-Art.pdf An entertaining podcast produced by Google NotebookLM: www.shafe.co.uk/wp-content/uploads/00-01-200-Views-of-Western-Art.mp3 My introductory talk traces the development of Western art from cave paintings to the present day, covering major movements such as Egyptian art, Class...
99-12 My Top Ten Strangest Paintings
Переглядів 3,4 тис.Місяць тому
A Christmas Special. My notes are here: www.shafe.co.uk/wp-content/uploads/99-12-My-Top-Ten-Strangest-Paintings.pdf This is an entertaining podcast produced by Google's NotebookLM and based on my notes: www.shafe.co.uk/wp-content/uploads/99-12-My-Top-Ten-Strangest-Paintings.mp3 My selection of “strange” paintings offers a thought-provoking journey through art history, highlighting the enduring ...
38-01 The 20th Century British Nude
Переглядів 288Місяць тому
My notes are at www.shafe.co.uk/wp-content/uploads/38-01-The-20th-Century-British-Nude.pdf A podcast based on my notes produced by Google's AI system NotebookLM: www.shafe.co.uk/wp-content/uploads/38-01-The-20th-Century-British-Nude.mp3 Main Themes: Realism without Sentimentality: The talk highlights the shift from idealized nudes to realistic portrayals, capturing the "raw facts of life" witho...
61-01 David Hockney
Переглядів 317Місяць тому
My lecture notes are at www.shafe.co.uk/wp-content/uploads/61-01-David-Hockney.pdf A podcast produced by Google's AI app NotebookLM based on my notes: www.shafe.co.uk/wp-content/uploads/61-01-David-Hockney.mp3 David Hockney I. Early Life and Career Hockney was born in Bradford and studied art at Bradford School of Art and the Royal College of Art. He exhibited in the 1961 Young Contemporaries e...
27-02 Claude Monet
Переглядів 2952 місяці тому
My PDF notes are here: www.shafe.co.uk/wp-content/uploads/27-02-Claude-Monet.pdf A podcast generated by Google's NotebookLM AI system: www.shafe.co.uk/wp-content/uploads/27-02-Claude-Monet.mp3 Claude Monet: A Life in Light and Colour Early Life and Influences Born in Paris in 1840, Monet spent his childhood in Le Havre, where he was introduced to plein air painting by Eugène Boudin, a pivotal m...
27-01 Edouard Manet
Переглядів 4202 місяці тому
My PDF notes are here: www.shafe.co.uk/wp-content/uploads/27-01-Edouard-Manet.pdf An entertaining podcast generated by Google NotebookLM directly from my PDF notes: www.shafe.co.uk/wp-content/uploads/27-01-Manet.mp3 Édouard Manet - Father of Modernism This talk reviews the life and work of Édouard Manet (1832-1883), a pivotal figure in the transition from Realism to Impressionism. Though never ...
10-06 Botticelli
Переглядів 3332 місяці тому
My PDF notes are here: www.shafe.co.uk/wp-content/uploads/10-06-Botticelli.pdf An entertaining podcast produced by Google's NotebookLM is here: www.shafe.co.uk/wp-content/uploads/10-06-Botticelli.mp3 Sandro Botticelli: A Life Shaped by Medici Patronage and Savonarola's Influence This briefing document reviews the life and works of Sandro Botticelli (1445-1510), a prominent Italian painter of th...
10-08 Raphael
Переглядів 3482 місяці тому
My PDF notes are here: www.shafe.co.uk/wp-content/uploads/10-08-Raphael.pdf A podcast generated by Google Notebook LM from my PDF notes: www.shafe.co.uk/wp-content/uploads/10-08-Raphael.mp3 This talk provides a detailed overview of the life and artistic career of Raphael, a prominent Italian painter and architect of the High Renaissance. The text explores his formative years, his artistic devel...
