Відео

Thank You. This piece's rhythm is quite hard and this video has been especially helpful to me.

Wow. Worked first try. Every other tutorial failed and this one worked flawlessly. Thx.

How do you stop an airy sound on your saxophone?

I march tenor and play bari for concert band, this helped my tone a lot!

👍 Great thanks from 🇩🇪

Cool Mouthpiece.....what Tipopening du you use....and Reed ? Thanks..

Nice Mouthpiece....great sound....which Mouthpiece is it ....reed ?

Cool sound ! Which Mouthpiece and reed you use in this video ?

In alto sax. If we press which keys, the octave crook key does not go up?

Fantastic vid! Q: When practicing your lower notes (e.g. low b flat) do you practice these notes legato e.g. without your tongue? Thanks for reading my q!

This is exactly the type of video I was looking for. Already having training, just needed something to the point. Thanks!

OMG THANK YOU SO MUCH!!!!

G# is just regular G in the LH, and side C. A is just venting the G# by lifting the LH index finger (and possibly releasing the side-C for tuning). Bb is lifting the middle finger LH (again with the side-C up/down for tuning).

HERE BRAZIL. I SUFFERING WHIT THIS G#-------- YOU DO NOT HAND RIGHT, I LEARNED HAND LEFT, WITH YOUR PRATICE. GOD BLESS YOU.

Great little video..easy to understand…

I always find that if you extend your lower jaw just a little more than normal, (think of a Neanderthal, then you get the picture!) then attack the altissimo notes more with an air punch they pop out from the ether! 🎶🎷🦆💨

You just unlocked something for me. I thank you.

My sax does not have the high f sharp key

I am always interested in different fingerings for these high altissimo notes I will definitely try these

Thats how our kettle sounds when the water is boiling 😂

A very "long winded" explanation 🙄

😁👍👏👏

If i go from high A to G, the side octave doesnt automatically open and i cant get a good sound because the side octave doesn't open. Why is that? I have to press again to open it. And its a new yamaha ex 875

Love this!

Tank you very much, I treid it with many other methods, and couldn't do that, but with yours I played it the first time and it sounds great. Thank you very much ❤

hello, send me some info and I will send you a Dickerson Resonator Ligature for review on your UA-cam channel thanks

👏👏👏👏👏

Can't wait to try this out

Thanks a lot, lucky me finding this video. I sent message asking my teacher this morning, but he did not reply me.

Thanks for this. Made very simple without all the other theory jumbled in.

you just saved me after months of trying to do the altissimo g on little bit!

YO this is the first time I’ve heard anyone successfully replicate this sound I heard from Leo P!! The Better Sax channel got pretty close, but not it, YOU have it!

I’m trying it. Years ago I changed and went to Louis Francois lig, my low notes came to life. I never went back! These tips are invaluable! I’m in gratitude!

You should review the new Dickerson Resonator Ligature - it's a ligature & resonator combined.

I tighten it all the way till it’s almost too tight then loosen it slightly

Good demo 👍

What is the best position of the reed for subtoning?

U.K. crochets: 1/4 notes? b5, #11 Maj. 3rd...wah'ow! U.K quavers: 1/8 notes? Swing • Syncopation • Off beat Emphasis • Accent Excellent tutorial 👌 👍 👏 😀 From U.S. with ❤️ Thanks

Thank you teacher👏

Players who make a habit of putting the ligature on, after the reed has been placed upon the mouthpiece table, as seen @ 0:47, will eventually chip a corner of the reed as they slide the ligature over the reed. It happens quite often with particularly young students, whose fine motor skills may be a little underdeveloped or those who are otherwise distracted or in a hurry to get the reed on. Secondly, the reed placement will invariably shift as one fiddles with getting the ligature on over the reed/mouthpiece set-up, which only results in forcing the player to readjust again after the ligature has been put in place... so it also wastes time as well. The best way to avoid needlessly chipping away at your prized reeds, is to simply place the reed on the mouthpiece table, through the ligature, which is already placed LOOSELY, around the mouthpiece. Then, tighten the ligature ONCE, after the desired reed placement is achieved. - Change my mind

Thanks for having the tuner at the corner, very helpful

I've used these same fingerings for years. Continue this up to higher to harmonics of those fingerings for even more range.

Even without special fingerings, here is up to an octave and a whole step higher using only low A harmonics. (on a baritone sax) ua-cam.com/video/9hCc3H8Jjtw/v-deo.html

🎉🎉🎉

I wonder if you have tips on how to play soft? When playing in the upper register esp. the palm keys, I find I have to blow pretty hard. Thanks so much.

Nice explanation but I’m having trouble getting anything above a altissimo C. Can you show how to get C# and D?

go and play outside. You'll soon know.

That gd

But The more i tighten the better it seals

I can play the really high one, but I cant play the one below it :/