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Italy
Приєднався 23 гру 2013
Відео
Francesco Soriano - Ave Regina caelorum
Переглядів 1683 місяці тому
Ad Aethera Voces, Maurizio Ciceri (LIVE)
Tomàs Luis de Victoria - Jesu dulcis memoria
Переглядів 2063 місяці тому
Choir of the Rugby School Music Department
Wolfgang Amadeus - Kyrie Kv 91
Переглядів 2443 місяці тому
Rundfunkchor Leipzig Hans Werner Mehling, violin Herbert Kegel, director
Antonio Vivaldi - In exitu Israel Rv 604
Переглядів 1,1 тис.9 місяців тому
Ensemble Caprice, Theatre of Early Music, Matthias Maute,
Johannes Brahms - Agnus Dei (Missa Canonica)
Переглядів 4539 місяців тому
UCSB Chamber Choir Michel Marc Gervais, Conductor Live Recording
Gregorio Allegri - Miserere (With Josephine Stephenson LIVE)
Переглядів 1,8 тис.Рік тому
Tenebrae Choir, Nigel Short (LIVE)
Giovanni Pierluigi da Palestrina - Missa Papae Marcelli - Agnus Dei II
Переглядів 1,5 тис.Рік тому
The Tallis Scholars, Peter Phillips (Live)
Giovanni Pierluigi da Palestrina - Missa Papae Marcelli - Agnus Dei I
Переглядів 1,3 тис.Рік тому
The Tallis Scholars, Peter Phillips (Live)
Giovanni Pierluigi da Palestrina - Missa Papae Marcelli - Benedictus
Переглядів 1,2 тис.Рік тому
The Tallis Scholars, Peter Phillips (Live)
Giovanni Pierluigi da Palestrina - Missa Papae Marcelli - Sanctus
Переглядів 948Рік тому
The Tallis Scholars, Peter Phillips (Live)
Giovanni Pierluigi da Palestrina - Missa Papae Marcelli - Credo
Переглядів 1,5 тис.Рік тому
The Tallis Scholars, Peter Phillips (Live)
Giovanni Pierluigi da Palestrina - Missa Papae Marcelli - Gloria
Переглядів 1 тис.Рік тому
The Tallis Scholars, Peter Phillips (Live)
Giovanni Pierluigi da Palestrina - Missa Papae Marcelli - Kyrie
Переглядів 3,9 тис.Рік тому
The Tallis Scholars, Peter Phillips (Live)
What is your favorite Christmas Carol? (Choir + instruments)
Переглядів 232Рік тому
What is your favorite Christmas Carol? (Choir instruments)
Mykola Dmytrovyč Leontovyč - Carol of the bells (arr. Peter J. Wilhousky)
Переглядів 51 тис.Рік тому
Mykola Dmytrovyč Leontovyč - Carol of the bells (arr. Peter J. Wilhousky)
Robert Lucas Pearsall - In dulci jubilo
Переглядів 6 тис.Рік тому
Robert Lucas Pearsall - In dulci jubilo
Michael Praetorius - Psallite, unigenito
Переглядів 4,8 тис.Рік тому
Michael Praetorius - Psallite, unigenito
Giovanni Pierluigi da Palestrina - Sicut cervus
Переглядів 2,5 тис.Рік тому
Giovanni Pierluigi da Palestrina - Sicut cervus
Giovanni Pierluigi da Palestrina - Hodie Christus natus est a 8
Переглядів 1,9 тис.Рік тому
Giovanni Pierluigi da Palestrina - Hodie Christus natus est a 8
Giovanni Pierluigi da Palestrina - Alma Redemptoris Mater
Переглядів 7 тис.Рік тому
Giovanni Pierluigi da Palestrina - Alma Redemptoris Mater
What is the best version of the top C? Gregorio Allegri: Miserere (LIVE VERSIONS)
Переглядів 208 тис.2 роки тому
What is the best version of the top C? Gregorio Allegri: Miserere (LIVE VERSIONS)
They were all really good and it's hard for me to pick a favorite, but that Mediterranean choir stood out to me as being very good
This is one of my favourite performances of the motets, I have the CD. It is however amazing how many great choirs, including this one, sings the incorrect G sharp in the bass of bar 70 instead of G natural on the last 2 quavers. Tenebrae is probably one of the only choirs to sing it correctly. Love these motets.
Coro “Iride” is not C, is higher 😮😮😮 please let us know who did that
Warum vergleichen? Jede Version ist einzigartig und individuell... Es bedarf ja auch des Klangbetts der anderen. 😇🙏🎶✨
So far Sixteen and Clara College. There is woman in Birmingham, Alabama, Janet Ort, who is as good as anyone I’ve heard.
5:00 I think
Or 7:18. One of the boy sopranos
What wondrous variety! The most surprising intrerpretation was Harry Christopher's with The Sixteen 09:30
❤❤❤Andrea❤❤❤
ua-cam.com/video/SpLJmfV3wNA/v-deo.html for me an insane version, maybe the best of all, listen 1:38. But never the less, I love all of the shown ones.
Is lady at 4:00 Clare Wilkinson? Right now she is an alto, but maybe she was soprano in the past?
