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NEDCC - Northeast Document Conservation Center
United States
Приєднався 15 січ 2021
A non-profit dedicated to enhancing the conservation and preservation of cultural heritage collections.
Personal Digital Archiving 01/09/2025
This webinar will offer guidance and resources about preserving our “digital lives” - after all, digital files are today’s scrapbooks and personal collections. These digital assets represent a significant investment in both time and resources, and are often more fragile than we realize. This webinar will prepare you to collect your emails, photos, videos, and text messages and create a personal plan to ensure they are cared for well into the future.
For slides and resource links, visit www.nedcc.org/personaldigiarchive25
For slides and resource links, visit www.nedcc.org/personaldigiarchive25
Переглядів: 300
Відео
IRENE Digitization
Переглядів 79021 день тому
Immerse yourself in the soothing sights and sounds of IRENE digitization, a non-contact approach to reformatting grooved audio carriers. This innovative process captures ultra-high resolution images of groove structures, which are then processed through specialized software to recreate the original audio. Learn more about IRENE and how it’s transforming audio preservation: nedcc.org/audio-prese...
Ask A Conservator Day 2024: How to Interleave a Bound Volume
Переглядів 2842 місяці тому
This free presentation covers the best practices for interleaving bound volumes such as scrapbooks, photos albums, herbarium, etc. We will discuss when and why to add interleaving to bound volumes, the types of damage that can be mitigated or exacerbated by interleaving, the type of paper that should be used (and what to avoid), and how to correctly add interleaving to a bound volume. Further r...
Writing Your Preservation Assistance Grant 10/31/24
Переглядів 1472 місяці тому
NEH Preservation Assistance Grants for Smaller Institutions are relatively easy to apply for and have launched successful preservation projects and programs in institutions across the country. Be ready for the round of applications! This webinar is presented by an NEDCC Preservation Specialist and covers the issues that should be considered when preparing to submit an NEH Preservation Assistanc...
Preserving a Legacy: Digitizing Jorge Eliécer Gaitán's Broken Recordings
Переглядів 7093 місяці тому
The powerful speeches of Colombian leader Jorge Eliécer Gaitán have remained silent for decades on fragile, broken discs. Now, they are being carefully digitized at the Northeast Document Conservation Center (NEDCC). In this interview, Professors Ricardo Escallón of Pontificia Universidad Javeriana and John Krivit of Emerson College share their journey in preserving Gaitán’s message, ensuring h...
Understanding the Leafcasting Process
Переглядів 1,3 тис.4 місяці тому
Leafcasting is a conservation technique used to repair documents with significant damage, such as gaps or tears. This process uses a special machine to fill areas of loss with a pulp mixture, resulting in a seamless repair. Join Book Conservation Intern India Patel and Associate Book Conservator Kiyoshi Imai as they walk you through the process.
Conserving Historic Wallpaper at the John Hay Estate at the Fells
Переглядів 4777 місяців тому
Conserving Historic Wallpaper at the John Hay Estate at the Fells
No Budget Preservation Tips 5/7/2024
Переглядів 5678 місяців тому
No Budget Preservation Tips 5/7/2024
Writing Grants for Audio Preservation and Reformatting 4/24/2024
Переглядів 2348 місяців тому
Writing Grants for Audio Preservation and Reformatting 4/24/2024
Overview of dPlan|ArtsReady for Libraries
Переглядів 2259 місяців тому
Overview of dPlan|ArtsReady for Libraries
Treating a 19th-Century Travel Document
Переглядів 240Рік тому
Treating a 19th-Century Travel Document
Getting Your Library Ready for Disaster
Переглядів 159Рік тому
Getting Your Library Ready for Disaster
Disaster Planning for Tribal Cultural Heritage Organizations
Переглядів 120Рік тому
Disaster Planning for Tribal Cultural Heritage Organizations
Disaster Preparedness for Remote and Rural Museums in California
Переглядів 107Рік тому
Disaster Preparedness for Remote and Rural Museums in California
Disaster Planning with Limited Resources
Переглядів 139Рік тому
Disaster Planning with Limited Resources
Disaster Preparedness for Community Archives
Переглядів 318Рік тому
Disaster Preparedness for Community Archives
Updating Your Disaster Plan in California
Переглядів 172Рік тому
Updating Your Disaster Plan in California
"Ready-Or Not": Frequently Asked Questions
Переглядів 76Рік тому
"Ready-Or Not": Frequently Asked Questions
Disaster Preparedness for Tribal Organizations in California
Переглядів 134Рік тому
Disaster Preparedness for Tribal Organizations in California
Disaster Preparedness for Small Organizations in California
Переглядів 340Рік тому
Disaster Preparedness for Small Organizations in California
How to Host a Community Scanning Day 04/11/2023
Переглядів 845Рік тому
How to Host a Community Scanning Day 04/11/2023
The $64,000 question: HOW temporary is this "cure"?🤔 The $128,000 question: WHY is the baking process result only temporary, when you show photo-micrographs of a completely "cured"-looking tape surface???🧐
no idea why this was recommended but very interesting.
That’s pretty remarkable. You can digitize acetates without degrading them. Cool.
I love your drainage system. Does it run all around the housing? How do you open and close it? No heat pressing the paper in the end?
Clever!
Hey that's pretty neat, what is the system called playing the record?
IRENE (Image, Reconstruct, Erase Noise, Etc.) is a digital imaging technology designed to recover analog audio stored on fragile or deteriorating phonograph cylinders, records, and other grooved audio media!
Hey thats pretty neat, what is the system playing the record?
Interesting! just want to ask why most of the conservation work does not use any glove? is it unnecessary to use it considering the object condition still in good condition. Does bare hand did not make any harm to the collection in long term preservation?
