Відео

i was playing a metallic mallet instrument, kind of a xylophone, at playground. you can hear children in the background here and there. happy you enjoyed it!

@@josehaya6362 thank you 🙏 very cool - excited for you! it’s quite a system and covers a lot of ground.

@@innersonicsoundsystemthx!! What’s the sound source in this patch?

@@josehaya6362i made a short sequence in an app called Poly 2. it’s really slowed down by MG, of course :) if you’d like to hear a collection of these, i’ve got them on Bandcamp under Sonic Relaxation Lab - Floating.

@ thxxxxx

thank you! 🙏 this is just part of a master plan. stay tuned 😀

thanks! yeah, that’s that heavy dust spot around 11-1 o’clock 😀

@@The_Sound_Technician happy you dug it - thanks! i wish the Easel worked out for me. it sounded great with the Lorre Mill instruments :)

@@Hildrafon that makes two of us 🤣 happy you enjoyed it - thanks!

@@evnander thank you! yes i did actually, but it wasn’t as successful as this one, but… now that i’ve done this, i think i can circle back with more success. thank you for the encouragement 🙏😀

@@AndrewLagowski for what it is and the space that it takes up, i’m quite happy with it. no issues, but i haven’t tried to record with it yet. i know a lot of people are frustrated that it’s not an interface as well. I’m just using it to mix all the CL instruments with an effects loop to the Stuber. stereo out of the bluebox to my Focusrite interface directly to my iPad camera app. you can msg me on IG if you’ve got some more questions. thanks for checking out the patch!

Thank you 🙏

are you saying that the Stuber is adding compression or you think i should add compression?

@@innersonicsoundsystem It sounds like there's some kind of compression or sidechaining type thing going on. Whatever the case, it sounds great

⁠@@uvknhn happy you dug it - thank you! signal chain was recording to Stuber/Rolzer to interface into iPad dry. the Stuber works in mysterious ways 😀

happy you dug it! got one more from yesterday that i’ll upload tomorrow. baffling instrument!

@@ttnowas thank you! just starting to get a feel for the SP’s effects 😀

@@innersonicsoundsystem I wanna get my hands on an SP-404, too! it looks like a blast as an effects processor! I heard it's a bit of a learning curve with all the button combos. How's it going for you?

@@ttnowas for my surface level use and understanding of it, it’s not bad. all the pads are clearly marked with good hints of what you might be looking for. all the rest of my rig is pretty much 1 knob per function, so this is already a challenge, but it seems manageable compared to something like the Octatrack. i may feel differently if i start getting into using it as a sampler though!

@@innersonicsoundsystem Thanks for the info! You're making me want the SP even more now 😄

@@SirSybian no plans on buying one as of yet. i’m not sure i would know what to do with it. i’ve got to put some serious time into Stuber before getting into all the new stuff although i’m quite excited that Peter might retool some of the classic CL instruments using the LM3900.

@@innersonicsoundsystem yep, potentially interesting time ahead

@@Cannonharrt thank you - happy it spoke to you! 🙏

it’s selenite which is supposed to be good for clarifying the space. i really feel like i need it with my non-wood synths.

dude, thank you! 🙏 i appreciate the encouragement and help with the 404. hope to pick your brain a bit about compression and saturation 😀

@@ernestoA2 thanks and i totally agree! two things are going on here. with the exception of @sweetearthflying , i haven’t heard too many people patch the reds into blues which changes it from triangle to square wave (my understanding). i almost exclusively send it through coco which adds some dirt/complexity to the sound. you can overdrive the VCA or lower the input and raise the output to give it a real crusty sound. thanks for checking out the patch! 🙏

@@AllisterDotDash thank you! honestly, i don’t remember, but the double knots are easy to sync. they’ve got both a 3.5mm clock input, as well as a banana clock in :)

@@TheYannickOne thank you! 🙏 this is one of my all time favorites 😀 i miss time with single instruments. it’s been fun combining them all, but it’s a fun challenge to see how much you can make the most of the limitations.

good point. you can make an intransparent mess with already only two instruments. playing only one synth always makes me feel the most satisfied.

@@TheYannickOne definitely! i checked your page and i didn’t see any videos posted. are you on IG? do you have any Lorre Mill or Ciat Lonbarde synths? thanks for checking out my patch 🙏

thanks! hopefully going to alter a bit and add saxophone tonight :)

@@DJ-Lazy-Lodger thanks! 🙏 now i’ve got to practice adjusting filter and resonance without pushing into the red 😀

@@Love2Love444 hey… it’s been a while - nice to hear from you! thanks for checking out my jam 🙏 🔊 😀

@@justinhuffman2430 thank you! 🙏

@@bowser724 awesome! what version did you get? are you on IG? i wiggle around there more. let’s hear it! 😀

@@innersonicsoundsystem I pretty much just upload jams here and release albums on Bandcamp! The double knot's arriving on Saturday so I don't have anything yet :)

It's a v3 also. Forgot that part

@@MichaelBrown-u7u thank you for checking out my patches and enjoying them! 😀 feel free to reach out on IG if you want to chat. DK is one of my favorites. the only danger of getting one is that you’ll want two! worth mentioning, all of the different generations have their own sound. i’ve got v2. i think v3 might be the one that sounds the most different/least DK. i haven’t done much with them yet, but Plumbutter sounds great with DK. if you haven’t spotted it yet, i’ve got a recording of two DKs, a Keyed Mosstone, and Wingie on Bandcamp under my Sonic Relaxation Lab moniker. i’m working on a project now with 2 DKs, Wingie, and Multicassa as the rhythm section. it’s going to be fun :)

great question. i don’t remember, but i don’t have anything patched into the Stuber. i just used it in an effects loop. i think everything was rolls of some sorts into USFs and VCAs.