10-12 Veronese
Переглядів 4732 місяці тому
This is the third and last of my talks on the three great Venetian artist of the sixteenth century, This talk on on the youngest, Paulo Veronese. He was a dedicated, professional artist who ran a large workshop in Venice and received numerous commissions throughout his life. Download my PDF notes here: www.shafe.co.uk/wp-content/uploads/10-12-Veronese.pdf Play a podcast generated by Google's No...
10-11 Tintoretto
Переглядів 3213 місяці тому
We now come to Tintoretto, the second artist in my trilogy on the three great Venetian Renaissance painters. He was known for the speed and the boldness of his brushwork and was known at the the time as Il Furioso ‘The Furious’. His work is characterised by his muscular figures, dramatic gestures and bold use of perspective. Download my PDF notes here www.shafe.co.uk/wp-content/uploads/10-11-Ti...
10-10 Titian
Переглядів 2,7 тис.3 місяці тому
My PDF notes are here www.shafe.co.uk/wp-content/uploads/10-10-Titian.pdf A podcast about my Titian talk, generated by NotebookLM, is here www.shafe.co.uk/wp-content/uploads/10-10-Titian.wav Summary Titian (Tiziano Vecellio, c. 1488/90-1576) was a prominent figure of the Venetian school, whose techniques, particularly his use of colour and ability to capture personality in portraiture, profound...
99-09 The Royal Academy Summer Exhibition (Part 2)
Переглядів 5346 місяців тому
99-09 The Royal Academy Summer Exhibition (Part 2)
99-09 The Royal Academy Summer Exhibition (Part 1)
Переглядів 4406 місяців тому
99-09 The Royal Academy Summer Exhibition (Part 1)
10-04 Giovanni Bellini and Andrea Mantegna
Переглядів 4117 місяців тому
10-04 Giovanni Bellini and Andrea Mantegna
So excellent. One of the best videos on Caravaggio on UA-cam. A pleasure to listen to
Have been following Tracey Emin for a long time, and I own a copy of Exploration Of The Soul. I got my art degree at Northbrook College, Worthing, happy times. Thanks for your videos Dr Shafe. 👍👍
Thank you! Amazing analysis. Could you please give a lecture covering the Turner prize winners from 2009 to 2024?
In .." Pastoral," ..the Mens faces are in Shadow ..???
Thoroughly enjoyed this! I appreciate not only the art but the history. Indeed, its very complex but you did a great job of elucidating the key developments. As an American, I was heartened with the references to all the monarchs with delusions of grandeur who overreached their place and had their heads chopped off 🤣
Just found this channel and I’m about to watch all the videos!
great talk as always
I always wonder why English speakers pronounce his name as Bosh, so the German way. In reality the Dutch pronunciation is like ‘bus’ in English, but then with a ‘o’ sound. You can just check it on Google Translate. It feels so lazy to not check the pronunciation. We are dealing with high art and that deserves attention to detail.
Art historians are well aware of the local pronunciation but it is a matter of convention. Italians call London Londra and in English Roma is Rome. I was amused when watching an international convention on Van Gogh to hear four world-leading experts on the panel each pronouncing his name in a different way and each person obviously happy with his or her own convention. There is an interesting video on this page www.vangoghstudio.com/how-do-you-pronounce-van-gogh/ about how in The Netherlands it is pronounced with a soft g in the South and a hard g in the North.
@@LaurenceShafe To me it is a weak argument. Americans often pronounce Leicester as Laisester rather than Lester. ‘Shire’ behind a place name is always pronounced exactly the way it is spelled rather than ‘shear’. Do you think: “Well that is just their convention’, or do you think ‘Ignorant barbarian’? Those conventions stem from a period before the internet. Times have changed and everybody can check how to pronounce a name. I sometimes watch lectures by American art historians specialising in Dutch masters. They all use the correct pronunciation. Hired actors pronounce for example Jan Steen always as Djen Srean, those art historians pronounce it correctly: Yan Stain. So they seem to ignore those antiquated conventions. These artists are just too big to butcher their names. Every educated continental knows how to pronounce the names Shakespeare and Chauser. So please return the favour.
