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Crewdson Studio
Приєднався 11 лип 2015
Gregory Crewdson, Eveningside
Images and details set to original music by Stuart Bogie and James Murphy.
Переглядів: 3 591
Відео
Making Eveningside [Dual Screen]
Переглядів 2,6 тис.Рік тому
A short dual-screen film by Harper Glantz with original music by Stuart Bogie and James Murphy. This meditative and atmospheric look at the making of Gregory Crewdson's body of work Eveningside (2021-2022) was designed as an installation projection to accompany a traveling show of Gregory Crewdson's work that premiered at Gallerie d'Italia Torino.
Gregory Crewdson: An Eclipse of Moths - The Warehouse, 2018-2019
Переглядів 1,1 тис.4 роки тому
Gregory Crewdson: An Eclipse of Moths - The Warehouse, 2018-2019 Picture descriptions are written in advance of production based on the artist’s concept and become the working script for production crew and cast. picture description written by Juliane Hiam read by the artist, in his studio video edit by Emma Raible Production Images By Rick Walters Harper Glantz Rusty Bennett GREGORY CREWDSON T...
Gregory Crewdson: An Eclipse of Moths - The Warehouse, 2018-2019
Переглядів 1,1 тис.4 роки тому
Gregory Crewdson: An Eclipse of Moths - The Warehouse, 2018-2019 Picture descriptions are written in advance of production based on the artist’s concept and become the working script for production crew and cast. picture description written by Juliane Hiam read by the artist, in his studio video edit by Emma Raible GREGORY CREWDSON The Warehouse 2018-19 Digital Pigment Print Unframed: 56 1/4 x ...
Gagosian Premieres Trailer: Gregory Crewdson | Ft. Malcolm Gladwell, Elvis Mitchell, and Jeff Tweedy
Переглядів 4484 роки тому
Please visit ua-cam.com/users/gagosian to watch the full Gagosian Premieres episode about Gregory Crewdson's current exhibition An Eclipse of Moths.
Gregory Crewdson: An Eclipse of Moths - The Making Of Alone Street, 2018-2019
Переглядів 1,8 тис.4 роки тому
Gregory Crewdson: An Eclipse of Moths - The Making Of Alone Street, 2018-2019 Picture descriptions are written in advance of production based on the artist’s concept and become the working script for production crew and cast. picture description written by Juliane Hiam read by the artist, in his studio video edit by Emma Raible Production Images By Dan Karp Rick Walters Tobias Fried Juliane Hia...
Gregory Crewdson: An Eclipse of Moths - Alone Street, 2018-2019
Переглядів 1,5 тис.4 роки тому
Gregory Crewdson: An Eclipse of Moths - Alone Street, 2018-2019 Picture descriptions are written in advance of production based on the artist’s concept and become the working script for production crew and cast. picture description written by Juliane Hiam read by the artist, in his studio video edit by Emma Raible GREGORY CREWDSON Alone Street 2018-19 Digital Pigment Print Unframed: 56 1/4 x 94...
Gregory Crewdson: An Eclipse of Moths - The Making Of The Cobra, 2018-2019
Переглядів 5764 роки тому
Gregory Crewdson: An Eclipse of Moths - The Making Of The Cobra, 2018-2019 Picture descriptions are written in advance of production based on the artist’s concept and become the working script for production crew and cast. picture description written by Juliane Hiam read by the artist, in his studio video edit by Emma Raible Production Images By Grace Clark Tobias Freid Juliane Hiam Brandon Tay...
There But Not There: Gregory Crewdson Documentary
Переглядів 41 тис.4 роки тому
This video was made in 2017 from footage captured ten years earlier by Juliane Hiam while working as casting director for Gregory Crewdson's series BENEATH THE ROSES (2003-2008). The short doc premiered at Camerimage 2017 in Poland on the occasion of the joint opening of GREGORY CREWDSON: CATHEDRAL OF THE PINES and DAVID LYNCH: SILENCE AND DYNAMISM at CoCA in Toruń. The doc was subsequently scr...
Gregory Crewdson: An Eclipse of Moths - The Making Of Red Star Express, 2018-2019
Переглядів 9134 роки тому
Gregory Crewdson: An Eclipse of Moths - The Making Of Red Star Express, 2018-2019 Picture descriptions are written in advance of production based on the artist’s concept and become the working script for production crew and cast. picture description written by Juliane Hiam read by the artist, in his studio video edit by Emma Raible Production Images By Grace Clark Council Brandon Rick Walters J...
Gregory Crewdson: An Eclipse of Moths - The Making Of Funerary Back Lot, 2018-2019
Переглядів 4634 роки тому
Gregory Crewdson: An Eclipse of Moths - The Making Of Funerary Back Lot, 2018-2019 Picture descriptions are written in advance of production based on the artist’s concept and become the working script for production crew and cast. picture description written by Juliane Hiam read by the artist, in his studio video edit by Emma Raible Production Images By Grace Clark Emma Raible Juliane Hiam Rick...