@@ieat3141592 thank you! 🙏

thank you! 🙏

@@andreasschmelas so happy you’re digging this one - thank you! i hope you enjoy my favorites as much as you do this one 😀

thank you for checking out the patch. happy you enjoyed it 😀

thank you! 🙏 this one is special to me. i’m happy it spoke to you.

@@ieat3141592 thank you! i’m excited to experiment more with the pseudo feedback approach. hard to say what to expect from the recording. i think it’s some of the best patching i’ve done with the full CLorkestra to date. i hope my enthusiasm for the textures translates 😀

@@solo1ification thank you, i really appreciate that. 🙏 i feel like i’m always searching for that sound that is in between senses, when perception is heightened.

@@robrd375 thank you - happy you enjoyed it! yes, essentially. i’m using the iPhone/iPad camera adapter, so that’s powering the Focusrite and the audio goes directly to the iPad video.

@@innersonicsoundsystemthanks for the explanation, I wondered how this worked too

@@music-jd thank you so much! it’s funny. i’ve given up on trying to count out or predetermine the time signature. i just like to make sure that it grooves in some way 😀

@@ieat3141592 definitely and thank you! 🙏

will do - thanks for the tip! (feel free to ruin the surprise - what does it do?)

agreed! thanks for checking out the patches 😀

thank you! i think these small, simple patches were the best things i did with the Peterlin.

ha - like that!

thank you! 🙏 i always have a blast with the DKs and these two new effects boxes from Lorre Mill really add a lot. looking forward to more experimentation 😀.

@@bamboo2229 thank you - happy you enjoyed it! i’ve been itching to get back on bass clarinet. hopefully soon 😀

thank you for the reminder about pairing these two. don’t know why i haven’t done more of this! precautions - SO many! i really wish i had a format jumbler with negative voltage protection. DK can’t accept negative voltages, so no browns (watch out for accidentally patching browns in that would be indirectly connected). i’ve heard oranges out of MWTRS also can go negative. if you have something to measure voltages, you may want to check before cross patching. you can search or ask questions on the lines forum for further info. yeah, i think it gets a little limited patching between them because of that, but still sounds great! 😀

thank you so much! it’s really hit or miss with me. i just bought a Stuber and i’m selling my Peterlin. not that they’re the same, but i think i’ll get everything i was hoping to get out of the Peterlin and more from the Stuber. that said, i’ve had some magical moments with the Peterlin, but they’ve been so fleeting for me. i just can’t wrap my head around this thing.

@@innersonicsoundsystem Looking forward to hear what you do with the Stuber.

thank you - so good to hear from you! i’m sure you spotted what else is on the table 😀 i have so little of an idea what i’m doing with the panel, but looking forward to more exploration.

@innersonicsoundsystem oh yeah, I saw that LW panel. It's gorgeous, I'm always happy to help you learn the ways of the Serge!

@@musicalfungus would love that! i’m the 2nd owner. it’s got a bi n tic filter - very hard to find any info on. really don’t know how to use it. i’ll start working through the gold book and get some questions together. what’s a good way to reach you?

thanks! i’ve been thinking the same thing about a v3. i don’t think the v1 would give you that much of a difference, except in sound, but v2 would give you a logic module and clock dividers. absolutely love my v2s, especially the snappy envelope, but i think the CR and FG were probably created to cross patch with v3. hope that helps.

@@innersonicsoundsystem i paired a doubleknot v3 with a Peterlin, a very cost-effective little banana system... they can send each other CV, they have very different voices, you can even run the doubleknot into the peterlin's audio input!

@@innersonicsoundsystem that exactly what I was thinking. V2 looks interesting.

@@father_moo I didn’t even think about that! I have a Peterlin and Golden Section I need to try out with the DKv3

@@father_moo definitely! if you go to my channel and scroll down to 8 months ago, i did 2 videos with Peterlin and DK - lots of fun 😀

me, too! i hope he keeps going with this concept. i feel like if i had a DK v3, i’d get more out of the patch points, but i’ll start patching up the Serge panel and it should get even more interesting :)

@@ieat3141592 i’m excited to delve in more. it looks like they can handle some negative voltages, as well. just need to educate myself on how low the CL voltages go. if i only had someplace to look that up… 😀

@@innersonicsoundsystem haha, I think you know where to look :)

@@itwasthewires thank you! 🙏 i’ll be interested to hear what you do with them. i wasn’t blown away with what i was getting with the DK, but more experimentation is definitely needed 😀

@@ieat3141592 thank you - me, too! i feel like i’m all dressed up and no place to go. i really don’t know how to wield all this power, but i do know i need to practice turning on and off the fuzz. my pitch is all over the place!