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Yes it is!

Oh i think you guys let fujifilm shoot in Eterna right?

Currently working on them later this month after they release the new F-Gamut C Color Space. Which cameras do you want us to profile for you?

@@GamutLUTs Yess Fujifilm XT3

names get updated over time. If you just downloaded them within the past 6 months, you should have the latest versions.

It does, yes!

yes!

it can. You just might have a little less data in the shadows ins H265. Might be a little noiser or artifacting.

We recommend watching our deep dive into this over on this video: ua-cam.com/users/live4DBjXJ87gNI?si=f970nVnKIHYXe2sz

The developer of his tools is Thatcher Freeman and he makes really hi-quality DCTLs so I would recommend them.

working on profiling that camera in the next couple weeks so we will have a BaseLUT for DLog-M for that sensor soon.

Yes it can. Just need to use a conversion LUT like our BaseLUTs for S-Log3 before applying Kinetic LUTs to the footage.

apple log

depends on if you bake in the LUT or choose not to and just add the LUT in post. Under the LUTs section, you can toggle Record LUT to Clip if you want to bake in the LUT.

Haven't been able to test it with that camera yet.

I believe Apple LOG only is available on iPhone 15 and newer models

If you are using our Gamut BaseLUTs to convert from LOG footage, it depends on the Camera. For most cameras, you do not need to over-expose. If you film in N-Log or Canon Log3, we recommend over-exposing by half a stop or so because of the additional noise in the shadows.

@@GamutLUTs thank you because I have the slog3 conversion lut and it decrease my exposure … I can’t use it

Each camera is different. Which camera are you on? Certain cameras you could over-expose, while most cameras just expose normally.

will check it out.

Camera raw will only be available when you shoot in N-raw, my friend

ZF Doesn't shoot N-Raw

you will need to record to an Atomos recorder to get N-Log Raw.

The LUTs were craeted by RED, so call it what you want but these represent RED contribution to Nikon.

RED made them for Nikon. The wording works both ways honestly.

I have only worked with DNG files when converting ProRes RAW and the raw tab only allows a few options. I haven't quite dialed in which CST setting is optimal though as it seems to be a variance of the older Blackmagic settings. Sorry about that. It is a weird quirk Ive noticed too.

@@GamutLUTs Thank you so much for sharing! I might have the transcode it. All the best.

You'll need to use a conversion LUT (Our Panasonic BaseLUT, Color Space Transform, or another preferred conversion) to convert to Rec709 first, but these will look great on all footage types and this video also showcases the Kinetic LUTs being used on top of our BaseLUTs!

It's recommended by the actual camera manufacturer for maximum dynamic range. The original reason people were over-exposing was because of S-Log2 which is much much noisier in the older sensors and shadows. In order to clean up the image, you would over-expose and then bring down exposure in post thus reducing the high amount of noise. Since the newer cameras and sensors with S-Log3 have been out, the noise is much more minimal and no long necessary to get great results. It's true that with any camera, in order to have the least amount of noise, you would over-expose and then bring down in post. However, you then sacrifice dynamic range and also your exposure focus will always be on the highlights and not skin-tones or middle gray which is more important. If you want to blow out a window in a shot, you can ETTR because your reference would no longer be accurate. However, Middle Gray exposure is always a consistent reference no matter what shooting environment. If you value dynamic range, film at the base ISO and expose middle gray according to the manufacture recommendations. If you value least amount of noise, ETTR. I wouldn't say ETTR creates the best image quality, but that it creates the least amount of noise in the shadows. Hope that helps explain our position on this topic a little better. Thanks for the comment!

They are designed to work with Rec709!

Not sure where we originally got it. However, if you search Arri Isabella Chart some helpful options should pop up. We might have received this in a colorist's course we took awhile back so we are hesitant to share it outside of our team.

we just posted another comment about this. Not sure where we originally got it. However, if you search Arri Isabella Chart some helpful options should pop up.

The goal of this was to showcase nice shots on the phone, so you nailed it. We weren't trying to tell a story haha.

If you can film in Apple Log on an iPhone, then just use our Gamut Apple Log BaseLUT and then all these LUTs work perfectly. If you can't film in Apple Log, like me (on the iPhone 12 still haha) then we currently don't have any conversion that balances out the saturation and contrast from the native camera. If you use any creative LUTs like Cineclipse+, you would need to turn down some Saturation and Contrast before adding the LUTs or it might produce overpowering results.

@@GamutLUTs So maybe if I film in an App like Filmic Pro or Black Magic then your Luts should work well?

It applies to any Sony camera that can film in S-Log3 in 10bit. Not sure those cameras can film in 10bit, so it wouldn't apply in that scenario. Hope that makes sense.

We will. Great products :)

I think we got most of them just searching online. Try searching for Arri Isabella Chart as Arri puts out some helpful test chart images to download.