That's an excellent question! The decision not to use gloves in conservation often comes down to balancing the preservation needs of the object with the ability to handle it effectively. While gloves can prevent oils and dirt from our hands from transferring to objects, they can also reduce tactile sensitivity, which is crucial for delicate handling. When conservationists use bare hands, they typically ensure that their hands are clean, dry, and free of oils or residues, which is often more beneficial for maintaining control during delicate tasks. However, gloves may still be used when handling certain materials that are more sensitive to oils or dirt. It really depends on the object and the task at hand!
Thank you for the great information. It was so helpful.
Thank you very much....
Thank you! Very helpful info!
Amazing!
Impressive preservation techniques as always!
I love to see this work being done.
Covid nazis.
well done! I wonder if you'd consider mic-ing speakers? It would be helpful! Thank you.
Working on it!
that's awesome!
Very impressive. When is this technique permitted? Is there an age limit for documents to which it is applied? If there is such a limit, is there scientific consensus for it in policies governing conservation procedures?
Thanks for commenting! This technique is used to fill losses in paper, only when the paper is strong enough to withstand the treatment and when all media present has been tested and is shown to be insoluble in water. Documents of any age can withstand this treatment, however, it may not be considered appropriate for all materials depending on the nature of the object and treatment goals. As with all conservation treatment, both the paper and media must be tested beforehand to determine if this method can be used safely.
@@nedccenter Thank you!
@@nedccenter The Japanese use Tengujo paper with 3,5 GSM above and under the archive to gain additional strength. Invisible on the ink.
Interesting, informative video. Thanks, Morgan and NEDCC.
Being a conservation student I don't know how we safe or how we preserve a paper or photo in a gallery from light . How type of light we want to used in museum.. Please reply
Happy to help! Here's a Preservation Leaflet on "Protection from Light Damage": www.nedcc.org/free-resources/preservation-leaflets/2.-the-environment/2.4-protection-from-light-damage.
Being a conservation student I don't know how we safe or how we preserve a paper or photo in a gallery from light . How type of light we want to used in museum.. Please reply
TOO SLOW
This was amazing and very informative. I have a list of materials I need to add to the budget :)
Thank you for this video! Seeing how the furniture is arranged within the enclosure was very helpful. Unsure if this is a good place for questions regarding enclosures, but how is the enclosure itself built? Is it a premade box that was ordered from somewhere like Gaylord Archival or Hollinger Metal Edge or is it something made in-house from boards?
In this instance, the custom box was ordered and then modified in house. We so also make custom boxes in house.
That was really informative! Thank you.
Hi. Great video.. I have several boxes of glass plate negatives circa 1955.. These have been stored in a dusty cupboard for many years and some of the images are very clear. However there are a number of these glass plate negatives that are stuck together in their Kodak storage boxes. Can you advise a suitable method of separating these glass plates (if it is possible) without breaking and destroying the glass plate? I am hoping to salvage as many images as possible as these have good historic value. Thanks.
I always hated that the otherwise superbly designed ATR-100 series-unlike at least some of the Studer machines-was not tapelifterless. So much less destructive oxide shedding that way.
For God sake remove the bloody annoying audio and have a person narrate the content!
Beautiful work and excellent video & explanation of your process, too!
What do you recomend?
Tapes that pass PAT (Photographic Activity Test), however, it still poses the risk of adhesive migration, so choose your materials carefully and apply it with consideration for the long-term.
Be specific please. There are archival tape s out there that are reversible.
Our lead preparator and paper conservator addresses this later in the video: ua-cam.com/video/k6vzqz3DKgo/v-deo.htmlfeature=shared&t=188.
Nice info! I have some but where I can find those papers and boxes? Thanks!
There are a number of trusted archival suppliers who sell four-flap enclosures and boxes, such as University Products, Gaylord Archival, Talas, and Hollinger MetalEdge, to name a few. NEDCC does not endorse any supplier in particular.
@@nedccenter thank you very much!
This is a great resource and truly interesting! I am an Library Science graduate student who wants to go into conservation, but it is hard to find mentorships! I am glad I can watch these videos for reference. Thank you for all the work you do to put this information out there!
Thanks...😊
Its a wonderful video ! I love conservation
Hi. How do you go about say, transfering the image from a glass plate to a digital file?
The easiest way I have found of doing this is placing the glass negative on a light board (light inside a box with white plastic on the top side where you place the negative). I then mount a digital camera over it on a tri-pod (camera tilted down to face the negative that is sitting on the light box). Put the camera in B&W mode and then take a picture of the negative (zoom in to fill as much of the screen as possible with the negative but without cropping it). Then load the picture into photoshop or some other tool that has the ability to convert a negative into a positive. You then have a nice digital picture of very high quality. I've printed as large as 20"x30" (poster size) from 5"x7" glass negatives with amazing results. I first thought using a scanner would be easiest but you first need to get a scanner that lights from the top down instead of from the bottom up. Then you have to keep the negative up off the glass a fraction of amount to avoid weird circles showing up on the scanned image. In the end, I just found the camera method to be faster and the quality was more than acceptable. I had 2,000 glass negatives to scan, so waiting the 20 seconds or so for the scanner to do its thing was just too long. I should point out that if you want something real quick (instant gratification) then just take a picture of the negative with your phone (negative still needs to be back lit) and then download free software from your app store that will convert a negative into a positive. I did that first just to get an idea of what some of the pictures were of. Its super fast but not what I would consider archival quality.
I see want one
nice method
nice
Such a beautiful work space.
I can't thank you enough for these excellent tutorials!
Hey there! Enjoying the uploads. Did you consider using PromoSM to increase your subs?