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LivinTheBlues
Приєднався 31 січ 2019
Non profit channel dedicated to mainly traditional old time music from the southern U.S.A.
everything done here is done out of the love and respect i have for these artists & the people that recorded them.
everything done here is done out of the love and respect i have for these artists & the people that recorded them.
Jim Brewer Poor Kelly Blues 1964
James Brewer (October 3, 1920 - June 3, 1988)
One of the last acoustic blues guitarists in Chicago at the time, Jim Brewer was born in Brookhaven, Mississippi on October 3, 1920. The oldest of seven children (five boys and two girls), Brewer lost his sight at an early age. Brewer chose the guitar early as a means of survival. His father wanted him to play blues as the most likely means of earning a living, while his mother demanded he play only religious music.
For 40 years as a street singer in Chicago, he shifted constantly between the demon and the saint, playing gospel when weary of the blues’ wild street craziness and playing blues in club and festival performances.
While playing on the streets and in the stores of Brookhaven in the 1930s, he learned most of the religious songs that he continued to perform for the rest of his life. Brewer’s father, however, told him that people would pay more to hear the blues than to hear church music. As he grew older, Brewer started performing at play parties, playing blues he had learned from store records.
Following the death of Jim’s mother, the family moved to Chicago; Jim followed a year later and began playing on 43rd and 47th streets near his family’s home. By the late 1940s he was playing on Maxwell Street. Originally an open-air market for Russian and Polish immigrants who came to Chicago at the turn of the century, by the 1930s Maxwell Street had become a showcase for blues and gospel singers on Chicago’s South Side. Except for a short period when he left the city, Brewer was a regular on Maxwell Street for nearly forty years.
In the early 1950s Jim Brewer decided to travel, and he lived in St. Louis for three years, where he played on streetcars, in taverns, and on the streets. During that time he also joined a washboard band for a while. By the mid-1950s he had returned to Chicago and was introduced by a mutual friend to Fannie, who became his wife. Brewer’s new mother-in-law bought him a good electric guitar and amplifier, the first decent equipment he ever owned.
Returning to Maxwell Street, Brewer decided to devote himself exclusively to singing religious songs. He wanted to separate himself from the lifestyle of trouble that surrounded blues musicians there, and he realized that many people had a low opinion of the blues. But in 1962, two white college students found him on Maxwell Street and asked him if he could sing the blues. He answered that he could and two weeks later he found himself scheduled to give a concert at Northwestern University. Before the concert, Brewer was taken to Chicago’s No Exit Café, and the manager, Joe Moore, asked him to audition. That successful debut resulted in a regular job at the No Exit coffeehouse that continued for three decades. In his later years Brewer played at major festivals and clubs throughout the Midwest, the East, Canada and Europe.
Jim Brewer’s major influences included Big Bill Broonzy and Tommy Johnson. Other influences included Big Joe Williams, Big Maceo, Teddy Darby, Lonnie Johnson, and Tampa Red; musicians Brewer heard on records and radio in Chicago.
Jim Brewer was a powerful singer and guitarist; his style clearly conveying his roots in the Mississippi Delta blues. He played an acoustic Martin six-string guitar, and in his later years he also played a Gretch electric guitar, autoharp and paino. His music and performance style gained an amount of polish over the years, and he seemed comfortable playing to audiences who frequented the club and festival circuit.
In addition to performing songs he learned from others over the years, Jim was also an accomplished songwriter known to make up songs on the spot concerning his mood, the events of the day, or his immediate surroundings.
He made only two albums, Jim Brewer on Philo Records, now out of print, and Tough Luck for Earwig Music Company. His manager from the late 1970s through his death was Michael Frank, CEO of Earwig Music Company. Various tracks of Jim's also appeared on compilation albums issued during the 1960s through the 1980s.
He died at home of heart failure June 3, 1988. He had recently returned from his only European tour, and the promoter wanted him back, but Jim was afraid of flying and declined the offer.
One of the last acoustic blues guitarists in Chicago at the time, Jim Brewer was born in Brookhaven, Mississippi on October 3, 1920. The oldest of seven children (five boys and two girls), Brewer lost his sight at an early age. Brewer chose the guitar early as a means of survival. His father wanted him to play blues as the most likely means of earning a living, while his mother demanded he play only religious music.
For 40 years as a street singer in Chicago, he shifted constantly between the demon and the saint, playing gospel when weary of the blues’ wild street craziness and playing blues in club and festival performances.
While playing on the streets and in the stores of Brookhaven in the 1930s, he learned most of the religious songs that he continued to perform for the rest of his life. Brewer’s father, however, told him that people would pay more to hear the blues than to hear church music. As he grew older, Brewer started performing at play parties, playing blues he had learned from store records.
