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The Lost Poem (Violin Wonders)
United Kingdom
Приєднався 14 гру 2012
In Search of Fine Violins All Over the Place! This channel is dedicated to Luthiers and Players
see my other channels:
- Violin Pilgrimages:
www.youtube.com/@ViolinPilgrimages-rds
- Lost Poem Biker channel:
www.youtube.com/@lostpoembiker77
see my other channels:
- Violin Pilgrimages:
www.youtube.com/@ViolinPilgrimages-rds
- Lost Poem Biker channel:
www.youtube.com/@lostpoembiker77
Відео
Giovanni Francesco Celoniato ("Celoniatus") - Turin Violin Maker
Переглядів 47512 годин тому
Giovanni Francesco Celoniato ("Celoniatus") - Turin Violin Maker
Violins of the Fondazione Pro Canale - Milano
Переглядів 36319 годин тому
issuu.com/pssprtt00/docs/pro_20canale_20-_20catalogo_20generale tarisio.com/cozio-archive/browse-the-archive/owners/?Entity_ID=3323
Charles Quenoil - French Violin Maker (1878 - 1952)
Переглядів 256День тому
Charles Quenoil - French Violin Maker (1878 - 1952)
Sesto Rocchi - Violin Maker from San Polo d'Enza, Italy
Переглядів 28114 днів тому
Sesto Rocchi - Violin Maker from San Polo d'Enza, Italy
Francesco Emiliani - Violin Maker from Rome
Переглядів 33214 днів тому
Francesco Emiliani - Violin Maker from Rome
voyage dans le passe 1938 1950 filmed by Pierre DuPerrier - Les Rafforts, 74380 Arthaz France
Переглядів 51414 днів тому
voyage dans le passe 1938 1950 filmed by Pierre DuPerrier - Les Rafforts, 74380 Arthaz France
Les Rafforts, Arthaz France 1982-83 Filmed by Pierre Duperrier
Переглядів 10014 днів тому
Les Rafforts, Arthaz France 1982-83 Filmed by Pierre Duperrier
Francesco Maurizi - Luthier & Farmer from the le Marche Region of Italy
Переглядів 14621 день тому
Francesco Maurizi - Luthier & Farmer from the le Marche Region of Italy
Alessandro D'Espine - Violin Maker of Noble Birth, Turin
Переглядів 34921 день тому
Alessandro D'Espine - Violin Maker of Noble Birth, Turin
PAOLO CASTELLO Violin Maker from Genoa (1740 - 1817)
Переглядів 34628 днів тому
PAOLO CASTELLO Violin Maker from Genoa (1740 - 1817)
Arthur Richardson - British Violin Maker (1882 - 1965)
Переглядів 176Місяць тому
Arthur Richardson - British Violin Maker (1882 - 1965)
Leonhard Maussiell - Violin Maker (1685 - after 1765)
Переглядів 504Місяць тому
Leonhard Maussiell - Violin Maker (1685 - after 1765)
Pierre Jean Henri Hel & Pierre Joseph Hel - Luthiers from LILLE
Переглядів 242Місяць тому
Pierre Jean Henri Hel & Pierre Joseph Hel - Luthiers from LILLE
ALBERTO LUIGI BLANCHI (1871 - 1948) - Violin Maker from Nice, France
Переглядів 265Місяць тому
ALBERTO LUIGI BLANCHI (1871 - 1948) - Violin Maker from Nice, France
Evasio Emilio Guerra - TURIN Violin Maker
Переглядів 198Місяць тому
Evasio Emilio Guerra - TURIN Violin Maker
Edward Pamphilon - Violin Maker from Essex, England (c. 1646 - c. 1700)
Переглядів 676Місяць тому
Edward Pamphilon - Violin Maker from Essex, England (c. 1646 - c. 1700)
Violins of The Munetsugu Collection, Tokyo
Переглядів 671Місяць тому
Violins of The Munetsugu Collection, Tokyo
Early Violin Makers: Peregrino Michelli Di Zanetto (Brescia), Francesco Ventura Di Linarol (Venice)
Переглядів 277Місяць тому
Early Violin Makers: Peregrino Michelli Di Zanetto (Brescia), Francesco Ventura Di Linarol (Venice)
Giovanni Maria del Bussetto - Cremona Violin Maker (fl. 1660 - 1680)
Переглядів 246Місяць тому
Giovanni Maria del Bussetto - Cremona Violin Maker (fl. 1660 - 1680)
Kunstmuseum den Haag - Museum in Holland
Переглядів 91Місяць тому
Kunstmuseum den Haag - Museum in Holland
The Ficker Violin Making Family of Markneukirchen, Germany
Переглядів 478Місяць тому
The Ficker Violin Making Family of Markneukirchen, Germany
Stradivari Violins in the Royal Palace of Madrid
Переглядів 513Місяць тому
Stradivari Violins in the Royal Palace of Madrid
Antonio Gragnani - Luthier from Livorno (and his son, Onorato)
Переглядів 414Місяць тому
Antonio Gragnani - Luthier from Livorno (and his son, Onorato)
Carlo Antonio Santino Lavazza - Luthier from Milan
Переглядів 351Місяць тому
Carlo Antonio Santino Lavazza - Luthier from Milan
Children’s books!😊
It sounds Heifetz no matter what violin
It’s music mate, wake up please, it’s these questions that divide music and people so much, to prove this point I was a professional guitarist for over 30 yrs, at 51, I’ve started learning violin, I’ve been playing 10 wks(1/12/24), and Im playing as good as anyone who’s been playing for at least 2 yrs, how!!, 4 hrs a day practice, and all my musical fingering and theory from guitar, remember, it’s only music,
Thank you very much. This music is a great delight.
