Відео

Fabulous. !

Les voix tremblent beaucoup trop au détriment de la mélodie et de la compréhension du texte 😢😢😢

I saw Garanca at the New York Met some years ago and she was really and absolutely disappointing. Good looks, a relative good actress, she was barely audible. I have seen her again and again in many videos and in a horrid production of Carmen, filmen on a fake Cuba, with nothing to do with the story and surtitles in Lituanian, something incredible! Anyway, thanks for uploading this video.

Esta misma puesta en escena estoy viendo ahora en el Teatro Colón en Buenos Aires, pero no con Elina Garança. La verdad, no es la mejor puesta en escena de Carmen.

c'est génial et extremement drole, bravo

11:12 ah correte al giordino 17:57 oh che bella giornata 25:57 Barbara

Raffinata rappresentazione,con voci stupende e musica sublime

Как только прекрасные артисты согласились учавствовать в этом отвратительном действии?!!!

Гаранча бесподобна!Но что за постановка?!Это не "Кармен",однозначно.Так исказить,изуродовать прекрасное произвеление...

Bellissimi costumi e scenografia della belle Helen di offenbach ❤❤❤

Discreta regia bellissimi i costumi d'epoca❤❤❤❤❤❤ buon discreto❤❤❤👍🏻👍🏻 allestimento

Interessante regia del così fan tutte di Mozart bellissimi i costumi sobri ma d epoca buona discreta regia ❤

Bellissima regia bellissimi costumi d'epoca della bella Helen di offenbach❤❤❤❤❤

1:13:26

11:49

💗POLENZANI 💗

1:24:55 Heartbreaking

11:22

Sie kommt wieder

Обажаю Элину,но она не Сантуцца.Для её голоса много других партий.

A wonderful new rendition! Viele grüße Bernd.

In Year 10 I sung in the chorus of La Belle Helene (in English) and I've been singing along the melodies with it.

L'excellence dans la comédie, 2 heures de bonheur

The feeling is sooo intense omg i cant makes me wanna cry

Matthew Polenzani sounds very suited to this role

Love Martina Serafin, too.

29.15

Un spectacle extraordinaire. Quelles voix!

Une esthétique baroque plutôt décalée, mais qui au final le fait bien ; merci !

Polizanzi mediocre voice no charisma

Corelli had everything.

14:43 29:14 47:51 1:25:16 1:34:06

Страшно,когда большие артисты вынуждены ради денег участвовать в таких дерьмовых постановках. Все мельчает. А ведь не так давно была гениальная постановка с ними же в Мет.

The stage and costume music don't match at all. Since they had so famous singers, they must have had the budget. No one would want to listen to Mozart in a basement.

Tutti cantanti stranieri che cantano opere italiane mi riempie di gioia. Tutti bravi ma la Garanca....

❤❤❤

Adoro la Elina!!! Bellissima voce bellissima artista ❤❤❤

If you're a fan of Elina READ HER BOOK! It is deeply personal and beautiful. I couldn't put it down and I didn't want it to end! It's in German but you can use Google image translate to read it in whatever language you want. That's what I did to translate it into English.

Присоединяюсь к тем, кто благодарит вас за то, что выложили в общий доступ. Хотела просто послушать, но не смогла глаз оторвать. Лучшая постановка Кармен из тех, что видела вживую и в интернете.

12:48 40:08

Can I just say Matt is exceptional? And I’m a Frenchwoman who usually thinks only French tenors sing Werther properly

Damn I wish this had subtitles.

fabuleux

sublissime

magnifique , divin

Poor syncro of voice and image

Lástima que no tiene subtítulos... Seguiré buscando una que tenga .

Хороша Гаранча,но Образцова-идеал!

Please add the cast and conductor in the description. Yes, Garanca is very good, but I want to know who is the tenor, and all the rest. It's not fair to him, since he did such a fine job.

When they mention things completely different than what you see. We hear "take your sword", we hear about gypsies dancing and playing instruments, we hear about her accompanying her dance herself, we hear about a flower that is faded and dry (but in reality it's a fake one). And so on and so forth. Today's productions want to force concepts completely different than what is in the original work thinking that inserting modern settings/costumes/behaviours and as much obvious sex as possible makes it "original" and "fresh". And that what is written/sung doesn't count, it can be disregarded. But these costumes and behaviours clash with the language (I don't mean the fact that it's French, but the light and elegant style of the language), and especially with the music, that remains 19th century music. These characters, the way you show them, wouldn't express themselves with such a style and in such music. Write your own contemporary piece inspired from the same story, and it would probably work brilliantly. One example from many of the "dissonance". The smugglers being dangerous gangsters putting a knife on Carmen's throat and threatening to beat her up with a belt. Do the people who thought of this listen to the music beforehand or are they maybe deaf? The music is very light-hearted here, almost like an operetta, or as the background music of Looney Tunes. It totally clashes with the abject darkness we see.