Following the death of Jim’s mother, the family moved to Chicago; Jim followed a year later and began playing on 43rd and 47th streets near his family’s home. By the late 1940s he was playing on Maxwell Street. Originally an open-air market for Russian and Polish immigrants who came to Chicago at the turn of the century, by the 1930s Maxwell Street had become a showcase for blues and gospel singers on Chicago’s South Side. Except for a short period when he left the city, Brewer was a regular on Maxwell Street for nearly forty years.
In the early 1950s Jim Brewer decided to travel, and he lived in St. Louis for three years, where he played on streetcars, in taverns, and on the streets. During that time he also joined a washboard band for a while. By the mid-1950s he had returned to Chicago and was introduced by a mutual friend to Fannie, who became his wife. Brewer’s new mother-in-law bought him a good electric guitar and amplifier, the first decent equipment he ever owned.
Returning to Maxwell Street, Brewer decided to devote himself exclusively to singing religious songs. He wanted to separate himself from the lifestyle of trouble that surrounded blues musicians there, and he realized that many people had a low opinion of the blues. But in 1962, two white college students found him on Maxwell Street and asked him if he could sing the blues. He answered that he could and two weeks later he found himself scheduled to give a concert at Northwestern University. Before the concert, Brewer was taken to Chicago’s No Exit Café, and the manager, Joe Moore, asked him to audition. That successful debut resulted in a regular job at the No Exit coffeehouse that continued for three decades. In his later years Brewer played at major festivals and clubs throughout the Midwest, the East, Canada and Europe.
Jim Brewer’s major influences included Big Bill Broonzy and Tommy Johnson. Other influences included Big Joe Williams, Big Maceo, Teddy Darby, Lonnie Johnson, and Tampa Red; musicians Brewer heard on records and radio in Chicago.
Jim Brewer was a powerful singer and guitarist; his style clearly conveying his roots in the Mississippi Delta blues. He played an acoustic Martin six-string guitar, and in his later years he also played a Gretch electric guitar, autoharp and paino. His music and performance style gained an amount of polish over the years, and he seemed comfortable playing to audiences who frequented the club and festival circuit.
In addition to performing songs he learned from others over the years, Jim was also an accomplished songwriter known to make up songs on the spot concerning his mood, the events of the day, or his immediate surroundings.
He made only two albums, Jim Brewer on Philo Records, now out of print, and Tough Luck for Earwig Music Company. His manager from the late 1970s through his death was Michael Frank, CEO of Earwig Music Company. Various tracks of Jim's also appeared on compilation albums issued during the 1960s through the 1980s.
He died at home of heart failure June 3, 1988. He had recently returned from his only European tour, and the promoter wanted him back, but Jim was afraid of flying and declined the offer.
Переглядів: 33
Відео
Jim Brewer I Don't Want No Woman, She Got Hair Like Drops Of Rain 1964
Переглядів 15День тому
James Brewer (October 3, 1920 - June 3, 1988) One of the last acoustic blues guitarists in Chicago at the time, Jim Brewer was born in Brookhaven, Mississippi on October 3, 1920. The oldest of seven children (five boys and two girls), Brewer lost his sight at an early age. Brewer chose the guitar early as a means of survival. His father wanted him to play blues as the most likely means of earni...
Jim Brewer Blues In The Morning, Blues Every Turn Around 1964
Переглядів 14День тому
James Brewer (October 3, 1920 - June 3, 1988) One of the last acoustic blues guitarists in Chicago at the time, Jim Brewer was born in Brookhaven, Mississippi on October 3, 1920. The oldest of seven children (five boys and two girls), Brewer lost his sight at an early age. Brewer chose the guitar early as a means of survival. His father wanted him to play blues as the most likely means of earni...
Jim Brewer Big Road Blues 1964
Переглядів 14День тому
James Brewer (October 3, 1920 - June 3, 1988) One of the last acoustic blues guitarists in Chicago at the time, Jim Brewer was born in Brookhaven, Mississippi on October 3, 1920. The oldest of seven children (five boys and two girls), Brewer lost his sight at an early age. Brewer chose the guitar early as a means of survival. His father wanted him to play blues as the most likely means of earni...
Jim Brewer I Know A Woman, She Lives Up On The Hill 1964
Переглядів 21День тому
James Brewer (October 3, 1920 - June 3, 1988) One of the last acoustic blues guitarists in Chicago at the time, Jim Brewer was born in Brookhaven, Mississippi on October 3, 1920. The oldest of seven children (five boys and two girls), Brewer lost his sight at an early age. Brewer chose the guitar early as a means of survival. His father wanted him to play blues as the most likely means of earni...
