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Riot Ensemble
United Kingdom
Приєднався 19 кві 2012
"Always impeccable; Entrancing and highly seductive" - The Times
Winners of the Ernst von Siemens Ensemble Prize, Riot Ensemble connects people to great contemporary music in concerts and events that are just as innovative, vibrant and rewarding as the music itself. The members of Riot are some of the top European soloists in new music, and with Riot they work as performers, curators, commissioners, and collaborators, creating and producing a diverse array of projects.
Riot is particularly active in bringing emerging international voices to the British new-music scene and since 2012 has given over 250 World and UK premieres by composers from more than thirty-five countries. In 2024, their annual call for scores received more than 500 submissions, and in the past six years has resulted in more than twenty commissions.
Winners of the Ernst von Siemens Ensemble Prize, Riot Ensemble connects people to great contemporary music in concerts and events that are just as innovative, vibrant and rewarding as the music itself. The members of Riot are some of the top European soloists in new music, and with Riot they work as performers, curators, commissioners, and collaborators, creating and producing a diverse array of projects.
Riot is particularly active in bringing emerging international voices to the British new-music scene and since 2012 has given over 250 World and UK premieres by composers from more than thirty-five countries. In 2024, their annual call for scores received more than 500 submissions, and in the past six years has resulted in more than twenty commissions.
Fast Darkness I: I can see your turned eyes from inside your body - by Chaya Czernowin
Riot Ensemble with soloist Ausias Garrigos
Aaron Holloway-Nahum, Conductor
A co-commission by Wien Modern, HCMFUK//, Transit and Riot Ensemble.
This video originally premiered as part of the Darmstädter Ferienkurse 2021
Video by Intone Films
Audio by Coviello Music Productions
Recording Engineer Felipe Gutierrez
Post Production by Aaron holloway-Nahum
Aaron Holloway-Nahum, Conductor
A co-commission by Wien Modern, HCMFUK//, Transit and Riot Ensemble.
This video originally premiered as part of the Darmstädter Ferienkurse 2021
Video by Intone Films
Audio by Coviello Music Productions
Recording Engineer Felipe Gutierrez
Post Production by Aaron holloway-Nahum
Переглядів: 222
Відео
They left us grief-trees wailing at the wall by Clara Iannotta
Переглядів 3817 годин тому
Riot Ensemble Aaron Holloway-Nahum, Conductor A co-commission by Ars Nova, Riot Ensemble and Wien Modern. This video originally premiered as part of the Darmstädter Ferienkurse 2021 Video by Intone Films Audio by Coviello Music Productions Recording Engineer Felipe Gutierrez Post Production by Aaron Holloway-Nahum
The Geometry of Clouds by Aaron Holloway-Nahum
Переглядів 182Місяць тому
Adam Swayne, Piano Marie Schreer, Violin Stephen Upshaw, Viola Louise McMonagle, Cello From Riot Ensemble's debut concert at Wigmore Hall 14th February 2021
Peter Wilson: String Trio from 'Vestige' (score video)
Переглядів 190Місяць тому
'String Trio' by Peter Wilson Released 4th August 2023 riotensemble.bandcamp.com/album/vestige Video & score by Peter Wilson Performed by Riot Ensemble (Marie Schreer, Stephen Upshaw, Louise McMonagle) Background image by Fabrice Villard Recorded at Deutschlandfunk Kammermusiksaal by Moritz Bergfeld & Eva Pöpplein for Coviello Classics, 2023 riotensemble.com peterabwilson.com
+8 by Dennis DeSantis
Переглядів 1493 місяці тому
Amy Green, Saxophone Sam Wilson, Drums Recorded at Woolwich Works Audio Production by Jack Ross Video Production by ThirdMan Productions
The Moon: Bára Gísladóttir and Riot Ensemble
Переглядів 4684 місяці тому
A small portrait of our work with composer Bára Gísladóttir, centred around rehearsals for the premiere performance of her 65' piece "the moon is an eye is a pond and so on and so forth" at hcmf// 2023 Goska Isphording: concept & direction Michał Gryćko: camera & edit
I am speaking to you by Xue Han
