Відео

¡ Muchas gracias ! por compartir. La maestra Tebaldi, maravillosa eternamente. Su bella voz ha iluminado, y seguirá haciéndolo, muchas almas.

Gran vídeo, podrían traducirlo en español, saludos.

Thank you, my good man!

Lovely 🥰

а где микрофоны?.. - так и хочется спросить ) а то ведь без них сейчас прям ну никак, мы и привыкли уже 😄 Легендарная певица.. сильнейшая ✨

Love Anastasia Varelli's voice. Sublime! 32:00

Sapete perche' del Monaco cantava cosi??? Perche' e' nato cosi'. Poi la scuola,indubbiamente, sara' pure servita, ci mancherebbe. Melocchi ha insegnato a tanti tenori, ma nessuno tra i suoi allievi, e' diventato come DEL MONACO. La natura gioca questi miracoli. Tutto il resto e' poesia.

Siamo rimasti con Bocelli

I heard her Live from the Met in the early 90s. Her wobble was so terrible that I turned the radio off. Without the visual element, her wobble was even more pronounced.

Callas correcting journalists is a vibe

Die Beste!

Personalmente trovo la signora Nilssen più adatta al repertorio tedesco...

Never could understand her singing Wagner. Here by contrast she is marvelous. Her voice sounds correctly scaled, whereas in the dramatic rep her voice was more like a medium sweater on a large body, hopelessly stretched out of shape. What a joy to hear her here.

Never could understand her singing Wagner. Here by contrast she is marvelous. Her voice sounds correctly scaled, whereas in the dramatic rep her voice was more like a medium sweater on a large body, hopelessly stretched out of shape. What a joy to hear her here.

I've recently started learning French too:) What a charming language!:)

Grandissimo tenore

Anche a Parigi è sempre il grande Corelli !!! 👍

Not good here. Too heavy above the chest voice. She has a very good chest voice, but above F it has to be let go of and the head voice needs to be focused better.

Two interesting things about this video. 1. Corelli had somewhat functional French! 2. He was actually contracted to sing Faust at the Met. I just checked the René Seghers biography of Corelli, and apparently he withdrew because Bing signed Georges Prêtre to conduct, and Corelli had hated working with Prêtre in Tosca and Norma at the Paris Opera. John Alexander replaced Corelli as Faust, opposite Caballe.

Bellissimo ti si perdona anche questo francese. Sei sempre il più grande, maestoso, super bravissimo tenore mai esistito.❤

besides of her great singing here we can hear thankfully: She looked like Grace Kelly !

I saw her at the Met late 80’s early 90’s as Electra. Took a friend who had never even heard an opera much less see one in person. I don’t think he will ever return. His only comment was “well that was certainly operatic”. Maybe it was too much for a first outing. 😅

Bisogna Fare parlare gente che capiscono opera.

Il suo francese lascia molto a desiderare....comunque Franco Corelli è sempre il mio tenore prediletto.

His French is great!

Franco adorata .......❤❤❤

Une voix d'airain, un sublime spinto qui montait comme par miracle jusqu'au contre-ut dièse, l'art des nuances et du pianissimo. Une grande sympathie, une grande beauté, un charme fou ! Un vrai physique de cinéma pour ce divo inoubliable. Franco, je t'aime pour toujours ❤❤🥰. Tu dois ravir les anges du paradis

SHE WAS ALWAYS GREAT !

I think his French dictation was fine here😂

Très sympathique. Une voix extraordinaire.

Wow, I never liked her because of that horrible wobble and her SCREAMING Wagner's gorgeous music. But this is much better, but noting too magnificent. Much better than her "iconic" records

Thank you so much for this precious, never-before-seen video! ❤ Franco's so cute, so charmant, I've melted 😍 Interesting to see how excitedly he announced here that he was to open the final season of the old Met with Faust. Only, unfortunately, a few weeks later he had such a big falling out with George Pretre in Paris, that he refused to ever work with that conductor again, and the role at the Met (and the 1965 season opener) ended up with Nicolai Gedda 😭😭😭😭 Here's the interview's transcription in English and Italian: 🇬🇧 - Franco Corelli, is this your first time singing in Paris? - Yes, this is my first time in Paris. I'll be singing three operas here: Tosca, Norma and Don Carlos. I'll be singing Tosca for my own pleasure, Norma - to sing again with Maria Callas, and Don Carlos for the pleasure of the theater. - And which operas would you like to return to perform in Paris? - I love Il trovatore and Turandot, and another opera, which I did a month ago in America, Gounod's Roméo et Juliette. It's a really charming, beautiful opera. - You're talking about America. Will you be in the United States next year? - Yes, I'll be back next year, and again for the season... - The last season? - For the final season of the Metropolitan. And I'll be singing Faust. I'll sing Faust on the opening night of the last season. And this opera was first performed eighty years ago for the first time, at the inauguration of the old Metropolitan. - All in all, a historic performance with you. - I certainly hope so. 🇮🇹 - Franco Corelli, è la prima volta che canta a Parigi? - Sì, è la prima volta che vengo a Parigi. Canterò qui tre opere: Tosca, Norma e Don Carlos. Canterò Tosca per mio piacere, Norma per cantare di nuovo con Maria Callas e Don Carlos per il piacere del teatro. - E quali opere le piacerebbe tornare a rappresentare a Parigi? - Amo Il trovatore e Turandot, e un'altra opera, che ho fatto un mese fa in America, Roméo et Juliette di Gounod. È un'opera davvero affascinante e bellissima. - Sta parlando dell'America. Sarà negli Stati Uniti anche l'anno prossimo? - Sì, tornerò l'anno prossimo, e ancora per la stagione... - L'ultima stagione? - Per l'ultima stagione del Metropolitan. E canterò Faust. Canterò Faust nella serata inaugurale dell'ultima stagione. E quest'opera è stata rappresentata per la prima volta ottant'anni fa, all'inaugurazione del vecchio Metropolitan. - Tutto sommato, una performance storica con lei. - Lo spero proprio.

Superb, at her prime.

Danke! Was für unbeschreibliche Vergnügen sehen Franco Corelli!!

Magnifique témoignage d'un grand Artiste

Priceless. BTW, can anyone translate it into English?

She ruined the Lohengrin (as Ortrud) with Gundula Janowitz that I had on LPs. It was painful to hear their Act II duet, as well as when she sang "sola."

She is glissandoing up to her top notes even there

Gargantuan and stunning.

How many times did the reporter have to rehearse his two lines? That's the only drama here.

Merci beaucoup 🌸 j'taime c'est musique Merci 😊 ❤❤❤❤❤

What a treasure!

Stupenda, intonata ed espressiva

THANKYOU

Emotions it's True ❤❤❤❤❤

Yes beutiful color very good the feeling too

Brava 😊😅

Ended her career in vocal shambles. Why so singers do this. ? She'd been wobbling for years. Why would the Met Hire her for Turandot ? Her phrasing was seemless, it would go on forever, indulgent but beautiful.

I heard Jones at the Met in the mid-90s as Turandot - massive, thrilling, but pitchy, with a wobble a rugby team could run through. As much as I loved her, I always thought it was weird that she hit it big by replacing an indisposed Leontyne Price for the Royal Opera's Forza a few years before this recital: - such different voices and techniques. But for me, Gwyneth has always been exciting, scooping and all.

Scoop after scoop.... It becomes insufferable very quickly.