Han van Meegeren takes some beating! As a forger of Vermeer paintings!!
A poor, quotidian selection considering there are so many strange works of Art to choose from.
Thank you so much for sharing, very inspiring🙏
I once saw a painting by Bacon in a gallery in Washington DC. It wasn't a busy day for the museum, so I was alone in the room with the picture. Bared teeth scowling at me from the darkness. Even at 18 I knew I was seeing something special.
Is there any reference of Bacon's response to Jack Nicholson's Joker commenting on his artwork in the 1989 Batman film by Tim Burton? I have been unable to find any information on this.
I couldn’t find any evidence that Francis Bacon responded to the inclusion of his painting Figure with Meat in Tim Burton’s Batman (1989) or the Joker’s comment about it.
@@LaurenceShafe Thank you for replying. I feel sure he would have enjoyed his inclusion. Best wishes to you.
Thank you so much for this! I'll be quoting you on my thesis :)
Very insightful and informative, thank you! Maybe offers a smidgen of an idea of the qualities the judging panel may be looking for in a submission? Because for years I've been wracking my brain!😄
I think that it was oil paint that made the technique of painting , especially with Dutch stand oil. Not sure of the date, but I think it was around 1560.
Oil painting certainly provided brighter colours and enabled blending and layering of glazes to achieve greater realism. Oil painting is generally thought to have been invented by the early Netherlandish artists Jan and Hubert van Eyck, in the early fifteenth century but the use of oil as a medium has been discovered as far back as the 7th century. Despite the advantages of oil as a medium, egg tempera predominated until around 1500.
@ . Oil painting on canvas or wood does not loose the vibrancy when applied, however with acrylics it does. When I was at art college, Mike used acrylics and it was done in glazes. Oil paints can also be used in this way and retains the luminosity. The time of drying can now be speeded up with oils, though it can take a few weeks, while acrylics take only hours. Oil paints are amazing.
Most people have seen these pictures but never looked at them. Thank you
Ai steals our cultural soul
Fantastic talk. Thank you.
As always, thank you! 👍👍
Yes. Heroin and opium did ease his pain in his lungs but he continued to smoke hashish and tobacco. Making his condition much worse than it would have been. Lung disease is awful to live with.
Thank you so much
1:09:14 Stand in front of a mirror and try to get your hand in that position of blessing. No way you will ever be able to see that much of the nail of the middle finger. The anatomy is out - not by da Viinci in a million years.
Hi Dr Shafe! This seems to be an encapsulation of your earlier talks. Will you continue to create new in-depth pieces? I thoroughly enjoy them. Many thanks!
@@MegPier Yes, this talk is the contents page of my “book” on Western art. It has 200 chapters each consisting of a one hour talk and about 60 pages of notes. So in total there are about 200 hours and 12,000 pages in the book and I am about two-thirds through it. So, a lot more to come.
@@LaurenceShafe great! I am delighted to hear that, as I look forward to the talks each week! I find these documentaries extremely interesting and insightful! May I make a suggestion that could create more visibility for your videos? If you add a section at the bottom of your description with 20 or so relevant hashtags, these will have a positive impact on your algorithms and discoverability. YT will identify 3 that they will insert at the top of your description. It should increase views of the individual videos and the channel overall. Kudos on both quality and quantity! 👏
@@MegPier Thanks for the suggestion. I have added some hashtags to the description and will check if usage grows faster.
@@LaurenceShafeI hope it proves beneficial! If I may venture to give you more unsolicited advice, you might also consider moving the #s in your title to the end. The Google bots that crawl your description may not be able to make sense of them and abort. I believe generally you want your keywords to be at the beginning of your title, and at the beginning of your description. My understanding is that YT relies on this information more than the tags on the back end. In the same vein, you might consider moving the notes and podcast to the bottom of the description. I share this with you as I wish someone had given me the heads up on stuff like this when I began my channel (which btw is @Magicplaces1) You are doing the most important things perfectly: superb, original content published on a regular schedule! I wish you continued and further success!