Jim Brewer Interview Chicago 1964
Переглядів 10День тому
James Brewer (October 3, 1920 - June 3, 1988) One of the last acoustic blues guitarists in Chicago at the time, Jim Brewer was born in Brookhaven, Mississippi on October 3, 1920. The oldest of seven children (five boys and two girls), Brewer lost his sight at an early age. Brewer chose the guitar early as a means of survival. His father wanted him to play blues as the most likely means of earni...
Snooks Eaglin My Babe Acoustic Solo June 1964
Переглядів 15День тому
Fird Eaglin Jr. (January 21, 1936 or 1937 - February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, "Lil" Snook, Ford Eaglin, Blind Guitar Ferd. His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he someti...
Snooks Eaglin Let Me Go Home Whiskey Acoustic Solo June 1964
Переглядів 12День тому
Fird Eaglin Jr. (January 21, 1936 or 1937 - February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, "Lil" Snook, Ford Eaglin, Blind Guitar Ferd. His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he someti...
Snooks Eaglin Yours Truly Acoustic Solo June 1964
Переглядів 7День тому
Fird Eaglin Jr. (January 21, 1936 or 1937 - February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, "Lil" Snook, Ford Eaglin, Blind Guitar Ferd. His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he someti...
Snooks Eaglin Rock Island Line Acoustic Solo June 1964
Переглядів 7День тому
Fird Eaglin Jr. (January 21, 1936 or 1937 - February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, "Lil" Snook, Ford Eaglin, Blind Guitar Ferd. His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he someti...
Snooks Eaglin CC Rider Acoustic Solo June 1964
Переглядів 11День тому
Fird Eaglin Jr. (January 21, 1936 or 1937 - February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, "Lil" Snook, Ford Eaglin, Blind Guitar Ferd. His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he someti...
Snooks Eaglin I'm Looking For a Woman Acoustic Solo June 1964
Переглядів 12День тому
Fird Eaglin Jr. (January 21, 1936 or 1937 - February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, "Lil" Snook, Ford Eaglin, Blind Guitar Ferd. His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he someti...
Snooks Eaglin Hello Dolly Instrumental Acoustic Solo June 1964
Переглядів 10День тому
Fird Eaglin Jr. (January 21, 1936 or 1937 - February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, "Lil" Snook, Ford Eaglin, Blind Guitar Ferd. His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he someti...
Snooks Eaglin Lonesome Road Acoustic Solo June 1964
Переглядів 5День тому
Fird Eaglin Jr. (January 21, 1936 or 1937 - February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, "Lil" Snook, Ford Eaglin, Blind Guitar Ferd. His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he someti...
Snooks Eaglin Pinetop's Boogie Woogie Acoustic Solo June 1964
Переглядів 13День тому
Fird Eaglin Jr. (January 21, 1936 or 1937 - February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, "Lil" Snook, Ford Eaglin, Blind Guitar Ferd. His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he someti...
Snooks Eaglin Careless Love Acoustic Solo June 1964
Переглядів 18День тому
Snooks Eaglin Careless Love Acoustic Solo June 1964
Big Walter Horton & Robert Nighthawk West Side Story Chicago May 23rd 1964
Переглядів 31День тому
Big Walter Horton & Robert Nighthawk West Side Story Chicago May 23rd 1964
Big Walter Horton & Robert Nighthawk Tin Pan Alley Chicago May 23rd 1964
Переглядів 19День тому
Big Walter Horton & Robert Nighthawk Tin Pan Alley Chicago May 23rd 1964
Big Walter Horton & Robert Nighthawk This Is It Chicago May 23rd 1964
Переглядів 21День тому
Big Walter Horton & Robert Nighthawk This Is It Chicago May 23rd 1964
Big Walter Horton & Robert Nighthawk I'm In The Mood Chicago May 23rd 1964
Переглядів 2406 місяців тому
Big Walter Horton & Robert Nighthawk I'm In The Mood Chicago May 23rd 1964
Big Walter Horton & Robert Nighthawk Let's Have A Good Time Chicago May 23rd 1964
Переглядів 2426 місяців тому
Big Walter Horton & Robert Nighthawk Let's Have A Good Time Chicago May 23rd 1964
Big Walter Horton & Robert Nighthawk Louise Chicago May 23rd 1964
Переглядів 3216 місяців тому
Big Walter Horton & Robert Nighthawk Louise Chicago May 23rd 1964
Big Walter Horton & Robert Nighthawk Mean Mistreater Chicago May 23rd 1964
Переглядів 3666 місяців тому
Big Walter Horton & Robert Nighthawk Mean Mistreater Chicago May 23rd 1964
Big Walter Horton & Robert Nighthawk Trouble In Mind Chicago May 23rd 1964
Переглядів 2886 місяців тому
Big Walter Horton & Robert Nighthawk Trouble In Mind Chicago May 23rd 1964
Big Walter Horton & Robert Nighthawk You Don't Mistreat Me Chicago May 23rd 1964
Переглядів 2286 місяців тому
Big Walter Horton & Robert Nighthawk You Don't Mistreat Me Chicago May 23rd 1964
Leon Pinson & Elder Roma Wilson Live @ Benson Hedges Blues Fest 1990s Full Set
Переглядів 2256 місяців тому
Leon Pinson & Elder Roma Wilson Live @ Benson Hedges Blues Fest 1990s Full Set
Dink Roberts Mamie Powell Blues 1975 VIDEO
Переглядів 7468 місяців тому
Dink Roberts Mamie Powell Blues 1975 VIDEO
Arthur Lyons Somebody Else Taking My Place 1976
Переглядів 1059 місяців тому
Arthur Lyons Somebody Else Taking My Place 1976
told her my name was on the tail of my shirt, rockin' chair daddy don't have to work.
