Відео

Hey, maybe you could clear this up for me... isn't a Cmaj6 the same thing as an Amin7, with C in the bass? Why do we need both categories? Especially when we use inversions of both. It just makes for more names for the same thing. This is the convention, though. I guess you think about them differently in terms of function, but I've never seen anyone talk about them being identical.

2/4 is the dominant marching band tempo. RUBBISH!! I was in a military band for 20 years. Music was 4/4, 6/8 and a few, really only a few 2/4 pieces. Boom chick chick to you 🫡

Noah and team, please dissect Joey Calderazzo’s harmonic language. Less famous is this amazing pianist that I found on the Youtune, David Kikoski. Pretty please?

It's a good technique, and your commentary on your choices is good. However, I wouldn't consider it counterpoint if any voices are in "lockstep" with each other. To me, counterpoint is defined by independence bewteen voices. Being in lockstep opposes that. Not that it's bad, but it's more like counterpoint inspired than counterpoint. I can accpet some breaking of rules, like the direct 5ths here for a modern style though, (leaving or approaching a 5th from similar mothion).

I learn the alt scale in the 70’s as the diminished whole time scale. First half is half whole and 2nd half it whole tone. So that’s how I think

What does click the link means Noah??

I gotta say I've been mainly into death metal my whole life, but the past year or two I've gotten into jazz way more and learning piano and drums. It's unbelievable how many amazing smaller jazz channels exist teaching fountains of knowledge for free. Great video!

Get em Matt!!!!

Hello man..I'm from Brazil. It would be Better if we could see your hands on The keyboard, then we would understand better. I'm an intermediate level, sorry.

What is model interchange amd how to play it can you exaplain clearly in a longer video? Plz

So what it's your birthday

that's a supercool way to crate interesting lines with voicings. I'm definitely practicing this technique. thanks a lot!

Thanks for the analysis. May I ask what tool you're using that's displaying chord spellings in real time, next to the grand staff?

Cool video. What tune is this?

Really well explained

great analysis!

Nice idea to practice. Thanks

A favourite of Claude Debussy.

Thank you for showing how to simplify this. I can´t tell you how much I appreciate it.

Amazing. Why did I not figure this out on my own? lol

Wellcome with your new channel

Excellent posts as ever complementing the excellent more substantive course materials I've bought and greatly helped the journey 🙌

Thanks for EVERYTHING you share Noah. Greetings from Argentina.

First here…😃

When I was in college I flirted with the idea of minoring in Philosophy. With hubris, I signed up for a graduate-level course and could barely keep up. I like to think that I'm intelligent, but that course kicked my ass and I was lucky to get a "C". I have the same vibe following your lessons and more recently, your live Sunday sessions. I'm an intermediate level player. I don't want you to change your curriculum or your delivery on my account. But if there is a way you can help bridge the gap for us non-experts to help us level up, that would (sipping from mug pause) be great. Thanks, Matt. I'm loving these extra lessons!

Great work! This is a hugely effective exercise. Take a couple of rhythms from existing solos, and then create a new solo or etude based on those same rhythms but with entirely new notes. A drummer once told me in regards to comping that rhythm is the key to unlocking everything. This is why you can hear Keith Jarrett play the most simple line that looks boring on paper, but sounds like pure brilliance.