@@LaurenceShafe I hope its beneficial for you! At the risk of offering more unsolicited advice, I would also suggest you move the #s in your title to the end, as they are likely to confuse the YT bots that will crawl your video, and they may abort the crawl. You ideally want your chief keyword(s) to be at the beginning of the title, and at the beginning of the description. Likewise, I recommend moving your notes and podcast to the bottom of the description for the same reason. I share all this because I wish someone had shared intel like this with me when I started my channel, which by the way is @Magicplaces1. You are doing the most important things perfectly, which is producing high quality, original content, and publishing it on a regular schedule (something I have trouble doing!) Best wishes for continued and further success!
This is one of the best channel in YT. thank you so much for your work 🙏
Keating was, of course, correct; the art market is a snake pit of lies, half-lies, and outright fraud. Art experts can be judged on their 'expertise' simply by noting their almost hysterical reliance on and insistence on provenance - if they knew what they were looking at, and everyone knew that they did, they would not need it!
Romans and Etruscans, not Eritreans
Did I say that, slap on the wrist, slip of the tongue.
@@LaurenceShafe No big deal. Great video, by the way!
57:54 interesting. You got your thoughts on this longer than my whole life. I share your critical thinking and early “naivety” (don’t know if that’s the right description.) I just stopped a minute or so after this, hearing about your background so it’s going to be very interesting. Noticed you stopped yourself from speculating too much about usage of a system like that. It’s arguably the most important debate in our time. I watched your videos and channel for quite awhile. And in this lecture I actually missed mentioning Adiaen van Ostade because of his representation of a society that sprung out of common man’s suddenly reach of wealth. Looking into everyday living. It gives us a glimpse of ordinary people’s life. How important their individuality, character and personality is for humanity. How ordinary men, women and children struggle to function in a much more complex society and social structure than we as species was made for. Humans have somehow surpassed themselves several times over.
Thank you for your thoughts. When I have completed "200 Views of Western Art" there will be about 12,000 pages of information as each of the 200 talks is accompanied with about 60 pages of notes. Even so, I feel I have only just scratched the surface. After that I plan to speculate on the impact of AI on society and art in a series of talks.
@@LaurenceShafe Thanks for answer and I belive I forgot to say thanks for the video (and other videos I've seen.) Maybe my comment came out, not as I meant (in my head) ...that I appreciate your videos. But I do. They are great. It's very understandable you couldn't mention every painter. I just wanted to point at one I belive capturing a moment of society often not seen when art becomes the elites playground. To me it looks like society is at that direction because of the decadent art right now. Isn't art reflecting the times?
Well... It all depends on what you think ART is. Having spent far too many hours discussing this in my youth, I'm convinced that the word is so woolly as to be practically meaningless. For myself, art is a process, not an object. I enjoy painting & drawing, & consider that art. But the final products of my drawing are not so important. I don't think AI is an artist unless/until it can appreciate the act of creating an artwork, and I don't think that act of creation is possible without a wider appreciation of the world in which we live. Maybe, if anyone can produce a nice picture using AI, we will see the end of the ludicrous 'big money' art scam. That's a good thing. Maybe, if anyone can use AI to produce a picture, they will need to think about what they want as a result, need to consider the world, & what they want to portray of it. And that is real art in itself. Or maybe, producing hundreds of crap pictures, and picking out the 'one true gem' is art too. I think, in a way, we can compare AI art with the rising hobby of acrylic pouring. You get abstract pictures, some of which are pleasing, fairly rapidly. You can sell the good ones (a lot more easily than landscapes you spend a lot of effort on!). And there is a bit of skill involved (but nothing like the effort of learning to draw). I don't care in the slightest that thousands of people can draw better than I can, why should I care if a machine can do it? Of course, if you are a commercial artist, you are probably stuffed.
Thank you for your thoughtful comments. I agree with you about commercial artists.
I went to Keating exhibition a couple of years before he died and didn't think much of his Constables. I liked the Degas pastel drawing except for the broken elbow.