What about the kid that inhaled helium he was very good
Just to be clear: that high C was not in the original. I would love to hear a group sing "Miserere" in Allegri's original version.
0:39 gets me every time
Voica8 was not featured. Anyway all sounded marvellous 👏🏻👏🏻👏🏻
Nigel Short for sure
It is like a rocket launch, starting with the countdown and building up of intensity. You are then suddenly thrown into outer space and you long for a soft landing. The high C has to carry the element of surprise, soft as cotton but hard as steel. The boy sopranos did it with ease and to them, it is like a game. The 1994 Tallis Scholar did the best job. Many singers screwed up the landing.
Ok, I have to go back through, Byrd? Silky, mmm. This is a nice comparison format, thnx for a fine field. 🎉
Byrd Ensemble soprano is best in my opinion. So pure.
I’m not well versed in this type of music, it’s so beautiful. But I had no idea young boys could sing like that - no wonder there were castrati back then (and thank God that practice has stopped!)
Das ist Gänsehaut pur!...die Qualität des Chores ist Weltklasse,einfach phantastisch!!!😍👍
It is one of the most Beautiful compositions i have ever heard in 43 years of my life! Tears..
Tenebrae and Byrd Ensemble
Von ganzem Herzen vielen Dank!!!
Todo maravilloso.sencillo emocionante. Refleja lo bueno del ser humano, belleza,paz frente al odio . Abel frente a Caín
Everyone did great but the Byrd Ensemble was great here. And that Coro Iride group which took it a note higher, hitting High D instead if the usual C.
As someone who knows nothing about music other than how beautiful that is, I kept trying to guess which person would be the high C and never guessed right. Also the variety of the mouth position and body movement was different each time.
MAESTRO PALESTRINA SHOULD BE CANONIZED FOR THE MIRACLES OF HIS COMPOSITIONS!!!
Although singing like this has its sacrifices...you don't know how much I envy you. But even more, I admire them.
I generally prefer treble performances of this but my all time favourite is Voces8
Tennabrae are the only ones who sing the c without a break un the note and the new version from the 16 is stunning.
The sixteen were the first choir i heard sing this it called out to me and I've returned x Thankyou . Since then everyone ive heard are just as good x
Hats off to everyone who attempts this id love to be able to do it .
Very nicely sung, but I do think the tempo is way too fast. Yes, it's alla breve, but you have to take into considering, that this was to be sung in St. Florian's monastery church with 11 seconds reverb! So if you take it alla breve, then it's to be Largo if not Adagio. Bruckner's motets always transport the mystery of faith, especially in the piano and pianissimo parts, and that can only be transported at a low speed.
Agreed. It’s masterfully sung in this recording, but way faster than I’ve ever conducted or heard this sung
Ummm, they’re not all high C’s. Some groups take it down a half step to align with how music was keyed at the time this music was written. The soprano in the second excerpt, for example sang a high B.
Incredibly awesome!
The last one
Seems to be using traditional English Latin pronunciation, very cool!
Revisiting this piece again, the altos at 4:00 have to jump more than an octave wow
Tenebrae 1st, The Sixteen 2nd But then I stumbled upon the 2006 version by Tenebrae (can't find a video where you can see them perform). It is simply devine: ua-cam.com/video/Pt61UhsYAPc/v-deo.html Quartet: Soprano 1 (top) - Grace Davidson Soprano 2 - Julia Doyle Alto - Ben Turner Bass - Matthew Brook Grace Davidson is also featured on a different performance by The Sixteen (2020): ua-cam.com/video/vCIRQ5QkmrY/v-deo.html
I've found that in "casting" choirs for broadly-split pieces like Lauridsen's (or Whitacre's), it's advantageous to have many more men women (if possible). Generally, the lower the pitch, the more singers needed to project it. As few top sopranos as possible, on down. The most successful grouping I've had with this particular piece (without having to take it up a half-step): 8 B3, 8 B2, 7 B1, 6 T2, 5 T1, 4 A2, 4A1, 3S2, 2S1. Sometimes I would have the A2 sing with the T1s and vice versa...but this division allowed for each pitch to resonate at generally the same volume. Another helpful hint: when auditioning voices, if people insist on always singing a certain part (because they always sang that before), I'd advise not working with them at all. You need people who are flexible.
absolutely divine. The recapitulation with the addition of the Hallelujah (04:30) is fantastic
What a great sound ! Thank you so much for posting
I would say the best one ive ever heard in 45 years is Voces 8 which isn't on here! Andrea the soprano is the best of the best imho. Of these though I would say the 1994 version from the Tallis scholars.
Absolutely divine!
I loved hearing all the different groups and versions but the best top C wasn’t included in this video clip. Do a search for - Roy Goodman & Kings College Allegri Miserere, 1963
The one choir which should be here is Voces8.
This gorgeous! I hope you'll post the whole missa!
I'm sorry but there isn't the whole missa! It doesn't exist! Sigh
What a beautiful culture
The best performance of this piece I've ever listened. Beautiful!
The 1994 Tallis Scholars had the cleanest rendition. Everybody's good on the high C itself but the notes around it matter too.