Переглядів 284Рік тому
A solo piece composed during the COVID19 pandemic. Andy Connington, Trombone
Having Never Written a Note for Percussion by James Tenney
Переглядів 753Рік тому
Sam Wilson, Percussion This video originally premiered as part of the Darmstädter Ferienkurse 2021 Video by Intone Films Audio by Coviello Music Productions Post Production by Aaron Holloway-Nahum
Sequenza VIII for Solo Violin by Luciano Berio
Переглядів 371Рік тому
Violin: Sarah Saviet Audio: Aaron Holloway-Nahum Video and Post Production: Four/Ten Media
Transitions for Solo Cello by Anna Thorvaldsdottir
Переглядів 675Рік тому
Cello: Louise McMonagle Audio: Aaron Holloway-Nahum Video and Post Production: Four/Ten Media
Sequenza XII for Solo Bassoon by Luciano Berio
Переглядів 896Рік тому
Bassoon: Ruth Rosales Audio: Aaron Holloway-Nahum Video and Post Production: Four/Ten Media
LAKAGÍGAR by Alexandra du Bois
Переглядів 114Рік тому
A commission from Riot Ensemble during the COVID19 pandemic. Pétur Jónasson, Electric Guitar Recorded at Steiner 3 Video, Audio Recording and AV Post Production by Aaron Holloway-Nahum
Drop after drop by Maxim Shalygin
Переглядів 1,1 тис.Рік тому
Maxim Shalygin was commissioned by Festivals for Compassion - a collection of more than 55 European festivals - to compose "Drop after drop", a 'relay piece' in support of Ukraine. The work has been performed by many musicians at as many festivals around the world, and we are proud to present HCMFUK//'s contribution to the project. Here’s what Maxim wrote to accompany his string quartet: “Since...
Sequenza III for Solo Soprano by Luciano Berio
Переглядів 1,8 тис.2 роки тому
Soprano: Sarah Dacey Audio: Aaron Holloway-Nahum Video and Post Production: Four/Ten Media
Now More Than Ever We Need To Work Together - by Matt Wright
Переглядів 2282 роки тому
During the COVID19 Pandemic, composer Claudia Molitor started collecting scores that could encourage us to find new ways of sharing experiences collectively. The Huddersfield Contemporary Music Festival will publish 29 of these works in their #HausmusikKollektiv at this year's festival. Ahead of our performance there in two weeks, we made three 'versions' of Matt Wright's contribution to the pr...
Sequenza XIV for Solo Cello by Luciano Berio
Переглядів 2,3 тис.2 роки тому
Sequenza XIV for Solo Cello by Luciano Berio
Fight of the Antimicrobials by Brittany Collie
Переглядів 1353 роки тому
Fight of the Antimicrobials by Brittany Collie
Dynamical Systems: Pendula by Simon Knighton
Переглядів 3803 роки тому
Dynamical Systems: Pendula by Simon Knighton
A Picture of Transparency by Rachael Gibson
Переглядів 1533 роки тому
A Picture of Transparency by Rachael Gibson
Untitled, Or, the thing about shoegaze is it doesn't by Cameron Graham
Переглядів 3843 роки тому
Untitled, Or, the thing about shoegaze is it doesn't by Cameron Graham
Meraviglia.
stunning take working with found materials! . however ...this interpretation also suggests what has become a standard convention. Rzewski's performance itself contrived no specific rhythms for this piece; he narrated it quite naturally. FR notates Coming Together narration as **metrical**. narrators employing consistent "no-upbeat" stuttering approach an unnatural, perhaps even pedantic interpretation of the the text formatted simply & non-rhythmically above downbeats ... there's no explicit rhythmic notation for the words; FR performed with natural English meter and energy as if simply employing commas where commas naturally seemed required, elongating and contracting indigenous rhythms rather like a buddhist chant.... employing meter to great effect as if he were spontaneously reading a newly received yet painful letter from a close comrade - which gradually, eventually, deeply upsets him, until he is raving passionate, frustrated, threatening to become unhinged (in terms of his commanding volume) and break spectacle walls by the end, realizing his dangerous friend has been summarily executed beyond time or reason... all with free tempos within the bar, generally respecting bar lines, the merest of metric essentials
quite delicious.....
