Preston Atkins
Preston Atkins
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Antoine Dard: Six Bassoon Sonatas, Op. 3 (c. 1759)
Sonata #1 in C Major:
00:00 - I. Adagio
03:15 - II. Allegro
06:44 - III. Minuetto di tempo
Sonata #2 in G Major
09:00 - I. Allegro
11:22 - II. Andante
14:23 - III. Allegro grazioso
16:55 - IV. Allegro tempo di molto
Sonata #3 in C Minor
18:28 - I. Adagio
21:04 - II. Allegro ma non troppo
23:47 - III. Andante
25:00 - IV. Allegro
Sonata #4 in F Major
26:50 - I. Andante
28:55 - II. Allegro ma non troppo
31:22 - III. Gavotta
33:03 - IV. Allegretto
Sonata #5 in D Minor
34:55 - I. Adagio
36:47 - II. Allegro
39:30 - III. Arietta
42:25 - IV. Allegro
Sonata #6 in A Minor
45:05 - I. Andante
46:55 - II. Allegro
49:35 - III. Aria grazioso
52:45 - IV. Minuetto di tempo
_____
Bassoon: Ricardo Rapoport
Harpsichord: Pascal Dubreuil
Year of Recording: 2010
_____
"Dard was born in the village of Chapaize in Burgundy. Perhaps - there is no documentary evidence - he received his musical training at the cathedral in Mâcon or in Dijon. We do know, at least, that he got married in 1734. by the end of the 1750s he was in Paris - though how long previously he had made his way to the capital is unknown. In 1760 he was appointed as 5th bassoon in the orchestra of the Royal academy of music. Fairly quickly he rose to become section leader. He was soon one of the musiciens du Roi de Paris. In 1763 he bought the position of Grand hautbois de la Chambre et Écuries de Roi. By the end of the 1770s his name disappears from the list of those performing at court and opera house.
Little of Dard’s work as a composer survives: a few vocal compositions, some sonatas for flute and these sonatas for bassoon. On their publication in 1759 they carried a prefatory note which stated, amongst other things, that the volume had been judged ("by several farsighted persons") to be "indispensable, or at least very useful, to those who would acquire a perfect knowledge of the Bassoon, the only instrument for which, at present, no other composer has written". It wasn’t, of course, true that no one else had written for the bassoon: some thirty-seven concertos by Vivaldi come to mind; Giovanni Antonio Bertoli had published sonatas for the instrument as long ago as 1645; Telemann’s Sonata in F minor appeared in 1728; even in England, Johann Ernst Galliard had published a set of six bassoon sonatas in 1733; in France Boismortier had published duets for two bassoons in the 1720s; and these were by no means the only works written for the instrument. Still, even if they weren’t as ground-breaking as these "farsighted persons" seemed to think (or as Dard thought it sensible to pretend?), the sonatas are of considerable interest.
They are interesting for several reasons. The printed version includes written-out ornamentation and articulation marks for each note; Dard’s prefatory note tells the possible purchaser that "these sonatas have been supplied with fingerings and phrasing" and assures the reader that "nothing has been committed to paper without first having been played many times on the instrument". Though Dard’s title page may declare that these are sonatas for bassoon or cello, they seem very much to have been conceived in terms of Dard’s own instrument. Dard makes more extensive use of the instrument’s upper register than was at all common in the period, giving a distinctive quality to his work. Strikingly, the slow movements are through-composed, making no use of repeats." (Glyn Pursglove)
_____
© COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Переглядів: 1 108

Відео

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Переглядів 1,1 тис.2 місяці тому
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Переглядів 9825 місяців тому
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Переглядів 2,5 тис.5 місяців тому
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Переглядів 3,2 тис.6 місяців тому
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Переглядів 1,6 тис.6 місяців тому
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Conradin Kreutzer: Der Todte Fagott (18XX)
Переглядів 2,5 тис.7 місяців тому
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Eugène Bozza: Nocturne-danse (1967)
Переглядів 4 тис.7 місяців тому
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Переглядів 2,9 тис.7 місяців тому
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Переглядів 1,9 тис.8 місяців тому
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Nino Rota: Bassoon Concerto (1977)
Переглядів 9 тис.8 місяців тому
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Переглядів 1,4 тис.8 місяців тому
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Переглядів 1,7 тис.9 місяців тому
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Переглядів 1,6 тис.9 місяців тому
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Переглядів 1,8 тис.9 місяців тому
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Jean Francaix: Bassoon Concerto (1979)
Переглядів 6 тис.10 місяців тому
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Переглядів 3,1 тис.11 місяців тому
Jean Francaix: Deux Pièces (1996)
Charles Koechlin: Silhouettes de Comédie, Op. 193 (1943)
Переглядів 4,1 тис.Рік тому
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Gioachino Rossini: Bassoon Concerto, II. Largo (Preston Atkins)
Переглядів 2,2 тис.Рік тому
Gioachino Rossini: Bassoon Concerto, II. Largo (Preston Atkins)
Carl Maria von Weber: Bassoon Concerto, Op. 75 (Preston Atkins)
Переглядів 4,4 тис.Рік тому
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Luboš Sluka: Bassoon Sonata (1956)
Переглядів 7 тис.Рік тому
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Ivan Eröd: "Milanese" Bassoon Sonata (1984)
Переглядів 4,6 тис.Рік тому
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Harald Genzmer: Introduction and Allegro (1966)
Переглядів 2,7 тис.Рік тому
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György Orbán: Bassoon Sonata (1994)
Переглядів 7 тис.Рік тому
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Noël Gallon: Récit et Allegro (1938)
Переглядів 4,6 тис.Рік тому
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Ernest Kanitz: Bassoon Concerto (1964)
Переглядів 1,5 тис.Рік тому
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William Grant Still: Incantation and Dance
Переглядів 1,1 тис.Рік тому
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Claude Arrieu (Louise-Marie Simon): Impromptu
Переглядів 1,4 тис.Рік тому
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Michał Spisak: Bassoon Concerto (1957)
Переглядів 2,8 тис.Рік тому
Michał Spisak: Bassoon Concerto (1957)