Gregory Crewdson: An Eclipse of Moths - The Making Of Redemption Center, 2018-2019
Переглядів 8574 роки тому
Gregory Crewdson: An Eclipse of Moths - The Making Of Redemption Center, 2018-2019 Picture descriptions are written in advance of production based on the artist’s concept and become the working script for production crew and cast. picture description written by Juliane Hiam read by the artist, in his studio video edit by Emma Raible Production Images By Grace Clark Emma Raible Juliane Hiam GREG...
Gregory Crewdson: An Eclipse of Moths - The Making Of Starkfield Lane, 2018-2019
Переглядів 6954 роки тому
Gregory Crewdson: An Eclipse of Moths - The Making Of Starkfield Lane, 2018-2019 Picture descriptions are written in advance of production based on the artist’s concept and become the working script for production crew and cast. picture description written by Juliane Hiam read by the artist, in his studio video edit by Emma Raible Production Images By Grace Clark Emma Raible Rick Walters Tom Sa...
Gregory Crewdson: An Eclipse of Moths - The Cobra, 2018-2019
Переглядів 1,2 тис.4 роки тому
Gregory Crewdson: An Eclipse of Moths - The Cobra, 2018-2019 Picture descriptions are written in advance of production based on the artist’s concept and become the working script for production crew and cast. picture description written by Juliane Hiam read by the artist, in his studio video edit by Emma Raible GREGORY CREWDSON The Cobra 2018-19 Digital Pigment Print Unframed: 56 1/4 x 94 7/8 i...
Gregory Crewdson: An Eclipse of Moths - Red Star Express, 2018-2019
Переглядів 8434 роки тому
Gregory Crewdson: An Eclipse of Moths - Red Star Express, 2018-2019 Picture descriptions are written in advance of production based on the artist’s concept and become the working script for production crew and cast. picture description written by Juliane Hiam read by the artist, in his studio video edit by Emma Raible GREGORY CREWDSON Red Star Express 2018-19 Digital Pigment Print Unframed: 56 ...
Gregory Crewdson: An Eclipse of Moths - Funerary Back Lot, 2018-2019
Переглядів 3944 роки тому
Gregory Crewdson: An Eclipse of Moths - Funerary Back Lot, 2018-2019
Gregory Crewdson: An Eclipse of Moths - Redemption Center, 2018-2019
Переглядів 8804 роки тому
Gregory Crewdson: An Eclipse of Moths - Redemption Center, 2018-2019
Gregory Crewdson: An Eclipse of Moths - Starkfield Lane, 2018-2019
Переглядів 1,2 тис.4 роки тому
Gregory Crewdson: An Eclipse of Moths - Starkfield Lane, 2018-2019
stunning
I don't know how to thank you for your work, but it was part of the inspiration for me to study photography.
Thank you
Masterful! I saw your exposition at the Albertina in Vienna a few days ago.
Bring back Jeff Tweedy ... please !
That was sensational. Loved every minute. Couldn’t look away. Pure magic. Looks like you haven’t uploaded for a while. Hoping you will.
Professor your work really inspire my work a lot. You can really express the feeling like Edward hopper and you detail lighting composition are amazing!!! I am glad to be able to see your work and know your work ! I am a photographer from Thailand which not many people use photography for art but with the inspiration that you created I will use that to make Thai people to look at the photography in more artistic way thank again professor crewson
Incredible photographer. By far one of my all time favorites.
Es realmente maravilloso!
Thanks for this hypnotic moody narrative film; taking your already iconic photographs to the next level, I was smitten. The style reminds me of Lou Stoumen's "The True Story of the Civil War "(1957) and later "Black Fox: the Rise and Fall of Adolf Hitler" both of which won Academy Awards (when that still meant something!). His History of Cinema class ("5C") was the first course (required) at UCLA Film School when I matriculated in 1968, and many of the lessons learned there still serve me well today. He was a photographer too, who became a filmmaker, and like yourself, Stanley Kubrick, Gordan Parks and many others of that ilk have made and will continue to embellish motion pictures with the sensibilties of the decisive moment and everything else that makes still photography unique. Cheers!
Great to see your approach to image building in your always strong work, Mr. Crewdson.
So powerful and enigmatic Well done Maestro
Love the music.
Amazing
Beautiful, complex, storied images.
Amazing images, thank you.
1:49 "Turn the car around, no McDonalds on the way home!" , "WAAAA I want apple pieeeee", XDDDD
Q: What happened to the Baby blanket that was draped around the guy's shoulder?