At best AI, a bit of electrified dead plastic, may be inspired by the superior originality of human beings.
I am an artist, with my degree in Fine Arts. I am really surprised that I have been guessing correctly on all of them! Actually you messed up at 46:29 you actually used the Mark Landis picture twice.
In the original there isn't a brown line vertically down the side of the building on the left. I had to look it up because that was truly unbelievable! But actually you just messed up with your slides 😂 Poor Stuart Davis, the forgery looks more real than the original! I feel more impressed with my keen eye!
Thank you from Ukraine, the city of Dnipro! I'm currently writing a Gothic-Romantic fantasy set in the 1840s, and your lecture provided me with extremely useful material!
Thank you, mr Shafe, for that wonderful lecture about wonderful woman!
Very interesting information about this artist that I was not aware of, thank you for this video.
Thank you for your videos - fascinating.
Most interesting as there is so much dribble spoken about art your knowledge of the subject is much appreciated
Thank you so much for sharing Dr Laurence Shafe, so inspiring!!🙏🌟
Great video! Probably a silly question, but is there any significance to the numbers shown on the die in the bottom-right corner of the inset at 2:23? It's non-standard as you would not normally be able to see both 2 and 5; I'm not sure whether it's simply that this standard wasn't so universal in Bosch's time or whether the numbers themselves have some meaning.
It is a good question and has been discussed by art historians. No one knows the reason but the opposing sides of a die adding to 7 has been the convention since classical times. I did find a law of Antwerp in 1493, “Rogues who play dice shall be put in the pillory for their first offence and then hung in a basket over water so that they fall in; the second time they shall have one ear nailed to the pillory with iron nails and remain there until they pull it off.” So, as the painting warns about various sins, and gambling was a sin my guess is that Bosch purposefully shows an incorrect dice. A nice idea is that 2, 4 and 5 refer to a passage in the Bible but I can find a relevant passage against gambling.
None of these are as strange as AI art . . seen all these images many times before.
AI is dead plastic. At best it is inspired by the superior originality of human beings.
Yes, but you never looked at them.
Terrific idea for a video 👍
Thank you so much for sharing Dr Shafe, have a lovely Christmas!
I'm pretty sure the portrait of Pope Innocent X by Francis Bacon is actually a depiction of Pope Pius XII, who was pope during the time the Holocaust happened, and was still the pope when Bacon made that picture.
An interesting interpretation. We know Bacon painted a series of works based on Velázquez’s 1650 portrait of Pope Innocent X and they have been interpreted as a critique of power, authority, and human suffering but there is no direct evidence that he intended it to be a portrait of Pope Pius XII or a direct commentary on the Holocaust. Of course, the distorted, screaming figure suggests such an interpretation as its themes of guilt, trauma, and anguish resonate with reflections on World War II and the Holocaust. Pope Pius XII’s controversial role during that period has also fuelled such debates but Bacon never explicitly connected his work to those historical events or figures.
Happy Holidays! I found your channel while curious about art forgery but have stayed for long after. I look forward to every new video and am in constant awe of your depth of knowledge. Your channel deserves to be so much bigger than it is and I feel lucky I found my way here.
great video as usual!
Thanks Dr Shafe for another illuminating talk. I am a regular viewer and value and enjoy learning from your expertise. That said, as others have expressed, I am deeply opposed to AI in interpreting creativity, culture, history and humanity, as I feel the LLMs have already done irreparable damage to the accuracy of information and it will only get worse. So please don't relegate your knowledge to the non-human. Happy holidays!
I enjoy your presentations Dr. Shafe. I can only hope that artificial intelligence doesn`t write human beings out of the picture entirely ! Je vous souhaite (du Québec) une bonne et heureuse année 2025 !
Happy New Year Dr Shafe, looking forward to what you have in store for us!
Using AI knowing that it is an engine powered by someone else's work makes us complicit in theft. There are no excuses.
AI sucks. It steals from real artists.