КОМЕНТАРІ

  • @pietervoogt
    @pietervoogt День тому

    Great pianist, unfortunately I can't find solo recordings of her

  • @andreassorg7294
    @andreassorg7294 2 дні тому

    For those, who cant get enough from Hindemith

  • @notclickbait3172
    @notclickbait3172 2 дні тому

    Best chamber piece for winds ever composed!

  • @kcatv8110
    @kcatv8110 4 дні тому

    1번 한참 후에 작곡된 곡이라 느낌이 다릅니다. 고전파 감성에 가까와진거죠 ^^ 저도 음대 시절 이 곡 연주했답니다 ^^

  • @bobcochran2890
    @bobcochran2890 4 дні тому

    Goodness, I’ve not heard this in many years. Performed it decades ago and still prefer it over the more popular Solo de Concert. It’s a unique piece.

  • @ronm3245
    @ronm3245 4 дні тому

    I was just learning to play bassoon in 1977. This would have been a nice piece to do, but this is the first time I have heard of it.

  • @juliocesar-gz1nr
    @juliocesar-gz1nr 5 днів тому

    Fagote fascina minha mente. Um som superior. Bravo !!

  • @gongcyclist
    @gongcyclist 5 днів тому

    I had a chance to hear the Berlin Philharmonic Wind Quintet live, maybe around 2012 or so. It was one of the most impressive performances I’ve ever heard. I had never heard dynamics like that from a small group. Oboe, flute, horn, clarinet, bassoon… all of these instruments have different tendencies at different volumes in different registers. But when they got louder or softer, the ensemble remained perfectly balanced, as if an invisible hand was turning the master volume on the world’s best stereo system. This piece of music in the video is not particularly technically demanding. But as I heard the voices come out of the score, I was perplexed at how humbled I felt by the expression I felt. Until I dropped down the video notes and saw the performers. “Ah, Berlin…”

  • @19Lqueen17
    @19Lqueen17 7 днів тому

    I feel like this is what a bassoon should really sound like

  • @ericdevaughn5941
    @ericdevaughn5941 10 днів тому

    A beautiful work. Great recording. This is a smart violin sonata. Showing tenderness and not terribly modern. Most enjoyable with very skilled performers. It comes across as semi post impressionism.

  • @manoeldecioestigarribia1071
    @manoeldecioestigarribia1071 11 днів тому

    BRAVO BRAVO BRAVO.

  • @bobcochran2890
    @bobcochran2890 11 днів тому

    Nice performance of this staple of wind quintet literature.

  • @SOBIESKI_freedom
    @SOBIESKI_freedom 11 днів тому

    What a lovely little gem!

  • @lomlam58
    @lomlam58 15 днів тому

    Thank you very much for posting ! Interesting to hear how the level has improved (speaking of the bassoon playing) in a century. About the solo bassoon variation, I would be curious to know if the great freedom of tempo was a request from the composer, a habit of interpretation, or a arrangement to avoid technical difficulties (or the three of them !). But I have to say that i really enjoy this kind of rubato.

  • @UIW_GNVS
    @UIW_GNVS 16 днів тому

    Can I get this score?

  • @finnsclarinet
    @finnsclarinet 16 днів тому

    I was so confused why the saxophone sounded so strange until I realized this is a bassoon account and read the description. lol

  • @fagotista_richie330
    @fagotista_richie330 19 днів тому

    Felicidades! Saludos desde México, 🎉

  • @9sebitas941
    @9sebitas941 24 дні тому

    0:44

  • @Theo-pd3ny
    @Theo-pd3ny 27 днів тому

    13:40...

  • @bobcochran2890
    @bobcochran2890 27 днів тому

    Back in the day (late 60s and 70s) Bozza was very popular, as were so many of the Paris Conservatory composers. Most of them wrote some very good chamber music, too.

  • @bobcochran2890
    @bobcochran2890 27 днів тому

    I had an old LP with Leonard Sharrow that included this. The quality of recording sound on this is very good, but I think Sharrow’s interpretation was better. Heck, he probably knew Bozza.