Where do you know the password
In 1980's Strad magazine, I read article about how Aaron Rosand acquired this violin.. What a beautiful story behind this violin.. ❤
see: www.sciencedirect.com/science/article/pii/S1125786522000406
Incredible
❤❤❤ 1.2.'25
Holy moly. Thats awesome. Wow.
I don't mean to split hairs, but there's one small slip in the text. You say the Amati viola is by Andrea, but actually it's by his sons, the Brothers Amati, (as you say immediately afterwards). Otherwise, this is, yet again from you, a really good post.
thank you Paul, good catch
@@lostpoem1725 Thank you for taking it so graciously. I always look forward to your posts and appreciate the work you put into them. The last thing I'd want is to offend you.
He is a genius of our time.
@rosemarieperks4468 can you explain why you feel Kennedy is a genius? I can only think of 2 actual born violin geniusses in the last 100 years: Heifetz and Menuhin. Have I missed some? All the rest have come up through a combination of talent and sheer hard work. A genius to me, born once every 100 years, is like a Paganini who revolutionises the violin technique and has a sound and technique in childhood far better than adult violin performers of his day. Kennedy - a great player for sure - was a pupil of Menuhin. Heifetz would never have accepted the haircut and tilted head playing position - he would dismiss pupils even for having a shoulder rest
Wow
I bet they would of soon knew where it was and indeed where they were if it disappeared 😂
Most gratful! I learned something!
👍👌🫶
This is an amazing way to start any day! Thanks very much for posting this!
🎻🎼🎵🎶🎶🎵🎶🎶🎻👍
An ex-Joachim violin, with a Joachim concerto extract being played. Nice!
One of Menuhin's violin's, with Menuhin playing music by his teacher.
This Realm is definitely flat! Earth = Heart
tullie.org.uk/amati-violin/
You've managed it again! Pairing an instrument used by Perlman with the sound of Perlman playing...(even if I suspect the recording is of him using a different violin).
I remember the violin from Zeitlins studio.
Galamian had no such problem with shoulder rests and was actually a stickler for comfort and ergonomics (students could make their own choice). Given the sheer number of famous Galamian graduates compared to Heifetz graduates I think this is one case where Heifetz was quite simply wrong. He was simply enforcing how he himself had learned. My teacher was a Galamian graduate and the very first thing they did when I went to learn from them was to accompany me to the local luthier to be properly fitted out with a very comfortable chinrest and shoulder rest.
@jonathanparle8429 good feedback, thanks It seems not unique to Heifetz that the pedagogues produced more world famous stars than the virtuoso performers-turned-teachers. I'm with Heifetz on the shoulder rest issue as I eventually weaned myself off it and agree with the more intimate/direct connection with the instrument. However I don't believe in being quite so dogmatic/dictatorial as Heifetz who would literally fire students if they refused to comply with the shoulder rest removal. I've seen Joshua Bell live who uses the shoulder rest and his playing is awesome. Sometimes the maestros pig headedness can benefit the student though. When my teacher Ron - an arm vibrato player like Heifetz-went to Campoli, the great bel canto player insisted on wrist vibrato. End result: Ron mastered both, which has certain advantages
Wonderful round mellow sound, lovely playing.
Although he owned this violin, Campoli chose a great Joseph Rocca as his primary solo instrument. Both his famous recordings of the Elgar concerto and the Bruch Scottish Fantasy were recorded on the Rocca.