I love his stuff….reminds me of my childhood (take from that what you will) And Hoppers art
Gregory is definitely My inspiration for my art
Gregory Crewdson’s work is an authentic portrait of the moment of now. I particularly like his portrayal of the familiar as innately beautiful. I predict he will become rediscovered every fifteen years or so, forever. His understanding of his own world is a unique reference point which future historians will come back to visit over and over again to try and understand the early 21st century that has now become a reality to all of us. I am glad he decided not to go to Hollywood.
No, it is everything but authentic. It is a ultraconservative, aestheticized dream of a reality his upperclass public lives segregated from and is afraid to confront. That's why they think it is authentic.
@@buyaport So, do you come from the world that Crewdson depicts? Or are you outside of all of this? My take on Crewdson is nobody really knows the intrinsic value of his work, not even Crewdson himself. I am willing to listen to you.
SOUND???
Very poor sound
perhaps intentional....
Work on the sound please
Incredible monologue. Such majestic poetry. Crewdson is mesmerizing and existential.
Crewdson is a misfit who doesn’t belong anywhere. One could say his images are staged and don’t exist, yet, one could say they do exist in the mind of his mind and imagination. Crewdson knows you cannot photograph a scene deep in the mind so he manifests the scene in his mind into a stage for all the world to see. The added Vermeer light and Michelangelo fresco color saturation can mesmerize the viewer for hours.
Well said. I looked at one of his prints in a exhibitions for about 20mins
Gregory Crewdson is THE most inspirational photographer to me! I own all his books and "studied" his works in detail. I admire his ability to create "worlds" in a time where images have become such an inflationary good that nobody seems to care about story telling anymore. I ran my own Crewdson'esk project this year in Germany because I wanted to see if I can pull off something of that quality and learn from the process and incorporate aspects of it into my own photography. What can I say, I tremendously failed! Though I am a cinematographer, I needed to do this as a private project and basically zero budget and therefore needed to be extremely creative, because I do not have access to Crewdson's film production level light setup, crew and actors/models. I did this with two of my students as assistants and a simple "semi-pro" light setup and a variety of digital and analog cameras. The biggest format possible was analog medium format on an RB67, which was the most pleasing aspect, because it also was the hardest and most tricky part to get right - analog also just looks so much more pleasing than the boring digital images. I tried both, strobes and constant LED lighting, each turned out to have it's own possibilities and limitations. But in neither case I was able to shoot during day time and the fall off of both techniques doesn't work on images that show as much environment as Gregory Crewdson's works do. So there was a lot of post production necessary, which all in the end didn't give me the outcome I wanted. To find the right models is also tricky, because you can't afford professionals when there is no budget and I figured that a model is rather unsuited for a staged and thought through image like this when they actually need to "act". At least the specific things that I wanted obviously were too much for a regular model. So the whole thing was a disaster, but I greatly learned from this experience and I will definitely give it another shot in the next summer and try to use what I learned to make it work this time. I also came up with a couple of new ideas, so it will likely not only be one next try, but a few. I am so looking forward to going out and shoot again!
He uses a large format camera to correct for converging and diverging verticals, also for the resolution.
@@canturgan Correlation?
@@Project_2501 If you're trying to replicate his images you'll need a few 10k lights and a smoke machine. You might be able to get away with a perspective control lens on a smaller format but it's not as good as a view camera's rising front and tilt swing controls.
@@canturgan I know. As I said, I do not have access to movie production grade equipment, so I need to get creative with what is available to me. I know the gear he uses - countless production level HMI lights with lenses and grids ($30k these days to get modern equivalents, which can be rented and not purchased but still not affordable for normal mortals), light modifiers/blockers/reflectors, cranes, tons of water (for exterior shots), a large format field camera which consumes 15 bucks each time to take a shot because the film and processing is that expensive, generators. Not even listing the staff and actors. This is even just a fraction of what goes into a shoot like this when we think of locations scouting, hiring people, getting permissions and flooding scenes with props, costumes and all kinds of other things. Don't get me wrong, but what are you even trying to tell me, which I haven't already explained in my initial comment?
@@Project_2501 What he's actually doing is creating a mood, taking everyday scenes and building a story around them. That's the starting point, not the equipment.
Marvelous, Crewdson is that rare artist who captures a moment that will last forever. In the 23d century he will be seen as a legend.
Beautifully told! I love the stories you tell through your work. The imagery is simple yet complex with layers, each revealing itself the longer one gazes into the canvas. My university had one copy of 'Beneath the Roses' in its library and I would stare into it for hours around classes. Your work has inspired my own journey in image-making and I'm happy to see these recent uploads. Thank you for what you do, truly.
You’re amazing!❤️
23:40 is the perfect shot that brings what is being said to life. It's very surreal seeing that and how perfect everything looks and the light is amazing!
Thankyou, for creating these and for sharing far and wide.
The amount of thought put into the smallest details is amazing