  • @bobcochran2890
    @bobcochran2890 27 днів тому

    Nice bassoon playing. There is a very good reason why this piece is mostly unknown.

  • @bobcochran2890
    @bobcochran2890 27 днів тому

    Can’t say I like the piece much. But this was beautifully performed.

  • @stressfacture
    @stressfacture 28 днів тому

    the recurring theme during allegro almost seems like a vignette or a flash of brilliance, its so vivid and different than other parts.

  • @bobcochran2890
    @bobcochran2890 29 днів тому

    I’ve played bassoon for 60+ years and thought I’d heard it all. However this piece takes the cake. The technical prowess required is way beyond what I could have ever summoned. Perhaps Mr. Van Sambeek has extra fingers? This performance is breathtaking.

  • @bobcochran2890
    @bobcochran2890 Місяць тому

    Great recording.

  • @GrotrianSeiler
    @GrotrianSeiler Місяць тому

    I love this piece! Dolce.

  • @GrotrianSeiler
    @GrotrianSeiler Місяць тому

    This channel has some great music! Thanks for sharing.

  • @GrotrianSeiler
    @GrotrianSeiler Місяць тому

    This is such a great example of how dreamy a wind ensemble can sound. This piece and these musicians are terrific!

  • @GrotrianSeiler
    @GrotrianSeiler Місяць тому

    This piece is terrific. You really do upload some wonderful music. Thanks for all these ideas I will share with my wind ensemble.

  • @GrotrianSeiler
    @GrotrianSeiler Місяць тому

    Wonderful! Frenetic. Nice!

  • @user-pw9us5yo4m
    @user-pw9us5yo4m Місяць тому

    Exciting and a little in the fast lane spirit of a Jolivet concerto

  • @peliootbaui4341
    @peliootbaui4341 Місяць тому

    Hey, is there any way to get an orchestral score? I would really like to see the whole thing but I can't find it anywhere on the Internet. Do you know something?

  • @MrBrandenBurn
    @MrBrandenBurn Місяць тому

    0:00 Musica Ricercata No.3 6:54 Musica Ricercata No.8

  • @TomoFranic-ey4hf
    @TomoFranic-ey4hf Місяць тому

    Excelent performing,bravoo🎉🎉🎉

  • @augustocarnevale1900
    @augustocarnevale1900 Місяць тому

    isnt the year of recording 1983?

  • @bobcochran2890
    @bobcochran2890 Місяць тому

    Allard was simply amazing. He makes this extremely difficult work sound easy. How great to have this historic recording.

  • @nicole-uy8pw
    @nicole-uy8pw Місяць тому

    A solo bassoon piece, with no accompaniment at all, is truly difficult to write. From the very first bar, the master has captured my attention. I don't feel any sense of showing off technical skills, the entire piece uniquely documents the style. The aspect I appreciate most about this piece is that the master did not force to change the musical content out of fear of loneliness. The consistency throughout the entire piece is quite strong, and the ending leaves the listener with a sense of completeness (although it also feels quite lonely) Nowadays, it's quite possible that for many people, listening to such a 12-minute piece of music would feel very boring. But if one can leisurely appreciate the subtle changes in this piece, it can also be very exciting.

  • @strikermk5288
    @strikermk5288 Місяць тому

    I played this at graduation beautiful concert

  • @ronm3245
    @ronm3245 Місяць тому

    There once lived a man in the castle, and a strange man was he. Kinda reminds me Menotti's bassoon writing.

  • @bobcochran2890
    @bobcochran2890 Місяць тому

    He was an absolutely brilliant performer and teacher. Thanks for posting.

  • @user-eb6ti9ql8r
    @user-eb6ti9ql8r Місяць тому

    💯

  • @user-el8fl1kn2p
    @user-el8fl1kn2p Місяць тому

    bro is NOT Shostakovich 😭😭

  • @armaxs28
    @armaxs28 Місяць тому

    I can appreciate d’Indy, but I find this particular work quite dull.

  • @user-ig4nf5ei6w
    @user-ig4nf5ei6w Місяць тому

    바순이란 악기의 재발견 브라보!!

  • @danielponder690
    @danielponder690 Місяць тому

    I have this CD, it's fantastic. Cool piece too! Part of the Sturm und Drang which showcases fast accented angsty sounds in the ritornello contrasted with a lyrical solo sections in the solo instrument, see C Ph E Bach's concerti for flute or cello (different versions exist)

  • @benlindsay6012
    @benlindsay6012 Місяць тому

    Wonderful music from Mr Preview!

  • @laggeman1396
    @laggeman1396 Місяць тому

    Allegro pesante starts at 9'50". The Molto adagio is more like an introduction before the Allegro, which continues for the rest of the movement (but the adagio theme comes back, notsted in fast tempo).

  • @boydx4687
    @boydx4687 Місяць тому

    This is delightful. I want it played at my wedding- oops, too late.

  • @Berley_1234
    @Berley_1234 Місяць тому

    what a magical piece of music...i'm inspired and i play bassoon.. just bought the sheet music !!!