Praise His Holy, Holy, Holy Name, Jesus Christ, King of Kings + Lord of Lords!
Legend
Sweet sweet music ! Love forever !
Welcome old gitar friend 50 years after Vienna Jazzland concert !
thanks so much!
Rev. Gary Davis at his best w/ Sonny Terry on harmonica (?).
its revs student the late great Larry Johnson the guitarist on harp, who was influenced by sonny and rev to play like that for sure
Great talent
Amen
His style of music is reminiscent of Leadbelly
why is he not on mount rushmore?
Wow! As an okay harmonica player and a bad guitar player this blows me away....
And you're the one limited to the comment section. Wow.
Blues and Rockabilly phrasing is so totally original. Harmonica technique is UNREAL! Everything together is so unbelievably effective! Thank you so much for recording this guy, Sam Phillips!
I like how pple can comment without signing in and without restrictions. Freedom here. Use it to comment pple. Leave MSN and all those gate keepers who sensor us.
Common come on pple comment about this guy's talent. He is good. He's humble. He's pure human. Not a fake. Not a tart.
Deford is talented. Love him. Humble and was oppressed.
Different but good, very good, creative.
Thank you very much!
Fun little thing
Love The Blues.
Hi @livintheblues, could u send me a copy of the album in good quality? Coming b to him Mich more than anything else in the world.
whats your email ill send you everything thats issued of him
My late friend Herb turned me on to the blues in the mid-60's up in Detroit and Mance was right up there. We even saw some of the old guys perform live especially up in Toronto.
Simply the best !
Everybody loves big fat mama, it’s definitely a tune you can convince people to join in on
In very loving memory of Mr. Henry "Rufe" Johnson (1908 - 1974 R.I.P. Gone but NOT forgotten).
hes the reason this channel exists, happy b day rufe
Simply amazing brother. Thanks for share this one!
Mike, you know I love you, but I don't share your view about Son
Great Blues 💙💙🎤🎸💙🌟💙🌟💙🌟💙🌟⭐️💫
Right from the source. Gotta love that tempo.
Amazing recording
Sooooo good. I’ve been to Calvary.
Amazing version
he had a super great scatty jazz voice
There is no finer voice in American music than John Hurt.
THE ROLLING STONES love his stuff
Absolutely incredible! What a find this channel is.
Incredible musician, and such a shame there isn't much much more. Big thanks for finding and posting.
ua-cam.com/play/PLpnG2psBH4QttnjO0Q6_KMtU8xfPKa-0D.html
@@livintheblues202 Can't thank you enough. Brilliant!
The music is great, but what you hear is not what you see him playing.
thats because the documentary this clip is from was shot with silent film and wasnt even playing the right audio on the documentary anyways so just used a HD recording from my library of him and cliped it to the film
@@livintheblues202 Thanks for the clarification.
I saw the Rev. Dan Smith performing many times in the 70s and 80s, often accompanied by Nick Seeger (Pete's nephew) on guitar. The Rev. Smith was an amazing and electrifying performer. He always left the audience wanting more.
Both giants of Americana !!!!! John Jackson was also a pretty good banjo picker
信じられない…動くBuddy Moss が観れるなんて!!アップロードしてくれてありがとう!
He was a rare player and person!
Play the kids Rev. Robert Wilkins. ❤
What an incredible world we live in where we can hear these conversations.
Darwin Watson, what the hell is this
love being able to hear the bits of history!
One of my guilty pleasures. Primeval blues from the wonderful Mr. McDowell.
C'est la Caveau de la Huchette, non ?
HAAAAAM-BOOOOONNNING!!
Thank you very kindly!!!❤❤