Wonderful!
the end: full stop, period. Thank you.
I am listening, and I hear you. Thanx.
I listened, and I hear you. thanx
Liza Lim! ❤
What an amazing performer!❤
шановний пане Максиме, дякую за підтримку і зворушливий твір, пишаюся шо колись так давно, ще в минулому житті вчила писати Вас ноти, щиро дякую
Wunderbar! Bravo! ❤❤❤
Ich fand "Aphelion" und "Canopy" sehr gelungen (ensemble earquake, 2024).
❤
Fantastic interpretation!!
Love this! Such an interesting piece and an incredible performance!
This is my first exposure to this music. Absolutely fascinating piece, like an ecosystem of sound. Unlike anything I've heard before.
yes it sounds so luminous (or something) that to me it seems to feel like I have not at all really yet heard what music actually does and is. I checked out the ecologist that she is into. also very fascinating. almost a verbal equivalent to this maybe. stay well.
Thanks to all the facilitators. Never heard the gong in an open arch before. 🙃
What a great piece and performance! How can I purchase the score? I’d love to perform/program this.
Thanks, Michael! Yes how interesting. Errollyn in published by Edition Peters but we don't find it on the works list. She's active on Twitter so we'd suggest you reach out there, and if you don't hear back send us a DM with your e-mail and we'll put you in direct touch!
@@Riotensemblemusic - Thank you! I'm now in contact with Errollyn Wallen and about to purchase the score. Her music is astonishing! Can't wait to include out on my recital tours.
@@Riotensemblemusic - The score arrived today. Just in time fir my summer residency at Yellowstone Nat. Park. Perfect timing! Thank you, again for bringing this great piece to my attention.
That is one amazing performance! Well done. It seems to be played by heart as well. This piece requires a great amount of control over the instrument as well as the body. It is an almost endless line, with hardly any space to breathe. The video and the sound are very good too. Bravo.
Brava!!👏👏👏
nice performance for a boring piece...
fabulous performance!!!!
Stunning
A wonderful performance!!!
This is incredible; I started watching this while drinking my tea and ended up losing track of 16 minutes?!?! Kept on full volume whole time; do not regret. Absolutely beautiful x
Try a gong bath if you liked this experience.
Enthralling music. So much variation that we don't hear usually from string playing. Beautiful, thankyou for sharing this. It would be amazing live.
sodelicious.............
Yes sirrrrr it’s Isla
I feel the sadness and pain, very impressive
Ugh...
When you have to analyse this in school.
Good luck❤
Very beautiful. Bravo !!!👏👏👏
Thank you🖤
yes sir
🎶🎧🎶
What a stunning performance! And thank you for this super high quality video! I appreciate the effort and - more important - the love you put into this project!
great playing!
really good - I am surprised berio could be so approachable and a bit jazzy.
👏🏽👏🏽👏🏽👏🏽
👏🏽👏🏽👏🏽👏🏽
Brilliant!!!!!
love it!
Was truthfulness lacking in his voices?
What a fab piece, performed by a fab ensemble! So fiercely syncopated! Love it!
They should both be behind bars! Poor Rzewski -so glad he never heard this...
Just because a couple people seem to have this misconception, of course we would not do such a thing without the composer’s knowledge. He did hear it, and he thought it was fantastic…!
Really enjoyed this, and I wasn't expecting that last bit!
Very good.
GREAT STUFF
Lmao genius, really well done
You have the most cute audience already strolling around your living room :-)