@paularnold9009 yes indeed. My teacher a pupil of campoli was with him in the car when he fetched the Dragonetti Strad from the bank. He was nervous fetching it and you are right he preferred Rocca as his everyday fiddle
@ now if only you can find photos of that amazing Rocca. I think it was in Birmingham but was recently sold. Dream fiddle, really.
@@paularnold9009 I will check Tarisio
great to watch, thanks a lot! I didn't know about the development of his strikingly red varnish with Millington. My late friend, Christopher Martin who knew Richardson, related a story about him. Richardson didn't live in a very posh suburb and hang his new violas up in an apple tree for the varnish to dry in the open air. Naughty street boys used the instruments as targets and through stones at them! (a rather barbaric way of artificial aging)
@@hartmutlindemann9735 my thanks to you, for pointing out the maker to me
Really, how great artist, composer, and violin!!!
A slight variation! ...This time you've matched the violin's previous owner not with the performer of the music we hear, but with the nickname by which the music is universally known.
Arthur Richardson?
@@hartmutlindemann9735 thanks will check him out!
@@lostpoem1725 He is mainly known for making Tertis model violas for Tertis and his students, but good violins also exist.
Sooooo...are the images even of this instrument, if it disappeared from public view in 1981?
See tarisio.com/cozio-archive/property/?ID=41282
'The first color photographs were created in 1861' - just sayin'
it only took stradivarius @ 5 years to make..taking pieces of wood from the river.. or sending kidz to a blockage of the river to bring back solid pieces of wood
Bravo! You've matched the previous owner and the performer we hear playing. A nice bonus.
Campoli - my teacher's teacher - is quite a special guy to me. I have copies of scores with his notes on - introduction and rondo capriccioso and the fiocco allegro - which I treasure!
Wonderful! The Alard (at the end of the video) is definitely my favorite!
Very nice--thank you! We now know Antonio died on Feb 4, 1607.
German-American violinist Anne-Sophie Mutter plays two Stradivarius violins: the "Lord Dunn-Raven" of 1710 and the "Emiliani" of 1703: • Lord Dunn-Raven: Mutter's main instrument, which she says has a tiger-like quality to its sound. She describes it as a "mate for life" and says you need to know how to handle it. • Emiliani: Mutter plays this violin less often than the "Lord Dunn-Raven".
I don't know why they are playing the wrong soundtrack here.
So many uneducated so called self proclaimed “ experts “
David Garrett's Album "Iconic", he used this violin for the recording
This performance of Mozart Rondo was performed when Heifetz was around 72. Live at the Hancock Auditorium at USC, Los Angeles.
I tried a Craske once - a Del Gesu copy. A really great instrument. Sadly like most instruments I came across here in Australia in the 80s and 90s, the condition was not very good unfortunately. The Maucatel in your video is one of the most beautiful instruments I have ever seen and certainly the best English one. Wow!
Kennedy is brilliant. Whatever hairstyle he is sporting. Does his hair affect the music? Does the visual aspect of a musician affect your ability to listen to their playing?
@DavidH-z6v personally no but given a choice I prefer the Heifetz poker face style. Eccentricities are unnecessary and distract from the music. I like Kennedy but I don't get him sometimes
The models actually look a little unattractive to me. It is the aesthetic appeal of these old instruments which captivates me the most and I have always preferred the looks of instruments with a slightly more narrow waste. My favourite of all being the Bergonzi model as that had two characteristics I love - the slimmer waste and the slightly more elongated C bouts. Maybe it is a trick of the camera but these models look a little tubby to me. The purfling is not that attractive either but each to their own!
I wonder if Stern is using this del Gesu in this performance. He could well have been.
@paulsmith3966 it's possible. I suppose I could have searched youtube shorts for the actual violin name when adding the background music. This has once or twice proved problematic when youtube have disabled the music video after my short is published! But it's a good suggestion I will try it again going forward
He’s not vegan he’s vegetarian he’s like ghee and honey eggs
I love the way this commentator or narrator I should say pronounced Sarasate. Classic lack of knowledge, but of course he’s just a narrator. I would love to have played him Table Tennis and reminded him that it is not called ping-pong at the level I played. Oh well.
I love the way this commentator or narrator I should say pronounced Sarasate. Classic lack of knowledge, but of course he’s just a narrator. I would love to have played him Table Tennis and reminded him that it is not called ping-pong at the level I played. Oh well.
Fascinating... Instruments truly fascinating in themselves and not only because they are such rare and early examples of Brescian and Venetian work.
Hola que tal ..queria saber si me puedes ayudar tengo un violin que queria que lo veas .
Sure. What violin is it and why would you want me to see it?